According to Erin Monroe and Realista Rodriguez, “Keith Haring was born on May 4, 1958 to Joan and Allen Haring, residents of Reading, Pennsylvania” He is a painter who according to Erin and Realista “encouraged drug awareness through his ‘Crack is Wack’ murals” in 1986. Israel described the media as a “mural” in NYC, due to its location next to passing cars on the Harlem River Drive (in Manhattan at 128th Street)
Personally, I find this painting very interesting, because it is addressing a moral issue (use of drugs) that is destroying our society. In a Huffington post by Matthew Israel, Crack is wack painting became one of the most talked about painting, because “of the newsworthiness of crack cocaine and Regan’s War on Drugs”
In the
Surprisingly, fifty years later, artist John Sloan happen to meet all the qualifications Baudelaire has designed for Monsieur G— making urban life observations and drawing from memory. Sloan adopts and employs Baudelaire’s idea of urban watching and further expands it for an American audience. Born and raised in Philadelphia, John Sloan first begun his art career as a newspaper illustrator. After years of working, he developed his own artistic style and started making paintings and etchings. When he moved from Philadelphia to New York, he has found that city life scenes of great interest that he then started observing and making etchings for scenes of modern life. He was well-known and celebrated as the founder of the Ashcan School and was most celebrated for this urban genre scenes. (Lobel, Chapter1)
Gallery 19 of the Museum of Modern Art features Pop Art trailblazers of the early 1960s, ranging from Roy Lichtenstein’s “Girl with Ball” to Andy Warhol’s “Gold Marilyn Monroe.” Alongside these emblematic works of art, there hangs a more simplistic piece: a six foot square canvas with three yellow letters, entitled “OOF.” The work of art, created by Ed Ruscha in 1962, is a painting that leaves little room for subjective interpretation as does the majority of his work. Ruscha represented the culture in the 1960s through his contributions to the transition from Abstract Expressionism to Pop Art, efforts to redefine what it meant for a painting to be fine art, and interpretation of the Space Race.
Keith haring was born in Pennsylvania on May 4th, 1948. From the very beginning when he was young he started drawing cartoons drawing like the ones he saw on television. He was heavily influenced by his father Allen and popular cartoons of his time like Walt Disney, Charles Schultz, and Dr. Seuss. He studied art at the Ivy School of Art in Pittsburgh, where he started making silkscreen print on
Eric Carle, a widely known children’s book illustrator, was born in Syracuse, New York in 1929. His stylistic technique of collaging hand painted papers that are cut and layered to create cheery images has made him and his work distinct and easily recognizable. He grew up in Germany but moved back to the states where his advertising career began, followed by his work as an illustrator. Due to Carle’s love for nature and successful advertising career, his vibrant, simple, and animal-filled illustrations are clear pieces of evidence that reflect his past experiences.
Drug usage demonstrated how Americans lived a rebellious life style. Drugs would be used for medical and non-medical reasons. Consequences of the unbridled use of drugs cannot be measured precisely (The Sixties in America). This displayed how Americans no longer were concerned about the consequences for their actions. Drugs can take a big toll on one’s body if over used too much. During the 60s, non-medical consumptions tended to be confined largely to the artistic and minority communities (the Sixties in America). With many citizens in poverty, they would reach out to drugs as a method to get their minds off of their circumstances. Artist would use drugs as a way to further enhance their ideas for an artistic demonstration. Drug consumptions woul...
This study examined the determining factors to why these subjects involve themselves in the activity that they do. By sitting down and talking with these Adolescent Black males you get a better understanding of them and their situation. It has been concluded that the ones involved in crack dealing either struggle with peer pressure, low self esteem, socioeconomic status or severe family issues.
Crack is the name given to cocaine that has been transformed into a condensed, more pure, rock form that can be smoked. It is the most addictive form of cocaine due to a higher potency level than the typical batch of street cocaine. Crack cocaine has often been referred to as a ‘soul drug’ because it has a tendency to rob its victims of everything including money, family, morals, and even life itself. Furthermore, it is possible to become addicted to crack cocaine from the very first time it is used, creating a vortex of misery for those who come into contact with it. Compared to other drugs, crack cocaine has a rather short history in America since it was only introduced the 1980’s. However, within this short period, Crack cocaine
James Joyce's A Portrait of the Artist as a Young Man, which takes place in late 19th century Ireland, is a modernist Bildungsroman about Stephen Dedalus, a young man who, while facing the obstacles of his family, religion, and nation, tries to discover his life's purpose. Throughout the novel, Joyce takes the readers through Stephen's labyrinthine life, using techniques such as epiphanies, betrayals, and central images.
