The places in which we live are an integral and inescapable aspect of who we are, as they largely determine culture, community, and determine the outlook that one has on the rest of the world. In the American South, physical and cultural geography has played a particularly important role in the historical and modern contexts of racial relations. The dynamic between enslaved peoples and the natural landscape is a complex one that offers innumerable interpretations, but inarguably serves as a marker of the wounds created by institutional racism and human enslavement. In her collection of poems entitled Native Guard, Natasha Trethewey utilizes external features of the natural environment in the South in order to communicate the repressed grief, both personal and collective, which can arise as a result of inflicted systemic violence. Through comparing part one of Native Guard, which focuses on …show more content…
Although southern beaches in the United States were originally composed of swamp land, sand was added to cover these swamp areas in the 1950s to make them resemble traditional beaches present in other coastal areas of the world, and therefore more appealing for human use and recreation (York). In her poem “Theories of Time and Space,” Trethewey directly references these spaces that have been changed under human influence, giving navigational directions to the reader to “cross over / the man-made beach, 26 miles of sand / dumped on the mangrove swamp – buried / terrain of the past” (11-14). The words “cross over” insinuates a passing by, or traversing of the “man-made beach” without much thought by whoever is traveling over it. The scenario is further illuminated by Trethewey’s use of the word “dumped” when describing the scenery as being “buried terrain of the past,” both holding a negative connotation which hint at something being deliberately concealed under the non-native
Nikky Finney (1957- ) has always been involved in the struggle of southern black people interweaving the personal and the public in her depiction of social issues such as family, birth, death, sex, violence and relationships. Her poems cover a wide range of examples: a terrified woman on a roof, Rosa Parks, a Civil Rights symbol, and Condoleezza Rice, former Secretary of State, to name just a few. The dialogue is basic to this volume where historical allusions to prominent figures touch upon important sociopolitical issues. I argue that “Red Velvet” and “Left”, from
In the words of Ross, her focus and goal for writing this book was to write “…about the racialized and gendered experiences of incarceration, with a focus on Native American women and the loss of sovereignty as it is implicitly tied to Native criminality…” because there was little information on this subject. This means that Ross studied wo...
As this poem characterizes the view of a native woman expressing feelings of passion relating to her culture, it also criticizes society, in particular Christianity, as the speaker is experiencing feelings of discontent with the outcome of residential schools. It does not directly criticize the faith, but through the use of a heavy native dialect and implications to the Christian faith it becomes simple to read the speakers emotions.
The female, adolescent speaker helps the audience realize the prejudice that is present in a “melting-pot” neighborhood in Queens during the year 1983. With the setting placed in the middle of the Civil Rights Movement, the poem allows the audience to examine the experience of a young immigrant girl, and the inequality that is present during this time. Julia Alvarez in “Queens, 1963” employs poetic tools such as diction, figurative language, and irony to teach the reader that even though America is a place founded upon people who were strangers to the land, it is now home to immigrants to claim intolerance for other foreigners, despite the roots of America’s founding.
Nearly everyone has had that dreadful encounter with the last person they want to see in places like the supermarket, dry cleaners, or the movie theaters. What follows are a few awkward moments of strained conversation while one looks for signs of bitter regret in the eyes of his or her ex. Carolyn Krizer’s poem “Bitch” depicts such a meeting. The poem brings the reader to reality of what really goes on deep beyond conversation while seeing an ex. Through the use of personification, diction, and tone Kizer delineates the speaker’s struggle with feelings of animosity, repression, and desire for reconciliation.
In her narrative essay, “FYB”, Zadie Smith expresses her belief that if one redirects their mindset to a more limited perspective and uses the limitless Manhattan mentality at certain times, one can arrive at their beach. A beach is a mentality, and Smith finds her beach by coming to peace with Manhattan’s beach. The idea of a person’s “beach” being hard to discover may be observed through Smith’s personal background, as it is almost mythical for this English writer living in Soho, Manhattan to come by a beach.
