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Relevance of memory and history in Toni Morrison's Beloved
Relevance of memory and history in Toni Morrison's Beloved
Memory within toni morrison novels
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Memory is a common motif for southern literature. Eudora Welty’s novel The Optimist’s Daughter is no exception to this generalization as it strongly entails both aspects of memory – remembrance and forgetfulness. The stark dichotomy of memory can be looked at as both a blessing and a burden. Characters throughout this novel and so many other pieces of southern literature struggle with the past which they wish to keep, but cannot fully, and a past from which they want to escape, but cannot fully. Memory, in its purest form, can best be described as a creature’s mental capability to accumulate, hold on to, and retrieve information. In southern literature, this same definition can be applied to memory. The south, plain and simple, is all about heritage, and this same concept can be applied to the literature of the south. There are those things the south wants to remember and those things it wants to forget. The antebellum age of the south was between the dawn of the United States and the beginning of the civil war. The south has many memories about the time period prior to the war, both good and bad. There are the parts of their heritage which they wish to remember such as the plantation south and strong family ties as well as those they wish to forget, such as slavery, their loss of the civil war, and the reconstruction period that the civil war led to. The south’s loss in the civil war may have been hard to cope with, but it still has had the longest lasting impact. One simple question with so many complex answers can be asked to sum up the feelings of the south – “heritage or hate”.
In Eudora Welty’s The Optimist’s Daughter, what’s lost is a blessing, but what’s lost is also a burden. The relationship between this b...
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...or hate?” Do people who show off their confederate flags and consider themselves proud southerners today truly understand and respect the heritage of the south or are they just doing it because of the bad memories of hate that were all to prevalent during that time? Through The Optimist’s Daughter, Eudora Welty successfully conveys the message that the south’s memory is not only limited to what good has happened, but what is truly remembered beyond the good are the bad things that have happened in the past. Eudora Welty’s work in The Optimist’s Daughter consistently deals with the issues and characteristics for which southern writers are distinguished, traits such as realistic setting, strong family ties, and a powerful sense of the past. Welty’s novel The Optimist’s Daughter is no exception to these typical traits of other great pieces of southern literature.
Lying and keeping secrets can only hurt someone in the end. This is true for David in the book “The Memory Keeper's Daughter,” written by Kim Edwards. He intentionally deceived others, but his dishonesty was meant for good intentions based on his and his family’s best interest. Or so he thought.
As the daughter of a wealthy plantation owner and the wife of an assistant to the confederate president, Jefferson Davis, chestnut always found herself surrounded by the wealthy and high-end confederacy’s gentlemen and their views on the civil war. Mary recorded her most significate impressions of the conflict from the begging when the first shot in Charleston South Carolina went off. Mary Chesnut's diary is a glorious and rich with vivid comments on race, genders, wealth status, and power from those who had enough but wanted more within a nation divided Mary Boykin Chesnut was an incredibly intelligent woman, whose wartime experiences brought to live intimate and important details of southern culture. Since its publication in 1905, Chesnut’s diary has become compelling reading. Chesnut’s wartime diary begins when Mary learns of Lincolns election in 1860 later catching more focus when she grew to worry about her husband’s well-being and who was in charge of giving and following Jefferson’s orders without any hesitation. Mary’s carries her persona as a feminist but she seems sad that women are not able to do nothing outside the husband’s hands in one passage
There are many different ways in which the war was represented to the public, including drawings, newspaper articles, and detailed stereographs. Stereographs such as John Reekie’s “The Burial Party” invoked mixed feelings from all of those who viewed it. It confronts the deaths caused by the Civil War as well as touches upon the controversial issue over what would happen to the slaves once they had been emancipated. This picture represents the Civil War as a trade-off of lives- fallen soldiers gave their lives so that enslaved black men and women could be given back their own, even if that life wasn’t that different from slavery. In his carefully constructed stereograph “The Burial Party,” John Reekie confronts the uncertainty behind the newly
In all, Tademy does a great job in transporting her readers back to the 1800s in rural Louisiana. This book is a profound alternative to just another slave narrative. Instead of history it offers ‘herstory’. This story offers insight to the issues of slavery through a women’s perspective, something that not so many books offer. Not only does it give readers just one account or perspective of slavery but it gives readers a take on slavery through generation after generation. From the early days of slavery through the Civil War, a narrative of familial strength, pride, and culture are captured in these lines.
Imagine a historian, author of an award-winning dissertation and several books. He is an experienced lecturer and respected scholar; he is at the forefront of his field. His research methodology sets the bar for other academicians. He is so highly esteemed, in fact, that an article he has prepared is to be presented to and discussed by the United States’ oldest and largest society of professional historians. These are precisely the circumstances in which Ulrich B. Phillips wrote his 1928 essay, “The Central Theme of Southern History.” In this treatise he set forth a thesis which on its face is not revolutionary: that the cause behind which the South stood unified was not slavery, as such, but white supremacy. Over the course of fourteen elegantly written pages, Phillips advances his thesis with evidence from a variety of primary sources gleaned from his years of research. All of his reasoning and experience add weight to his distillation of Southern history into this one fairly simple idea, an idea so deceptively simple that it invites further study.
