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Jackson pollock work analysis
Jackson pollock analysis essay
Jackson pollock analysis essay
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With an admiration for the unconventional, I am moved by Jackson Pollock’s Autumn Rhythm (number 30). If I could see any art piece in person, this would be my choice. I believe that Pollock’s radical painting style and the way in which he lay the canvas flat on the floor to work, gives this piece a deepened perspective. There is a visible control in the chaos to which Pollock has said "I can control the flow of paint: there is no accident." Seeing this piece in person would awaken my unconsciousness, and convey the feeling of spontaneity that I wish society will still embrace.
Joseph Hirsch’s painting Daniel was painted in 1976-1977. In 1978 during the153rd Annual Exhibition of the National Academy of Design, it won the First Benjamin Altman (Figure) prize. It measures 38 inches by 45 inches (96.52 cm x 114.3 cm) with a five inch gold wood frame surrounding it. The medium is oil on canvas. Everything within the painting is centered to draw your eyes to the action of the turned head and the pointed finger. According to the placard next to the painting this is a modern day version of the biblical story of Belshazzar’s Feast following the sacking of Jesualism from the Book of Daniel. From this point on, each figure within the painting will be addressed as Hirsch intended. The painting depicts a seated king, a dozing courtesan and Daniel. The three figures are the focal point of the composition. Hirsch uses a strong color palette to give the painting a luxurious and wealthy feel. Although the detail is not miniscule, the composition as a whole is easily understood. The use of oil paint allowed Hirsch to play with the composition as it was created.
The American artist Fred Tomaselli arranges pills, leaves, insects and cutouts of animals and body parts to create his pieces of art. His incorporation of items are arranged to suggest a level of perception along with a heightened visual experience. This gives me, the viewer, a sense of Energy. The perception of color that Fred uses gives a gravitating feel. If you take a look at the heart of this piece you can instantly visualize the different items Fred incorporates into the piece.
· 1999: Private commissions (2). Continues to work on paintings for traveling exhibition, Visual Poems of Human Experience (The Company of Art, Chronology 1999).
Some of these animations add visuals when a complex idea is being described, such as the idea of the ‘lemon dance” or the ‘rubber room’ in New York. Guggenheim also takes the idea of tenure and uses these techniques to twist tenure into somethi...
Jackson Pollock was an American abstract artist born in Cody, Wyoming in 1912. He was the youngest of his five brothers. Even though he was born on a farm, he never milked a cow and he was terrified of horses because he grew up in California. He dropped out of high school at the age of seventeen and proceeded to move to New York City with his older brother, Charles, and studied with Thomas Hart Benton at the Art Students League. Thomas Benton was already a great artist at the time in which Pollock studied with him. Benton acted like the father figure in Pollock’s life to replace the original that wasn’t there. Benton was known for his large murals that appear on ceilings or walls. “Jack was a rebellious sort at all times,” recalls his classmate and friend, artist Harold Lehman. He grew his hair long and helped pen a manifesto denouncing athletics, even though “he had a muscular build and the school wanted to put him on the football team,” says former teacher Doug Lemon. Pollock always was upset with himself in his studies because he had troubles drawing things like they were supposed to look. From 1938 to 1942, Jackson joined a Mexican workshop of people with a painter named David Siqueiros. This workshop painted the murals for the WPA Federal Art Projects. This new group of people started experimenting with new types of paint and new ways of applying it to large canvas. People say that this time period was when Jackson was stimulated with ideas from looking at the Mexican or WPA murals. Looking at paintings from Picasso and the surrealists also inspired Jackson at this time. The type of paint they used was mixing oil colors with paint used for painting cars. Jackson noticed that the shapes and colors they created were just as beautiful as anything else was. Jackson realized that you didn’t have to be able to draw perfect to make beautiful paintings. Jackson started developing a whole new way of painting that he had never tried before and his paintings were starting to look totally different from before.
Paul Jackson Pollock was an amazing alcoholic artist. Jackson Pollock was one of the most controversial Americans of the 1930s. He helped shape the way America is today, yet he is not on the “100 Most Influential Americans.” (https://www.theatlantic.com) However I believe he should be on the list, simply because Jackson Pollock changed how people see the world.
