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Aside from using Retro and Heritage to describe an artefact the term Vintage, is also used commonly in a commercial design context; as mentioned previously in a design context we define Vintage as an item that has remained unchanged since its original production and is still in use today. A prime example Vintage in use in design is shops such as Beyond Retro, a chain of nine stores and an online e store, who stock clothing from well known brands produced in this time period that would otherwise have been discarded, the garments have simply been cleaned and sold on with no modifications making them a vintage item (Beyond Retro, 2015). Oxfam is a more well known example of selling vintage clothing with a new specialised vintage section online …show more content…
where one off goods produced in 1950-1980 can be bought (Oxfam c2015), these again have not been modified since the day they were produced and only cleaned in order to be re sold; this added term of vintage to what is otherwise unwanted items also allows a firm to sell them for a higher margin as holding items from the past has become increasingly on trend over the past 10 years. These firms leaving the items unchanged since their original production means that they can be defined as Vintage items, being produced in the period around 1940-1980 and remaining unchanged. Conclusion In conclusion the terms Vintage, Retro and Heritage are all commonly used in a design context in the modern day; and if we are to use these terms we are to understand that they have different meanings when describing a quality of an object.
If an item is referred to as Vintage it is a product that has been produced in the 1900’s, or pre industrial, and is still in its original state when being used in a 21st century context, an example of this term being Oxfam’s Vintage clothing range. If we are to describe a brand as a Heritage Brand we would be referring to a company that has taken inspiration from either its own history or relevant individuals and used it in their recent work in order to define their brand image as traditional but that is still relevant today; an individual example of this being Hunter Wellies. Describing an object as having Retro Styling would imply its relation to the time period of the 1940’s-1970’s, and reference the common design style of this period through use of bright colours, repeated patterns and motifs, over decoration and realistic illustration; an example of this being the Marks and Spencers reusable shopping bags. These terms stand alone in definition however its is commonly difficult to pin an object or brand as having a singular one of these terms; with many encompassing two or more of them. This is because all three terms would refer to the past and, with the exception of Heritage varying on the example in use, would reference the same time period of between 1930-1980, at a broad range. This aspect means that commonly the terms are often used in combination and will have features of being, for instance, an object could be Retro styled but that is also Vintage because it is original; or as the main example showed, Marks and Spencers bags being a Retro styled object with Heritage roots to them. It is becoming increasingly common that not only the combination of two or more terms can be applied to something, but that the terms are
being used in areas of design; it would appear that in the 21st century reflecting on previous design history is one of the now key influences on modern design. Looking back upon these historic periods of time that are defined through Vintage, Retro and Heritage is continuously having a larger impact on the way not only objects are designed but across all design disciplines of design; textiles, art, graphics etc.; and the influence is only expected to grow, with more corporate and individual designers getting on board with this new, yet old, trend in design.
A quote by American poet, Allen Ginsberg says, “You can’t escape the past in Paris, and yet what’s so wonderful about it is that the past and present intermingle so intangibly that it doesn’t seem to burden.” In order to truly understand the large role that fashion plays in a culture where the past is such a large part of the present, one must learn about its deep history and evolution.
Steele, V., 1997. Fifty Years of Fashion: New Look to Now, Connecticut: Yale University Press. Available at: http://books.google.com/books?hl=en&lr=&id=xqEt6Dpb4TYC&pgis=1 [Accessed April 16, 2014].
Through gaining an empathic understanding as to why certain people consume regularly at Primark, I can conclude that the brand relationship is disposal fashion at low price. According to McAfee et al. (2004), Primark’s designs are made to be worn less than 10 times. As a result, they are satisfied with the products life cycle and price because they are easily fickle in affection on old products.
Throughout each decade particular lifestyles have influenced the styles of fashion in many different aspects. History throughout each decade being a period of 10 years, has had certain lifestyles, referring to the way of life and the way an individual lives and these lifestyles throughout these years have influenced the fashion, fashion being a trend of either clothing, personal appearance and behaviour. Many life events or Historical events from the years 1960 to 2000’s have had reactions from the fashion industry; certain decades in particular lifestyles had either rebellion or a positive reaction. In 1960 there was a rebellion from young adults as well as women which influenced the fashion of that decade, in which fashion was similar to the 1970s fashion however 1970 was known as the disco age. Whereas the 1980 was a decade of entertainment in all forms which influenced mostly teenagers in their style of fashion. However the 1980s entertainment impact on teenagers carried on in the 1990 and 2000s although fashion focused more on the impact of music rather than all forms of entertainment, these decades were eras of grunge music and heavy metal. Therefore fashion became and becomes the portrayal of the lifestyle in a particular period of time or history.
