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Relevance of Art to the society
Relevance of Art to the society
Art and its impact on society
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"You can wipe out an entire generation, you burn their homes to the ground and somehow they will still find their way back. But if you destroy their history, you destroy their achievements and it as if they never existed"(Cambell,2014). During World War II the Nazis would go through the countries they occupied. The art they took was either put in their own museums or they burned them. The Nazis stole millions of pieces of art, mostly pieces that were made from the end of the of the 18th century up until the 1900 's. Hitler ordered his soldiers to steal the art to gain power over other cultures. At the end of the war, the Allies were on a hunt to find all the missing and stolen art the Nazis hid at the end of the war. The big debate today is if the stolen art should go back to their rightful owners. Over a span of six years, the Nazis stole millions of paintings the trails to get those back to their rightful owners has had a lasting impression on today 's world. " (Campbell,2014) Throughout WWII the Nazi regime took to plundering its occupied countries by taking any art that …show more content…
Recently the major countries that were part of WWII are starting to try and push for museums to send back the stolen art to their rightful owners. With the millions of pieces that were stolen during WWII the number of pieces that have not been returned to its heirs is well over 100,000 pieces of art and most of them are currently missing.("Nazi Plunder," n.d.) To help return stolen art, museums search through all of their art to check if any of it was stolen during WWII. Currently though the progress has stopped for returning stolen artwork back to its rightful heirs, because the museums are refusing to give back some of the more major pieces of art. Also the lack of knowing who the art truly belongs to is also slowing down the
Through out the duration of the war the looting and destroying of artworks continued. One might even say it was an obsession. Hitler at the time wanted to create a museum of the best art.
...r figure out what these paintings really stand for. In recent years they have been painted over and redone in certain areas, so something needs to be found before there are no paintings left.
The begging of World War II not only changed countries, economic structures and politics but also had an enormous influence on different sides of life of people and societies. Well-known from the historical experience is the fact that every single of such size as World War always has its resonance on arts, as culture is an inseparable part of people’s lives. Talking of WWII, the response within artistic communities was so strong that artists became a part of the ideological war of the time (Martin). The position of lots of creative people was at the same time very fearful, as they found themselves in occupied countries under the threat of totalitarian regimes and had to immigrate
For years on end, countries have been fighting with big museums from other countries for ancient artifacts that belong to the original countries. The argument of whether or not the museums should be able to keep them still remains. It is the right of the country to have their own artifacts. It is imperative for countries to be able showcase their historical artifacts, therefor museums should return them to their rightful owners.
Art theft, the most stereotypical theft that is looked upon. People think that it’s a joke or something for the movies, it is ignored. “The international police agency reckons that the amount of money changing hands in the art underworld comes to between 4$ billion and 9$ billion.”(Dolnick 11) Edward Dolnick, writer of The Rescue Artist, believes that this ignorance is more than just ridiculous. He proves that this do...
In conclusion, while the world is trying to band together to stop world crises, we are failing drastically. What we need is hope, with the money brought in from human trafficking hope can be gained. This proposal solves the problems of the world on an astronomical scale. There will be no such thing as unemployment if we take a stand and send this in motion. The sex trade opens many jobs, products, and consumers to pay for their services. This proposal is not for the personal gain for a human, but the bettering of our people, society, government, and to pimp our economical growth and state. A modest proposal for the good of the general public, foreign nations, and the neglected children of this world today.
