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Cultural diversity among students
Cultural diversity among students
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April 17th at 7 p.m., Pasadena City College held the Fourth Annual Drag Show in Harbeson Hall. About fifteen people from the campus dressed in drag and were ready to sashay up and down the catwalk. The performers did lip-synching performances and runway shows as with other drag shows. Finger food, music, and a roomful of excited people ensured a joyful event. However, I wondered if people were actually excited because of the same reason. While I peering slowly around the crowded hall, I noticed that people of various backgrounds were intermingling. There was no way people have different social and cultural identities and perceive the drag show in the same way, but ironically all of them looked delighted. Therefore, I figured that there was more than one way to interpret the meaning of the drag show and people were attracted to the event by those different reasons. The reason people thought the Annual Drag Show was entertaining was not only because the performance was interesting, but also because it provided an opportunity to explore new things that is distinct from their day’s work, ordinary life, or their personal values. Although the outside of Harbeson Hall was calm and quiet except the noise of the traffic, the inside of the hall was a whole different world with up-tempo music. As I entered the room, I encountered an atmosphere of great excitement. The crowd was chatting and laughing endlessly regardless of the loud music, and performers were giggling expectantly rather than nervously as they waited for their turn. The participants dressed in drag with dramatic make ups did lip-sync, dance or strutted on the runway as any other drag queens, drag kings, and faux queens do in a drag show. There was nothing special about the sh... ... middle of paper ... ...hat the drag show can be interpreted from different point of view. I specifically focused on how the event could appear to everyone to be very attractive. The reason why people perceived the Annual Drag Show was entertaining is not only because the performance itself was interesting, but also because it provided unusual experiences. Escaping from the daily routine, meeting people from the minority group, breaking the group norm, and expressing one’s suppressed identity were the unusual experiences that were given by the drag show, and also those were the different ways to enjoy the event. We often do not pay much attention to how others perceive the world. Needless to say, people see the world through their own lenses and interpret the same world in different ways. The Fourth Annual Drag Show of Pasadena City College was a perfect example to examine such a tendency.
86). I like his definition of the word freak show, which is “an elaborate and calculated social construction that utilized performance and fabrication as well as deeply held cultural beliefs” (p. 86). The freak show was a place in which white people could come and recognize their difference and privilege and reaffirm their superiority over individuals who were different from them, who fall into the realm of the ‘other.’ It causes me to wonder that if some individuals saw this as a morally unjust thing, why was it such a popular phenomenon that had a great turn out? And it takes me back to what a friend said, that the only way things sell, is because there is a high demand for it. These freak shows were able to thrive in society, because some individuals needed to know and confirm that they were indeed higher than some other saps out there, whatever they had, they had it better than others. Yes these spectators were being duped into pay high prices to see people with highly exaggerated features, but they did not mind, because why they were there, was to have an opportunity to look at themselves and say Thank God, we are not like them and to reassert their dominance over the
But there is underlying tension in Lancaster's argument and make-overs on talk shows. Instead of made-over guests choosing their type of dress and performance, they are usually shuffled into these roles by a team of television producers, make-up artists, stylists, family and friends, and audience members. Often, talk show make-overs reinforce our rigidly constructed ideas of what is "masculine" and "feminine" by highlighting the taboo of stepping out of these roles and re-constructing a person's performance to fit the correct social mold.
The degree of transcendence attained by a particular performance depends largely on the relationship the audience has with the performer. Claude McKay’s Harlem dancer is initially framed through the gaze of a group of rambunctious youths, densely packed into a Harlem night-club. The young men accompanied by their prostitutes cheer and laugh, debasing the dance to a lewd exhibition. Where the seductive disrobement of the dancer would be thought to warrant a level of hypnotic control over the viewers, their capacity for the manipulation of her image indicates that the performance holds little to no significance. While “perfection” is attained by the sway of her half-clothed body, rather than a testame...
