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Introduction to aboriginal culture in australia
Political issues for aboriginals
Introduction to aboriginal culture in australia
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Change
How the indigenous experience has been affected by white Australia
Indigenous Australian poet Oodgeroo Noonuccal was a well respected author whom reflected the experience of the Indigenous Australian community through her work as a poet, activist and politician. Noonuccal’s use of many literary devices allows her to effectively judge the affects white Australia's cultural change has had on the wellbeing of Indigenous australians.
Through the poem ‘No More Boomerang’, Noonuccal reflects the capitalist lifestyle of modern Australia and it’s obvious conflicting interests with Indigenous Australians. Alliteration is used to provide emphasis towards the vast differences between Indigenous and non-Indigenous culture and how cultural destruction caused by forced capitalistic lifestyle changes of the Indigenous Australians has affected their wellbeing.
“No more sharing/ What the hunter brings/ Now we work for money/ Then pay it back for things” is a quote from the third stanza which incorporates both cultural loss and modern Australia's capitalistic money hungry ideals. The phrase “we work” from the above quote shows a true sense of westernisation that along with it’s profound capitalistic ideals has affected the wellbeing and happiness of all Indigenous Australians. The forcefulness of this phrase is used to convey a sense
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of anger and frustration shared by the wider Indigenous community. Secondly this poem conveys how the anti socialism of white Australia has been responsible for the loss of many Indigenous Australian customs and cultures. Symbolism is used to reflect the poets conflicting ideals to those of anti social Australia and how the socialism of Indigenous Australian culture was frowned upon and hated by the new and “improved” white Australia. “No more corroboree/ Gay dance and din/ Now we got movies/ And pay to go in” is a quote from the second stanza, which reflects the indigenous Australian communities disgust at the anti socialism that has been forced into their lives as a part of cultural adjustment. ‘Now we got movies’ is a quote that uses the silence of a movie cinema as a contrast to the loud corroboree. This scrutinises the anti socialism of white Australia and also forces the reader to realise that the forced cultural adjustment Indigenous Australians faced has only had a negative outcome in which much of their culture and happiness has been destroyed. Through ‘No More Boomerang’ the poet is able to successfully maintain a theme of change to accurately document the experience she has had with cultural change through her life and how this has affected her “Indigenous experience”. Through the poem then and now the poet tackles yet another element of cultural injustice when she reflects on the environmental change she has experienced throughout her life. The poet uses personification as a way of drawing the readers attention to the the loss of land and in turn culture that have been experienced due to the white australians forced environmental change. “I have seen corroboree/ Where that factory belches smoke/Here where they have memorial park One time lubras dug for yams;” is a reflective phrase taken from the second stanza of the poem used to produce a sense of sadness and anger at the loss of land as a part of white Australia's forced cultural change.
“The factory belches smoke” personifies the factory as a polluting machine of white corporate “social organisation” which with its capitalistic ideals has differing views to those of indigenous australians. This further links idea of native land title through her reflective statements “No more woomera, no more boomerang/ No more playabout, no more the old ways”. These display the sadness seen at both the loss of land and of
culture. Furthermore noonuccal tackles the issue of displacement amongst the new and ever-changing white Australia. Through then and now she attempts to present the challenges change had in her ever-changing indigenous experience. The poet uses alliteration to further reflect on her personal loss and sadness at the sight of the life she would have led if not for the unfortunate cultural and environmental intervention by the European immigrants. “Now I am civilised and work in the white way,/ Now I have a dress, now I have shoes/ ‘Isn't she lucky to have a good job!’/ Better when I had only a dillybag./ Better when I had nothing but happiness” is a quote from the final stanza in which the personal effects cultural change has had were noticed. “Work in the white way” is used to draw the attention of the reader to the final stanza, this stanza is a personal struggle with the author and wanting to identify as an indigenous Australian. She identifies her past life and how all she has achieved was social acceptability. This truly incorporated the idea of change and how it has affected the well-being of indigenous Australians. Throughout the poem Then and Now Noonuccal successfully confronts the idea of native land title to educate the reader on the issue of environmental change throughout indigenous culture and how this has affected her indigenous experience. In conclusion I believe that Noonuccal’s use of many literary devices has allowed her to effectively judge the affects white Australia's cultural change has had on the wellbeing on Indigenous Australians. Through her use of Verse, she has been able to document both the environmental and cultural change to her life and how this has affected her ‘Indigenous experience’. By Jacob Walker
The 2014 Walkley Award winning documentary, "Cronulla Riots: the day that shocked the nation" reveals to us a whole new side of Aussie culture. No more she’ll be right, no more fair go and sadly no more fair dinkum. The doco proved to all of us (or is it just me?) that the Australian identity isn’t really what we believe it to be. After viewing this documentary
Good morning Mrs Dover and 8D. I have chosen to analyse the film clip “black fella, white fella” by the Warumpi band, and have determined that the song and associated images is partially successful in communicating aboriginal values, such as culture, land and family. The lyrics include the language features repetition, alliteration and rhetorical questions to deliver a message of reconciliation and equality. These features are also supported by visual imagery that is intended to support the ideas within the song.
