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The central theme of southern history
Essay on southern history
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“Southern History” is about what the speaker learned in her classroom, a misrepresented and distorted view of slavery. Natasha Trethewey draws from personal experience to write this poem. I imagine she is the only black student in a classroom with predominantly white students, which already puts her at a disposition, as it is 1966. The teacher, presumably white, tells the class that “before the war, they (the slaves) were happy...quoting our textbook”(1-2). Natasha is aware of these lies; however, she doesn’t speak out against this injustice, as she is powerless. The rhyming couplet at the end encompasses the theme of being inferior, and connects the words lie and I together, which illustrates the guilt the speaker feels.
African-Americans’/ Affrilachians’ Suffering Mirrored: How do Nikky Finney’s “Red Velvet” and “Left” Capture events from the Past in order to Reshape the Present? Abstract Nikky Finney (1957- ) has always been involved in the struggle of southern black people interweaving the personal and the public in her depiction of social issues such as family, birth, death, sex, violence and relationships. Her poems cover a wide range of examples: a terrified woman on a roof, Rosa Parks, a Civil Rights symbol, and Condoleezza Rice, former Secretary of State, to name just a few. The dialogue is basic to this volume, where historical allusions to prominent figures touch upon important sociopolitical issues. I argue that “Red Velvet” and “Left”, from Head off & Split, crystallize African-Americans’ /African-Americans’ suffering and struggle against slavery, by capturing events and recalling historical figures from the past.
The places in which we live are an integral and inescapable aspect of who we are, as they largely determine culture, community, and determine the outlook that one has on the rest of the world. In the American South, physical and cultural geography has played a particularly important role in the historical and modern contexts of racial relations. The dynamic between enslaved peoples and the natural landscape is a complex one that offers innumerable interpretations, but inarguably serves as a marker of the wounds created by institutional racism and human enslavement. In her collection of poems entitled Native Guard, Natasha Trethewey utilizes external features of the natural environment in the South in order to communicate the repressed grief, both personal and collective, which can arise as a result of inflicted systemic violence. Through comparing part one of Native Guard, which focuses on
In all, Tademy does a great job in transporting her readers back to the 1800s in rural Louisiana. This book is a profound alternative to just another slave narrative. Instead of history it offers ‘herstory’. This story offers insight to the issues of slavery through a women’s perspective, something that not so many books offer. Not only does it give readers just one account or perspective of slavery but it gives readers a take on slavery through generation after generation. From the early days of slavery through the Civil War, a narrative of familial strength, pride, and culture are captured in these lines.
Natasha Trethewey is an accomplished poet who is currently serving as United States Poet Laureate appointed by the Library of Congress and won the Pulitzer Prize for her collection of poems, Native Guard in 2007. She grew up mixed race, black and white, in Gulfport, Mississippi, and when her parent’s divorced she moved with her mother to Atlanta. Her mother, Gwen, remarried and at a young age Natasha was a eyewitness in the physical and psychological abuse that her new stepfather hurled upon her mother. After graduating from high school, Natasha set off to go to school in Athens, Georgia at the University of Georgia. During Trethewey’s freshman year, her mother was murdered by her stepfather and she works through her grief by writing poetry (Wilson). In her poem, “What is Evidence”, Natasha Trethewey expresses her feelings of her mother being physically abused and murdered by her stepfather through irony, figurative language, and diction.
The poem “Southern Road” by Sterling Brown is about a man in prison contemplating his life. On either side of the jail fences, his life is depressing, and the blues tone sets the mood. Two prominent characteristics of the poem is the low language dialect and onomatopoeia. Brown uses these literary devices to paint a picture. He does not mention that the protagonist is black or that he is from the south, but from his dialect, the readers are able to tell his ethnicity. The literary devices used in the poem reveals the story of the protagonist and captivates the hardships of African American.
It is true that old days were really hard to live in, especially if the person was dark skin. This poet’s main idea of this poem “ I, too” was that, he wanted to let people know what he, and most of the African American people were going through. He wanted to let people know that color should not define your personality, and people should accept the fact that people with dark skin were humans just like others. People should have accept them and treat them equally and respectfully. Also one of the things I liked in the poem was that, he was using word sing as a expression of a word of talk, he was not really singing but he was saying it
The civil rights movement may have technically ended in the nineteen sixties, but America is still feeling the adverse effects of this dark time in history today. African Americans were the group of people most affected by the Civil Rights Act and continue to be today. Great pain and suffering, though, usually amounts to great literature. This period in American history was no exception. Langston Hughes was a prolific writer before, during, and after the Civil Rights Act and produced many classic poems for African American literature. Hughes uses theme, point of view, and historical context in his poems “I, Too” and “Theme for English B” to expand the views on African American culture to his audience members.
The poem also focuses on what life was like in the sixties. It tells of black freedom marches in the South how they effected one family. It told of how our peace officers reacted to marches with clubs, hoses, guns, and jail. They were fierce and wild and a black child would be no match for them. The mother refused to let her child march in the wild streets of Birmingham and sent her to the safest place that no harm would become of her daughter.
