Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Comparing and contrasting: romeo and juliet by william Shakespeare
Comparing romeo and juliet
Comparison of Romeo and Juliet
Don’t take our word for it - see why 10 million students trust us with their essay needs.
My Response to the play Rainbow's Ending.
I quiet enjoyed reading the text "Rainbow's Ending".
Here is a brief summary of the play:
The story is about two giants, the world is peaceful, quiet and happy, until the giants have an argument over who is bigger, and have an eating competition. They eat anything and everything they can find, as they eat their way through the country. The rest of the country becomes helpless, dirty and noisy. Until one day the giants return and everything becomes a better place again!
The group, in which I was in, came up with many imaginative ideas, for the particular scenes in which we worked on. I very much liked the idea of the superpowers of the two giants in the story, which the author Noel
…show more content…
In scene 1 we used a lot of Physical theatre. We had the Sun,
Empire State Building, Post Office Tower, trees, and the river. I particularly liked the way which we had four people being the river when it came to the lines "it was a sunny day the trout were almost queuing up to get themselves hooked" at this point we had the little old fisher woman with her fishing rod, by the river bank. The river was made by the four people, they were making wavy movements together, and the trout were two of the people quickly kneeling up towards the fisher woman, begging to get hooked. Then when it came to the next line " one giant lay down and started to lap up the water" the water was gradually going down towards the ground. Then the giant said "as he drained the river dry, come on little fishes into my gob". We then had all four people quickly running up towards the giant.
In scene 2 we used many gestures to symbolize certain meanings, such as " making deals, making a noise, making love, borrowing money, lending money, getting arrested and sleeping in corners". We used a variety of different hand movements and actions for these activities. We also included a lot of noise in this
…show more content…
This also helped to make it funny and improved our understanding of the play. I think that we all liked the idea of the story being narrative,
I know that it made it a lot easier for some, especially me to understand the context of it more. We performed these to Miss
Davidson's group and got a lot of positive feedback from them and others in our class. At the end of all the performances Mr Hill used a very good example, which helped to understand the play more than I did before. He used the idea of George Bush being a very powerful man and the war between Iraq, the USA and England. This gave me a very strong image in my head that I could have drawn, him overpowering the USA and England involved in his plan to break out war with Iraq, a lot of people do not agree with his decision as there are many of lives at steak and is unfair to the people that have nothing to with this, but he has overpowered Tony Blair and nothing can be done about it anymore. Now we are going to war, because George Bush wants too! He is too powerful for anyone to stand up to him,
The storyteller had not witnessed the strange happenings at the school but claimed to know someone who had seen the disturbances. As a performance, the telling of this story was very matter a fact and my friend did not self-aggrandize; the performance was quick, to the point, but not particularly dramatic. The storyteller told the legend as fact and was not melodramatic about her role as storyteller.
It was very nice to read something that had a lot of drama and suspense. This story has a mix of everything. It has a bit of suspense, drama, and comedy; therefore, it led it to be a very nice play. The people that would most like this play, has to be people who like suspense, drama, and thriller. These people would like it, because this story has a mix of everything, so the people who like to have a mix in their stories, they will love this story. It will suit them, and will give them a pleasure of reading a nice
The concept of discovery is a manifold notion. It comprises exploring something for the first time or it could be rediscovering something has been faded or lost, forgotten or concealed. People may experience different types of discovery which could be sudden and unexpected. However it may affect them physically, emotionally, intellectually and spiritually. This response will focus on the idea discovery that relates to the themes of aboriginal connections to their family, place and culture and also the discrimination upon them. This well demonstrated thought the texts “Rainbow’s End” by Jane Harrison, the two poems “Son of Mine” and “We are going” by Oodgeroo Noonuccal as well as my chosen related text, the film “One night the moon” by Rachel Perkins. Each text presents a variety of discovery aspects that allows a deep understanding of the concept of discovery.
‘An individual’s interaction with others and the world around them can enrich or limit their
The radio play uses dialogue, sounds, and music to develop the plot. The short story uses thoughts without sounds and music. Both versions of the story use dialogue to develop parts of the plot. When the reader analyzes how the plot is evolved in both versions, they can see that the radio play’s dialogue, sounds, and music develop it more effectively by showing more emotion and creating a stronger tone than the short story. In conclusion, the plot of “Dark They Were, and Golden-Eyed” is developed more effectively in the radio
reach into the ideas and themes of the play so we will have a good
Kristiana Kahakauwila's, a local Hawaiian brought up in California, perspective view of Hawaii is not the one we visually outwardly recognize and perceive in a tourist brochure, but paints a vivid picture of a modern, cutting edge Hawai`i. The short story "This Is Paradise", the ironically titled debut story accumulation, by Kahakauwila, tell the story of a group narrative that enacts a bit like a Greek ensemble of voices: the local working class women of Waikiki, who proximately observe and verbally meddle and confront a careless, puerile youthful tourist, named Susan, who is attracted to the more foreboding side of the city's nightlife. In this designation story, Susan is quieted into innocent separated by her paradisiacal circumventions, lulled into poor, unsafe naïve culls. Kahakauwila closes her story on a dismal somber note, where the chorus, do to little too late of what would have been ideal, to the impairment of all. Stereotype, territorial, acceptance, and unity, delineates and depicts the circadian lives of Hawaiian native locals, and the relationships with the neglectful, candid tourists, all while investigating and exploring the pressure tension intrinsically in racial and class division, and the wide hole in recognition between the battle between the traditional Hawaiian societal culture and the cutting edge modern world infringing on its shores.
