Parrc Monceau Distinctively Visual Analysis Essay

The piece of art I have chosen to write about is called “Parc Monceau” by French Impressionist Claude Monet. This particular piece was one of six various views and angles of the Parc Monceau collection, and was painted in Paris, 1878. The original piece is located in the Metropolitan Muse-um of Art in New York, USA. Monet captured the fleeting effects of time of day, atmosphere and season upon colour and light. His artwork broke colour into individual elements, and completely lacked black and grey tones. Monet often painted the exact same view numerous times to depict changing light and weather conditions. The painting is landscape, with the mediums of oil on canvas. It measures 72.7 x 54.3 cm and portrays many characteristics of the specific

By using unvarying shades of green, it indicates the reflection of light. The colours within this piece are most certainly unbalanced, because there is such an abundance of green, which not only contrasts to the neutral colours on the ground, but also just overshadows everything else there is within the piece. This makes the emphasis seem to be in the centre of the piece, which also contains a contrast that I found to be thoroughly interesting, which was that of the darkly painted lone man, and the soft, nude hues of the congregation of women. I found this interesting because there is no obvious explanation as to why the man was sitting alone. The way he is painted, sitting close to but looking away from the shroud of women, is really altogether ambiguous, which I find appealing. Another emphasised section of this piece I find is to be on the women, because not only are they placed in the centre of the painting, but the pastel colours Monet used to depict them is heavy contrast to that of the shrubbery that surrounds the edges of the painting. This specific series creates sparks of adoration and admiration because it gives an inclination that he has painted it to have a mood of nostalgia and romance, which in my perspective is unusual in artworks. I delight in the subject matter which consists of charmingly illustrated trees in the overhead foreground, the soft hues of the dainty women in the middle ground, and the elegant composition of the visually stunning rustic French building in background, which gives the piece a harmonious and united feeling. The brushstrokes in this artwork do not seem to form definite shapes, but the unabridged completion of the strokes is what gives the audience the inclination of shapes. The use of oil paints makes this piece aes-thetically pleasing and effective because it gives