...ites a short 33-line poem that simply shows the barriers between races in the time period when racism was still openly practiced through segregation and discrimination. The poem captures the African American tenant’s frustrations towards the landlord as well as the racism shown by the landlord. The poem is a great illustration of the time period, and it shows how relevant discrimination was in everyday life in the nineteen-forties. It is important for the author to use the selected literary devices to help better illustrate his point. Each literary device in the poem helps exemplify the author’s intent: to increase awareness of the racism in the society in the time period.
When sorting through the Poems of Dorothy Parker you will seldom find a poem tha¬t you could describe as uplifting or cheerful. She speaks with a voice that doesn’t romanticize reality and some may even call her as pessimistic. Though she doesn’t have a buoyant writing style, I can empathize with her views on the challenges of life and love. We have all had experiences where a first bad impression can change how we view an opportunity to do the same thing again. Parker mostly writes in a satirical or sarcastic tone, which can be very entertaining to read and analyze.
Memory is a common motif for southern literature. Eudora Welty’s novel The Optimist’s Daughter is no exception to this generalization as it strongly entails both aspects of memory – remembrance and forgetfulness. The stark dichotomy of memory can be looked at as both a blessing and a burden. Characters throughout this novel and so many other pieces of southern literature struggle with the past which they wish to keep, but cannot fully, and a past from which they want to escape, but cannot fully. Memory, in its purest form, can best be described as a creature’s mental capability to accumulate, hold on to, and retrieve information. In southern literature, this same definition can be applied to memory. The south, plain and simple, is all about heritage, and this same concept can be applied to the literature of the south. There are those things the south wants to remember and those things it wants to forget. The antebellum age of the south was between the dawn of the United States and the beginning of the civil war. The south has many memories about the time period prior to the war, both good and bad. There are the parts of their heritage which they wish to remember such as the plantation south and strong family ties as well as those they wish to forget, such as slavery, their loss of the civil war, and the reconstruction period that the civil war led to. The south’s loss in the civil war may have been hard to cope with, but it still has had the longest lasting impact. One simple question with so many complex answers can be asked to sum up the feelings of the south – “heritage or hate”.
Throughout Natasha’s poem, she writes about when she was young and how she was one of the few white colored persons in a black society as well as her hardships. In the poem she is a white kid and makes dresses, when she goes to school there are only two white kids. In the poem she lives in a black society and her mouth is washed out with soap because she lies which shows how she can and is punished in ways that are
Analyzing the poem’s title sets a somber, yet prideful tone for this poem. The fact that the title does not say “I Speak of Rivers,” but instead, “The Negro Speaks of Rivers” (1) shows that he is not only a Negro, but that he is not one specific Negro, but in his first person commentary, he is speaking for all Negroes. However, he is not just speaking for any Negroes. Considering the allusions to “Mississippi” (9) and “Abe Lincoln” (9) are not only to Negroes but also to America, confirms that Hughes is talking for all African Americans. This poem is a proclamation on the whole of African American history as it has grown and flourished along the rivers which gave life to these people.
The poetry gives an account of how the meaning of the Declaration is not exhausted by its author-- words will acquire a will greater than person who penned them. As he says referring to Jefferson’s work, “there were slaves then, / But in their hearts the slaves believed him, too / And silently took for granted / That what he said was also meant for them.” The will of the Declaration extended to the slaves that were not included in the original intent. Hughes’ interpretation signifies how the Declaration has become a rallying cry for equality. It’s inspired people of all kinds to recognize that America was built on these ideals that have grown to extend to more than just who the founders applied them to at the time. Slaves silently believing in these words is a true testament to how we are a nation built on the ideals of the document that we must constantly work to progress into. As we expand our meaning of men being equal, we are growing into the nation this document has always laid out to us but did not necessarily intend at
Towards the middle of the poem the realist in Hughes comes out. He goes into the doubts that most African Americans had at the time. He says, "Down South in Dixie only train I sees got a Jim Crow car set aside for me." Another interesting technique he adds is when he capitalizes the "WHITE FOLKS ONLY" and "FOR COLORED" signs. He either does this to draw attention to the cause, or to try and know what it feels like to have these signs sticking in your face. He specifically mentions Birmingham, Mississippi, and Georgia during the poem. These were key cities that were into segregation of the South. "When it stops in Mississippi will it be made plain everybody's got a right to board the freedom train." Hughes almost is becoming a little agitated in the poem when he refers to these cities, especially when he is talking about Birmingham. "The Birmingham station's marked COLORED and WHITE, the white folks go left, the colored go right." In this part of the poem, he is questioning whether or not this Freedom Train is too good to be true. He sounds like he doubts a little of what this Freedom Train is all about. He knows there is a train, but there have been a lot of promises before that were not fulfilled, he does not want to get his hopes up before he finds out more about this train.