Drag can be considered central to queer theory itself since it has ascended in contemporary academic theoretical venues as the singular approach to gay and lesbian studies. Contreras explains that drag symbolizes many important and conflicted questions regarding the modern urban queer identities and gay male identities in particular. The drag queen can represent a lively fixture in a gay parade or a homophobic representation in mass culture. In this book he wrote some statements about drag that function as queer common
One of the central themes of theatrical form is identity and the catalyst by which identity is formed is the body. In using the body as the site of formation of individual identity, women are “uniquely identified with their anatomy” and specifically the parts of their anatomy that differ from that of men (Callaghan 30). Because women are thus defined by their relation ...
In an excerpt from Janell Hobson’s “Venus in the Dark: Blackness and Beauty in Popular Culture” Hobson argues that the “image of black women’s bodies in culture are distorted in a way resembling the morphing of a person’s figure in a carnival mirror,” a term she coins as “un-mirroring.” She continues this metaphor by saying black women artists must “fight against this process by challenging dominant culture’s representation of black women’s bodies as being grotesque and changing the discourse to being one of beauty.” One may argue that black women are too diverse to be represented by one image, rather that they should fight to be regarded as individuals devoid of stereotypes and negative historical connotations. Stereotypes, which are too broad to be accurate, have negatively affected the image of the black female body in culture. To change the trajectory of this idea in the future, the discussion must be aimed towards persuading society that stereotypes are superficial judgments, and that black women should be regarded as a diverse group of individuals, not individual elements of a stereotype.
... gave them the edge. I personally feel different when I wear different types of clothes. The types of clothes you are willing to wear define the limits of your attitude. The raunchy costumes allow the performers to become bad, sexy and scandalous.
When I first watched Chicago at the movie theater, I was not fully satisfied. I wanted more, so I went back to get some and watched it six more times with different friends and family members! Last summer during a visit to my native Mexico City, I had the opportunity to watch drag queens perform several numbers from the movie-musical. They did an amazing job, without surpassing the outstanding performances of the actors in the film. Last year, I visited NYC for the first time and indulged in the rows of the Ambassador theatre experiencing Chicago, the Broadway musical, and because I had seen the movie many times before, I knew all the songs and dances by heart. I loved it, but it was actually the movie that influenced me to become a “Chicago fan.” The movie is based on the 1996 Chicago revival of the original musical version of 1975. It was thrilling knowing that the making of the musical into a mainstream production would increase its accessibility and widen its distribution into all the corners of the world; now there is no excuse for people not to experience Chicago, and though not everyone can go to Broadway to see it, just about anyone can indulge themselves in this dazzling movie in the comfort of their homes. In addition to a fantasy world of singing, dancing and Vaudeville, the film also provides a narrative that is explicitly presented through Roxie’s point of view, creating a counter human side to Roxie’s fantasy world so that the audience can easily identify and engage. Chicago is a must see film for anyone who likes to spoil themselves with an outstanding award-winning musical composed of a catchy plot, truly superb acting, commendable direction, and a clever soundtrack.
In this time, the public became more harsh towards LGBT people ( “A Brief History Of Drag Queens”). Drag performers had to be wearing no less than 3 items of male clothing at all times, if not, they would be arrested. In 1965, the Imperial court was founded. This was the first type of organization for drag queens, and it soon lead to drag balls. Drag balls are often described as a “fraternity like system” where queens formed houses and the “Drag Mother” would be the head of the house. The queens the Drag mother took under her wing were called “Sisters”(“A Brief History Of Drag Queens”). “Mothers” and “Fathers” helped younger members by offering moral support, social support, and sometimes even a place to live if they were kicked out of their own homes (Conger). At Drag balls they also would compete like fraternities in Drag Queens vs. Drag Kings competitions such as “Femme Queen Impersonation” and “Male
reaffirms the audience’s values and attitudes” (695). With this, we can start to dissect the
Kate's family had rented out a ballroom in a neighborhood country club, and we intended to dance the night away. As I approached the scene, disco lights streamed through the large windows and ran all over the lawn. Music enveloped the parking lot as my adrenaline began to elevate. I sauntered in, waving to my friend...
