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Thought in Oedipus rex sophocles
Characterization in oedipus rex by sophocles
Characterization in oedipus rex by sophocles
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Ancient Athens of the fifth century B.C saw evolutionary developments in philosophy, science and the dramatic arts of which provided citizens a very different perspective of life as it was. It was a patriarchal society which has been ruled by an Aristocratic system for hundreds of years that centred their ideals and beliefs not on individualism, but utterly the power of the gods. However in the Golden Age society’s devotion towards piety began to crumble as humanity started to examine the power of man’s achievements. This unorthodox movement was led by the Sophists .It was thus, the role of dominant Greek powers to re-establish the traditional pious values of society. As a conservative with high status, Sophocles wrote with the intention to reinforce these dominant conservative values, his renowned play Oedipus Rex (c. 429BC). The ancient play tells the story of a man whose destiny was scarred by an impious act committed by his parents. In the attempt to escape his cursed fate he inevitably fulfils it. Sophocles has intentionally manipulated features of tragedy in this story to address the questionable nature of society at the time by ultimately emphasising the horrendous consequences seen through Oedipus. These tragic events in the play will help answer the prominent philosophical questions of fate and free will, reaffirm the power of the gods and functions of conservative Athenian society.
Fate and free will became elusive concepts in the Golden Age which conservative society would have understood lucidly, which was everything was predestined by the gods. However this sophistic movement presented ideas which challenged this pious belief. Sophocles has ingeniously countered this sophistic idea of fate in this play by narrowi...
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...u saw her cross the threshold// In desperate passion… fastening her fingers in her hair.” Women were seen as emotionally weak and irrational individuals. On the other end of the spectrum Oedipus, resonating the qualities of a man, decided to accept his tragic state over the choice of death, making him heroic and admirable. The daughters of Oedipus were also highly disempowered, in that they were portrayed as incompetent and delicate beings who are unable to deal with their handed fate “I think of your sorrowful life in the days to come…”.
While Oedipus represented many sophistic ideals through free will and individualism, Sophocles has reinforced through features of tragedy that it was ultimately the power of the gods and his cursed fate, the conservative philosophy and belief that overruled all the sophistic qualities which audiences may have admired in Oedipus.
Throughout literature authors have written to express a message to their intended audience. This is no exception for the plays, Oedipus Rex and Darker Face of the Earth, written by Sophocles and Rita Dove, respectively. The similarities in plot, characters, and motifs are not the sole concurrencies between both plays; the overall message to the audiences in both plays is one in the same, one cannot escape their fate. Sophocles and Dove both illuminate this message through their use of the chorus. While Sophocles uses a single chorus of Theban elders, Dove illustrates the grimness of fate through several minor characters: the chorus, the prayers and the players, the rebels, and three female slaves. Dove’s usage of Phebe, Diana, and Psyche further accentuate the battle between free will and fate, as well as the role of women, a concept absent in Sophocles’ play.
In Sophocles’ Oedipus The King, King Oedipus of Thebes is confronted. and strangely obsessed with the mystery of who killed Laios. former king of Thebes, for a great plague has overtaken the city of. Thebes because of this murder. During his quest for the truth, he begins to discover that the answer to his query is also the answer to another disturbing mystery about himself, who am I?
The question has been raised as to whether Oedipus was a victim of fate or of his own actions. This essay will show that Oedipus was a victim of fate, but he was no puppet because he freely and actively sought his doom, although he was warned many times of the inevitable repercussions of his actions.
In Sophocles’ play, Antigone, the main character uses rhetoric to effectively persuade her audiences to sympathize with her. In the play, Antigone’s brother, Polyneices, dies a traitor to the Theban people. The king, Creon, decrees that no one is to bury the traitor despite the necessity of burial for proper passing into the afterlife. Believing that Creon’s decree is unjust, Antigone buries her brother. When she is brought to the king, Antigone uses this speech in defense of her actions. In the speech, she uses allusion, diction, and particular sentence structure to increase the effectiveness of her argument.
Jevons, Frank B. (1997) “In Sophoclean Tragedy, Humans Create Their Own Fate.” In Readings on Sophocles, edited by Don Nardo. San Diego, CA: Greenhaven Press
The great Sophoclean play, Oedipus Rex is an amazing play, and one of the first of its time to accurately portray the common tragic hero. Written in the time of ancient Greece, Sophocles perfected the use of character flaws in Greek drama with Oedipus Rex. Using Oedipus as his tragic hero, Sophocles’ plays forced the audience to experience a catharsis of emotions. Sophocles showed the play-watchers Oedipus’s life in the beginning as a “privileged, exalted [person] who [earned his] high repute and status by…intelligence.” Then, the great playwright reached in and violently pulled out the audience’s most sorrowful emotions, pity and fear, in showing Oedipus’s “crushing fall” from greatness.