The award-winning book of poems, Brown Girl Dreaming, by Jacqueline Woodson, is an eye-opening story. Told in first person with memories from the author’s own life, it depicts the differences between South Carolina and New York City in the 1960s as understood by a child. The book begins in Ohio, but soon progresses to South Carolina where the author spends a considerable amount of her childhood. She and her older siblings, Hope and Odella (Dell), spend much of their pupilage with their grandparents and absorb the southern way of life before their mother (and new baby brother) whisk them away to New York, where there were more opportunities for people of color in the ‘60s. The conflict here is really more of an internal one, where Jacqueline struggles with the fact that it’s dangerous to be a part of the change, but she can’t subdue the fact that she wants to. She also wrestles with the issue of where she belongs, “The city is settling around me….(but) my eyes fill up with the missing of everything and everyone I’ve ever known” (Woodson 184). The conflict is never explicitly resolved, but the author makes it clear towards the end
Analyzing the narrative of Harriet Jacobs through the lens of The Souls of Black Folk by W.E.B. Du bois provides an insight into two periods of 19th century American history--the peak of slavery in the South and Reconstruction--and how the former influenced the attitudes present in the latter. The Reconstruction period features Negro men and women desperately trying to distance themselves from a past of brutal hardships that tainted their souls and livelihoods. W.E.B. Du bois addresses the black man 's hesitating, powerless, and self-deprecating nature and the narrative of Harriet Jacobs demonstrates that the institution of slavery was instrumental in fostering this attitude.
Washington, Mary Helen. Introduction. A Voice From the South. By Anna Julia Cooper. New York: Oxford University Press, 1988. xxvii-liv.
Over the course of his decades-long career as a respected and influential man of letters, he also wrote an extensive collection of critical essays. In such piece, “A Southern Mode of Imagination,” he argues that the renascence of Southern letters occurred because of a shift in the way Southerners thought; a change from what he termed the extroverted “rhetorical mode” of tall-tales and politicking, to the introspective and hitherto primarily Northern “dialectical mode.” From his unique position as both a critic of the Renaissance and one of its vanguards, Tate posits that the antebellum Southern mind lacked the self-consciousness necessary to produce great writing because it was wholly occupied with defending slavery against the attacks of the North upon the ‘peculiar institution.’ The mind of the South focused outwards in response to those attacks, seeking to justify itself with one foot “upon the neck of a Negro Slave” ; that is to say, Southerners were rhetorical in defense of the indefensible. Their all-consuming and unwinnable defensive stance absorbed any potential for great literature even well after the cause was lost: Southern literature was practically non-existent prior to the publication of the first issue of The Fugitive in 1922. According to Tate’s theory, it was not until the South underwent a shift in its “mode of the imagination” that it was capable of producing writers like those of the Renaissance. Tate theorizes that this change occurred in part because the South ended its self-imposed isolation with the advent of World War I and “saw for the first time since 1830 that the Yankees were not to blame for everything.” The South’s mental energies were no longer entirely engrossed in resistance to Northerners ...
To the modern white women who grew up in comfort and did not have to work until she graduated from high school, the life of Anne Moody reads as shocking, and almost too bad to be true. Indeed, white women of the modern age have grown accustomed to a certain standard of living that lies lightyears away from the experience of growing up black in the rural south. Anne Moody mystifies the reader in her gripping and beautifully written memoir, Coming of Age in Mississippi, while paralleling her own life to the evolution of the Civil Rights movement. This is done throughout major turning points in the author’s life, and a detailed explanation of what had to be endured in the name of equality.
Moberly, Kevin. “TOWARD THE NORTH STAR: EUDORA WELTY’S “A WORN PATH” AND THE SLAVE NARRATIVE TRADITION”
Noelle M. “Symbolism in Eudora Welty’s ‘A Worn Path’” Study mode N.P., Oct 2012. Web. 17 Mar 2014.
In “A Worn Path” Eudora Welty uses symbolism and characterization to show that utter determination and self-discipline enables Phoenix to accomplish her ultimate goal (get medication); and without these attributes, she almost certainly would have not accomplished it. In fact, Phoenix develops into a great example for people who face disrespect and degeneration of health, and perfectly illustrates the features needed to succeed when hindrances obstruct success.
...brought with it discrimination of African American women, “They were targets of brutality, the butt of jokes and ridicule, and their womanhood was denied over and over. It was a struggle just to stay free, and an even greater struggle to define womanhood” (162). As the men fought the war the women who were now dependent upon themselves more than ever had to take on the role of the father. The Mammy figure now stood up for herself and would often times leave the white family, the family they left would often have feelings of remorse for their tremendous loss. Women were standing up for themselves and where now the maker of their own destiny, but with that still came the harsh reality that they would be still the most vulnerable group in antebellum America. Many single African American women were faced with poverty and had a really hard time dealing with the war and depending on themselves. Deborah Gray White’s view of slave women shows us that their role was truly unique, they faced the harsh reality that they were not only women or African American, they were both, so therefore their experience was one of a kind and they lived through it, triumphed, and finally won their freedom.
Specifically, the way in which Paul D and Sethe animate the nearly twenty-year-old memories of Sweet Home Planation in an attempt to correct their current status. This article focuses principally on what Sivaraj defines as “two temporal planes” of memories; one of the past in Kentucky and the other of which is unceasingly being created within present day Cincinnati. Sivaraj focuses her interpretation upon the methods in which the characters appropriate the act of re-remembering since “each and every flashback from different perspective adds some more information to the previous once” (Sivaraj). Also, revealing how the narrative drives the reader to unquestioningly absorb the fragmented memories constructed by Sethe, which expels the multifaceted layers of Beloved’s narrative. Much like my own interpretation, Sivaraj also dedicates most of her consideration upon not only remembering the past but how one can stitch together the fragments of the communal memory in an attempt to alter their destiny. Furthermore, exploring the ways in which slavery of the Sweet Home Plantation penetrates the memory of Sethe and Paul D, ever manipulating their present-day image. Moreover, the author of this article brings attention the narrative’s voice that guides the augmented fragments of the characters