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Explain literary devices in ode to the west wind by shelley
Explain literary devices in ode to the west wind by shelley
Explain literary devices in ode to the west wind by shelley
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Percy Bysshe Shelley was the definition of a Romantic poet. His philosophical ideals emphasized the importance of aestheticism and his poetry clearly portrayed the beauty and majesty of the natural world. Like many of his Romantic peers, Shelley’s own life was short, tragic, and full of hardships. Drowned in a boating accident before the age of thirty, his one desire that his words would impact and inspire did not become a reality until long after his departure. In his poem, “Ode to the West Wind,” Shelley uses symbolism, simile, meter, imagery, and many other devices to present the power of nature and the speaker’s hope for this power to become part of him in his mission to bring about inspiration and transformation for creative processes. The poem is divided into five stanzas, each fourteen lines with a couplet at its end, suspiciously resembling a sonnet. In the first of these stanzas, Shelley begins his ode describing the power and influence of the west wind to bring about death. The sheer control of the wind is represented in the ode’s form. The compactness of the stanza couplet sequences gives each part of Shelley’s work a compactness and solidarity (Ahn). Through the use of simile and imagery, he gives the power of the wind a sinister feeling when he compares the leaves to “ghosts from an enchanter fleeing,” and again with the phrase “chariotest to their dark wintry bed.” To understand Shelley’s dark tone, a search into the poems background shows that at the time the ode was pinned, he was recovering from the death of his son William and negative reviews of his latest works (Ahn). More importantly, this stanza introduces the important idea that the wind has dual natures, one being destruction and the other in c... ... middle of paper ... ...tice (Napierkowski and Ruby 163). However, seasons of life do not come and go as one pleases. Although Shelley never witnessed the magnitude of impact his poetry made, it cannot be denied that he was indeed one of the most important Romantic poets. Works Cited Ahn, Jinny. "Percy B. Shelley (1792-1822) and 'The Ode to the West Wind'." Ashes Sparks & Hypertext. Phillipson/ UC Berkeley , June 2003. Web. 2 Apr. 2014. Fogle, Richard H. "The Imaginal Design of Shelley's "Ode to the West Wind"." JSTOR. John Hopkins University Press, 10 Oct. 2012. Web. 2 Apr. 2014. Mooney, Patrick. "Temporal Dislocations and Visions of Interpretation in Shelley's "Ode to the West Wind"." Patrick Brian Mooney. Ed. Patrick Mooney. N.p., 11 Mar. 2014. Web. 2 Apr. 2014. Napierkowski, Marie Rose, and Mary Ruby. Poetry for Students. 2nd Vol. Detroit: Gale, 2007. 161-176. Web.
This essay is anchored on the goal of looking closer and scrutinizing the said poem. It is divided into subheadings for the discussion of the analysis of each of the poem’s stanzas.
Shelley uses symbolic meaning to depict the destruction of a statue and the “sands that stretch far away” in relation to the effects of pride, a direct contrast from the words on the pedestal. The images of the deteriorating items gives the readers an understanding of time’s ultimate power beyond both life and pride. However, the cliché use of sands as a means of representing time still explains to readers that the passing of time is prevalent in the poem and related to the destroyed items presents the concept of a useless
The Web. The Web. 23 Apr. 2014. The 'Standard' of the 'Standard'. Bradley, Ed.
In the late eighteenth century arose in literature a period of social, political and religious confusion, the Romantic Movement, a movement that emphasized the emotional and the personal in reaction to classical values of order and objectivity. English poets like William Blake or Percy Bysshe Shelley seen themselves with the capacity of not only write about usual life, but also of man’s ultimate fate in an uncertain world. Furthermore, they all declared their belief in the natural goodness of man and his future. Mary Shelley is a good example, since she questioned the redemption through the union of the human consciousness with the supernatural. Even though this movement was well known, none of the British writers in fact acknowledged belonging to it; “.”1 But the main theme of assignment is the narrative voice in this Romantic works. The narrator is the person chosen by the author to tell the story to the readers. Traditionally, the person who narrated the tale was the author. But this was changing; the concept of unreliable narrator was starting to get used to provide the story with an atmosphere of suspense.
All Shelley might be doing both here and in the ‘Mutability’ lines (as also perhaps in ‘Ozymandias’) is describing the imperfection and impermanence of worldly circumstances. Mary Shelley’s purpose in using her husband’s lines might be no more than a device to engender feelings of pathos in the reader’s heart at the series of losses suffered by the protagonist.
