Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The portrayal of women in literature
The portrayal of women in literature
The portrayal of women in literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The portrayal of women in literature
EXT - DRY BARREN LAND - DAY
The men have been riding for so long that the town can no longer be seen - land, and nothing else.
A small prairie dog on its hind legs watches the men pass an enormous plateau structure.
Buzzards fly overhead.
The men by now rode nearly 30 miles. After a long morning ride the men finally reach their hunting plain.
The men dismount, tie up the horse reins on nearby posts, and walk a few feet to approach a seemingly tranquil meadow.
EXT - PRAIRIE - DAY
A bright grassland. The sounds of many crickets and insects buzzing.
The group of five men walk through thick brush trying to find game to hunt for their burg.
The group of are wandering through a large prairie pasture. Their pace is slow and alert.
The men
…show more content…
JOHN
How the fuck do you know what dog tastes like?
FRANK
Just presuming. I’ve had your wife’s cooking before.
JOHN
God you’re an asshole.
FRANK
Wait, so that wasn’t dog meat?
The group chuckles.
Their faces look rough, tough, and mad as hops.
JOHN
How’s your wife been Joseph?
JOSEPH
Well, some of time she’s a church-bell then I'm powdering hair just to act like I give a shit.
JOHN
How’s that been working?
JOSEPH
Hard to tell until she starts askin’ questions then I know I’m in deep shit...
The group of men have a hardy laugh
JOSEPH (CONT’D)
...But she’s doing good I couldn’t ask for a better wife than her, even though I'm bleedin’ through the ears most of time.
At a clearing in the prairie, they pause as the men spot a magnificent deer grazing in pasture. An eight pointer to be exact.
John slowly raises his weapon.
JOHN
Gotcha ya son of a bitch
An unbearable terrifying scream instantly surrounds the area.
The deer runs off. The men are pissed off with losing their game. Another scream occurs as terrifying as the first.
The men see shadows darting between the trees out in the distance.
The men quickly unholster their
…show more content…
Lets just go.
JOHN
Fine, alright I’ll go by myself
An Ominous and eerie presence that settles over the prairie. Leaves everything quiet, the crickets can’t be heard no more.
A sense of dread comes over the men.
EXT - UNKNOWN TERRITORY IN THE WOODS - DAY
John walks anxiously, hears things, fire crackles, and a drips sound.
Around the corner John sees a puddle of blood, with an odd shaped object in the puddle.
JOHN
What in the hell?
John picks up a stick, and pokes the oddly shaped object, he stares at it, mesmerized.
He picks it up with the stick, its not an object, but a limb of a human he drops the stick that carries the limb in disgust.
JOHN (CONT’D)
Oh fucking Christ, Fuck, what am I getting into?
John sees more and more shadows move faster.
Frightened and fearful. John, with gun in hand shoots.
Ominous silence. He quickly holsters his gun.
EXT - PRAIRIE PASTURE - DAY
The other members in the group are huddled in a tight circle, all of them stand facing out, with their guns in hand.
SAMUEL
We should just go, leave, I mean who gives a fuck. He’ll catch up.
JAMES
We’re not leaving until he's back. Don't be a Dick. We made a pact, remember?
James points to Samuel’s scar.
SAMUEL
The site played a significant role for the study of the strategic hunting method practiced by Native American. The native people hunted herds of bison by stampeding them over a 10- 18 metre high cliff. This hunting method required a superior knowledge of regional topography and bison behaviour. The carcasses of the bison killed were carved up by the native people and butchered in the butchering camp set up on the flats.
A skilled hunter sprints desperately through the woods, realizing the futility of hiding from his greatest foe: his own kind. Richard Connell’s “The Most Dangerous Game” is the story of a hunter that becomes the hunted. The story explores the sense of extreme terror the protagonist feels being pursued by a psychopath living on a mysterious island. This protagonist, Rainsford, has many traits that aid him in his battle with the general. By demonstrating his cunning, sly, and remorseful traits, Rainsford shows the story’s theme of “walking a mile in someone else’s shoes”.
This darkly satiric poem is about cultural imperialism. Dawe uses an extended metaphor: the mother is America and the child represents a younger, developing nation, which is slowly being imbued with American value systems. The figure of a mother becomes synonymous with the United States. Even this most basic of human relationships has been perverted by the consumer culture. The poem begins with the seemingly positive statement of fact 'She loves him ...’. The punctuation however creates a feeling of unease, that all is not as it seems, that there is a subtext that qualifies this apparently natural emotional attachment. From the outset it is established that the child has no real choice, that he must accept the 'beneficence of that motherhood', that the nature of relationships will always be one where the more powerful figure exerts control over the less developed, weaker being. The verb 'beamed' suggests powerful sunlight, the emotional power of the dominant person: the mother. The stanza concludes with a rhetorical question, as if undeniably the child must accept the mother's gift of love. Dawe then moves on to examine the nature of that form of maternal love. The second stanza deals with the way that the mother comforts the child, 'Shoosh ... shoosh ... whenever a vague passing spasm of loss troubles him'. The alliterative description of her 'fat friendly features' suggests comfort and warmth. In this world pain is repressed, real emotion pacified, in order to maintain the illusion that the world is perfect. One must not question the wisdom of the omnipotent mother figure. The phrase 'She loves him...' is repeated. This action of loving is seen as protecting, insulating the child. In much the same way our consumer cultur...
