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A streetcar named desire characteritic of blanche
A streetcar named desire characteritic of blanche
Tragedy a streetcar named desire
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The central theme of light and darkness through the character Blanche conveys her illogical thoughts of ugly reflections versus beautiful dreams. In Act IX, Williams exaggerates Blanche desperation for wanting illusion in her life and needs to remind herself of who she is as a person clearing her head of hallucinations: “I don’t want realism. I want magic! Yes, Yes, magic! I try to give that to people. I misrepresent things to them. I don’t tell truth, I tell what ought to be truth. And if that is sinful, then let me be damned for it!-Don’t turn the light on!” (1165). Simplicity and elegance of Blanche’s attitude creates a powerful dynamic force with her sister Stella. Her past haunts her creative inspirations to help other people in her life. …show more content…
Blanche’s unforgivable actions are devastating consequences which lead her to suffer. Her fear of the light is the work of the soul describing emotions that are desperate for freedom. Blanche is isolated upon dishonest reactions in a luminous light that freezes her unnatural appearance. Her sense of humor is boring and develops a sense of distraction towards her apprehension of light. Blanche desperately needs darkness to hide her atrocious behavior. She seems to portray the possibility of guilt for her lies and accept the destiny that is written for her life. Why are Blanche’s nerves relevant to her motivational goals of deception? Blanche realizes she does not have a purpose in her life when Belle Reve is lost and Stella leaves the responsibility to Blanche. This personal failure is too much for Blanche after losing her husband and that is why she loses her mind, not caring about the surroundings of the world. In “A Review: A Streetcar Named Desire by Tennessee Williams,” Linda Dorff states, “Blanche is usually played as a fragile belle madly clinging to the vanished ’belle reve’ of the old South” (227). Her strengths and weaknesses fade in the face of darkness and her anger shows in the light. The only way for Blanche to defeat her fear is to accept life as a roller coaster going around in circles. Blanche discovers that she has the opportunity to appreciate the good and bad of the universe. She cannot have magic in this harsh world without the transformation of realism. Her own cause of fear is blame and repetition of denial. The characters are at fault for her chaotic lifestyle assuming that she acknowledges the situation. Imagination, fantasy, and memories are characteristics for Blanche’s complex style. Blanche’s shamefulness and the essence of accepting her own insignificance is no more than an empty mask behind creative accomplishments. In Act I, Williams highlight Blanche’s observation of light by cause and effect relationships with analyzing stressful events to take control of her appearance: “It’s mine, too. It’s hard to stay looking fresh. I haven’t washed or even powdered my face and-here you are!” (1124). The qualities of culture features in social order enhances insanity of Blanche’s fear in the neon lights. The sacrifices Blanche chooses for leaving Stella’s home are a rewarding attribute which represents a psychological illustration of her fear being in the light. The inevitable demise of light that Blanche confronts exposes her true identity with a prevalent notion of significant inner dimensions. For instance, she wants to regain her innocence and provide an energetic transitional state of authority. How can she have discipline in her life when she deceives the people who are a precious treasure to her own spirit? In addition, Blanche respects the natural beauty of life which captivates her spiritually throughout the play. Commitment is a priority encouraging flattery, pride, and relevance to unfold the truthfulness of secrecy. Blanche’s phobia of the light exaggerates a versatility of effective harmony to elaborate her charisma. Williams represents violence towards Blanche a necessary evolution from past to present mannerism in the play.