The SyFy Channel’s reality television show Heroes of Cosplay follows a predominately female cast of cosplayers as they participate in several competitions on the fan convention circuit (Brady et al, 2013). Suzanne Scott notes that, in the show, men are shown as the “invisible laborers” whose work is confined to domestic spaces, while their partners, the female cosplayers, move freely through and work in the “public sphere” by participating in conventions (Scott, 2015, p. 152). This can be seen as a direct gender role reversal from traditional gender roles. Traditional gender roles say that women should be mothers and place family over potential careers (). While men should, according to traditional gender roles, be the worker in the outside world and be “bread winners”(). Additionally, traditional gender roles leave the work women do in the home under appreciated whereas in the show it is seen that the women take the bulk of the acknowledgement regardless of the male participation in constructing the costumes (Scott, 2015, p. 152). Heroes of Cosplay has been criticized in some instances for verifying what Suzanne Scott says is the “inherent masculinity of material fan labor” (Scott, 2015, p.153). The show has also been criticized for downplaying the women’s work on their costumes implying that the men actually do the bulk of the work while the women are just objects whose purpose is to display these works (Scott,
Although the film has endured some criticism, the film’s after-after party at Kingston’s Club Mirage proved that Dancehall Queen isn’t “the invention of a perverted production team in search of celluloid satisfaction. Real-life dancehall queens stroked their crotches, winded their hips and rubbed their well-oiled buttocks” (St. Hill).
RuPaul Charles, the professional drag queen whose speech style I examined, is one of the more famous drag queens – both in terms of public consciousness and in sociolinguistic research. Sarah Jenkins’s analysis (2013) explores her use of falsetto and intonation changes, the use of empty adjectives and crude sexual humor, and references to gay icons. Findings include the “use of pronouns to titles in order to indicate and support the fact that she [the drag queen] is, indeed, passing as a woman” (Jenkins 2011:11). Interestingly, Jenkins also found instances where the aesthetic transformation from man to woman is directly referenced: “RuPaul first refers to the drag queens who are contestants on the show as “gentlemen” and then later calls the winning drag queen a “woman”.” (Jenkins 2011:12). This draws attention to the transformation, and also rewards the authenticity of the winning drag queen; that she is able to pass as a woman. Jenkins’s analysis is largely discursive, and there is little analysis at the phonological level. Rusty Barrett (1998) also examines RuPaul’s speech styles, particularly the way in which she style shifts to index her racial identity, her sexual identity and her drag queen identity. Barrett compares RuPaul’s speech styles on two talk shows: the Joan Rivers Show and the Arsenio Hall Show “On the Joan Rivers Show, which had a predominately European-American female viewership, RuPaul used predominately White Women Style features, some Gay Men Speech Style features, and no African America Vernacular English features. Conversely, on the Arsenio Hall Show, which attracted a young, mixed audience (mixed in terms of race and gender), RuPaul switched frequently among all three styles.” (Mann, 2011:797).
Also, the performers are constituted with same number of men and women. They imply the importance of equality through the performance. The female and male dancers use the same movements to show that they are equal. The message being conveyed here is important, on the grounds of its social influence and giving the whole performance a deeper meaning. The thing makes dancing different and odd to other occupations is the fact that most famous and well known dancers are mostly females, since on other social circumstances males tend to dominate more realms. Here, besides all the female masters, the male dancers appear as much as the female artists do and they also showcase what they are capable of. As I watched more of the performance, the interactions between dancers and the LED lights became more appealing to me. Dancers use their bodies to interpret the connections between human beings and technology. Moreover, the background music also plays a vital role in the production of this whole piece of art. The tempo of the music, the dance movements, as well as the frequency of the lights going on and off together appeared to the audience as a desirable combination. I love how the dancers do every movements according to the rhythm of the music and how they two fit perfectly. All of those things together made a great show to watch and