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Parent child relationships in literature poetry
Parent child relationships in literature poetry
Parent child relationships in literature poetry
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Confucianism is a religion that is entrenched in Vietnamese society, which emphasizes on the importance of family. Confucius, the founder of Confucianism, once said “It is not possible for one to teach others who cannot teach his own family.” Paradise of the Blind is a novel told from the perspective of Hang, a girl from Vietnam who watches her mother, Que, be treated unfairly by her uncle, Chinh. As the elder sibling and last surviving member of the family, Que showers Chinh with love and affection, actions he does not reciprocate. In the novel, Paradise of the Blind by Duong Thu Huong, Huong uses the motif of food to establish the obligations Que has to Uncle Chinh, revealing that family obligations deriving from Confucianism are detrimental …show more content…
After getting into an argument with Que, Hang tries to reconcile the relationship by offering pieces of meat pates to her mom, “At meal times, she would sulk and only eat the cabbage. When I tried to sneak a few morsels of the meat pate into her bowl, she tossed them back onto the plate. ‘Please, I wouldn’t think of letting these chopsticks touch someone else’s food’” (188). Huong uses the food motif of meat pate and cabbage to show the changing mother and daughter relationship between Hang and Que as a result of Que putting Uncle Chinh’s needs before Hang. Because Que prioritizes Chinh over Hang and spends all of her savings on his medical bills, she is left with an insufficient amount of food, only eating what she can afford: cabbage. Additionally, the food motif of meat pate represents Hang’s attempt to reconcile with her mother. Hang offers to provide Que with an opulent delicacy in order end the tension between them. The word “sulking” reveals Que’s frustration because she has a difficult …show more content…
For the Tet celebration, Que bought two extravagant hampers of luxurious foods for Uncle Chinh and his family to indulge in, “When she had unwrapped all the merchandise, I realized she had bought everything needed for a magnificent Tet banquet: pork pates, meat, lard, sticky rice, dried green mung beans, peanuts, bamboo shoots, vermicelli, rice-flour pancake wrappers, pork rind. She was beaming” (118). These delicacies are the complete opposite of the foods that Que and Hang had for their celebration at home. The lavish food items Huong lists as a part of the Tet banquet, such as “sticky rice” and “pork rind” are costly and upscale which reveals that Que wants the best for Chinh and his family. Each luxurious food item of the banquet symbolizes the strong desire Que has to gain Chinh’s approval and love. In addition to sending Chinh food during times of celebration, Que also sends him food when she is in bad shape. Even when Que is ill, she still considers the needs of her brother; Que orders Hang to go to buy food items for Uncle Chinh and his family, “’Buy two pounds of pork and cinnamon pate and two pounds of pork filet. Bring these to your uncle. Your aunt can make some dried meat with the filet, and the little ones can eat the pates. Tell them it’s my gift to Tuan and Tu” (112). Huong uses the motif of food to establish Que’s belief on
Because Lee is also trying to adapt to the new culture and fit in among his peers, he naturally gravitates towards food that his peers often eat. For example, Lee mentions that he would ask his mother to prepare American foods such as "Southern fried chicken and mashed potatoes, beef Stroganoff over egg noodles, lasagna." Since his mother has little to no experience recreating these dishes to Lee’s perfection, she is heavily critiqued by her son as well as herself. Because Lee uses words such as "tyrannical" and "awful" to describe himself after causing his mother to lose the bright light in her eyes, it is clear that he has an understanding of his lack of gratefulness and is able to "squash her whole day’s work with a grimace" (pg
In her article, “Sweet, Sour, and Resentful,” Firoozeh Dumas directs us through on how her mom readies a feast. She gives us detailed description on how her mother cooks the food for the guests by starting out grocery shopping until the part that the food is ready to be served. She writes about how because of their Iranian traditions they have to prepare a Persian feast for their newcomer friends and family, which brought joy to everyone, but her mother. Yet, we can see that she is trying to make sense to it all, every weekend they have guests over since the Iran’s Revolution started. Vitally, traditions stay great just when they convey satisfaction to the individuals celebrating those traditions. Also, the food that we choose tends to be based upon our culture, economic and social aspects. I agree with her even though traditions within various cultures are very different, but they all are supposed to do one thing that is bring everyone closer to each other, and bring happiness. However, that’s not always the case, especially in this article.