In Ancient Greece the existence of gods and fate prevailed. In the Greek tragedy King Oedipus by the playwright Sophocles these topics are heavily involved. We receive a clear insight into their roles in the play such as they both control man's actions and that challenging their authority leads to a fall.
Oedipus is a hero, as defined by Johnston. According to Johnston, ‘a hero is someone who confronts fate in a very personal manner and whose reaction to that encounter serves to illuminate for us our own particular condition’ (Johnston, Part 2). Oedipus definitely confronts fate in a personal manner. Among other things, he challenges the mysterious qualities of fate by pursuing the Shepherd despite warnings from Jocasta (Sophocles, 71). Oedipus follows through on confronting fate with his individual approach of uncompromising persistence and integrity (Johnston, Part 3). Even at the end of his downfall, Oedipus maintains that Kreon should banish him and that he must obey the curses he himself ordered for the murderer of King Laios (Sophocles, 89-90). Despite being so broken and publicly shamed, Oedipus still persists with his former way of interacting with fate : noble defiance (Johnston, Part 3). Although this quality itself is admirable, Oedipus takes uncompromising to the extreme, losing insight on everything else. Oedipus becomes ignorant to his surroundings, leading to his downfall (Johnston, Part 3). Oedipus’ story also challenges the fundamental belief that life should be rational and just. (Johnston, Part 3) His story illuminates that fate is arbitrarily cruel and will sometimes pick the gre...
In the play Antigone, by Sophocles, it is greatly apparent just within the first few exchanges between Ismene and Antigone that there are various social issues surrounding the women in ancient Greece. The play raises many gender and socially related issues especially when looking at the contextual background of the playwright and the representation of the women within the play. When the characters of the first scene begin their analog, it is important to note what they are actually saying about each other and what their knowledge of their own social status is. The audience is first introduced to Antigone who we later learn is the antagonist of the play as she rebels against the protagonist, Creon. Her sister, Ismene, is the second character the audience is introduced to, hears of Antigone's plan to bury their brother's body in the first scene. Ismene’s actions and words give the reader the hint that her sister’s behavior is not usual, "so fiery" and "so desperate" are the words used to describe Antigone's frame of mind. At this very early point in the play the reader discovers that Antigone is determined to carry out her mission to bury her beloved brother. However, she is in no position that gives her the rights as a woman, sister, or even future queen to make her own decisions and rebel. Instead, her decision to bury her brother demonstrates her loyalty to her family, the gods, and to all women. Her motivation for those decisions will end up driving her far more than that of what the laws set by Creon have implemented. She shows no fear over disobeying the king and later says about the punishment of death "I will lie with the one I love and loved by him"(Sophocles, 2). Throughout the play the reader can see the viewpoint of an obedient woman, a rebellious woman, and the social norms required for both of them.
A play represents society. By upsetting the societal order, the basic fundamentals of the societal group can be examined. In the case of Oedipus Rex, Sophocles portrays the basics of the Ancient Greek culture, the culture which existed in his time. He exposes a patriarchal society, one attempting to come to grips with democracy while at the mercy of the Gods. The social hierarchy is respect but forced to crumble, while the Gods rule it absolutely. All of this is exposed through the underlying conventions, mainly the chorus, dramatic action, dialogue, characterization and methods of social construction. It forms an in-depth exposition of the group and its formation of the beliefs and values.
Jevons, Frank B. “In Sophoclean Tragedy, Humans Create Their Own Fate.” In Readings on Sophocles, edited by Don Nardo. San Diego, CA: Greenhaven Press, 1997.
Yaeger, Werner. "Sophocles' Master of Fate." In Readings on Sophocles, edited by Don Nardo. San Diego, CA: Greenhaven Press, 1997.
Jevons, Frank B. “In Sophoclean Tragedy, Humans Create Their Own Fate.” In Readings on Sophocles, edited by Don Nardo. San Diego, CA: Greenhaven Press, 1997.
In the ancient Greek society, fate played a big role in people’s daily lives. The people believed in the powers of the gods and goddesses, as well as the prophecies and oracles. In Oedipus Rex, Sophocles built up suspense of this story by many factors that eventually led to the downfall of Oedipus and caused this tragedy to happen. However, fate is responsible for Oedipus’s tragedies because the actions he took in this play, were all motivated by his attempt to avoid the fate.
Oedipus is depicted as a “marionette in the hands of a daemonic power”(pg150), but like all tragic hero’s he fights and struggles against fate even when the odds are against him. His most tragic flaw is his morality, as he struggles between the good and the evil of his life. The good is that he was pitied by the Shepard who saved him from death as a baby. The evil is his fate, where he is to kill his father and marry his mother. His hubris or excessive pride and self-righteousness are the lead causes to his downfall. Oedipus is a tragic hero who suffers the consequences of his immoral actions, and must learn from these mistakes. This Aristotelian theory of tragedy exists today, as an example of what happens when men and women that fall from high positions politically and socially.