The play is an eternal challenge, a lock with many keys, none of which ever fits perfectly. Every interpretation presents just a portion of the possibilities. Every new version opens up new vistas, without limiting further experimentation. Every generation comes, looks, and studies the play, but never comes up with all the answers.
No matter where one grows up, they will always strive for their parent’s approval. The location, the time, or their age will not determine if they would love for their parents to approve of them. The problem usually uproots because the parents grow up in a different generation than their kids. Some parents want their kids to do better than them, or grow up as they did. In Hosseini’s Kite Runner and in Amy Tan’s The Joy Luck Club, express the problem that children have getting their parent’s approval very well.
Bertolt Brecht was a German playwright, theatre critic, and director. He created and developed epic theatre with the belief that theatre is not solely for entertainment but also tools for politics and social activism. Previous theatre performances offered a form of escapism. The audience would become emotionally invested in the performance. In contrast to the suspension of disbelief, Brecht never wanted the audience to fall into the performance. He wanted the audience to make judgments on the argument dealt in the play. The aim of epic theatre is to detach the audience from any emotional connection in order for them to critically review the story. The ultimate goal of this theatre is creating awareness of social surroundings and encouraging the audience to take initiative on changing the society.
Composers show how confronting and meaningful discoveries can be through how their characters and settings of their works are depicted. I agree with this statement, because the discoveries made within a text by the audience are there to piece together the picture of which is the texts underlying motive. Examples of this can be seen in the texts ‘Rainbow’s End’ a play by Jane Harrison and the children’s book ‘The Rabbits’ by John Marsden and Shaun Tan. ‘Rainbow’s End’ follows a family of three Aboriginal Australian females; Gladys - single mother trying to support her daughter and help her succeed in life, Nan Dear – Gladys’s mother and Dolly – Gladys’s teenage daughter, showing the struggles that they as an Aboriginal family face in a Anglo-dominant, 1950’s Australian society. ‘The Rabbits’ is an allegory, or retelling, of the British colonisation of Australia, with the British being represented by rabbits and the Indigenous Australians being represented by numbats, an endangered Australian native animal. Both of these texts display themes of discrimination and assimilation towards aboriginals, giving us the chance to discover and understand their struggles.
Stevie Smith’s poem Not Waving But Drowning, brings to light numerous parallels in the book and the play and it is alluded to several times. The play and the poem draw similar situation but towards the end leads into different endings. In the poem the man dies, this man we can associate with Sophie but in the book, we see that Sofie rescued, rescued by the man who was much farther out than her. This alludes to how in real life there are people who might be in more of a dire need, who are you can almost say “Much further out than you [think]”. Not Waving But Drowning embodies Bradie and Sofie’s situation, how Sofie struggles and Bradie struggle with depression, and how they connect and seek out each other’s help. Help they cannot give because
The play A Streetcar Named Desire is considered to be one of playwright, Tennessee Williams’ best work. However, this production is of high importance because it took place at the Ethel Barrymore Theatre which is on Broadway. This specific theater named after Ethel Barrymore, was built by the Shubert Organization and opened in 1928. It is special because it is the only theatre that the Shubert’s built that is still used today. It is interesting to note that producer, Irene Selznick, and director, Elia Kazan, ended up choosing a final cast that consisted of unknown performers filling large roles. This can be considered a pretty large risk but it ended up working out in their favor and the play was a huge success. Marlo Brando became a huge well-known star after his time spent working for Elia Kazan as character, Stanley Kowalski. Brando received a lot of praise from the public, including a nomination for an Academy Award. In a review of the first night of the performance written by Brooks Atkinson, Tennessee Williams’ work is described as “one of the most perfect marriages of acting and playwriting. For the acting and playwriting are perfectly blended
Blanche Coles states in Shakespeare's Four Giants that he agrees with G. B. Harrison, that this play contains one of the finest examples of atmosphere ever created in drama: