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The role of music in a streetcar named desire
Streetcar named desire music symbolism
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I was inspired by Blanche in A Streetcar Named Desire. I wanted to portray some defining moments of her life in chronological order instead of the order events were revealed in the play. The first portion of my video is a lyrical piano accompanied by mostly smooth, flowing movements. The elegance conveyed here is reminiscent of Blanche’s life of luxury before her husband committed suicide; when everything was right with her life. At the end of this section, the music drastically changes from smooth to choppy. I could not find a piece of music that encompassed both of these aspects, so I sampled pieces from Jaws, the movie, and a piano solo of Gabriel Faure’s “Sicilienne.” As soon as there is a shift in musi, the words “PLEASE DON’T LEAVE” flash
on the screen intermingled with previous video clips played backwards and sped up. This is to represent the moment when Blanche found out her husband was homosexual and the events leading up to his suicide. The conglomeration signifies how everything Blanche had “worked for” or ever known all rewound in seconds. In the next scene, a shadow, indicative of the shadows Blanche comprehends in the play, is seen spinning choreography with a rifle. The rifle represents Blanche’s sanity. At first she toys and plays with it, but when the actual shadow appears she starts to lose grip and eventually her sanity is lost. Next, a large figure walks eerily into the frame with Blanche’s shadow being obviously frightened playing off of the fact that Blanche relies on men to feel good about herself. The male character is much larger because men have an overwhelming power over Blanche’s wellbeing. This scene is also suggestive of Stanley raping her. The final scene depicts Blanche rocking back and forth crying. Everything she has known and loved has been stripped from her. She has nothing left.
Identity in Contemporary American Drama – Between Reality and Illusion Tennessee Williams was one of the most important playwrights in the American literature. He is famous for works such as “The Glass Menagerie” (1944), “A Streetcar Named Desire” (1947) or “Cat on a Hot Tin Roof (1955)”. As John S. Bak claims: “Streetcar remains the most intriguing and the most frequently analyzed of Williams’ plays.” In the lines that follow I am going to analyze how the identity of Blanche DuBois, the female character of his play, “A Streetcar Named Desire”, is shaped. Firstly, we learn from an interview he gave, that the character of Blanche has been inspired from a member of his family.
The dawn of the twentieth century beheld changes in almost every aspect of the day-to-day lives of women, from the domestic domain to the public. By the midpoint of the twentieth century, women 's activities and concerns had been recognized by the society in previously male-dominating world. The end of the nineteenth century saw tremendous growth in the suffrage movement in England and the United States, with women struggling to attain political equality. However, this was not to last however, and by the fifties men had reassumed their more dominant role in society. Tennessee Williams wrote A Streetcar Named Desire around the time this reversal was occurring in American society. In this play male dominance is clear. Women are represented as
she was told "to take a streetcar named Desire, and then to transfer to one
During early times men were regarded as superior to women. In Tennessee William’s play, “A Streetcar Named Desire”, Stanley Kowalski, the work’s imposing antagonist, thrives on power. He embodies the traits found in a world of old fashioned ideals where men were meant to be dominant figures. This is evident in Stanley’s relationship with Stella, his behavior towards Blanche, and his attitude towards women in general. He enjoys judging women and playing with their feelings as well.
Our lives are consumed by the past. The past of what we once did, what we once accomplished, and what we once could call our own. As we look back on these past memories we seldom realize the impact these events have on our present lives. The loss of a past love mars are future relationships, the loss of our family influences the choices we make today, and the loss of our dignity can confuse the life we live in the present. These losses or deaths require healing from which you need to recover. The effects of not healing can cause devastation as apparent in the play A Streetcar Named Desire. The theme of A Streetcar Named Desire is death. We encounter this idea first with the death of Blanche and Stella's relationship as sisters. Blanche and Stella had a life together once in Bel Reve and when Stella decided to move on in her life and leave, Blanche never could forgive her. This apparent in the scene when Blanche first arrives in New Orleans and meets Stella at the bowling alley. Stella and Blanche sit down for a drink and we immediately see Blanche's animosity towards Stella. Blanche blames Stella for abandoning her at Bel Reve, leaving Blanche to handle the division of the estate after their parents die. As result of Stella's lack of support, we see Blanche become dependent on alcohol and lose her mental state. Blanche comes to be a a terrible reck through out the play as we learn of the details of her life at Bel Reve. Her loss of the entire estate and her struggle to get through an affair with a seventeen year old student. This baggage that Blanche carries on her shoulders nips at Stella through out eventually causing the demise of her relationship. As Blanche's visit goes on with Stella, the nips become too great and with the help of Stanley, Stella has Blanche committed to a mental hospital, thus symbolizing the death of the realtionship they once had. The next death we encounter in the film is the death of Stella and Stanley's marriage. Our first view of Stanley is of an eccentric man, but decent husband who cares deeply for his wife. However, as as Blanche's visit wears on, we come to see the true Stanley, violent and abusive.
