The play Orosman at Zafira is a Komedya written by Francisco Baltazar, a renowned Filipino writer who wrote it for the Teatro de Tondo.. This theater form, Komedya, is not a comedy, but in fact a colonial Spanish drama that revolves around saints or warring kingdoms. However, this play deviates from the standard Komedya; original komedyas were about the Moro-Christian conflicts while Orosman and Zafira is about the characters rather than religion. The play was an adaptation of Baltazar’s original in order to suit modern Filipino audiences. Examples of the difference made for the play are the Filipino tribes who were originally Turkish kingdoms; the neo-ethnic music for a tribal feel of the play and; the dances instead of marches in the original text.
The story of Orosman at Zafira begins with the introduction of the narrator, Zelima. She sings about the Marruecos, Tedenst and Duquela tribes and Mahamud, sultan of the entire realm and the Pacha of the Marruecos who calls for a feast. All the pachas have been invited including Bousalem, Pacha of the Tedenst, and Zelim, Pacha of the Duquela. Bousalem suspects that Mahamud clandestinely plots to kill all the pachas to gains absolute power. With this in mind, Bousalem orders the assassination of Mahamud in the feast.
The scene then turns into the meeting of the lovers in the story. Gulnara, Mahamud’s wife, and Aldervesin, his adopted son, begins an affair alongside the meeting of Orosman, Tedenst Sultan Bousalem’s son, and Zafira, Marruecos Sultan Mahamud’s Daughter. The affair was soon found out by Mahamud and immediately ordered Aldervesin’s execution while Orosman begins to court Zafira. Gulnara attempts to free Aldervesin but fails to do so. Zafira, who wishes to help Gulnar...
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...ing the war comes from her grief and the tribal form of justice which was an eye for an eye method. She begins the war to exact revenge on her father’s behalf as well as claiming back the throne that Bousalem seized from her family. Gulnara’s participation in the war is caused by her guilt since she believed that the late sultan’s assassination was partly her fault. Orosman’s decision to fight for the Marruecos is because of his love for Zafira.
All in all, the play was an amazing rendition of the original Komedya. The changes done to the script is done superbly. Even if the music of the play kept blasting me on all sides to the point that my ears began to ring, still, the music was a superb accompaniment to the acting. When all is said and done, I’m sure that I’d be happy to promote this play if the University of the Philippines is planning on producing it again.
The set of the play was built decent and looked the same. The only thing I didn't like was some of color of the stones that were painted on the walls. But, that’s just my opinion. However, I did have fun splatter painting those walls and the stairs during class. I liked how there was platforms and different ground levels, that made it more interesting. Rather than just having the stage ground there were stairs you could go up or down which set it apart. Overall, I liked the set and I thought it was built well and sturdy.
Galchen creates the character of her narrator to be very similar to that of the young narrator in “Araby” in a modern setting. In their youth, each narrator becomes infatuated and obsessed with someone who does not realize. The narrator of “Araby” falls in love with his friend Mangan’s sister, as seen in that he states that “when she came out on the doorstep [his] heart leaped” (123). He forms an obsession with her, as evidenced by the fact that he “had never spoken to her . . . and yet her name was like a summons to all [his] foolish blood” and in that “her image accompanied [him] even in places the most hostile to romance” (123).
The production had many elements which for the most part formed a coalition to further the plot. The characters, the three part scenery and costumes represented well the period of time these people were going through. As far as the performers entering and exiting the stage, it could have been more organized. There were a few times when the performers exited at the wrong times or it seemed so due to the echo of the music. At certain moments the music was slightly loud and drowned the performers. Many of the songs dragged on, so the pacing could have been more effectively executed. Though the music was off at times, the director's decision to have most of the songs performed center sage was a wise one. Also the implementation of actual white characters that were competent in their roles came as a great surprise to the audience and heightened the realism.
...ader with the death of Maman. The death had no effect on Mersault what so ever. It could be due to the fact that there was no intimate or no relationship between mother and son. Since there were no signs of a bond, Mersault developed into an absurd person. The remoteness of him and his mother and death of Maman foreshadowed the death of the Arab and Mersault’s own death. Mersault shows indifference with the universe with his relationship with Marie. Allende created a monster from a rape between Pancha and Esteban Trueba. Esteban Garcia then decided to avenge the Trueba Family by raping Alba. Doing so, he ensures no intimate affiliation with any Trueba family member.
Our perception of Lysander and Hermia’s love develops in the following events: Hermia chooses to become a nun rather than submit to marrying the man her father has chosen for her; Lysander comforts Hermia and shares his plan to elope; They lose their way in the woods and negotiate sleeping arrangements; Lysander deserts Hermia to pursue Helena and to kill his rival, Demetrius.
Georgiana and our opposing character Aylmer, her husband, one can walk away from this story with a
The play begins with some important decisions needed to be made. Hermia, daughter of Egeus wants to marry
...r to Menelaus now. Thee tapestry is too intricately woven, so as the central blame is Helen, most of the individuals involved are in the war for widely different motives.
