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A writing about personality
A writing about personality
A writing about personality
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N is for Nothing compares
“There is no charm equal to tenderness of heart” (245). Emma says that there is nothing as attractive as being good hearted. She says this in describing why she is fond of Harriet; though she is not wealthy or intelligent, Harriet is kind. Emma’s opinion is a theme that is portrayed throughout the novel. When Harriet is asked about Mr. Martin’s appearances, she says, “not handsome… very plain at first” (25). She describes him as a plain looking person, not overly attractive, yet she is very fond of him. She likes him because of his character, not his physical characteristics. This supports Emma’s idea and theme; a good personality and a kind heart is more important than appearances.
O is for One in a Hundred
“You might not see one in a hundred with gentleman so plainly written as in Mr. Knightley” (29) Emma describes Mr. Knightley’s personality by saying what a gentleman he is; she says that even in a large group of people, no one is so obviously a gentleman as he is. It is in Mr. Knightley’s character to be a gentleman, someone who is refined and respectful; he is so much a gentleman, that Emma makes a claim that he is one of the most gentleman like people.
P is for Perfection (question #10) Two couples in Jane Austen’s Emma are Mr. Knightley with Emma and Mr. Churchill with Jane Fairfax. Their
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However, the view on a foolish action depends on the person judging. When Mr. Churchill’s secret engagement is discovered, everyone looks down upon it. He did it purposefully and lied to many people, making it what Emma would consider “wickedness.” However, when Emma convinces Harriet to not marry Mr. Martin, she thinks her decision is a good choice. However, Mr. Knightley is very much against it; her action is not one done purposely for evil. She acts out foolishness, making her decision not clearly evil and can be considered both positive and
Waldron, Mary. “Men of Sense and Silly Wives: The Confusion of Mr. Knightley.” Studies in the Novel 28.2 (1996): 141-158.
Emma's arrogance shines through when she brags that she is exceptionally skillful at matching couples. She believes that she is in control of fate and must play matchmaker in order for couples to discover their true love. Austen confirms, "The real evils indeed of Emma's situation were the power of having rather too much her own way, and a disposition to think a little too well of herself" (Austen 1). Although Emma is so spoiled and overbearing, she truly doesn't realize this fact.
By writing the happy ending of Persuasion at the hands of the Crofts, Austen suggests that the Crofts were aware of Anne and Wentworth’s previous relationship throughout the novel, and all the while were exploring the possibility of a rekindling of the relationship through their hints and indirect comments. For example, in Anne’s first meeting with the Crofts, to Anne’s embarrassment Mrs. Croft says to her, “It was you, and not your sister, I find, that my brother had the pleasure of being acquainted with, when he was in this country”—hinting at her knowledge of the two’s previous relationship (Austen 36). A few moments later, Anne hears the Admiral remark to Mary about the arrival of one of Mrs. Croft’s brothers—one whom she “know[s] him by
He is a man that gets paid to argue, and every aspect of him screams stereotypical Jewish man. He is successful, he has a thick east coast accent, and he spoils his daughter. In a scenario that today’s generation would decry as racially insensitive, this setting perfectly describes a modern twist to Emma’s setting in aristocratic, and slowly industrialized Britain. “She was the youngest of two daughters of a most affectionate, indulgent father; and had, in consequence of her sister’s marriage, been mistress of his house from a very early period.” (Austen ch.1) Mr. Woodhouse dotes on Emma and spoils her. This plays into her portrayal as a haughty character. In Clueless, Cher is spoiled as well and is often found on or around the Sunset Strip, but rarely seen in The Valley. The fact that her father is successful plays into her belief that she is empowered to matchmake with other people. Effectively, this creates a mess of miss-communication that results in her being rather lonely towards the end of the
Another form of Emma’s neglect is one of manipulation, mostly through her control over Harriet Smith. Emma is “willful, manipulative, an arranger or rather a misarranger of other people’s lives. Much of the time she fails to see things clearly and truly, and her self-knowledge is uncertain” (Goodheart)25. “One significant effect of harping on Emma's snobbery is to set in relief her romantic notions of Harriet's origin and destiny” (Brooke)26. Although to Harriet, Emma’s “help” to her is one that will reveal optimistic results and a proper husband, Harriet is incapable to taking up for herself against Emma, but if “[s]he would form her opinions...
...ied about his intentions during the entire novel, no one truly knows him. Frank’s uncle, Mr. Churchill is inferior to his wife in regards of control. Throughout the novel the reader hears more about his wife than they hear about him. Their relationship represents complete switch of the traditional idea of man being superior to woman. The Knightleys however, John and Isabella, are purely conventional and are ideal couple for Nineteenth Century society’s times. Mr. Elton does not represent true gentility while Mr. Weston too gentle. Although all of these characters have their flaws, Austen finds her perfect figure in George Knightley. His infallible nature is unrealistic, yet it gives society the ultimate gentleman to aspire for. Austen’s Emma is more than a comedic novel of manners but also a quintessential piece that fits perfectly into the lives of today’s society.
discover him to be proud, to be above his company, and above being pleased; and not all his large estate in Derbyshire could then save him from having a most forbidding, disagreeable countenance, and being unworthy to be compared to his friend (7).
Emma's personality is largely shaped by the nature of her upbringing. Emma had no motherly figure guiding her as she grew up, due to the fact that her mother passed away at a young age, and her governess, Miss Taylor, became her best friend instead of an authority over her. At the start of the novel Miss Taylor gets married to Mr. Weston, leaving Emma with her despondent and hypochondriac father, Mr. Woodhouse. Although Mr. Woodhouse often confines Emma to the house because of his paranoia of her being harmed, he gives her little guidance. Emma becomes accustomed to being the "princess" of her house, and she applies this role to all of her social interactions, as she develops the ability to manipulate people and control them to advance her own goals. Emma views herself with the highest regard, and feels competition and annoyance with those who threaten her position. Emma has much resentment toward Mrs. Elton, as Mrs. Elton becomes a parody for Emma's mistakes and interactions. Mrs. Elton's attachment to Jane Fairfax is much like Emma's attachment to Harriet Smith; both Mrs. Elton and Emma attach themselves to young women and try to raise their...
Utterson is a man of the middle class because he performs mental and fair work. He is known as an illustrious and trustworthy lawyer and he is extremely respected all through the London area. "Utterson is the textbook definition for a perfect Victorian gentlemen" (The Public Cultu...
The theme of social status and society is prevalent in the novel of Emma, through the characters Emma, Mr. Knightley, Mr. Churchill, and their situations and perspectives on life. Austen describes Emma as, “handsome, clever, and rich, with a comfortable home and happy disposition, seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her” makes her outlook disparate from characters such as Harriet (Austen, Emma 3). Immediately through her description, Austen indicates Emma’s haughty perspective on society through her referencing her friends as “first set” and “second set.” Through Emma’s classification of her friends by their social status and importance, first set being the superior and second set being the inferior and locum, the reader is able to have a glimpse of Emma’s outlook on society and it’s classes. Knowledge Notes -.
Emma's active decisions though were based increasingly as the novel progresses on her fantasies. The lechery to which she falls victim is a product of the debilitating adventures her mind takes. These adventures are feed by the novels that she reads. They were filled with love affairs, lovers, mistresses, persecuted ladies fainting in lonely country houses, postriders killed at every relay, horses ridden to death on every page, dark forests, palpitating hearts, vows, sobs, tears and kisses, skiffs in the moonlight, nightingales in thickets, and gentlemen brave as lions gentle as lambs, virtuous as none really is, and always ready to shed floods of tears.(Flaubert 31.)
Emma Woodhouse tries to use her influence to manipulate everyone around to her likings, and she only accepts the advice of mentors who agree with her. Emma knows that she is clever, and, having grown up as the smartest person among in Hartfield, she is continually being praised for her wit. As Mr. Knightley told Mrs. Weston, “Considering how very handsome she is, appears to be little occupied with it; her vanity lies another way” (33). She believes herself to be in the right without considering any other possibilities, or she rationalizes those possibilities away. More often than not, she is wrong.
As the novel progresses, Emma becomes more mature, and realizes how silly she had been in the past. In the end, she finally stops matchmaking others and marries Mr. Knightley, who was perfect for her all along. Mr. Knightley: Mr. Knightley is another main character in the novel. He is quite a bit older than Emma, at 38. He is also Emma’s brother-in-law.
Within the novel, Jane Austen’s exploits of irony are shown linked throughout Emma’s notions of love and the real within her own society. Emma’s lack of education on the concepts of love is quite evident within her apathy towards Frank Churchill as her opinions are deeply rooted within her own affections, as she states, “Emma continued to entertain no doubt of her being in love. Her ideas only varied as to the how much. At first, she thought it was a good deal; and afterwards, but little. She had great pleasure in hearing Frank Churchill talked of; and for his sake, greater pleasure than ever in seeing Mr. and Mrs. Weston; she was very often thinking of him. But, on the other hand, she could not admit herself to be unhappy, nor, after the first morning, to be less disposed for employment than usual; she was still busy and cheerful; and, pleasing as he was, she could yet imagine him to have faults,” (Austen 264). Emma’s sketch of Harriet is another illustration of irony surrounded by Emma’s arrogance as it does not portray an accurate depiction of Harriet as Emma has altered ...
The men in Emma’s life are subpar: her father essentially sells her so he can live comfortably without thinking about her needs, Charles, her husband is bland and inattentive to her needs, Rodolphe, her first lover is a player and uses her for sex even though he knows she is in love with him, Leon, her other lover satisfied her only for a short amount of time and then could not keep her interested. Because of the disappointing men in her life, Emma must turn to novels to encourage her will to live. She clings to the romance shown in fiction because she cannot find any in her own life. Whenever Emma indulges herself and dreams of romance, she has just been heartbroken. The first scene is after Rodolphe breaks up with Emma, she goes to the theatre and thrusts herself into a dreamed life with the main character of the play: “she tried to imagine his life…the life that could have been hers, if only fate had willed it so. They would have met, they would have loved!” (Flaubert, 209). In order to help herself get over Rodolphe, she has to reimagine a life with another man. The second follows Emma fretting breaking up with Leon, as she no longer tolerate him. As she’s writing another love letter to Leon, she creates an imaginary lover to write to. Creating a man from her favorite novels, a man so perfectly imagined she could practically feel him.