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Critical analysis of othello's character
Gender issues in othello
Critical analysis of othello's character
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The Setting of Venice in Othello
Othello is a fundamentally different character to all others in the play [1]. He is an outsider to Venice and therefore an outsider to the customs and society of Venice. In one way this is good for him. He is a renowned strong general who is much in demand from the Venetians. Rather than fight the war against the Turks for themselves, they hire Othello to do so, indicating that he is respected by the Venetians but not considered, as a civilized Venetian would be, above having to fight wars barbarically. This lack of cultural acceptance is indicated by the way Brabantio is willing to Îloveâ, invite to his house and ask him to tell battle stories. However, when there is the possibility of Desdemona marrying Othello, Brabantio is vehemently opposed, exclaiming;
"Destruction on my head".[2]
Venice is a haven of civilization, on the border with the land of heathenism and disputes. When Brabantio is told he has been robbed, he answers inconsistently;
"What tellâst thou me of robbing? This is Venice; My house is not a grange."
This not only shows that Venice is a quiet, civilized, uneventful place, but that its inhabitants (or at least Brabantioâs generation) believe it to be themselves.[ LINK TO 3] They live by a code of behavior and upbringing which views someone like Othello as barbarous, uncivilized, and almost amusing in a superior cultural kind of way. Every time a character calls Othello "the Moor" a sense of derision and superiority is conveyed and all the other feelings of distance inherent in Venetians.[4]
Iago says that Desdemona is a "supersubtle Venetian"[5] as if the calculatedness of her thoughts and deeds were not too a feature of himself, which they certainly are. The implication is that civilised people are conniving and scheming people, and are in that sense understood to one another while this adds to the irony of the constant reference to Iago as "honest Iago". It also contrasts the Venetian way of social dealing with the open nature of Othello. Othello is clever, as his style and military prowess show but is to content of Venice he is na•ve. He is too trusting and misunderstands the subtleties of Venetian society it is the combination of his openness and decisiveness, pride and trustfulness that allows super subtle Iago to destroy him, powerful as Othello is.
He is a powerful figure with many respecting him, though with him being at a higher level compared to others, he is prone to the insecurities that follow. First and foremost, Othello is not originally from Venice and this causes him to feel like an outsider compared to all the other men in the Venetian Army who are all from there. His age and race all play in the part of how he thinks people see him. Since he is a moor, “A dark-skinned Muslim” and is significantly older than Desdemona , he questions his self-worth and why Desdemona would stay with a man like him.
Braces date back to even ancient times, they are not a modern day concept. Archaeologists have found mummies with metal bands hugging certain teeth, which were around 400-500 BC. The first documented ligature wire was found in a Roman tomb in Egypt. In a more modern and known time such as when George Washington had his wooden teeth dentist were thinking about bad bites and how they could correct it. Roughly around the 1800s a man named Delabarre marked the start of contemporary orthodontics with the introduction of the wire crib. The wire crib is the wire put in the brackets. As we know braces than and braces now differ quite a bit. In the 1900’s braces were out of gold, platinum, silver, steel, gum rubber, and even wood. The wire was made out of gold! That had a lot of setbacks due to the fact it is a very soft material so constant adjustments were needed. Now, towards the mid 1970’s was the end of the wrap around metal, they had finally come up with a bonding agent to glue brackets on the tooth surface (S, 2002). We may have thought braces were barely invented but, as we have seen they have been around since even 4...
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Othello is the Cultural Other in Venetian society, and while he is very learned, it is probable that he is not fully aware of the social and cultural mores that govern Venice. As a Moor, Othello was reared outside Venice, and thus remains separate and exoticized. Although a great military man, and accepted by the elite of Venice, there is still a foreign-ness to him. The characters in the play, for the most part, call Othello "the Moor" (1. 1. 37, 1. 1. 161, 1. 2. 56). By calling Othello "the Moor," his proper name is taken away and he is left as an object. He is only accepted because of his military prowess, and seems to be used almost as a commodity; he is sent to Cyprus, with little warning--almost at the whim of the Duke. It is only because he is valuable to Venice that he is not punished for marrying the white Desdemona; Brabantio's anger is a clear indication that miscegenation is not an acceptable practice. Therefore, being a stranger to Venetian society, even a vague inkling that he is only a body used to fight may lead to insecurity that only exacerbates the deep-seeded, pre-existing ...