Everyone has experienced a situation in life where it's like a rug has been pulled out from under them. Well, T. Williams’ novel A Streetcar Named Desire portrays a similar situation of three unconventional characters whose reality is not the American Dream that they are striving for. Blanche, Stella, and Stanley approach life hoping for different outcomes in their lives. But what is the American Dream they were striving for? Simply put, by looking at the principles of America, the primary dream for everyone is to have a well-lived life. For some people this includes a family, success, happiness, independence, money, and love. If these are T. Williams’ constructs of the American Dream, then Stella and Stanley Kowalski may never find their
In Tennessee Williams' play, A Streetcar Named Desire, Williams uses the suicide of Blanche's husband to illuminate Blanche's insecurities and immoral behavior. When something terrible happens to someone, it often reveals who he or she truly is. Blanche falls victim to this behavior, and she fails to face her demons. This displays how the play links a character’s illogical choices and their inner struggles.
During the time period Tennessee Williams, author of the play A Streetcar Named Desire, lived in, men were typically portrayed as leaders of the household. Through Williams' usage of dialogue, specific descriptions of each characters, as well as sound, he illustrates to readers of today's society how differently a man and woman coexisted in the mid-1900s, compared to today. Through the eyes of a topical/historical theorist, who stresses the relationships between the story and the time period it takes place, the distinction between today's society and that of five decades past, can be observed with depth and precision.
Written in 1947, by playwright Tennessee Williams, the play A Streetcar Named Desire opens in the 1940s in the well-known city of New Orleans. Readers are presented with the young couple Stan and Stella Kowalski who live below another young couple, Eunice and Steve. While Stan and Stella manage to maintain a relationship, it is abusive. Stella reunites with her alcoholic sister Blanche, after learning that the family plantation had been lost due to bankruptcy. Blanche, a widow often finds herself in difficult and unforeseen circumstances. Blanche’s poor choices and vulnerability leads to an affair with Stan’s poker buddy Mitch. Coinciding with his abusive nature, Stanley rapes Blanche. No one believes her until the very end, causing her to get sent away to a mental institution. While the play and film were smashing, each had their similarities overall, in regards to setting, plot, and characters while differences concerned narrative technique.
because it makes us want to know what it is building up to. Then at
The central theme of light and darkness through the character Blanche conveys her illogical thoughts of ugly reflections versus beautiful dreams. In Act IX, Williams exaggerates Blanche desperation for wanting illusion in her life and needs to remind herself of who she is as a person clearing her head of hallucinations: “I don’t want realism. I want magic! Yes, Yes, magic! I try to give that to people. I misrepresent things to them. I don’t tell truth, I tell what ought to be truth. And if that is sinful, then let me be damned for it!-Don’t turn the light on!” (1165). Simplicity and elegance of Blanche’s attitude creates a powerful dynamic force with her sister Stella. Her past haunts her creative inspirations to help other people in her life.
These strong drama and dramedy plots are structured around two strong dramatic women who emphasise the importance of character to act as a vessel through which a drama can be represented in a variety of settings. In both, 1940s New Orleans set A Streetcar Named Desire and the Illyria-based Twelfth Night, the plot is centred around a woman hiding her identity, in A Streetcar Named Desire Blanche is the catalyst for the plot as is Viola for Twelfth Night, though women in very different times, they are similar in their affect on the audience but differ in how they deal with loss.
"A Streetcar Named Desire" by Tennessee Williams is a play which has many issues, one of the largest issues being fantasy vs. illusions. This conflict which is evident throughout the play is very important because it decides how each character effects the outcome of the play. Fantasy and Illusion play a very large role, and it characterize Stella Kowalski, and Blanche DuBois, respectively. This conflict is brought up through the lives of Blanche and Stella, and the clear contrast in personalities between the two sisters.
Tennessee Williams has said, “We have to distrust each other. It is our only defense against betrayal.” Betrayal is prevalent in life and literature and creates uncertainty. According to Williams, without questioning people, one will eventually be betrayed. Characters deceive each other and, occasionally, themselves as they try to mend their lives. In A Streetcar Named Desire by Tennessee Williams, betrayal is evident in every relationship — Blanche and Mitch, Blanche and Stella, and Blanche and Stanley — and contributes to the theme of uncertainty in the novel. Blanche Dubois is the ultimate example of betrayal because she ends up being betrayed and betraying others throughout the play, which serves as a basic model of the effects betrayal can have on a person.
There are 3 major themes in the play A Streetcar Named Desire, the first is the constant battle between fantasy and reality, second we have the relationship between sexuality and death, and lastly the dependence of men plays a major role in this book.