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An essay on body modifications
An essay on body modifications
An essay on body modifications
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I HAD MADE THE DECISION AND THERE WAS NO TURNING BACK. AS WE PULLED INTO THE PARKING LOT, I REALIZED HOW INSIGNFICANT THE BUILDING WAS IN COMPARISON TO THE PAIN IT HELD INSIDE. AND YET, I HAD DETERMINED MY FATE WHEN I GOT INTO THE CAR TO COME HERE. "LIVING ARTS," WHAT A WONDERFUL AND INTRIGUING NAME FOR AN ESTABLISHMENT WHOSE SOLE PURPOSE IS TO CAUSE ITS PATRONS INVITED PAIN. WITH A DEEP BREATH AND SOME ENCOURAGING WORDS OF MORAL SUPPORT FROM MY COMPANIONS, I ENTERED THE FRONT DOORS OF THE TATOO PARLOR.
ONCE MY EYES ADJUSTED TO THE DIM LIGHTING, I STOOD FIXED IN THE DOOR WITH AMAZEMENT. I WAS IN A WAITING AREA THAT WAS OBIVOUSLY DESIGNED BY REJECTS FROM INTERIOR DESIGN SCHOOLS NATIONWIDE. THE "FURNITURE" APPEARED TO BE REFUGEES FROM THE 1970'S SELECTION OF THE LANDFILL. I COULDN'T HELP BUT TO THINK THAT THESE MUTATED FORMS OF ONCE VITAL LIVING ROOM SUITES WOULD BE BETTER OFF IF THEY HAD REMAINED BURIED. ONCE I REGAINED MY SENSES, I SLOWLY SCANNED THE CHEAPLY PANELED ROOM IN HOPES TO LOCATE ANY FAMILIAR ITEM FROM THE PRESENT DECADE. WHAT I FOUND WAS TWO WALLS LINED WITH POSTER SIZED FLIP FOLDERS. I WALKED OVER TO THE FIRST ROW OF FOLDERS AND STARTED TO THUMB THROUGH THEM. MY EYES GLAZED OVER AS WHIRS OF MULTI-COLORED CREATIONS SWEPT PAST THEM IN INDISTINGUISHABLE BLURS. THEN, LIKE A SHOT IN THE DARK, A TINY YELLOW FORM CAUGHT MY ATTENTION. I BLINKED TWICE TO PULL MY EYES INTO FOCUS AND THERE IT WAS-- MY FIRST TATOO. IT WAS THE MOST PERFECT SUNFLOWER I HAD EVER SEEN.
I HURRIED TO THE COUNTER TO TELL MY "SKIN ARTIST" WHAT MY PERMANENT FLESH PAINTING WOULD BE. WHEN HE WENT INTO THE BACK TO FIND MY TREASURED DESIGN, I GLANCED INTO THE PRINT COVERED GLASS CASE I WAS PROPED UP ON. INSIDE THE BLUE TINTED CASE WERE TWO SHELVES LITTERED WITH TINY SILVER HOOPS OF ALL SHAPES AND SIZES. THERE WAS A SIGN IN THE RIGHT CORNER THAT READ "IF YOU HAVE IT WE WILL PIERCE IT". MY ONLY THOUGHT WAS NOT ME!
MY TORTURE PROFESSIONAL RETURNED AND SAID IT WAS TIME TO GET STARTED. I SUDDENLY FELT WEAK, AND THROUGH SOME UNKNOWN FORCE OF WILL, I FOLLOWED HIM INTO HIS STUDIO.
I WAS BLINDED BY THE NEON GLOW OF THE OVERPOWERING FLORESCENT FIXTURES. AFTER BEING IN THE DUSK LIT WAITING ROOM, MY EYES HAD FORGOTTEN REAL LIGHT.
The American artist Fred Tomaselli arranges pills, leaves, insects and cutouts of animals and body parts to create his pieces of art. His incorporation of items are arranged to suggest a level of perception along with a heightened visual experience. This gives me, the viewer, a sense of Energy. The perception of color that Fred uses gives a gravitating feel. If you take a look at the heart of this piece you can instantly visualize the different items Fred incorporates into the piece.