The unique heritage and Burberry’s Britishness are the significant resources that contribute to its success and premium price. Strong brand image as part of intangible assets contributes approximately 25% value to the organization in average (Keen 2003). To avoid discount or oversupply, Burberry needs to continue maintaining its long-term brand image (Berends 2004). Also, Burberry has a variety of product lines and attributes to high worth that makes it more competitive
In the case, Marks & Spencer and Zara, it discusses two business process designs that each company took. You first had Marks & Spencer, who had a more traditional approach. Their chain started of with the buying team, design, developers, merchandisers, technologist, suppliers, logistics, and lastly the store. Zara, however, comes up with a new innovative design. With this new design in effect the delivery of new collections only has a lead-time of 5 days. They were able to cut down this time due to the fact that products where mainly produced on Galicia.
Vaynerchuck, G. (2011) Old Spice Man Marketing, Redux: What Went Right -And What Did Not. [Online]
Pieces are hand crafted with fun, passion, never limited by fashion trends. Function and form, classic iconic pieces are made to last”.
A brand audit is a detailed assessment of a brand’s current ranking in the market compared to other competitors. It provides information on how the business is performing in the market. A brand audit also aims at examining the image and reputation of the brand as perceived by customers. The two key elements of brand audit are brand inventory and brand exploratory. Brand inventory provides up to date itinerary of how a company markets and brands its products. On the other hand, a brand exploratory is an examination undertaken so as to comprehend what consumers feel about the brand. It seeks to conduct a consumer insight research in order to acquire consumers’ feelings and perceptions. This paper looks into the brand exploratory of Cadbury in terms of the customer-based brand equity (CBBE) model.
‘This position is best suited for a student or graduate who is fluent in English and whose written English is exceptional. You should also be able to display good knowledge of fashion history and a keen interest in vintage fashion.’ (The Gathering Goddess Vintage Boutique, 2013)
In order to ensure the success of a brand the company must put lots of planning and thought into the brands elements. The three brands I have chosen to examine in this branding exercise are Apple, Coca-Cola, and Target because they demonstrate many of the criteria used to evaluate brand success.
Fast fashion is 52 seasons of fashion instead of 2 seasons. Perceived obsolescence, a process used in advertisements that pressures consumers to buy the latest products that are ‘trending’, is used as an advantage by
This in itself could be a source of nostalgia but, the item itself may or may not be nostalgic. If my sister and I were both listening to Fresh Prince of Bellaire theme song, I can definitely say I remember this song, the song transports me back to snuggling up on the sofa watching this show. Her memory may be completely different, she herself may long to go back to that time in her life. Indeed it could very well be a nostalgic piece for her. In Nostalgia now, he almost references nostalgia as though every memory or time period is nostalgic. He generalizes nostalgia in this way.It is quite disturbing that a feeling I so admire and find incredibly impactful can be lumped into the same category as trendy, postmodern styles. They aren’t nostalgic at all but, people that appreciate and find these iconic items trendy, fun, beautiful.
Marketing, advertising, and the media all try to influence the way our generation dresses. Their reasons are mainly profit based. We also make our clothing choices based on the Functionality of the garment. Consumers of our generation often look at the comfort, durability, and adaptability of a piece before purchasing. History has had a great influence on the look of most clothing worn today. Clothes reminiscent of the past are often known as "retro" which has become one of the signature styles of Generation Y. Clothing also helps us to express ourselves. Youth often choose clothing to reflect their unique personality. These factors are explained further below.
...ation of mini-skirts did bring a whirlwind in the summer of 1960. Besides, Peter Max T-shirt was also hot in the 60s. In addition, as we discussed of the fashion style for the 80s. The dresses were powerful and simple. Especially, the colors were deeper than the 60s and those designers prefer to add jewels on garments. Moreover, many products were luxurious in the 80s because of the economy has recovered during that period. Modern fashion is meaningful; it brings many changes and has a huge influence on general life. Heskett (2002) mentioned that It not only changes the lifestyle, but also changes the minds of a generation. Modern fashion is continuing to better its functions and forms, moreover it has long way to go and a huge space to discover and create. Therefore, modern designers need more and more artists to inherit and find new styles of vintage influences.