Painters paint what they feel. Whether it is at that very moment, or how they have felt for the past five years - an artist’s work is always about how they feel. That is why anyone can tell all there is to know about Krasner and Pollock’s relationship just by viewing their artwork. One reason why I chose them is because I heard a joke about Jackson Pollock in my favorite TV show, Archer. Another reason is that one of his paintings, “One: Number 31,” looks to me like the Vatican’s “Thrown of Satan.” The foremost reason why I chose this couple is that their mutual attractiveness matches, making for a pleasant picture. Although Jackson and Lee’s relationship was charming on the surface, it was volatile. The nature of this might have helped Pollock’s work elevate, but it definitely affected Krasner’s work negatively.
January 28, 1912, Paul Jackson Pollock was born in Cody, Wyoming. He was the youngest of five boys, and began taking an interest in art after his oldest brother, Charles Pollock. He later enrolled at Manual Arts High School in Los Angeles, first doing sculptures, and then later doing paintings. After getting kicked out for starting fights, he moved to New York and shadowed Thomas Hart Benton, attending the Art Students League. Benton’s family took Jackson under their wing. But after his father died suddenly, Pollock became depressed. This lead to excessive drinking and the threatening of Charles’ wife with an ax that he threw at one of Charles’ paintings scheduled for an upcoming exhibition. He was then kicked out, and the Great Depression started to take place.
During the Great depression, Franklin D. Roosevelt started a program for artists called the Public Works of Art Project, where artists were given $24.86 to do...
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Works Cited
http://www.biography.com/people/jackson-pollock-9443818?page=3 (march 25) http://www.biography.com/people/lee-krasner-37447 (march 25)
"Pollock, Jackson 1912-1956." American Decades. Ed. Judith S. Baughman, et al. Vol. 6: 1950-1959. Detroit: Gale, 2001. 61.Gale Virtual Reference Library. Web. 2 Apr. 2014.
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http://www.theartstory.org/artist-krasner-lee.htm (April 7, 2014)
http://totallyhistory.com/paintings-by-jackson-pollock/ (April 8, 2014)
http://www.nytimes.com/2008/09/14/nyregion/nyregionspecial2/14artsli.html?_r=0 (April 11, 2014)
http://www.thecityreview.com/krasner.html (April 11, 2014)
http://www.biography.com/people/groups/jackson-pollock-and-lee-krasner#awesm=~oBmqbURWaZzqfz (April 13, 2014)
Debussy was the first modernist composer; and considered by many to be the greatest French writer, this was because he was not a part of the common fundamental German tradition in music. Instead of following to the rules created at an earlier time for common practice harmony, he liked to make up his own chords, which he called "chords with no names." He is known for composing "Voiles" and "The Prelude to the Afternoon of a Faun." He was connected to the symbolist poetic movement and known for using selective orchestration. Debussy's famous opera, Pelléas et Mélisande, was completed in 1895. It became a sensation when it was first performed
F. O. Gatell, Ed. Los Angeles: Holt, Rinehart and Winston, Inc. Deusen, G. G. (1992). The Jacksonian Era 1828-1848 (2nd ed.).
Benson, Alvin K. “Bo Jackson.” The Eighties in America. Ed. Berman Milton. 3 vols. Salem Press,
"America's Great Depression and Roosevelt's New Deal."DPLA. Digital Public Library of America. Web. 20 Nov 2013. .
During the 1920’s, America was a prosperous nation going through the “Big Boom” and loving every second of it. However, this fortune didn’t last long, because with the 1930’s came a period of serious economic recession, a period called the Great Depression. By 1933, a quarter of the nation’s workers (about 40 million) were without jobs. The weekly income rate dropped from $24.76 per week in 1929 to $16.65 per week in 1933 (McElvaine, 8). After President Hoover failed to rectify the recession situation, Franklin D. Roosevelt began his term with the hopeful New Deal. In two installments, Roosevelt hoped to relieve short term suffering with the first, and redistribution of money amongst the poor with the second. Throughout these years of the depression, many Americans spoke their minds through pen and paper. Many criticized Hoover’s policies of the early Depression and praised the Roosevelts’ efforts. Each opinion about the causes and solutions of the Great Depression are based upon economic, racial and social standing in America.
Wukovits, John F., ed. America's Decades: The 1920's. San Diego: Greehaven Press Inc., 2000. Print.
In a time of dire need there is always at least a sliver of hope that remains, a light that never goes out despite the darkness around. If this is the case, for a time such as the Great Depression than what was that “sliver of hope” or that “light in the darkness”, so to speak? Although President Franklin Delano Roosevelt’s other efforts are much appreciated, the “light” of the Great Depression is, hands down, the Works Progress Administration. Why? The Great Depression was a time of despair and unfortunate events for all citizens of the United States; left and right, the homeless and the jobless were seen forlornly sauntering the streets seeking jobs that could and would not be found. It is in this instance that the Works Progress Administration takes the stage, created by President Franklin Roosevelt, the WPA’s sole reason of existence was to employ the jobless by funding public works projects. With these projects the unemployed were given jobs and projects were carried out such as the photography projects of the Farm Security Administration. Among the most famous photographers of these projects are Dorothea Lange, Walker Evans, and Russell Lee.
