In the production “O” the main character’s position in society does not truly capture the same importance as it did in Othello. The life of a war leader seems much more influential than that of a basketball star’s life in high school. The drama that comes with being on the high school basketball team lacks the responsibility that Othello has. Othello has a well-known reputation for being able to handle himself in many situations emotionally and physically, which may be the reason the Duke of Venice chose him individually to lead the war in the foreign land of Cyprus. This being such a huge obligation for Othello, it created tension for the audience, especially one at the time of this plays creation. As the war breaks out between Venice and Turkey, things seem to be extremely tense within the characters, especially, Othello. Between the defeat of the Turkish and Cassio’s drunken fight, the recently captured Island of Cyprus and the venetians look overwhelmed with a lot of explosive emotions. Othello’s responsibility in the war creates an easy way for the audience to emphasize with the pressures his character faces.
On the other hand, Odin’s position in society in “O” does not compare to the significance placed on Othello. Not only does a high school basketball position seem less important, but the difference of pressure, and emotion separate their rolls. Odin, the basketball star lacks many things when comparing him to the Moor, but most importantly he has no authority. The MVP stands next to Othello’s shoes, which portray a size too big for him to fill, much less anyone. The responsibility of the basketball star consists of being the leader of a team. This scenario entails much less magnitude and intensity when contrasted to a ...
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...bout his wife. In the event that Odin or Othello be able to win the vote of viewers, this important aspect of the two speeches puts Othello in the lead to winning that vote.
For the production of “O” to advertise that the movie will be a modern translation of William Shakespeare’s tragic Othello creates a compelling inaccurate statement. Do to the fact that Odin’s character remains on a very different level than Othello in almost every situation of these two pieces of entertainment. The speech, racism, and the portrayal of the characters within their themes couldn’t have been more different. The level of importance and intensity within the play Othello will always be much more relevant to the main ideas of what Shakespeare really wanted in his play. Everything else seems to be a classic movie production attempting to make a lot of money off of someone else’s idea.
In the play "Othello", Othello is a black, which is same as Odin (in the movie "O"). Also, Othello is a person who has won many battles, and everyone respects him. This is similar to the situation of Odin. In "Othello", all the characters are living in high class society, which have high reputation and rich. Moreover, in "O", a private school requires expensive school fees to study, this shows that the characters or their families are
‘O is a modern spin on Othello that attempts to address issues that are relevant for a contemporary audience. However, ultimately the literary value of Othello is lost in this appropriation”
Jealousy is a dominating factor in both the modern day and Shakespearean Othello. In Othello, the jealousy develops from Iago, who thinks he has been overlooked as his flag officer and as Othello's loyal best friend. In "O", Hugo is jealous of his father's relationship with Odin. Hugo's father, Duke, is also the basketball coach of the team both Odin and Hugo play for. Odin is the team captain and receives the "most valuable player" award which he shares with his "go-to guy," Mike--not Hugo. Hugo believes that he is the M.V.P. of the Hawks and is filled with jealousy when his father gives the award to Odin and says, "I'm very proud to say this publicly, I love him like my own son" ("O").
Othello is a combination of greatness and weakness, in his own words "an honorable murderer" (V.2, 295). He is the general of the Venetian defense forces, and, although a foreigner from Africa, he has won his post by his overall excellence in the field of war. Under pressure, he makes a great and inspiring speech. He has courage, intelligence, the skill of command, and the respect of his troops. When the colony of Cyprus is threatened by the enemy, the Duke and Senate turn to "valiant" Othello to lead the defense.
In William Shaspeare play Othello, Iago make Othello believe that Desdemona is having an affair with Cassio. He does by taking advantage of any situation to make of Othello doubt. Iago make Othello thing a lot of crazy thing on his head, Othello got so jelous leading him to kill his own wife, Desdemona, satisfying iago obseccion for revenge.
“I asked her to wear something revealing, so she showed up in a prophet's toga.”(CITE) Jarod Kintz’s words are an example of miscommunication, or failure to comprehend meaning. In this case, it is implied that one person misunderstood the message of another, but incomprehension also applies to problems other than falsely interpreted requests. Incomprehension can occur when people misinterpret another’s words or intentions, or when a person misreads situations or events. The outcome described in Kintz’s quote is unexpected and unintended, but there are instances of incomprehension that have consequences of greater severity. Perhaps a classic tragedy with a high body count falls under these parameters.