Keith Haring’s poster of Ignorance=Fear, Silence=Death has a series of three yellow colored people in several different positions. The figures are non-representational because we do not see anything that truly defines the gender, age, or possibly even race of these people. The first yellow colored figure has their hands covering to what appears to be their eyes, and has a pink x over their stomach. A series of black lines surround the figure. Some of these lines are straight and others curve around the figure’s body. The second figure is covering the sides of their head. Once again a pink x mark is covering their stomach, and there are black curved and straight lines surrounding the body. Finally, the last figure we see is covering the bottom
One does not simply come to the city of Philadelphia without paying a visit to the Philadelphia Museum of Art. Visited by more than 800,000 people each year, the museum holds more than 227,000 art pieces and objects, including lot of European and American paintings, drawings, prints, and decorative objects. I visited the museum a couple weeks ago with the intention of finding an art piece that I can connect with to write a paper about it. It took me a while to actually find the piece that attracted me at the first glance- The Sheltered Path, an oil-canvas painting by the artist Claude Monet. Housed permanently on the first floor of the museum in Gallery 152 (Toll Gallery) which housed a collection of art pieces with the common theme: European Art from 1850-1900, the painting attracted me through its vibrant colors and its simplistic, yet meaningful beauty. The gallery also had other paintings by the same artist along with other artists who had similar painting styles. I chose this piece to write my paper on because I felt like I could relate to this painting because I could imagine myself being the main character in the story in the image. Claude Monet is also one of my favorite artists because I love the natural beauty of his impressionistic paintings.
As I enter the Gioconda and Joseph King Gallery at the Norton Museum of Art the first thing that Caught my attention was a painting measuring approximately at 4 ft. by 10 ft. on the side wall in a well- light area. As I further examine the painting the first thing I notice is that it has super realism. It also has color, texture, implied space, stopped time, and that it is a representational piece. The foreign man sitting on the chair next to a bed has a disturbed look on his face and is deep into his own thoughts. It’s as if someone he loved dearly just experienced a tragic and untimely death. He is in early depression. I could feel the pain depicted in his eyes. A book titled The Unquiet Grave lying open on the floor by the unmade bed suggesting something is left unresolved. The scattered photos and papers by the bedside cause redintegration. The picture of Medusa’s head screaming on the headboard is a silent scream filled with anger and pain, yet it cannot be heard. I feel as if I am in the one sitting in the chair and I can feel the anger, and regret.
According to Erin Monroe and Realista Rodriguez, “Keith Haring was born on May 4, 1958 to Joan and Allen Haring, residents of Reading, Pennsylvania” He is a painter who according to Erin and Realista “encouraged drug awareness through his ‘Crack is Wack’ murals” in 1986. Israel described the media as a “mural” in NYC, due to its location next to passing cars on the Harlem River Drive (in Manhattan at 128th Street)
Jackson Pollack and Vincent van Gogh are some of most famous artist before and after their time. Each artist has a similar and different painting methods that they use when painting pictures. There most well-known paintings are called “Number 1” and “The Starry Night”. The paintings give off emotion by how they look, but each one is painted in different ways. The public did not find their paintings wanting when they were made. The difference was how long it took for them to get recognized for their work. Lastly, the paintings gave different and similar reactions to people that have changed over the years of their existence.
Jackson Pollock born on 29th January 1912 in Wyoming. Pollock studied with Thomas Hart before leaving traditional techniques to explore abstract and expressionism. Pollock’s father was an abusive alcoholic which he then left the house. Then Charles, Pollock’s brother was like a father for Jackson Pollock. Charles was an artist he was considered the best in the family. Charles greatly influenced Pollock. Pollock enrolled in a manual art school from which he was expelled twice. Pollock then abandons his creative pursuits. Pollock then studies with Charles’s art teacher. During the depression president Franklin Roosevelt created Public works of art project. Pollock and Sanford (Pollock’s other brother)
...iewed art. The individual is removed from the comfort zone of relying on word of mouth and is challenged to think for themselves what truly deserves praise. By examining how they have viewed art in the past and applying the knowledge gleaned from the article to a reassessment of art, the person stands to benefit from the experience. In choosing to listen to their spirit and no one else, they experience genuine inspiration from a work of art, not counterfeit inspiration that results from word of mouth. In examining the simpler forms of art, that individual discovers beauty in areas once believed to be devoid of beauty and discovers nature is bursting with radiant beauty. Just as a fable can deliver a message as powerfully as an epic, so can a humble picture residing in an unassuming abode inspire the beholder as immensely as the lauded masterwork nesting in a mansion.
The artist, in rebelling from the chaos, or rigidity, imposes her will, via a work, onto the world. This force of will is a declaration of liberation. The artist attempts to be free from the world in which she, at once, rejects and concedes (1956, 253).But, as has been previously illustrated, there is no hope in actually achieving this end.
Wandering a museum or through an art exhibit can whisk you off to another land… that heavenly little place where you can find peace and quiet. As you observe the paintings up close, you cannot help but bask into the creativity of the artist whose works leave an enormous impact on your mood… whose colors influence your emotions.