Jackson Pollock was an American abstract artist born in Cody, Wyoming in 1912. He was the youngest of his five brothers. Even though he was born on a farm, he never milked a cow and he was terrified of horses because he grew up in California. He dropped out of high school at the age of seventeen and proceeded to move to New York City with his older brother, Charles, and studied with Thomas Hart Benton at the Art Students League. Thomas Benton was already a great artist at the time in which Pollock studied with him. Benton acted like the father figure in Pollock’s life to replace the original that wasn’t there. Benton was known for his large murals that appear on ceilings or walls. “Jack was a rebellious sort at all times,” recalls his classmate and friend, artist Harold Lehman. He grew his hair long and helped pen a manifesto denouncing athletics, even though “he had a muscular build and the school wanted to put him on the football team,” says former teacher Doug Lemon. Pollock always was upset with himself in his studies because he had troubles drawing things like they were supposed to look. From 1938 to 1942, Jackson joined a Mexican workshop of people with a painter named David Siqueiros. This workshop painted the murals for the WPA Federal Art Projects. This new group of people started experimenting with new types of paint and new ways of applying it to large canvas. People say that this time period was when Jackson was stimulated with ideas from looking at the Mexican or WPA murals. Looking at paintings from Picasso and the surrealists also inspired Jackson at this time. The type of paint they used was mixing oil colors with paint used for painting cars. Jackson noticed that the shapes and colors they created were just as beautiful as anything else was. Jackson realized that you didn’t have to be able to draw perfect to make beautiful paintings. Jackson started developing a whole new way of painting that he had never tried before and his paintings were starting to look totally different from before.
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Kallen, Stuart . A Cultural History of the United States through the Decades: The 1950's . San Diego, CA: Lucent books, Inc. , 1999. Print.
Prentice Hall - America – Pathways to the Present-Pages 132, 133, 139, 140, 141, 142, 186, 187
The article Artists Mythologies and Media Genius, Madness and Art History (1980) by Griselda Pollock is a forty page essay where Pollock (1980), argues and explains her views on the crucial question, "how art history works" (Pollock, 1980, p.57). She emphasizes that there should be changes to the practice of art history and uses Van Gogh as a major example in her study. Her thesis is to prove that the meaning behind artworks should not be restricted only to the artist who creates it, but also to realize what kind of economical, financial, social situation the artist may have been in to influence the subject that is used. (Pollock, 1980, pg. 57) She explains her views through this thesis and further develops this idea by engaging in scholarly
	Norman Rockwell was one of America’s greatest illustrators of this century who made many significant contributions to the field of graphic design with his works that promoted patriotic unity, conveyed the national scene, and often time just evoked or inspired emotions in his audiences. Ironically this painter was regarded as an illustrator in the eyes of other freelance artists due to his occupational limitations, and his supervisor’s restrictions characteristic of the Saturday Evening Post where he did most of his work from 1916 to 1963. Rockwell was born on February 3, 1894 and since his childhood years had always aspired to be an artist. Instead of finishing high school Rockwell left high school to attend classes at the National Academy of Design and later on the Art Students League in New York. Here Rockwell was recognized as an above average illustrator with good potential. Rockwell then after developing his skills and contributing many illustrations to children’s magazines, managed to muster up the courage to show his work to a bigger periodical, the Saturday Evening Post. Happy with the quality of Rockwell’s work the Post gave Rockwell a job creating illustrations and cover art for its periodicals. This would be his arena, revealing his works to thousands of people, for over forty years. During this period Rockwell painted portraits of various celebrities and persona. Rockwell was a "people painter" and predominantly worked with the depiction of emotions inspired by his models. Rockwell always took particular care in picking and choosing his models as he was very pragmatic and wanted them to exhibit characteristics that met with his peculiar standards. During his time with the Post, Rockwell often made illustrations that effectively conveyed events taking place on the national scene. During different periods in American history Rockwell used his special skill in detail to capture and portray illustrations that accurately reflected the emotions felt in the hearts of Americans at the time. Rockwell made several illustrations exhibiting events like the Great Depression and World War I. In fact during the second World War Rockwell was motivated by President Roosevelt himself to create one of his greatest projects, The Four Freedoms Paintings, illustrating each of America’s fundamental freedoms and revealing the reason behind the United States’ participation in the war. This Four Freedoms Project is one that reflects Rockwell’s great generosity and kindness as a person. Rockwell agreed to
Jackson Pollock was a famous influential American painter who was a major figure in the abstract expressionist movement. He revolutionized the modern art world with his unique abstract painting style. Although he was very inspirational, he was regarded as reclusive and had a volatile personality; he was addicted to alcohol for most of his life. Starting from 1949, where he was featured in Life magazine with the title “Is Pollock the greatest living painter in the United States?”, many artists and critics began calling him a fraud, causing Pollock to also doubt himself.
Jackson Pollock, one of the 20th Century most famous artists was born on January 28th, 1912 in Cody, Wyoming and was the youngest of five brothers. Pollock’s father, LeRoy Pollock was a farmer and a land Surveyor for the government and his mother, Stella McClure was an art fanatic. The Pollock family moved around and lived in places like Arizona and California due to LeRoy’s surveying. Jackson’s father was an abusive alcoholic and left the family when Jackson was only 8; which led to Jackson’s oldest brother, Charles, to become the “man of the house”. Charles had a huge impact on Jackson’s future, because he too was an artist and Jackson always looked up to him.