Without the use of stereotypical behaviours or even language is known universally, the naming of certain places in, but not really known to, Australia in ‘Drifters’ and ‘Reverie of a Swimmer’ convoluted with the overall message of the poems. The story of ‘Drifters’ looks at a family that moves around so much, that they feel as though they don’t belong. By utilising metaphors of planting in a ‘“vegetable-patch”, Dawe is referring to the family making roots, or settling down somewhere, which the audience assumes doesn’t occur, as the “green tomatoes are picked by off the vine”. The idea of feeling secure and settling down can be applied to any country and isn’t a stereotypical Australian behaviour - unless it is, in fact, referring to the continental
In Reading Tim Wintons hopeful saga, Cloudstreet, you are immersed in Australia; it is an important story in showing the change in values that urbanisation brought to Perth in the late 1950’s such as confidence and pride. But it was also a very anxious and fearful time period in terms of the Nedlands Monster and his impact in changing the current comfortable, breezy system Perth lived in. The role of women changed significantly with more women adopting more ambitious ideologies and engaging in the workforce something never seen before. But most of all it was important because it changed Australia’s priorities as a nation, it shaped the identity of individuals that we now see today, and it created a very unique Australian identity.
Charles Perkins was an Australian Aboriginal Activist who experienced firsthand the poor living standards and treatment of Aboriginals as he lived in aboriginal reserve until 10 then in a boy’s home (Anon., 2013). He was a well know national fi...
One of the many factors that have contributed to the success of Australian poetry both locally and internationally is the insightful commentary or depiction of issues uniquely Australian or strongly applicable to Australia. Many Australian poets have been and are fascinated by the issues relevant to Australia. Many in fact nearly all of these poets have been influenced or have experienced the subject matter they are discussing. These poets range from Oodgeroo Noonuccal Aboriginal and women’s rights activist to Banjo Patterson describing life in the bush. Bruce Dawe is also one of these poets. His insightful representation of the dreary, depressing life of many stay at home mothers in “Up the Wall” is a brilliant example of a poem strongly relevant to Australia.
These lines exemplify Keating’s constant reference to the non-indigenous group as ‘we’ and ‘us’, this coupled with the accusatory tone present throughout this section of the text ensures that the blame is being put on the white Australian’s of the population. The word choice and tone in ...
The notions of the Australian voice as multifaceted and diverse, is insightfully expressed in Tim Winton's short story anthology The turning and the Drover's wife by Henry Lawson. Australian voice in literature often explores the quality inherent to the Australian identity of overcoming hardships. The stories Fog, On her knees, and The Drover's wife explore these hardships through the notions of mateship,and the importance of family in facing these challenges.
In “Useless Boys” the writer, Barry Dempster, creates a strong feeling of disappointment and shame in himself and society as he looks back on his youth to when him and a friend made a promise to each other to “not be like their fathers”. Dempster expresses a sort of disgust for the capitalist society his world seems to be built around, a life where even if you’re doing something you initially enjoyed you end up feeling trapped in it. The poem is a reflective piece, where he thinks back on how he truly believed he would end up happy if he chose a different path than that of his parents. The author uses simple diction and syntax, but it’s evident that each idea has a much deeper meaning, which assisted in setting a reflective/introspective mood.
