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Sports participation helps with character development
Analysis of the character of Othello
Analysis of the character of Othello
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Othello The movie O directed by Tim Blake Nelson is a modernized version of the play Othello written by William Shakespeare. Both the film and the play bear striking similarities, although this adaptation of Otello also includes some different characteristics than the original play text. The similarities and differences are distinguished through the modernized plot, cinematic techniques used to illustrate the play text as a tragedy and successfully retaining the tragic structure of the play Othello. The modernized plot has a few similarities and difference from the original play text. In the play Othello, war scenes are performed off stage and are usually occurring during a storm. During one of the scenes in the play, the Third Gentlemen states “News, lads, Our wars are done!”(II.2.20). This is the indicator that Othello and his army are at war but the audience isn't able to see it occur because of the storm that is taking place. However in the modernized version O, the war scenes are substituted with the game of basketball. During the games of basketball the camera movement is usually in the form of a dolly, where the camera itself moves up and down the court with the players. The characters of the film O compare playing basketball to going to war with their opponent’s team. In order to
In the play Othello, Othello is also viewed as a very important general of Venice’s army. Despite the racist remarks that are made towards both characters and the derogatory terms that they are referred to, they are well respected and are needed in order for the success of other minor events occurring in both texts. The First Senate states “Here comes Brabantio and the valiant Moor” (I.3.48). This shows that although they might not accept Othello because of his ethnicity, they still respect and honour him by referring to him as the brave/ valiant
The film ‘O’ directed by Tim Blake Nelson is a recognised contemporary interpretation of Shakespeare’s classic tragedy Othello, which addresses a number of issues that are relevant to a modern day audience compared to that of the past. The director of the film has changed crucial parts of the play which makes the play such a classic, which has essentially ruined the literary value of Othello. This is evident for a number of concepts including, the overt links between the play and film, the power of words and language and Iago and his motives
...ence more reasoning to the jealousy of the characters and the actions they take. With the changed setting come many differences: drugs and alcohol, peer pressure, violence, and different sources for jealousy and hatred. These issues are the dilemmas we, as teenagers in this new millennium, are faced with day to day. "O" addresses these new era evils without abandoning the original themes and major issues of Shakespeare's Othello. The audience can relate to a story written down hundreds of years ago and benefit from it.
Many older plays or movies are remade to appeal to a different age of people. These renditions often follow the same story line with only subtle differences to be more appealing. Many of Shakespeare’s plays have been made into movies to enhance the studying or understanding of his plays. An example of this would be Othello which has been created into a movie called “O”. Othello and “O” both follow the same story line. The similarities between them make "O" an excellent rendition of the play. Othello by William Shakespeare and “O” directed by Tim Nelson are very similar in many ways; however, they have distinct differences in their Protagonists. The heinous villain, Iago from Othello and the devious teenager, Hugo from “O” have many of the
...afted (modernized or not), and the actors bring life to the characters that words may fail to normally, the movie is a successful adaptation. In this way, both “Othello” and "O" achieve these qualities despite their own personal shortcomings. Both have their own styles and there is a lot to give Parker and Nelson credit for, as Shakespeare's work is difficult to actually recreate or reimagine without dismantling it beyond recognition.
Nelson’s film adaptation of Othello is one of the many adaptations that Hollywood has created to modernize old works to fit into current times. “O” is about an African American high school basketball star that attends an all white prep school Palmetto grove. Odin James is the MVP of his basketball team; he shares this title with his best friend Michael. Odin dates Desi the Dean’s daughter and they are madly in love. Hugo is the coaches’ son, and is jealous of O and Michael’s success on the basketball court. Hugo then plots to play O against Desi and Michael. This works and in the end O ends up killing Desi, along with himself. In the end Hugo gets caught.
Othello, from the onset, is shown to us a play of love and jealousy. There is however more to this play than just love and jealousy; there is underlying racism, hate, deception, pride, and even sexism between these pages. Othello is a transcendent play, one that will survive the perils of time simply because it is still relevant. Even today, over 400 years later, there are still issues of racism and sexism. Hate is as natural as love in humans and Othello gets right to the root of that. We witness this from the very first scene, “…you’ll have your daughter covered with a Barbary horse/ you’ll have your nephews neigh to you” (I.i.112-14); to the very last, “Moor she was chaste. She loved thee, cruel Moor” (V.ii.258). Moor however is used as an insult all throughout the play; not so much the word itself but the feel of the word. Between these pages we see many different ways as to how the cultural differences between Othello and the other characters.
