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Analysis of harlem langston hughes
Langston hughespoetry analysis
Langston hughespoetry analysis
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Growing up can be a difficult process, especially when you consistently have no one to guide you. Sandy, the central character of Not Without Laughter by Langston Hughes has this problem. While he does have people to guide him, much of what they say is difficult for him to discern, often because what they say conflicts what the others say. This makes it difficult for him to know what to do in some situations, or what is right or wrong. In Sandy’s “community” he learns from several family members: Aunt Hager, who represents “a knowledge of the past”, Annjee, who represents “an aesthetic for the present”, and Tempy who represents “a vision for the future”. Aunt Hager, who represents “a knowledge of the past”, teaches Sandy about the origins …show more content…
De words don’t make no difference if de love’s there”(Hughes 126). Aunt Hager’s “knowledge of the past” comes from first-hand experience and hardship that she has endured. She knows that it is wrong to be angry, even though she has been treated poorly during slavery. She passes this wisdom down to Sandy, and she encourages him to continue his education, and to pursue his dreams. From her, he learns to forgive the bad actions of others and look past them. Arguably she is a the of the few, if not the only, “good” influence on Sandy up until her …show more content…
I got to!” Annjee stood with her coat and hat still on, holding the sticky letter. ‘I’m going where my heart is, ma! . . . Oh, not today.’ She put her arms around her mother’s neck. ‘I don’t mean today mama, nor next week. I got to save some money first. I only got a little now. But I mean I’m going to him as soon’s as I can. I can’t help it, ma---I love him”!(Hughes 120) Annjee, while she does at least teach Sandy to stay faithful to the one he loves, she at the same time teaches him to abandon family and focus on the present to this. And she herself does this without giving it much of a second thought to the repercussions that it may have in the future on Sandy growing up without his
Poverty can be a terrible thing. It can shape who you are for better or for worse. Although it may seem awful while you experience it, poverty is never permanent. In Harper Lee’s novel To Kill a Mockingbird, which takes place in Alabama in the middle of the Great Depression, Walter Cunningham and Burris Ewell are both in a similar economic state. Both of their families have very little money; however, they way they manage handle themselves is very different. In this essay, I will compare Walter Cunningham and Burris Ewell’s physical appearance and hygiene, their views on education, and their manners and personalities.
As Anne transitions from an innocent girl to a devoted humanitarian her struggle to keep the only known surviving member of her family, Adam Stanton happy is a daunting task. During Anne’s childhood her older brother, Adam Stanton protected her and took her along on trips to the beach with his friend Jack Burden. Adam, in chapter three holds Anne back from going swimming when it appears that a storm is approaching. Annes persuasive attitude convinces Adam that it is okay to swim and he and Jack join after her. This shows Adam’s ability to trust Anne and his willingness to take risks. As Anne grows up she views her brother as a loner with no love interests who does not take proper care of himself. Anne, quite possibly seeing a little bit of Adam in herself decides to push Adam into taking a job Jack has offered him through means of Jack’s boss, Willie Stark.
“It’s Kind Of A Funny Story” by Ned Vizzini, is a story about this boy named Craig and he has a best friend Aaron, who goes out with his dream girl Nia. They all got into the same special high school where overachieving students attend because they are very intelligent. Instead of Craig enjoying his acceptance into the new high school he just gets more depressed because he wants to be better than the average student but can not seem to get himself to do the work he is assigned anymore. He ends up getting fed up with not feeling alive and he plans to kill himself but does not necessarily go through with it. He checks himself into Aregon Hospital one night when it got really bad, he ended up going to a mental institute and meeting friends that eventually show him his problems are not that bad. Noel was a girl he met there and he fell in love with her. Craig got out of the hospital and lived a happy life with friends, family and Noel.
Throughout Langston Hughes' novel, Not Without Laughter, the author introduces multiple characters that reveal their notions of prejudice. The novel explores that prejudice in one form or another is in every aspect of one's life. Prejudice can be defined as an opinion for or against a person's look, race, class, or religion, which is usually formed by a hasty generalization. Most of the main characters, Aunt Hager, Sister Johnson, Jimboy, Harriet, and Tempy contain different accounts of prejudice in the world, which stimulate many of Sandy's thoughts of life as he comes of age. Aunt Hager, Annjee, Harriet, and Sandy, are a multi-generation poor African American family that live in a small home together but are eventually divided by multiple circumstances. The story takes place during the 1910s in the small town of Stanton, Kansas.