Natasha Trethewey is an accomplished poet who is currently serving as United States Poet Laureate appointed by the Library of Congress and won the Pulitzer Prize for her collection of poems, Native Guard in 2007. She grew up mixed race, black and white, in Gulfport, Mississippi, and when her parent’s divorced she moved with her mother to Atlanta. Her mother, Gwen, remarried and at a young age Natasha was a eyewitness in the physical and psychological abuse that her new stepfather hurled upon her mother. After graduating from high school, Natasha set off to go to school in Athens, Georgia at the University of Georgia. During Trethewey’s freshman year, her mother was murdered by her stepfather and she works through her grief by writing poetry
A person cannot change their body; therefore, they cannot change the color of their skin. Trethewey uses phrases like “cold lips stitched shut”, “expression of grief”, “language of blood”, and “muck of ancestry” in order to describe the constant verbal abuse and ignorant insults she received due to the nature of her genetics. The words of the body, which describe her physical features, are paired with the negatively connotated words to compare racism in the 70s and 80s with current racism in America. In comparison, Trethewey dissects the issue of racism by describing the lack of monuments for black soldiers as disrespect. In the poem “Pilgrimage”, Trethewey describes the lack of memorials for the Native Guard in Mississippi as a clear sign of Southern racism. Mississippi is “a graveyard for skeletons of sunken riverboats”, “hollowed by a web of caves . . . like catacombs.” The city floods with the soldiers from the Civil War, but the bodies are “stone, white marble, on Confederate Avenue.” The soldiers honored in Mississippi are Confederate generals and colonels. Mississippi distinctly decided against recognizing and celebrating one of the first all-Black regiments for the Union, the Native
Overall, this poem is used to compare an African American to a cypress tree in a positive manner, which is evergreen and always pointing upwards. The time frame in which Angelina Weld Grimke wrote this in was a difficult time to live in. Only recently had African Americans received their rights, and even then, other races, more prominently, caucasians were hateful towards them. Although not lengthy, this poem manages to successfully capture the enduring strength that African Americans held during this difficult time period by simply comparing them to a strong cypress
Native American literature from the Southeastern United States is deeply rooted in the oral traditions of the various tribes that have historically called that region home. While the tribes most integrally associated with the Southeastern U.S. in the American popular mind--the FIVE CIVILIZED TRIBES (Cherokee, Chickasaw, Choctaw, Creek, and Seminole)--were forcibly relocated to Indian Territory (present-day Oklahoma) from their ancestral territories in the American South, descendents of those tribes have created compelling literary works that have kept alive their tribal identities and histories by incorporating traditional themes and narrative elements. While reflecting profound awareness of the value of the Native American past, these literary works have also revealed knowing perspectives on the meaning of the modern world in the lives of contemporary Native Americans.
What created this narrowing circle was the European invasion of the Americas and the fear the newcomers perpetuated. In her collection of poetry The Book of Medicines, Hogan writes, “But the new people, / whatever stepped inside their shadow, / they would kill, / whatever crossed their path, / they came to fear.” In this history of violence and fear so much destruction came about in the Americas. “Humans colonizing and conquering others have a propensity for this,” Hogan reminds the reader, “for burning behind them what they cannot possess or control, as if their conflicts are not with themselves and their own way of being, but with the land itself.” Critiquing Western notions of privilege and progress, Hogan writes to create understandings
Discrimination and prejudice throughout American history has left behind a legacy of oppression towards minorities and women. In spite adversity and harsh circumstances Maya Angelou’s poems “And Still I Rise” and “ Phenomenal Woman” leave the reader with the impression that “Even the darkest night will end and the sun will rise” (Victor Hugo). These optimistic, prideful poems are anthems of strength and overcoming power for minority groups, especially the African American community. Angelou depicts that hardships and struggles are able to strengthen and aid one to conquer any obstacles they may face in life.
Native American children were physically and sexually abused at a school they were forced to attend after being stripped from their homes in America’s attempt to eliminate Native peoples culture. Many children were caught running away, and many children never understood what home really meant. Poet Louise Erdich is part Native American and wrote the poem “Indian Boarding School: The Runaways” to uncover the issues of self-identity and home by letting a student who suffered in these schools speak. The poem follows Native American kids that were forced to attend Indian boarding schools in the 19th and 20th centuries. By using imagery, allusion, and symbolism in “Indian Boarding School: The Runaways”, Louise Erdrich displays how repulsive Indian
This poem represents the resiliency of the African American spirit, Although African Americans were enslaved, overworked and victimize the speaker is still proud to be a “Negro.” The speaker wanted to be the voice that represented all the unfair and injustice experience African American endured. Most importantly he wanted to end the poem they way he started the poem… Proud to be a “Negro.”
In Beloved, Toni Morrison sought to show the reader the interior life of slavery through realism and foreshadowing. In all of her novels, Toni Morrison focused on the interior life of slavery, loss, love, the community, and the supernatural by using realism and vivid language. Morrison had cast a new perspective on the nation’s past and even suggests- though makes no promise- that people of strength and courage may be able to achieve a somewhat less destructive future” (Bakerman 173). Works Cited Bakerman, Jane S.