Degenerate art is not bad art; it was just labeled that by the German government. In 1937, an exhibition of over six hundred works labeled Degenerate Art opened in Munich, Germany, right next door to an exhibit of its opposite, Great German Art. The purpose of Degenerate Art was to showcase art with subjects and styles that disobeyed Adolf Hitler’s standards of art, which targeted most modern, avant-garde art that seemingly attacked the purity of the German people. Hitler understood that art was going to play a large role in building his ideal nation, as culture is a major cornerstone in any lasting society. That being said, modern movements, such as Expressionism, Cubism, Futurism, Constructivism, and Dadaism, made up most of the Degenerate Art exhibit because it was a perceived as a threat to German morality. In addition to artistic movements, iconic figures, such as Christ, are found in Degenerate Art. Research has failed to provide an exact reason why images of Christ had been put on display to be ridiculed, but one could assume that the power that Christ had on people threatened Adolf Hitler’s power. Some of the subjects that Hitler saw as Great German Art were works that displayed peasants engaged in their labors, women as mothers, landscapes of Germany, soldiers, workers, and not to forget, images of Germany’s beloved leader. The Degenerate Art exhibition was constructed to parallel an exhibition of Great German Art, which opened at the same time. However, with over two million visitors, the Degenerate Art exhibition nearly quadrupled the number of attendance of its opposite. Due to the outstanding numbers in attendance, the exhibits then became mobile and traveled to various locations throughout Germany. Once the ex...
Palmer, N. E. The Recovery of Stolen Art: a Collection of Essays. London: Kluwer Law
Empowered figures in this great land speak of equality. Of fairness under the laws, or of liberty and justice for all, or that all men, as far as governmental jurisdiction is concerned, are created equal. But I say to you – This is far from the truth, though perhaps it is an untruth many would presume necessary for the good of society. Good people sharing my race are condemned to nigh infinite torment that departs only in death. Why must my children live in a society that dictates one’s fate on the basis of appearance over heart? Why, after having become forty years of age, is this a piece of the very fabric we have constructed our society upon? This must not be, for it goes against the very ideas of equality that
Whether its money, a phone, a car, or a masterpiece, which in turn the pilfered items are sold on the black-market, or out on the street. For an art buff, collector, or a curator, this is an absolute nightmare. Often when stored the crooks simply roll the masterpiece up in a suitcase, or simply cover the canvases with sheets. The damage this does to the works can be horrendous. A light must be shine on this dark branch of crime, awareness could return works of art that are missing, or are thought to be lost forever. Then perhaps one day the term “rescue artists” may not have to be used.
It requires generous amount of time to protect the art pieces and make it difficult to steal or damage. We found someone with experience in all three: Thomas P. Campbell, Director and CEO of The Metropolitan Museum of Art. Thomas to show us how he'd secure a priceless painting if money were no object. The security program he designed is comprehensive; it not only protects the work itself, but also the room it hangs in and the museum as a whole. His institution wants to provide the safest facility for visitors and workers possible. This institution wants to know when any illegal, violent, abusive or threatening behavior occurs on our premises in order to take action to prevent injury, damage, or interruption of operation, and prevention of another occurrence. The museum does not tolerate any unauthorized person to carry firearms, deadly weapons, or clearly dangerous materials on our premises, in accordance with local laws, and posts its property and facilities accordingly. Gail B. Stewart suggested in Lucent Library of Homeland Security. Defending the Borders (pp. 58-70), the museum intends to detain and turn over to police authorities any visitors or staff who break major criminal laws or who display a serious or immediate threat to themselves or
and etchings of George Grosz and Otto Dix, World War I reshaped the notion of what art is, just as it
The subject of art conservation and restoration has long been debated in the art world. Experts and historians have never agreed that all art must be salvaged at any cost. This paper will examine what art conservation and restoration is, what is involved in these endeavors, and what has been done over the centuries to many of history’s cherished art pieces.
Over the last ten years people in the United State and around the world have heavily relied more on their debit or credit cards to process transactions of their purchases. In the old days it used to be when you would get your paycheck on Friday and rush to the bank during your break or lunch in order to cash withdraw your funds or deposit them into your account. It used to be where you carry cash to buy groceries, pay bills, and go shopping. Now some people don’t even set foot inside their bank branch because they are paid using direct deposit or the funds are loaded into a debit card provided by their employer. Many employers from around the globe don’t even issue paper check anymore. Bills are often times paid online, babysitters are accepting electronic payment such as PayPal and even food trucks now take electronic payments. According to a Washington Post column by Michelle Singletary society and businesses embrace using cashless ways to pay for things than the old time traditional “cold hard cash”. In my opinion there should still be cash circulating out in the world. My first ...