Othello is a man who is respected as a General in the Army. Brabanzio even considered him a friend. Thanks to Iago planting a seed in Brabanzio ear about his daughter, Desdemona, Brabanzio accused Othello of taking his daughter away from him by means of drugs or poision. Othello has fought on the battle-field and now finds himself on a very different kind of battle-field. He finds himself in a position of being forced to defend his honor, friendship and his love. There has been accusations made against Othello, so in a room filled with signors, masters, the Duke, and Brabanzio, Othello has a strategy of battlement in his own way. He tells the Duke to send for Desdemona, “Send for the lady to the Sagittary, And let her speak of me before her father” (1.3-115-116).
Othello is the tragedy, and, incidentally, the name of a Moor who serves as a general in the Italian military. He spends the first act of Shakespeare’s play in Venice, but is ordered shortly to Cyprus to fight the Turkish invasion. His journey isn’t officially noticeable at all in the play. One moment he’s defending himself in the Senate of Venice, the next he’s in Cyprus, taking credit for being victorious in a battle the storms fought for him against the Turks. The story unravels from there. His soon-to-be-lieutenant, Iago, whispers in his ear about his wife, Desdemona, and the unforgivable crime of adultery, throwing Othello’s orderly world to the winds of fate.
at work get to us but the stresses of battle must be and uncountable times
"She loved me for the dangers I had pass'd, and I loved her that she did pity them" (Othello, I.iii 166-167). William Shakespeare’s tragedy "Othello," is pervaded by a dominant theme, one of love. Othello, the Moor of Venice falls madly in love with a woman named Desdemona. They marry and are very happy together. Othello and Desdemona face many trials during the course of their nine-month marriage. The most notable one occurs when Barbanzio, Desdemona’s father accuses Othello of getting his daughter with witchcraft. During a court hearing, Desdemona confesses her love for Othello and Barbanzio is forced to let her go.
Desdemona is one of the protagonists of the play contributes to the play and also fleshes out certain aspects of characterisation mainly where Othello and Iago are concerned. Thus her relevance is highlighted consistently throughout Othello, since without her ppresence, Iago would not have succeeded in manipulating Othello, and Othello's drastic transformation would not have been made evident.
Othello: The play's protagonist and hero. A Christian Moor and general of the armies of Venice, Othello is an eloquent and physically powerful figure, respected by all those around him. In spite of his elevated status, he is nevertheless easy prey to insecurities because of his age, his life as a soldier, and his race. He possesses a "free and open nature," which his ensign Iago uses to twist his love for his wife, Desdemona, into a powerful and destructive jealousy
Essential to the success of Othello is the fact that the issues and themes explored in this tragedy, written by Shakespeare in about 1604, are still relevant to the modern audience. The interest of an audience is held by themes that are fundamental to the human condition, as these reflect our world and examine human nature. Othello explores the issues of racism, gender, domestic violence, the supernatural and the pathology of the entirely evil person, which are all remarkably relevant to our time. Thus the interest of the audience is held, as issues that affect the viewers and readers of the play spark individual opinions, reflection and thought.
One of the first impressions gained of Othello is that he is a great war hero. Before much else is said of him, tales of his skill and valor in battle are illustrated and he is shown to be a great and famed warrior. He naturally possesses many attributes typically associated with soldiers. From the beginning Othello is noble, quick to act, judicious, trusting, and gives much weight to the importance of duty. These are all traits that serve to make him great at the beginning of the play, and later, ironically become key elements in his downfall. These aspects can be considered the internal causes of Othello’s tragic flaw. “Othello's nature is all of one piece. His trust, where he trusts, is absolute…. Love, if he loves, must be to him the heaven where either he must leave or bear no life. If such a passion as jealousy seizes him, it will swell into a well-night incontrollable flood.” Othello is pure an...
Gardner, Helen. “Othello: A Tragedy of Beauty and Fortune.” Readings on The Tragedies. Ed. Clarice Swisher. San Diego: Greenhaven Press, 1996. Reprint from “The Noble Moor.” British Academy Lectures, no. 9, 1955.