This picture to me is saying that even when a mule deer has died and the only thing left is bones and its horns, there is still life with that deer. The deer has lived a life that none of us could have imagined, no one but that deer could tell the story of its life. The mule deer is a symbol of living and how nature can be so hard on animals. The picture makes you feel like the deer is staring at you and that maybe it is trying to tell you something. I know the excitement that comes with hunting and when you shoot that deer and come up to it, there is nothing in this world that feels better. It is really hard to explain the feeling that comes with hunting, but this picture is a deer that has died and it could have been by a hunter or it could have been just old age or disease. It is hard to tell with this picture what has happened to the mule deer.
"What were their lives like on the trail." What Were Their Lives Like on the Trail? . N.p., n.d. Web. 13 Apr 2010. .
The narrator continues with describing his resentment towards his home life, 'Coming home was not easy anymore. It was never a cinch, but it had become a torture (2).'; This excerpt provides the reader with an understanding of the sorrow that the protagonist feels at the beginning of the novel and throughout the first half. Further narration includes the protagonists feelings of distance from the land and blame that he places upon himself, 'But the distance I felt came not from country or people; it came from within me (2).'; Thus, as the reader, we understand that the narrator has removed himself from the land and his culture.
The prairie dog population had been dwindling in an inconstant pattern because of disease, this started to take a toll on the lives of
The ship would take him and his crew to many places, mainly in Western Africa. Hughes was so excited to finally see Africa and to be apart of the culture there. When the ship finally reached shore, Hughes was disappointed. Thinking that Africa was actually pretty ridiculous with men walking around in white gowns, women showing their breast and little children running around naked. There were also many brothels there that Hughes described the setting as little African boys bringing the crew members to see ‘my sister, two shillings’. These brothels not only disgusted Hughes, but also disappointed him on how the Africans praised them. Hughes wrote in his journal, which is now protected at Yale University, calling them “vile houses of rotting
"Poetry is the revelation of a feeling that the poet believes to be interior and personal [but] which the reader recognizes as his own." (Salvatore Quasimodo). There is something about the human spirit that causes us to rejoice in shared experience. We can connect on a deep level with our fellow man when we believe that somehow someone else understands us as they relate their own joys and hardships; and perhaps nowhere better is this relationship expressed than in that of the poet and his reader. For the current assignment I had the privilege (and challenge) of writing an imitation of William Shakespeare’s "Sonnet 87". This poem touched a place in my heart because I have actually given this sonnet to someone before as it then communicated my thoughts and feelings far better than I could. For this reason, Sonnet 87 was an easy choice for this project, although not quite so easy an undertaking as I endeavored to match Shakespeare’s structure and bring out his themes through similar word choice.
The Northeastern Woodland Peoples are separated into two major groups: the hunters and the farmers. The hunters are north of the farmers. They specialize in hunting game and fish. They do not grow as many plants and food as the farmers. The farmers grow a lot of different types of plants, but the most significant crops are the Three Sisters, corn, beans, and squash. The farmers of the Northeastern Woodlands do not hunt as many animals as the hunters, but they still have a fine amount of meat to eat.
They had an inquisitive across the hay dark empty field, they all sat down I
As the first rays of the sun peak over the horizon, penetrating the dark, soft light illuminates the mist rising up from the ground, forming an eerie, almost surreal landscape. The ground sparkles, wet with dew, and while walking from the truck to the barn, my riding boots soak it in. The crickets still chirp, only slower now. They know that daytime fast approaches. Sounds, the soft rustling of hooves, a snort, and from far down the aisle a sharp whinny that begs for breakfast, inform me that the crickets are not the only ones preparing for the day.
Deep in the valley the Wood Sprites and the Fairies flocked together, trembling in their masses; when all were gathered they embraced each other in a fond farewell, then they began to sing such a melancholy song, dancing and swaying in a hypnotic rhythm; the song carried out across the wood, birds in the trees stopped to listen, their heads on one side, their eyes shining with sorrow and the animals crept from their dens and burrows to watch. The air in the wood was thick with sadness, a fox gave a low mewl, it's ears flattening against it's slender head, a magnificent stag threw back it's head and let out a long roar that rose and mingled with the notes of the song.
Sound is an essential element for creating a supernatural atmosphere. In the natural setting, sounds can be peaceful and comfortable, such as Irving’s description of the farmhouse, observed when he stated, “as he wended his way to the farmhouse where he happened to be quartered, every sound of nature, the boding cry of the tree toad, the dreary hooting of the screech owl, fluttered his excited imagination.” (page 3). But the principle manner sound was used in the story was to bring it suspense and darkness. On the dreadful night of Ichabod’s disappearance, the silence of the forest does not seem to constitute any danger for people. However, Crane described the sound of the forest as, “In the dead hush of midnight he could hear the faint barking of a watchdog from the opposite shore” (page
It is in the nature of pastoral poetry that human desires are projected into a natural setting and lived out only through fantasy. The real world, full as it is of unpredictability and unwanted emotions, is accessible to everyone, while the idyll of the pastoral is preserved “for poets’ fantasies;” its ground is not to be trampled by everyone (Ettin 43). After failing to retreat into the traditional pastoral landscape, John Milton begins, in his poem “Lycidas,” to exercise the control he does not have in the real world over the elements of the pastoral, defying the customary idyllic landscape and turning it into one of mourning.