... moor but Shakespeare is instead discussing the, "amalgam of the noble and the jealous, the soldier and the fool and the Christian and the barbarian who is reduced to stammering brutality." A modern audience would not see Othello as the guilty and barbaric moor but as a victim of Iago and his deception. The audience instead would take would take with them a message that colour does not play a part in character. Instead those who discriminate people racially are the truly devious characters and Shakespeare shows this clearly through Iago and Barbantio. Iago himself is clear evidence that Shakespeare is not in any way condoning racism but instead he is attacking racism. The attack on Barbantio's hidden racist views also prove that this is the case. The main message of Othello would be very positive foe a modern audience; that racism in all forms is totally unacceptable.
Othello is the tragedy, and, incidentally, the name of a Moor who serves as a general in the Italian military. He spends the first act of Shakespeare’s play in Venice, but is ordered shortly to Cyprus to fight the Turkish invasion. His journey isn’t officially noticeable at all in the play. One moment he’s defending himself in the Senate of Venice, the next he’s in Cyprus, taking credit for being victorious in a battle the storms fought for him against the Turks. The story unravels from there. His soon-to-be-lieutenant, Iago, whispers in his ear about his wife, Desdemona, and the unforgivable crime of adultery, throwing Othello’s orderly world to the winds of fate.
For the production of “O” to advertise that the movie will be a modern translation of William Shakespeare’s tragic Othello creates a compelling inaccurate statement. Do to the fact that Odin’s character remains on a very different level than Othello in almost every situation of these two pieces of entertainment. The speech, racism, and the portrayal of the characters within their themes couldn’t have been more different. The level of importance and intensity within the play Othello will always be much more relevant to the main ideas of what Shakespeare really wanted in his play. Everything else seems to be a classic movie production attempting to make a lot of money off of someone else’s idea.
This not only shows that Venice is a quiet, civilized, uneventful place, but that its inhabitants (or at least Brabantioâs generation) believe it to be themselves.[ LINK TO 3] They live by a code of behavior and upbringing which views someone like Othello as barbarous, uncivilized, and almost amusing in a superior cultural kind of way. Every time a character calls Othello "the Moor" a sense of derision and superiority is conveyed and all the other feelings of distance inherent in Venetians.[4]
Texts and their appropriations reflect the context and values of their times. Within Shakespeare’s Othello and Geoffrey Sax’s appropriation of Othello, the evolution of the attitudes held by Elizabethan audiences and those held by contemporary audiences can be seen through the context of the female coupled with the context of racism. The role of the female has developed from being submissive and “obedient” in the Elizabethan era to being independent and liberated within the contemporary setting. The racism of the first text is overtly xenophobic and natural, whilst the “moor” is unnatural whereas the updated context portrays Othello’s race as natural and racism as unnatural. Therefore these examples show how Shakespeare’s Othello, and it’s appropriation, Geoffrey sax’s Othello, reflect the context and values of their times.
The play “Othello” by William Shakespeare was written in 1604 during the Elizabethan era. Othello is one of the most extraordinary characters in all of Shakespeare’s dramas. He enjoyed unheralded success in the combat zone, which gave him the reputation as one of Venice’s most competent generals. Even though he has great success on the battlefield, he has a dramatic flaw that causes a downfall in his life. The dramatic flaw that caused his downfall is jealousy.
The common aim of playwrights of any time or location is to capture and hold the attention of their audience. It is an irrefutable fact that in order for a play to be successful, the playwright must maintain the interest of the audience. The tragedy of Othello, the Moor of Venice, is one of Shakespeare's most renowned plays, and has been capturing the interest of its audiences for many hundreds of years. The success of Othello is largely due to Shakespeare's phenomenal ability to secure the unwavering attention of an audience. Various techniques were employed by Shakespeare in order to achieve this crucial feat. Through construction of intriguing characters, exploration of universal themes, use of comic relief and a well-written script featuring a compelling plot, Shakespeare ensured the tragedy of Othello would hold the interest of the audience.
Othello is the military general for the Venice army. One thing that stands out about Othello that he is black. He surrounded by white people he is the only black man involved in the story. Othello is in love with Desdemona and she is white. It is already hard to believe as people accuse him of witch craft and casting spells on her. Iago is the mastermind behind the entire situation. He is like the trickster who doesn’t get caught till he has ruined everyone. Cassio is Othello’s lieutenant and he also plays right into Iago’s plans.
William Shakespeare’s tragic drama Othello boasts quite a little list of abnormalities in both occurrences and personal behavior.