She talks about how she felt ashamed about her culture and the food. In Amy Tan's essay, she had a crush on boy from the minister's family named Robert. They were invited to have Christmas Eve's dinner at Tan's place. Tan was curious about how the minister's family would react when they saw Chinese food instead of traditional turkey and mashed potatoes. She was thinking to herself that what Robert will think about the evening. The minister's family arrived and started digging in on the appetizers. Tan was embarrassed to sit with them at the table because the minister's family was surprised. But as the evening prolonged, Tan's father said “Tan, your favorite" as he served the fish cheeks to her (Tan
Originally the narrator admired her father greatly, mirroring his every move: “I walked proudly, stretching my legs to match his steps. I was overjoyed when my feet kept time with his, right, then left, then right, and we walked like a single unit”(329). The narrator’s love for her father and admiration for him was described mainly through their experiences together in the kitchen. Food was a way that the father was able to maintain Malaysian culture that he loved so dearly, while also passing some of those traits on to his daughter. It is a major theme of the story. The afternoon cooking show, “Wok with Yan” (329) provided a showed the close relationship father and daughter had because of food. Her father doing tricks with orange peels was yet another example of the power that food had in keeping them so close, in a foreign country. Rice was the feature food that was given the most attention by the narrator. The narrator’s father washed and rinsed the rice thoroughly, dealing with any imperfection to create a pure authentic dish. He used time in the kitchen as a way to teach his daughter about the culture. Although the narrator paid close attention to her father’s tendencies, she was never able to prepare the rice with the patience and care that her father
From the beginning of Wang Lung’s marriage to O-lan, she saved him time, money, and effort without complaint. She offered wisdom when asked and was smart in the ways of the world. During the famine, when the family went south in search of food, O-lan taught her children how to beg for food, “dug the small green weeds, dandelions, and shepherds purse that thrust up feeble new leaves”(p. 128). She raised her children prudently. She knew how to bind her daughter’s feet, and she gave them a better childhood than she had had. O-lan knew that the land was the only consistent thing in her life, so she willingly helped Wang Lung as he bought more and more land. O-lan knew her place in the family was as a wife and mother. As a wife, she fe...
savings on making a dinner for Chinh. When planning for the party, their neighbor Vi, told
In the novel Paradise of the Blind, Doung Thu Huong explores the effect the Communist regime has had upon Vietnamese cultural gender roles. During the rule of the Communist Viet Minh, a paradigm shift occurred within which many of the old Vietnamese traditions were dismantled or altered. Dounh Thu Huong uses the three prominent female characters – Hang, Que and Aunt Tam – to represent the changing responsibilities of women in Vietnamese culture. Que, Hang’s mother, represents a conservative, orthodox Vietnamese woman, who has a proverb-driven commitment to sustaining her manipulative brother, Chinh. Aunt Tam embodies a capitalistic
The family's personal encounters with the destructive nature of the traditional family have forced them to think in modern ways so they will not follow the same destructive path that they've seen so many before they get lost. In this new age struggle for happiness within the Kao family, a cultural barrier is constructed between the modern youth and the traditional adults, with Chueh-hsin teeter tottering on the edge, lost between them both. While the traditional family seems to be cracking and falling apart much like an iceberg in warm ocean waters, the bond between Chueh-min, Chueh-hui, Chin and their friends becomes as strong as the ocean itself. While traditional Confucianism plays a large role in the problems faced by the Kao family, it is the combination of both Confucianism and modernization that brings the family to its knees. Chueh-hsin is a huge factor in the novel for many reasons.