Hurricane Katrina was one of the most interesting and deadly hurricane to ever hit the United States. This hurricane devastated New Orleans and all of its inhabitants. This hurricane was especially devastating as New Orleans is 13 feet(3.9624 metres) below sea level. The government wasn’t prepared for the damage of New Orleans, and neither were the Levees. The Levee crash was one of the major causes of the flooding in New Orleans. The deaths and damages cost billions. After this storm many people didn’t want to move back to their home, New
Othello, a play by William Shakespeare, takes place in Venice during the invasion of the island of Cyprus by the Turks. The protagonist of the story, Othello, is a newlywed, Moorish general with a very gullible nature. The antagonist of the story is Iago, an officer under Othello who wishes to be promoted to lieutenant, but the position was given to the young and attractive Cassio. Other major characters in the play are Desdemona, Othello's wife who is accused of having an affair with Cassio. In addition, there are Roderigo, a Venetian who is deeply in love with Desdemona; and Emilia (Iago's wife) who could have prevented the death of Desdemona.
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Characters in the play fail to comprehend Iago’s true nature until it is too late. Those interacting with Iago fall into the belief that Iago is loyal to his superiors, when Iago is actually focused on bringing them (Cassio and Othello) down. Iago constructs a false impression of his loyalty to Othello through ...
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In Othello, Iago uses his fine reputation as an “honest man” and Othello’s insecurities to manipulate him and carry out his master plan of destroying Cassio, Othello, and Desdemona. Iago’s insight towards the other characters’ weaknesses enables him to let them know exactly what they want to hear, which helps him gain their trust. He plays upon the insecurities of others to maneuver them into carrying out the actions he needs done in order to fulfill his own desires. In looking at Othello, we will consider the Othello’s blind acceptance of “the truth” as it is presented to him and find that when we blindly take another’s “truth” and accept it as our own, we merely become tools utilized by the person who gave us that supposed truth and give up the power of being ourselves—we fail to assert a self.
Desdemona acts contrary to these plans by choosing to marry Othello who is a Moor, not a Venetian, which automatically lowers his stature. He is also an army general; he does not have a lot of money, only some prestige. In addition, he is old - he could be Desdemona's father nearly; in fact, he is Brabantio's friend. Army life would keep him (and her) out of Venice, and prevent Brabantio from seeing his daughter, or future grandchildren. Consequently, Brabantio is extremely upset when he learns that they have eloped.
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As Othello is known in the play as the Moor, he often faces discrimination that his peers did not face. When Brabantio finds out that Othello married his daughter, he claims that Othello must have “enchanted her” (1.2.64) and that his daughter “…t’incur[ed] a general mock,” (1.2.70) by “run[ning] from her guardage to the sooty bosom.” (1.2.71) In other words, Brabantio is saying that he is in disbelief as to why Desdemona would marry a Moor when her socioeconomic status was so much higher. As a result of being treated as an inferior due to skin colour, Othello puts more weight on honour and reputation. Since his high ranking position in the army set him apart from other Moors, he uses it as compensation towards many aspects of his life such as marriage. For example, Othello associates the “…services which [he] has done the seignniory” (1.2.17) to Brabantio’s criticisms about him. Othello knows that his position holds power, and he is able to confidently articulate why he is suitable candidate to marry Desdemona. Unfortunately, Othello’s confidence does not last later in the play when his honour is suddenly threatened by presumptions that Desdemona is engaged in unfaithful acts. Soon thereafter, he loses his
Gambling addiction is a unique addiction that can sneak up on just about anyone. Just about everyone has the urge to gamble or make a wager on something they