The light that Blanche avoids is an evil demon that destroys her ability to live a normal life. In “Authorizing History: Victimization in A Streetcar Named Desire,” Anca Vlasopolos discusses, “Academic criticism of A Streetcar Named Desire has been directed primarily toward the ethical and generic aspects of the play, and has focused whether the play can be classified as a tragedy” (322). Respect and power represents Blanche dedication for her virtuous goals. Scholars will analyze Blanche’s individuality who suffers from misfortune. She always demonstrates a compelling structure of fiery, impetuous, and judicious traits of herself in reference to her fear of the …show more content…
light. Ingenious language, bravery, and willpower for Blanche is what her sister Stella admires. Blanche cannot avoid the ideals of perfectionism and knowledge. Her fear of the light portrays a sense of infatuation between her affairs with men. She dislikes the process of aging and wants to stop maturing. Ambiguous words incorporate more motivational ideas for the purpose of misleading Blanche in the opposite direction of her inevitable destiny. She has an agonizing isolation with providing moments of impressive pathos for her dismay. The corruption is taken within a concept of flattering the audience which always has the awareness to relinquish her bad conscience over responsibility. There is a moral lesson Blanche learns in talking with Stanley as she understands how important it is to trust herself and use her best judgment. In Act XI, Williams exposes the argument between Stanley and Blanche with Stanley revealing her outrageous lies: “I warn you, don’t, I’m in danger!” (1171). In the play, Blanche’s personality integrates her emotions into another aspect within heroism. Connotations illuminates the phobia that observes her confessions efficiently. The development of Blanche’s character is necessary for scholars to determine her intelligence of divine exuberance. Her energetic persuasion and creativeness is relevant in order to bring the destruction of chaos in the play. Blanche’s distress of light can cause anxiety in her peace of mind. She believes that the brightness will take away her youth and betray her innocence. Moreover, Blanche worries about other people’s opinion regarding her appearance. The symptoms of her phobia examines averting eyes from direct light, breathing rapidly, and trying to run away from her problems. Her panic attacks experiences the sight or thought of light during the day. Why is supernatural power so captivating to Blanche and refuses modernism? She wants to have change in her life a distinctive way rather than overcoming her circumstances in the real world. A survival strategy for learning how to overcome the phobia of light for Blanche is to discover the environment influences that triggers her responses.
Color, form, texture, and motion are pervasive features of light for basic psychological functions. In “Light Enhances Learned Fear,” Daniel Warthen, Brian Wiltgen, and Ignacio Provencio argues, “On the basis of the known role of light in modulating cognitive function and the suggestive anatomical evidence, we hypothesized that light may influence learning, memory, and the expression of fear” (13,788). The aspects of Blanche’s past is gone which leads the audience to believe that most of the bright light from her heart vanishes. The comforting of darkness are expressions of fatal insecurity for Blanche’s protection around other
people. The motifs of light and shadow are significant to hide Blanche’s true intentions and malicious methods. She prefers hurting on the inside to showing her feelings on the outside at least to Stella. Blanche’s soul illustrates torture which is responsible for committing her own sins. Her manipulative tendencies towards others are disgusting which expresses her desperation for a relationship. This is all about self-satisfaction for Blanche and her deceitful tears hurt the hearts of who she loves, such as Mitch and Stella. The depths of the underworld are waiting for her greed and sorrow. Blanche realizes that her phobia of light ruins her self-confidence without having a chance to escape and believes happiness is a joke in life. Her mysterious phobia of the light will forever hide herself from the world left to wander in pain and agony with no one to save her from this inevitable suffering.
In Tennessee Williams’ play A Streetcar Named Desire, main character Blanche Dubois to begin with seems to be a nearly perfect model of a classy woman whose social interaction, life and behavior are based upon her sophistication. The play revolves around her, therefore the main theme of drama concerns her directly. In Blanche is seen the misfortune of a person caught between two worlds-the world of the past and the world of the present-unwilling to let go of the past and unable, because of her character, to come to any sort of terms with the present.
This statement also emphasises much of Blanche’s own views on sorrow and explains how it has affected her life since she has made the comment from personal experience. To conclude, Tennessee Williams’ dramatic use of death and dying is an overarching theme in ‘A Streetcar Named Desire,’ from which everything about Blanche’s character has formed from. Without the death of Allan, Blanche would not have resorted to prostitution and the brief affairs with strangers, also the deaths of her family have driven Blanche to Stella’s where she is “not wanted” and “ashamed to be”. Therefore these dramatic deaths have lead to the past which comes back to haunt
In this play the character blanche exhibits the theme of illusion. Blanche came from a rocky past. Her young husband killed himself and left her with a big space in her heart to fill. Blanche tried to fill this space with the comfort of strangers and at one time a young boy. She was forced to leave her hometown. When she arrives in New Orleans, she immediately begins to lie and give false stories. She takes many hot bathes, in an effort to cleanse herself of her past. Blanche tries also to stay out of bright lights. She covers the light bulb (light=reality) in the apartment with a paper lantern. This shows her unwillingness to face reality but instead live in an illusion. She also describes how she tells what should be the truth. This is a sad excuse for covering/lying about the sinful things she has done. Furthermore, throughout the story she repeatedly drinks when she begins to be faced with facts. All these examples, covering light, lying, and alcoholism show how she is not in touch with reality but instead living in a fantasy world of illusion.