While immersed in its beauty, Victor and his creation escaped worldly problems and entered a supernatural bliss. In short, Shelley presents nature as very powerful. It has the power to put the humanity back into man when the unnatural world has stripped him of his moral fiber. In comparison to the pure beauty of nature, the unnatural acts of man are far more emphasized; therefore, the reader is clearly aware of man’s faults and their repercussions. Unfortunately, not even the power of nature could balance the work of man: “the cup of life was poisoned forever.”
Romantics often emphasized the beauty, strangeness, and mystery of nature. Romantic writers expressed their intuition of nature that came from within. The key to this inner world was the imagination of the writer; this frequently reflected their expressions of their inner essence and their attitude towards various aspects of nature. It was these attitudes that marked each writer of the Romantic period as a unique being. These attitudes are greatly reflected in the poem “When I Heard the Learned Astronomer” by Walt Whitman.
This poem describes a story told you by a passing traveler of a ruined statue of a king, Ozymandias, seemingly in a desolate desert. On the statue in is inscribed, “‘My name is Ozymandias, king of kings: look on my works, ye Mighty, and despair!’/Nothing beside remain” (“Ozymandias” 10-12). Upon examination of the surrounding land, we realize that the once vast kingdom around the statue has been taken back by the desert, leaving the ironic message on the statue. This poem shows Shelley’s ideas of how all is temporary, especially mankind and our achievements. Showing romantic values, Shelley believed nature is much greater than man and no matter how big your kingdom, mather nature will always take back what was always
“Nothing beside remains. Round the decay / Of that colossal Wreck,” wrote Percy Bysshe Shelly in his poem, “Ozymandias.” This theme of destruction also forms the basis of Lord Byron’s poem, “Darkness.” Although each poem has a very different narrative, tone and plot, they reflect fears about the legacy of human influence and the destruction of civilization. The common theme of destruction, found in Percy Bysshe Shelly’s poem “Ozymandias” and Lord Byron’s poem, “Darkness” reflects the poets’ shared fears about the future by writing about ideas of civilization, the fall of mankind due to nature and natural instincts, life and death.
William, James , 1792-1822 (1792-1822) The Complete Poetical Works of Shelley including materials never before printed in any edition of the poems: Edited with textual notes by Thomas Hutchinson Oxford The Clarendon Press 1904 xxvii, 1023 p. Preliminaries, introductory, and editorial matter omitted; non-English verse omitted.
Throughout the poem there is close observation of wind, water, wood, cloud and sky. The imagery is scientific, mythical and biblical which combine to form a very powerful setting. Shelley is using the natural to portray the social. The wind symbolises the force of renewal in nature and the change needed for political reform and to restructure society. As the destruction of the autumn wind indicates the end of summer, so the changes necessary to bring about a fairer society will be destructive at first too.
Percy Bysshe Shelley's "Ode to the West Wind" is a lyric poem. The poem addresses the west wind as the powerful force and the speaker asks the west wind to disseminate his words and thoughts throughout the world. The speaker narrates the vicissitude of nature and how the west wind changes the ground, the sky and the ocean. With rich imagination which is the reflection of Shelley's "defence of Poetry," the poet modifies the west wind, being both a destroyer and a preserver, as a symbol of revolution, an impetus of the rejuvenation in both human and natural world. Then, the speakers complains about the circumstances of his life, pleads to accompany with the west wind and states his prophecy about future.
Ozymandias, a 14 line sonnet written in iambic pentameter by Percy Bysshe Shelley, portrays a story of loss and ruin. The poem begins with a traveler telling the poet about horrible destruction he has seen. The king of the ruined town,Ozymandias, sees the rummage in dismay ,as his town is destroyed. In her writing Shelley portrays a warning to her readers using the theme that power is only temporary. Alas Shelley’s imaginative diction immerses her readers into the pain and suffering Ozymandias’ city feels.
The poem, “Apostrophe to the Ocean,” encompasses distinguished insights on the nature and civilization. By revealing his love for the ocean, Byron was able to include the romantic elements; he wisely discussed his hatred toward the industrialization and described the mighty capacities of the ocean. Therefore, I believe that George Gordon Byron was successful in painting a powerful picture of the ocean.
In William Wordsworth’s poems, the role of nature plays a more reassuring and pivotal r ole within them. To Wordsworth’s poetry, interacting with nature represents the forces of the natural world. Throughout the three poems, Resolution and Independence, Tintern Abbey, and Michael, which will be discussed in this essay, nature is seen prominently as an everlasting- individual figure, which gives his audience as well as Wordsworth, himself, a sense of console. In all three poems, Wordsworth views nature and human beings as complementary elements of a sum of a whole, recognizing that humans are a sum of nature. Therefore, looking at the world as a soothing being of which he is a part of, Wordsworth looks at nature and sees the benevolence of the divinity aspects behind them.