As European domination began, the way in which the European’s chose to deal with the Aborigines was through the policy of segregation. This policy included the establishment of a reserve system. The government reserves were set up to take aboriginals out of their known habitat and culture, while in turn, encouraging them to adapt the European way of life. The Aboriginal Protection Act of 1909 established strict controls for aborigines living on the reserves . In exchange for food, shelter and a little education, aborigines were subjected to the discipline of police and reserve managers. They had to follow the rules of the reserve and tolerate searchers of their homes and themselves. Their children could be taken away at any time and ‘apprenticed” out as cheap labour for Europeans. “The old ways of the Aborigines were attacked by regimented efforts to make them European” . Their identities were threatened by giving them European names and clothes, and by removing them from their tra...
Tim Wintons short story, “Neighbours” questions Australia's social discourse by exploring the transition of individuals into a new phase of life. Winton challenges society’s ignorance and cultural stereotypes by displaying a provocative new experience which has the ability to manipulate and change individuals perspectives. Society’s ignorance can be seen through the conflicting hyperbole, “good neighbours were seldom seen and never heard”, exploring the couples incomprehension of different cultures and lifestyles. The negative connotations surrounding the adverb “seldom seen” and “never heard” distort society's underlying values of love, respect and trust, consequently positioning the reader to consider the impact of new experiences in developing one's personal perspective. Moreover, Winton explores society's challenging and spurring transition into a new phase of life via the use of the emotive noun “murdering” in “their neighbours were not murdering each other, merely talking”. The noun, “murdering” juxtaposed with the positive imagery of “talking” posits the audience to society's dignity in the stereotypical context of Australia. Winton challenges the audience to question their moral truths and how a new experience can enlighten individuals to consider different cultures and perspectives. Composers manipulate the reader's perspectives through showing the transition into a new phase of life and how this has the ability to develop and individuals knowledge and
Indigenous Australian land rights have sparked controversy between Non Indigenous and Indigenous Australians throughout history. The struggle to determine who the rightful owners of the land are is still largely controversial throughout Australia today. Indigenous Australian land rights however, go deeper than simply owning the land as Aboriginal and Torres Strait Islanders have established an innate spiritual connection making them one with the land. The emphasis of this essay is to determine how Indigenous Australian land rights have impacted Aboriginal and Torres Strait Islander people, highlighting land rights regarding the Mabo v. the State of Queensland case and the importance behind today’s teachers understanding and including Indigenous
The Stolen Generation has had a profound impact on every aspect of the lives of Indigenous communities. It has jeopardised their very survival. It has impoverished their capacity to control and direct their future development. The Stolen Generation has corrupted, devastated and destroyed the souls, hopes and beliefs of many Australian lives through damaging assimilation policies established in an attempt to make a ‘White Australia’ possible. Discrimination, racism and prejudice are some of the many permanent scars upon Indigenous life that will never be repaired. However, recently Rudd and the Australian public have sincerely apologised for the detrimental effects the Stolen Generation had caused. The Stolen Generation has dramatically shaped Australian history and culture.
Throughout both ‘Rainbow’s End’ and ‘The Rabbits’, the audience discovers the plights that the Aboriginal Australians faced, due to discrimination and assimilation, in intensely confronting, yet intensely meaningful ways. We see how the discrimination and forced assimilation of cultures was common in the lead up to modern times because of composers like Harrison, Marsden and Tan reminding us of these events, allowing us to discover and rediscover our past wrongs through their works, in order to pave the way for a brighter, harmonious future. Without these documentations and retellings of events such as these, history would repeat itself, conflicts would be more apparent and we as a species would not be able to thrive and prosper due to our prejudices and superiority complexes.
...atures that make Australia what it is today. He uses the words “sunlit plain”, “vision splendid” and “wondrous glory” to provide the reader with an image that represents Australia’s reminiscent landscape. This is done to capture the reader’s thoughts in an attempt to persuade them. Paterson silences the negative aspects of rural life and the positive aspects of city life.