Eugene Richards has had a long and celebrated career of documenting the perils of humanity. He is a photographer, writer, teacher, and storyteller for the common people. He has nine books to his name, which can attest to these titles. In his first monograph, Few Comforts of Surprises, he tackled the pains of poverty in the Arkansas Delta. He also miraculously found his way into an Emergency Room to make his award winning The Knife and Gun Club. In his latest book titled Cocaine True Cocaine Blue (1994), Richards goes into three of the most drug plagued, and crime ridden areas of America: East New York; North Philadelphia; and the Red Hook Housing Project in Brooklyn, New York.
Keith Haring’s poster of Ignorance=Fear, Silence=Death has a series of three yellow colored people in several different positions. The figures are non-representational because we do not see anything that truly defines the gender, age, or possibly even race of these people. The first yellow colored figure has their hands covering to what appears to be their eyes, and has a pink x over their stomach. A series of black lines surround the figure. Some of these lines are straight and others curve around the figure’s body. The second figure is covering the sides of their head. Once again a pink x mark is covering their stomach, and there are black curved and straight lines surrounding the body. Finally, the last figure we see is covering the bottom
America's outlook of crack cocaine is identified with poor blacks and Hispanics. Crack houses, crack dealers, crack whores and crack babies sum up everything a white person fears about the "ghetto lifestyle," along with the media and government. Shamelessly to manipulate and amplify the racists connection between black and crack. Hundreds of crack users die annually but not all of them fit into the stereotypically profile. Truth is, today in your middle class neighborhood sweet and innocent teenage Susie and Bobby might be out on the weekends smoking crack with their friends as a regular thing. Along with drinking alcohol and smoking pot.
As I enter the Gioconda and Joseph King Gallery at the Norton Museum of Art the first thing that Caught my attention was a painting measuring approximately at 4 ft. by 10 ft. on the side wall in a well- light area. As I further examine the painting the first thing I notice is that it has super realism. It also has color, texture, implied space, stopped time, and that it is a representational piece. The foreign man sitting on the chair next to a bed has a disturbed look on his face and is deep into his own thoughts. It’s as if someone he loved dearly just experienced a tragic and untimely death. He is in early depression. I could feel the pain depicted in his eyes. A book titled The Unquiet Grave lying open on the floor by the unmade bed suggesting something is left unresolved. The scattered photos and papers by the bedside cause redintegration. The picture of Medusa’s head screaming on the headboard is a silent scream filled with anger and pain, yet it cannot be heard. I feel as if I am in the one sitting in the chair and I can feel the anger, and regret.
Jackson Pollock born on 29th January 1912 in Wyoming. Pollock studied with Thomas Hart before leaving traditional techniques to explore abstract and expressionism. Pollock’s father was an abusive alcoholic which he then left the house. Then Charles, Pollock’s brother was like a father for Jackson Pollock. Charles was an artist he was considered the best in the family. Charles greatly influenced Pollock. Pollock enrolled in a manual art school from which he was expelled twice. Pollock then abandons his creative pursuits. Pollock then studies with Charles’s art teacher. During the depression president Franklin Roosevelt created Public works of art project. Pollock and Sanford (Pollock’s other brother)
In A Portrait of the Artist as a Young Man, Stephen Dedalus defines beauty and the artist's comprehension of his/her own art. Stephen uses his esthetic theory with theories borrowed from St. Thomas Aquinas and Plato. The discourse can be broken down into three main sections: 1) A definitions of beauty and art. 2) The apprehension and qualifications of beauty. 3) The artist's view of his/her own work. I will explain how the first two sections of his esthetic theory relate to Stephen. Furthermore, I will argue that in the last section, Joyce is speaking of Stephen Dedalus and A Portrait of the Artist as a Young Man as his art.
"A picture can paint a thousand words." I found the one picture in my mind that does paint a thousand words and more. It was a couple of weeks ago when I saw this picture in the writing center; the writing center is part of State College. The beautiful colors caught my eye. I was so enchanted by the painting, I lost the group I was with. When I heard about the observation essay, where we have to write about a person or thing in the city that catches your eye. I knew right away that I wanted to write about the painting. I don’t know why, but I felt that the painting was describing the way I felt at that moment.