In Tennessee Williams' play, A Streetcar Named Desire, Williams uses the suicide of Blanche's husband to illuminate Blanche's insecurities and immoral behavior. When something terrible happens to someone, it often reveals who he or she truly is. Blanche falls victim to this behavior, and she fails to face her demons. This displays how the play links a character’s illogical choices and their inner struggles.
The two important female characters in the "poetic tragedy"(Adler 12), A Streetcar Named Desire, are Stella and Blanche. The most obvious comparison between Stella and Blanche is that they are sisters, but this blood relationship suggests other similarities between the two women. They are both part of the final generation of a once aristocratic but now moribund family. Both manifest a great deal of culture and sensitivity, and because of this, both seem out of place in Elysian Fields. "Beauty is shipwrecked on the rock of the world's vulgarity" (Miller 45). Blanche, of course, is much more of an anachronism than Stella, who has for the most part adapted to the environment of Stanley Kowalski. Finally, both Stella and Blanche are or have been married. It is in their respective marriages that we can begin to trace the profound differences between these two sisters.
Throughout Tennessee William’s play “A Streetcar Named Desire,” Blanche Dubois exemplified several tragic flaws. She suffered from her haunting past; her inability to overcome; her desire to be someone else; and from the cruel, animalistic treatment she received from Stanley. Sadly, her sister Stella also played a role in her downfall. All of these factors ultimately led to Blanche’s tragic breakdown in the end.
A Streetcar Named Desire by Tennessee Williams is a play about a woman named Blanche Dubois who is in misplaced circumstances. Her life is lived through fantasies, the remembrance of her lost husband and the resentment that she feels for her brother-in-law, Stanley Kowalski. Various moral and ethical lessons arise in this play such as: Lying ultimately gets you nowhere, Abuse is never good, Treat people how you want to be treated, Stay true to yourself and Don’t judge a book by its cover.
...es and thinks that her hopes will not be destroyed. Thirdly, Blanche thinks that strangers are the ones who will rescue her; instead they want her for sex. Fourthly, Blanche believes that the ones who love her are trying to imprison her and make her work like a maid imprisoned by them. Fifthly, Blanche’s superiority in social status was an obscure in her way of having a good social life. Last but not least, Blanche symbolizes the road she chose in life- desire and fantasy- which led her to her final downfall.
The first principle character in this play is Blanche DuBois. She is a neurotic nymphomaniac that is on her way to meet her younger sister Stella in the Elysian Fields. Blanche takes two 2 streetcars, one named Desire, the other Cemeteries to get to her little sisters dwelling. Blanche, Stella and Stanley all desire something in this drama. Blanche desired a world without pain, without suffering, in order to stop the mental distress that she had already obtained. She desires a fairy tale story about a rich man coming and sweeping her off her feet and they ride away on a beautiful oceanic voyage. The most interesting part of Blanche is that through her unstable thinking she has come to believe the things she imagines. Her flashy sense of style and imagination hide the truly tragic story about her past. Blanche lost Belle Reve but, moreover, she lost the ones she loved in the battle. The horror lied not only in the many funerals but also in the silence and the constant mourning after. One cant imagine how it must feel to lose the ones they love and hold dear but to stay afterwards and mourn the loss of the many is unbearable. Blanche has had a streak of horrible luck. Her husband killing himself after she exposed her knowledge about his homosexuality, her advances on young men that led to her exile and finally her alcoholism that drew her life to pieces contemplated this sorrow that we could not help but feel for Blanche throughout the drama. Blanche’s desire to escape from this situation is fulfilled when she is taken away to the insane asylum. There she will have peace when in the real world she only faced pain.
