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Classical music analysis
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February 7, 2018, I attended the Lydian string quartet hosted by the University of Central Arkansas at the Snow fine arts center. The performance was a classical called Love and Death. It was performed by four talented musicians. The instruments that were played was two violins, a viola, and a cello. The musicians played three different selections of music by three different artists. The performers took their seats accept the violist. He remanded standing and explained the theme of the three sections of music they were going to play. He briefly described how the performance was going to go, and then took his seat. As they adjusted their instruments, getting ready to play, the audience was anxiously waiting to listen.
The first selection of
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The opus was played in E flat major. The way the musicians started was everyone got positioned, and one person would sniff their nose to hint when to start. They would also sniff their nose during each performance if they had a pause and wanted to be synchronized after the pause. The first piece had a very low tone that made the music sound was very dramatic. what made it sound so dramatic was there were many long pauses and long notes strung out that set the audience’s mood. There was not a set range. There high and low pitches and everything in between. There were times where a musician had a solo, other times there would be duets, and other times they were all in sync. All musicians used their fingers or bow to play. There were parts of the music that would get intenseness, making theaudience relate to how the composer expressed himself through the music he wrote Once each of the pieces ended the musicians held the bow up and looked at each other before placing them at a resting …show more content…
All of the musicians started with everyone having a constant tempo. The piece in itself seemed to be a lot more upbeat/happier. The body language the musicians portrayed while playing set the tone for the piece. When he wrote this last piece, it seemed to be more of a celebration of his life and achievements. The lines were ABA, they would repeat every other line. Decrescendo and crescendo would go back and forth, neither were ever set. The musicians often came together as unison, but the cello and violin each had a solo. When the piece hit its climax it very easy to tell, the musicians body language and movement showed the
This movement was also in complete sonata form, like the first, but started out with a fugue, containing timpani solos and then later concluded with an abrupt
... began the piece, and the beat of the drum was frequent. After the introduction, the rest of the musicians joined. The pianist also had a solo part with the companion of the drum. The pace of the song was moderately fast, and the song ended with a climax.
Each individual player in this orchestra is a soloist of sorts, playing a completely different piece than the musician seated directly next to them or across the stage. Rather than being written as a concerto, this piece, written in three movements, allows for each of the accomplished musicians to display their skill individually though each solo is not brought to the forefront of the piece, creating a what sounds like a disgruntled compilation of individual pieces that come together. This piece both begins ends with the Funeral March of Beethoven’s Eroica Symphony directly tied into the basses, at first it is quiet and difficult to recognize but as the third movement is introduced it becomes more pronounced and evident. Those who were present for this pieces introduction to society were able to see its emotional effect on its composer who had obvious emotional ties to the music. Strauss never showed up to see his work debut instead he attended the dress rehearsal, asked Sacher if he could conduct this work. Strauss was said to have given a beautiful reading of the score that many view as his most...
The majority of the pieces featured a rather slow steady beat, provided by the drum and the piano, while the other instruments (mainly the brass section) were used to play the main motif along with some minor ornamentations. The third song they played, one of my favorites, was simply a steady 4/4 tempo kept by the drum, with some minor variations. The saxophone and trumpets took turns drifting in and out to carry the melody. The saxophone player delivered an entertained solo which consisted of very light and amusing trills, this created a very soothing and relaxing
The dynamic levels at the beginning were in piano, but it did not stay that way, there were changes in the sound there were crescendos and decrescendos but mostly toward the end. The harmony was very polyphonic it had many sounds play at one and the texture was also thick it had many layers of sounds because of the number of instruments and the variety of instruments playing simultaneously. The instruments played in this composition were strings, woodwind, brass, and percussion like, cello, flute, French horn, and timpani and they for the tone color the instruments did have a high pitch range. The form for this was theme and variation because he had a theme and variation he took the melody and used it over and over and over again by changing different elements. Prokofiev’s Piano Concerto No. 2 in G Minor, Op. 16 rhythm was a medium walking pace and the steady beat was recognizable. For dynamics, the composition started off mezzo and had changed where it was forte and had crescendos. The melody seemed to be in minor scale
The trumpets were the major prominent players in the over tune and supported by continuous drum beating and clanging of the cymbals. Soon the strings replaced the trumpets at that time the brass instruments receded to the background. The mood in the hall was colourful and everybody was like enjoying every bit of it. At this point, the ensemble continued with the setting of “E-flat”.