To live with uncertainty is not an easy task, always questioning and never gaining any form of understanding. Constantly running in a continuous loop of unsettling confusion, hoping to one-day catch up to the realization. The fact of the matter is life is quite erratic in the sense that one can never truly say they know what will come of tomorrow or the next day. But who does one blame for this confusion? Taken from Raymond Carver’s What We Talk About When We Talk About Love collection, Bath, depicts an ironic scene of an eight-year-old birthday boy, getting hit by a car and falls into a coma leaving his family in a desperate plea for normalcy. Carver’s neutralizing writing style tranquilizes the intensity of this tragedy,
On the other hand, the Chief, in “The Laughing Man”, experiences a situation in which his hopes slowly died and, in turn, changed into a never-ending path of despair, much like Seymour and Sergeant X. His hopes, in this case, are set within his girlfriend, Mary Hudson (95). Despite having a god-like effect on the children, the Chief is nothing more than a skinny law-student, and must create a fictional in order to compensate for his love-less life. This is exemplified when the narrator states, “his hair-line extremely low, his nose was large and fleshy, and his torso was just about as long as his legs were”, implying that he was less than fortunate when it came to girls (85). However, once Mary Hudson is introduced, she changes the Chief by
Considering she is still uncomfortable to discuss her personal life, she is not at peace with herself; she’s determined to keep her past a secret. Even later, she continuously sugar coated her past into something that didn’t seem so harsh. But then, something alters her feelings towards her parents. When she needed money for college, her father provided nearly all of it. Jeannette wouldn’t take it at first but once her father insisted and her mother agreed, she couldn’t say no: “So, when I enrolled for my final year at Barnard, I paid what I owed on my tuition with Dad’s wadded, crumpled bills” (Walls 264). Here she sees the redeemable qualities of her parents. It’s another one of those small moments where her parents prove Jeannette wrong of how they aren’t always awful parents. This is where the line between acceptance and forgiveness is disturbed. Despite those small moments of redeemable qualities, Jeannette still struggles to find her own peace. Forgiveness leads to peace, acceptance does not, this is the ultimate
One of the lessons included independence at a very young age. At age three Jeanette was cooking hot dogs alone while her parents were in another room. “I started stirring the hot dogs again, I felt a blaze of heat on my right side. I turned to see where it was coming from and realized my dress was on fire.” (9). After the incident the Walls family brought her to the ER and took care of her deathly burns. Then right when her dad sneaks out of the ER she cook her hotdogs once again. First, she was independent to be cooking hot dogs at the age of three but the fact she did it after she got out of the hospital alone shows a lot of independence. Another lesson she learned was forced through learning how to swim. “He did it again and again, until the realization that he was rescuing me only to throw me back in the water...So instead of reaching for Dad’s hands I tried to get away from them.” (66) If you think about it in the big picture she learned to stop relying on her parents even though it was just learning how to swim she may have learned a greater lesson without even realizing
Langston Hughes', "On the Road," uses beautiful symbolism and imagery. He offers a gift to his readers: Open your heart and life will provide unlimited abundance. During this literary analysis, we will take a look at how Hughes uses nature to demonstrate his main character's unwillingness to participate in life. Another point we'll examine is the use of anger and survival and how it can be used as a powerful force in breaking down racial barriers. Next, we'II look at Jesus Christ as a metaphor for how we experience life and how traditional church values contradict each other when it comes to the acceptance of human beings. Finally, we'll briefly take an historic look at how the Depression gave blacks an even playing field with whites.
In a typical family, there are parents that expected to hear things when their teenager is rebelling against them: slamming the door, shouting at each other, and protests on what they could do or what they should not do. Their little baby is growing up, testing their wings of adulthood; they are not the small child that wanted their mommy to read a book to them or to kiss their hurts away and most probably, they are thinking that anything that their parents told them are certainly could not be right. The poem talks about a conflict between the author and her son when he was in his adolescence. In the first stanza, a misunderstanding about a math problem turns into a family argument that shows the classic rift between the generation of the parent and the teenager. Despite the misunderstandings between the parent and child, there is a loving bond between them. The imagery, contrasting tones, connotative diction, and symbolism in the poem reflect these two sides of the relationship.
What gives a life meaning? Some might say that family, friends, religious values, or even money give meaning to their life, but what about the people who do not have any of these things? In Earnest Hemingway’s short story “A Clean, Well-Lighted Place,” two characters are portrayed as being in despair. These older gentlemen have explicit reasons for their grief however. Hemingway presents the central theme of despair throughout the story by the use of dialogue, images, and multiple viewpoints. Through the use of these three literary tools, Hemingway is able to reiterate that without family, friends, or values life is ultimately meaningless.
At an early age, Cholly learns that his life would be extremely difficult. When he was four years old his parents abandoned him. The two people that were supposed to love him unconditionally and teach him life lessons had turned their back on him and created emotional damage. This marks the beginning of Cholly’s problematic life. Aunt Jimmy created a glimmer of hope for the future when she took on the role of his guardian. Unfortunately for Cholly, she passed away before he even hit his teenage years. Losing one parent could damage someone enough, but he lost three people that were intended to care for him. The feeling of neglect and loneliness has become all too familiar. The emotional affects are shaping Cholly into an introverted person with many internal conflicts. The...
In Robert Newton’s novel, Runner, Charlie Feehan shows to the reader the importance of having a positive attitude and even through the hard times. Charlie is growing up in the working class slums of Richmond in 1919. Charlie’s father died when Charlie was fifteen and now in Charlie’s family there is his Mother and younger brother. Charlie feels he has the need to look out for his family, as his family is poor, cold and live in the slums of Richmond. Not only does Charlie look out for his family, his friends and family mean a lot to him. It is evident that Charlie cares about his family, as he starts working for Squizzy and as for his friends, he helps Alice’s father out with money as the money was needed for Squizzy.
Amongst the Halloween horror films coming out this month, the biographical drama “Only the Brave” details a real-life tragedy of losing everything to the wrath of Mother Nature. “Only the Brave” tells the story of the Granite Mountain Hotshots, a group of elite firefighters who lost their lives in the Yarnell Hill Fire in Arizona.
In the poetry of William Blake and William Wordsworth, this difference between children and adults and their respective states of mind is articulated and developed. As a person ages, they move undeniably from childhood to adulthood, and their mentality moves with them. On the backs of Blake and Wordsworth, the reader is taken along this journey.