Bahauddin ran from the salt caverns all the way to Balabad as soon as he saw his keys were gone despite the fact that he was old and actually very weak, and as soon as the invader handed Zim the baby girl Bahauddin came smashed the doors and started punching all the invaders “DON’T TOUCH MY DAUGHTER YOU HALOGENS!” Bahauddin yelled and Zim looked down at the baby, “Hello Lilac..” Zim smiled evilly “Kill him and his putrid wife for stealing my beloved daughter.” Zim commanded and the invaders rushed into the Queen's bedroom and stabbed Bahauddins wife to death. As Bahauddin was fighting the invaders he heard his wife's screams of terror, she screamed bloody murder. It made Bahauddins heart skip a beat as he saw and heard the woman he loved so dearly being stabbed to death. The invaders ran at Bahauddin and he gained some sort of strength and started fighting back even though he was so weak and frail. Bahauddin fought and fought for what seemed forever till finally Zim was only invader left and Bahauddin panted as wiped the sweat from his forehead. He took a knife from one of the invaders and stabbed Zim in the
Overall, I really enjoyed the production. The storyline itself, the acting, and all the designs were amazing. Despite there being a lot of sexual terms and cuss words mention, the plot serves as a good lesson for teens and especially parents and teachers. This play teaches parents to be more open and accepting to their children. This also serves as a lesson for teachers to be less harsh to students. I would definitely want to watch it again. In fact, NCTC produced a Spring Awakening concert performing only the songs. I watched that as well and this time I was singing along!
The reader is first introduced to two kings, Shahrayar and Shahzaman, who are brothers both betrayed by their wives. Shahzaman mistakenly discovers his wife's infidelity just before going to visit his brother. He is in agony over the betrayal and loss. While Shahzaman is at Shahrayar's palace he mistakenly discovers that his brother's wife is having immoral sexual relationships with a slave man. Although curiosity did not play a part in Shahzaman's discovery of the two women's infidelity, Shahrayar's curiosity drove him to discover his wife's betrayal and to endure the great suffering caused by it. When Shahzaman refused to tell his brother about what he had seen his wife doing, Shahrayar insisted that he tell him:
In the first part of the play Egeus has asked the Duke of Athens, Theseus, to rule in favor of his parental rights to have his daughter Hermia marry the suitor he has chosen, Demetrius, or for her to be punished. Lysander, who is desperately in love with Hermia, pleads with Egeus and Theseus for the maiden’s hand, but Theseus’, who obviously believes that women do not have a choice in the matter of their own marriage, sides with Egeus, and tells Hermia she must either consent to marrying Demetrius, be killed, or enter a nunnery. In order to escape from the tragic dilemma facing Hermia, Lysander devises a plan for him and his love to meet the next evening and run-off to Lysander’s aunt’s home and be wed, and Hermia agrees to the plan. It is at this point in the story that the plot becomes intriguing, as the reader becomes somewhat emotionally “attached’’ to the young lovers and sympathetic of their plight. However, when the couple enters the forest, en route to Lysander’s aunt’s, it is other mischievous characters that take the story into a whole new realm of humorous entertainment...
This changes are reasonable and excused for some reason like the space for the stage. Although, the part that related to the prison they did not show that on the musicals show because they avoid any violence as much as they can on the show all the actress doing great job on there performance. They are dancing, singing and using a lot of hummer since that gives the story great picture for the people who attending this show. For instance, they called the man in the yellow suite “evil banana”, I found this adding to the story in amazing way for the children as will as for the adults. The wonderful part was when it came to a climax ballet and silently move to the circle of life, each of the family is die he will leave this circle. Even if I am a book person I loved the play and I enjoyed it as much as I loved the
The war originated from a quarrel between the goddesses Athena, Hera, and Aphrodite over a golden apple. Zeus ordered Hermes to lead the three goddesses to Paris, the prince of Troy. He had a prophecy that he would be the downfall of troy. Paris could not decide which goddess to choose so the goddesses tried to bribe him. Athena offered him wisdom, skill, and ability. Hera offered him political power and Asia. Aphrodite offered him love and Helen. Aphrodite made Helen, one of the most beautiful women fall in love with Paris who took her to
According to Islamic mythology, a “jinni” meaning spirit in Arabic dropped a jewel in the sea, producing a volcano that erupted forming the Comoros islands today. It is suspected that Phoenician sailors were the first to visit Comoros due to their excessive travel, specifically from Mediterranean Sea ports (1). They expedited towards the North Atlantic Ocean circling the entire African continent making one of many stops in Mayotte, Comoros. Earliest inhabitants of the land were of 5th to 6th century Melanesian or Polynesian sailors as well. Archeologists have found traces of these sailors in Nzwani, which is part of the archipelago islands that form Comoros today. Islanders dispatched emissaries to Mecca upon hearing about Islam in the 7th century. Even though the prophet Mohammed passed before the delegates arrived, conversion to the new religion was already starting to commence. The Arab Shirazi clan, were credited on the Islands for building mosques in the 15th to the 16th century. A civilization was evolving and in 1505, the Portuguese decided to start their version of colonialism. The British and French followed in the same footsteps all throughout the 19th century, as Nzwani became a major supply hub for European opportunists. The French finally succeeded in its “divide and conquer” surgical methods and tactics, and by the end of World War 2, France had full control of the Comoros Islands and was represented by its own French legislature. Independence for Comoros from France moved slowly and quietly and when offered a vote for change, all three Islands were granted autonomous rule with the exception of Mayotte due to its deputies abstaining in a vote for pro French rule, thus as aforementioned above, Mayotte is under...