The glass doors gently moved aside at Heath’s presence with a calm whirring hum. With it being a horrendously bright day outside, Heath found the muscles around his eyes relaxing with a sigh when he finally didn’t have to shield his vision from the sun any longer. Fluorescent lights were miles better than sunlight, naturally – fluorescent lights did not burn flesh, they did not bring stinging pain to the eyes, and they did not pound heat relentlessly into the ground in the same unforgiving way that the sun did.
The room was set up by having paintings on the walls with a sculpture directly in the center. This was the focal point of the room, Soundsuit, by Nick Cave. This piece was rich in color and character and I was immediately drawn to it. When I rounded the corner of the gallery there were many extravagant pieces such as Untitled #8 (2014) by Mickalene Thomas and Woman Under Willow (2014). Both pieces are inspired by Matisse, rich in color, and represent woman. The American gallery does a good job transitioning from one piece to another because each work is similar in some aspects. This gallery was less organized and different mediums were presented all throughout. There was a traditional quilt, Tar Beach 2 (1990) displayed in the same area as mediums such as wooden panels, oil pastel, and the metal hood of a car. This gallery and collection inspired by Matisse displayed many breathtaking works that I enjoyed seeing.
This book was also one of my first encounters with an important truth of art: that your work is powerful not because you convey a new emotion to the audience, but because you tap into an emotion the audience already feels but can't express.
Throughout history there have been countless souls who were willing to challenge the norm of their everyday life. These individuals work towards change, help those around them, and strive for a better tomorrow. One individual who has been recognized as such was Shirley Riley. Riley was a prominent art therapist during her lifetime. This paper will discuss Riley’s professional career as well as her personal and fairly private life.
Society’s outlook on “what’s in” changes every day, from what’s hot to what’s not. Fads repeat themselves over time and grow to be something that everyone now loves. Tattoos are the main trending thing of this century. They were once only a symbolism for criminals, sailors, prostitutes, and bikers, but now tattooing is mainstream in today’s times. Tattoos are seen as works of arts and your body is the canvas for aspiring tattoo artist. Nowadays there is such a wide variety of tattoos with different meanings, such as, a hand print of a loved one to someone’s favorite quote or bible verse. Some tattoos don’t always have to have meaning behind it. Anyone can decorate their body simply because they want meaningless, but artsy and funny tattoos. Inking up is becoming a significant part of someone’s life whether there is a meaning behind the tattoo or not, it is a growing thing to do and it doesn’t seem to be stopping anytime soon.
Meandering through the Lowe Art Museum, I constantly find myself attracted to the Modern Art section of the museum like a magnet to a refrigerator. More specifically, I am attracted to the piece entitled Shattered Illusions. Shattered Illusions consists of five glass bottles: glass bottles that looked as if they have been around for centuries and endured extensive use by multiple people. The bottles have a yellow tint symptomatic of aging and rigid holes that suggest previous use. Inside of each of these average-sized bottles are figures that represent humans. Each bottle has a different figure; for instance, two of the bottles contain what seem to be females and the other three males. Each figure is tangled helplessly in this relentless coil that protrudes from every direction imaginable like there is no end or hope in sight. The coil wraps around the figures’ extremities, midsection, and neck wanting to choke the life right out of them.
As I enter the Gioconda and Joseph King Gallery at the Norton Museum of Art the first thing that Caught my attention was a painting measuring approximately at 4 ft. by 10 ft. on the side wall in a well- light area. As I further examine the painting the first thing I notice is that it has super realism. It also has color, texture, implied space, stopped time, and that it is a representational piece. The foreign man sitting on the chair next to a bed has a disturbed look on his face and is deep into his own thoughts. It’s as if someone he loved dearly just experienced a tragic and untimely death. He is in early depression. I could feel the pain depicted in his eyes. A book titled The Unquiet Grave lying open on the floor by the unmade bed suggesting something is left unresolved. The scattered photos and papers by the bedside cause redintegration. The picture of Medusa’s head screaming on the headboard is a silent scream filled with anger and pain, yet it cannot be heard. I feel as if I am in the one sitting in the chair and I can feel the anger, and regret.
