Paul Jackson Pollock: Per The Art Story Foundation

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Per the Art Story Foundation, he was born Paul Jackson Pollock in 1912 Cody, Wyoming the youngest of five children, and the son of a surveyor constantly moving from place to place all over California, Pollock went to high school in Los Angeles, CA, where he met Philip Guston who introduced Pollock to Theosophical ideas (Artstory.org). Which prepare Pollock for his future dealing in Surrealism and psychoanalysis, Pollock had a rough child hood but he developed a love for nature, animals, and the expanse of the land when he was a child, Jackson Pollock was only 11 years old when he discovered Native American Art (Freedgood 112).
Pollock was an abstract expressionist American painter in the 1930’s he studied with Thomas Benton in New York at …show more content…

With the use of lines and color the narrative style of the murals and the composition. With bright colors and strong motion in their works it is easy to see what drew Pollock to these painters. Miró and Orozco stuck to their abstract movements while Going West uses realism. Pollock painted Going West in his early days before the drip painting became popular. Pollock only painted for 30 years while Orozco and Miró painted throughout their lifespan. Joan Miró was a Spanish painter and printmaker (Wilkes 216). Per the Smithsonian Institute Miró was born in 1893 and died in 1983, early in his career, Miró primarily painted still-lives, landscapes, and genre scenes. The crowded composition of Miró in some ways echoed his feeling regarding the violent upheaval in Europe at the time. Jose Clemente Orozco was a Mexican muralist and he was born in 1883 and lived until 1949 (Wilkes 98). Their styles of work impressed Pollock which helped him to create and interpret their techniques into his …show more content…

Then as his age progressed and he studied with Thomas Benton, he began to paint more expressive pieces. Fast forward to his time with the Jungian analyst who was helping him to treat his alcoholism they encouraged him to create drawings again which would later be the guide to create his paintings. These works during this time shaped Pollock’s understanding of his painting not only as projections of his insides but expressions of his fear and pain and those of modern society at the time living with the loom of nuclear war overhead. Pollock’s work depended on what was going on in the world around him and he used his talents to expose or to deal with the way he was feeling sober or not. Pollock was expressive in his work especially in his drip paintings. Pollock was so personal in his work that he created a new look and style of painting with his painting later in his body of art. Pollock relied on his intuition and his body to infuse his images with emotional force, he felt driven to express his emotions through painting (Metro

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