Tennessee Williams explores in his play” A Streetcar Named Desire”, suggests the main protagonist, Blanche, who has ruins her reputation due to her adversity. She is kick out of Laurel. She have no choice, but to move to her sister’s house. This place can allow her to create a new identity and new life. However when Blanche is revealed , it cause her to choose to live in her own fantasy world , because she cannot face the harsh reality. The Play” A Streetcar Named Desire”, by Tennessee Williams illustrates that sensitive people may succumb to fantasy to survive when they faced adversity, ,which forsake their identity to find an acceptable existence.
A Streetcar Named Desire is a play of multifaceted themes and diverse characters with the main antagonists of the play, Blanche and Stanley infused by their polarized attitudes towards reality and society ‘structured on the basis of the oppositions past/present and paradise lost/present chaos’(*1). The effect of these conflicting views is the mental deterioration of Blanche’s cerebral health that, it has been said; Stanley an insensitive brute destroyed Blanche with cruel relish and is the architect of her tragic end. However, due to various events in the play this statement is open to question, for instance, the word ‘insensitive’ is debatable, ‘insensitive’ can be defined as not thinking of other people’s feelings but Stanley is aware of what he’s doing understanding the mental impairment he causes Blanche.
This can be symbolized by light. Blanche hates to be seen by Mitch, her significant other, in the light because it exposes her true identity. Instead, she only plans to meet him at night or in dark places. Also, she covers the lone light in Stella and Stanley’s apartment with a Chinese paper lantern. After Blanche and Mitch get into a fight, Mitch rips off the lantern to see what Blanche really looks like. Blanche angrily replies that she’s sorry for wanting magic. In the play, Blanche states “I don’t want realism, I want magic! [..] Yes, yes, magic! I try to give that to people. I misrepresent things to them. I don’t tell the truth, I tell what ought to be truth. And if that is sinful, then let me be damned for it!”(Williams 117). Blanche wants to escape reality, but this only leads to her self-destruction. It is the men in her life and past experiences that is the main cause of her self - destruction. One of these being the death of her young love, Allen Grey. During their marriage, Blanche, attached to the hip to this man, walked in on him with another man. She then brought the incident up at a bad time; soon after, Allen took his own life, which I believe was the first step to this so called “self-destruction. Blanche could never forgive herself of this. This is the truth of her past, therefore,
In 'A Streetcar Named Desire' we focus on three main characters. One of these characters is a lady called Blanche. As the play progresses, we gradually get to know more about Blanche and the type of person she really is in contrast to the type of person that she would like everybody else to think she is. Using four main mediums, symbolism and imagery, Blanche's action when by herself, Blanche's past and her dialogue with others such as Mitch, Stanley and the paperboy, we can draw a number of conclusions about Blanche until the end of Scene Five. Using the fore mentioned mediums we can deter that Blanche is deceptive, egotistical and seductive.
Thus, Williams has Blanche state, “I don’t want realism. I want magic! Yes, yes, magic! I try to give that to people. I misrepresent things to them. I don’t tell the truth, I tell what ought to be truth. And if that is sinful, then let me be damned for it! – Don’t turn the light on” (Williams 145). Blanche only relies on her own fantasy because she fears reality. By the same token, a subtle clue to her fear of reality is her fear of the light. As can be seen, Blanche feared reality because she feared the truth; thus, her fantasies had led her down a path of lies, manipulation, and
Education is the process of receiving knowledge, which is gained through various ways, but the most popular way is through school. Usually in society school dedicates how much education is received and individuals are ranked within a society based on an understanding of the taught material. As McCandless said “You don't need to worry about me. I have a college education” (Krakauer 52). I would agree with that there is a difference between education and school because there are many other ways education can be gained other than going to an institution. However, school institutions provide the most basic and constant access to education to many. Education is earned through traveling the world and learning about other cultures or other forms of