...patronage to a belief. Through time the tattoo has been plagued with rising fear that those who receive them will automatically become an outcast of the social order. The fear of body art is calming in the general public’s eyes and whether it is a biker or a school teacher with one they are beginning to be looked at as the same. The rising population of those getting tattoos has directly leaded to the rising population of those accepting them. It took a while for cultural opinion of tattoos to swing from taboo to standard practices of people from all races, ethnicities, ages, and genders. Time has granted the sanctioned onslaught of bad looks, and snubbed noses to slowly die down and natural acceptance of body ink to be granted. It is not just the crazy neighbor next door with a tattoo but the respected doctor up the street or your Sunday school teacher at church.
Customers who have gotten tattoos from Tattoos are being asked to be tried for Hepatitis B, Hepatitis C and HIV. the conduct of a craftsman can give some understanding into how they lead business. The craftsman ought to have both hands out of scope and contact. "You will see in numerous tattoo shops specialists like to keep their hands like this {demonstrates with hands in the air} . Thus, in the event that they're going into a room or by an entryway. They're so use to doing this current it's our second nature."
The world has changed tremendously throughout the years. Through the personal and cultural expression of tattooing oneself most wonder why people today get tattoos. Furthermore, those who think tattoos are just for looks will have to realize that tattoos are a part of ones life. Therefore one might say, “ Tattooing is used in a way to mark important events or people in their lives in a permanent way.”(Milcetich) people today should look in the meaning and value of a tattoo “As a statement carved in ones body” (Milcetich). Along with that meaning in ones body, people’s attitudes towards tattoos have begun to change what one thinks about tattoos.
In today’s society, over one hundred years since the days of the tattooed women in circus side shows, women who choose to tattoo themselves still meet resistance and adverse reactions. “It has been estima...
Are tattoos a kiss of death at a workplace? According to Student Research Center, nearly 4 out of every 10 Americans in their 30s have been inked. ''In April 2000 15% of Americans were tattooed (which is roughly around 40 million people) (The National Geographic).'There are different types of tattoos, from color to black and white, even glow in the dark. Number of tattoo paralos in the U.S. is 21,000'' (Tattoo Statistics 1) and more is being added every single day. People spend about $1.6 billion on tattoos once a year. ''In the U.S. more women than men are tattooed, 36% of the ages is between 18-25 and 40% of those ages are 26-40 that have at least one tattoo.''(Random facts 1) People have been getting tattoos for a while now. It has been said that ''tattoos date back as far as the Neolithic era or around the fourth to fifth millennium BC.''(skinsight.com 1) Tattoos should be acceptable at a place of business because people get tattoos for significant purposes, tattoos can tell stories and build confidence, body art is a way for someone to express themselves, make up, and tattoos are reminders of life time experiences.
Walking through an alley between two tall buildings, along a wall in the distance, I saw what seemed to be a skillfully crafted mural. Exited by my fascination with graffiti, I ran to get a closer look. But the nearer I got to it, the more I saw the talentless scribbles of a vandal. Written with a mean-streak marker and with simplicity was the word ESCAPISM. Disappointed after my high expectations and the unfamiliarity with the word, I walked away.
The arts have influenced my life in amazing ways. Throughout my life, art has been the place I run to and my escape from the world. As I’ve grown older, art has become so much more than that. Every piece of art I create is a journey into my soul. It’s a priceless way to deal with my emotions and my struggles. I create art not only because I enjoy it and because I want to, but because I have to. Somewhere deep inside there is a driving force, urging me to put my heart down on paper. I become emotionally attached to each of my pieces because they are like dashes on the wall marking my growth. Each one is the solution to a problem I have dealt with and overcome.