Jealousy is an innate facet of humanity, an emotion universally felt during childhood. It is through this jealousy that we begin to resent the reality that we are given. In the article “Eat, Memory: Orange Crush,” Yiyun Li recalls how influential the western product “Tang” was during her childhood. Growing up, Li remembers a time where she was resentful of her lack of Tang, desiring the “Tangy” lifestyle which was symbolic of luxury and social status in China. Through the logos of Li’s father, Li’s appeal to pathos through her childhood experiences, and the disillusionment of Li’s utopian view of Tang, Li typifies the struggle a teenager undergoes as they grow up.
Specifically, in the book of Ritual and the Moral Life, Xianglong Zhang, Ph.D. at Chinese Academy Of Sciences , notes that "western philosophers, such as Heidegger, Merleau-Ponty, Levinas, and feminists... neglect the idea of filial piety as a family love." (108) Accordingly, this explanation clearly points out the powerful meaning of the parent-child-relationship in Asian culture including Vietnam. Therefore, children must have this awareness since they were a child, and execute the filial duties when growing up. Because of the powerful meaning of hieu thao, the Vietnamese children who love others while not loving their parents will be criticized for being bat hieu
Cao Xueqin’s Story of the Stone is a classic in Chinese literature, showcasing the life and exploits of the wealthy Jia clan during the feudal era. Through Cao’s depiction, the reader is afforded a glimpse into the customs and lifestyle of the time. Chinese mode of thought is depicted as it occurred in daily life, with the coexisting beliefs of Confucianism and Taoism. While the positive aspects of both ideologies are presented, Cao ultimately depicts Taoism as the paramount, essential system of belief that guides the character Bao-yu to his eventual enlightenment.
Wang Lung needs a wife so saves up the little money he has and buys a woman who is a slave named O-lan. O-lan is sold to Wang Lung so she can take care of the home, cooking and bear children. Wang Lung is disappointed when he first sees O-lan because she does not have bound feet which was a desirable quality at that time but he does enjoy when O-lan has the food ready when he comes in a night from the land. Wang Lung is very proud when O-lan makes cakes that no one else in the village knows how to makes and when his family comes to feast for the new year at their house.
A main theme throughout “Coming Home Again” is the connection that cooking authentic Korean food brings the mother and son together. This connection became apparent early on when the author mentions that, as a child, he always stood beside his mother while she was cooking so he could absorb her techniques (3852). The author briefly described one of Korean meal—kalbi—that he watched his mother make. Kalbi is butchered short rib seasoned with Korean spices and sauces; Lee states:
Ernest Hemingway discusses the theme of hunger throughout A moveable feast by exploring and describing the different types of hunger that he felt. He aims to explore this theme in the passage where he strolls with Hadley, and they stop to eat at the restaurant Michaud’s. Through repetition and use of unconventional detail and word choice, Hemingway shows that he has more than one type of hunger, and needs to differentiate between them. Hemingway strives to tell that hunger is a feeling that is deep within someone, that changes depending on the situation and varies in intensity and meaning.
After his wife’s tragic death, Nguyen is obligated to take care of his daughter, therefore, taking on a motherly and fatherly role. In its simplest definition, mothering can be described as the act of raising a child with affection and care. In the story, Nguyen becomes a mother to his daughter in the sense that he treats her with the most care and love. This is indicated in various parts of the story specifically when he is trying to convince her to have some of the sautéed pork he has cooked in caramelized sauce. He talks to his daughter very amiable and patient. This is depicted when he uses phrases like “eat, you must eat, for your Ba” (Lam 100). He is convincing her to eat meat to gain strength and grow healthy as the other children in the same age. An aspect of mothering is also observed when he tries to feed his daughter. Despite his efforts, she spits the meat out and instead of becoming angry and reprimanding her, as a father would, he resorts to continue begging her to eat her