The next element I discovered was the pitch of the music. Relatively speaking, I would estimate that the majority of the pieces were on the high side of the pitch, and therefore frequency, scale. The range of pitches was moderate, but as stated previously, mostly higher notes were used.
The musicians were able to keep time by taping their feet, listening to the piano and drums play a steady beat, and along with a lot of practice beforehand. When it comes to the meter of the piece I noticed that when each musician was playing their part in the song the rhythmic structure would change. When the trumpet player and saxophone player were playing together the beat was steady and loud, but when they were playing separately the sound was not as loud, but the beat remained the same. Each instrument created a different feeling to the music, even though they were playing the exact same part.
The first movement the orchestra was smooth and graceful.The violinist were playing gently,and soft. The second movement is quite faster than the first, and the performers were smiling and enjoying themselves. By the third movement the orchestra was playing faster and louder, and having much fun. The orchestra began feeding off of the crowd, who was enjoying the piece. The fourth movement, the orchestra slowed down and were playing beautifully. The performance was graceful, the conductor just let her hand flow, and barley had to the guide the orchestra, because they had it down pack. The performers did not just play Beethoven Symphony No. 7, but they told a story. one could hear when character went from happy to
It was apparent that Rosenblum was familiar with the Sanctuary’s community because as soon as he entered, he began talking to each of the audience members he recognized. Though I had never witnessed one of his performances, he also said a simple greeting to me as he walked past. Davis followed suit when she entered the Sanctuary. She sat down with Rosenblum in one of the pews to catch up with the current events of audience member’s lives. This pre-show element made the experience even more welcoming, relaxing, and friendly. Once it was time for the concert to begin, the director of the Sanctuary introduced each performer. Once Davis and Rosenblum were settled, Davis explained how the concert was going to be a calm and fun night. She chatted with the audience talking about her preparation for the night and how excited she was to be visiting the Sanctuary with Rosenblum. Throughout the concert, Davis would tell little stories or continue speaking to the audience in between pieces. This incorporated the audience into the concert and created a friendly relationship between performers and audience. Finally, Rosenblum and Davis made decisions on what pieces they would play in the moment. After each ended, they would ask what the other felt like performing next. Most often they chose their favorites or had specific pieces in mind. Occasionally, Rosenblum would simply begin playing a piece,
The flute, for example, is in a very high range, and is associated with a magical feeling.... ... middle of paper ... ... In the third movement the piece is allegro and is forte, the entire movement seems to be a forte. In the fourth movement there was a soloist accompanied by the orchestra.
If a person pays super close attention to any sorts of sounds that the choirs might have been created, individual breaths can also be heard. In all of the songs, there weren’t many decrescendos, but there were many crescendos.The crescendos must have been put in there to a dynamic contrast between sections or phrases of the pieces. Most of the vowels weren’t open and unified, but they weren’t also closed and tight. They were somewhere in between. When it comes down to whether if there were more open and closed vowels, there would have been more open and unified vowels. Most of the time, the choirs were on tune but when it came to the high parts, they were mostly of tune and sounded like they were kind of screeching. Also they were sharp sometimes throughout their pieces, and it usually revolved around one or two notes.
...re was very interesting transitions between the variation, for example, string section plays the variation from low to high, when they reach the highest note, the brass family takes over and continue with the scale and make it more higher. Tremolo style was used in this piece, which is a quick ups and downs stroke mode. The music were very soothing and attracted the audience. Lastly, they end the piece with the same variations that was played at the beginning.
..., intensity, and length. The entire movement had a feeling of rising to a maximum point which could not be surpassed. In the third movement the flute and the piano played together and played nearly the same thing, with the exception of the flutes higher notes. This to had an increasing in intensity and tempo.
...ext and final movement was the finale. This movement brought back themes from the first movement and the third movement and gave the piece a feeling of ending. This movement was quicker and louder than the movements before. I enjoyed this piece. It was very interesting and used differences in dynamics to keep people interested. The themes in the movements differed and really captivated my attention. This and the first piece of the concert were very nice and I really enjoyed them.