Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The love song of j. alfred prufrock in depth analysis
Essay on modernism theory in literature
The love song of j. alfred prufrock in depth analysis
Don’t take our word for it - see why 10 million students trust us with their essay needs.
If every narrative valued by humanity must trace some physical journey, there is much to be misunderstood in T.S. Eliot’s “The Love Song of J. Alfred Prufrock.” Eliot aims to derive life’s meaning through recounting the meaning of life's pervasive realities in an effort to stage the traditionally modernist conflict of an individual’s identity in relation to their relationship to community. Eliot focuses on the conflict between individual identity and community in the first stanza of his work by establishing that the subjects of his poem are engaged in wandering. However, it appears that there is not a physical journey going on in the lines “To lead you to an overwhelming question… | Oh, do not ask, ‘What is it?’ | Let us go and make our visit.” (Eliot, 368) Through these line, Eliot expresses that internal journey, rather than longitudinal change is necessary to tell the story of individual identity. The closing lines of stanza one, “In the room the women come and go | Talking of Michelangelo,” (Eliot, 386) establish the conflict motivating the events of the poem - stagnancy in locations of internal conflict, which is similar in concept to the stagnancy of Ezra Pound’s critique of modern travel found in his “In a Station of the Metro”. Eliot's central claim ,though, is a question of existential meaning, producing the speaker's discontent and motivating change. Eliot addresses the transient qualities of life in order to begin clarifying the nature of the struggle to claim an individual experience as a person residing within the larger system of community, largely supporting the idea behind modernist poetry as a critique on modern society. Eliot, in this poem is critiquing living in an urban environment, specifically beca... ... middle of paper ... ...old… I shall wear the bottoms of my trousers rolled.” (Eliot, 371) And this “wandering” that results in such observations to lead the speaker to finally realize that the importance of life is not necessarily figuring out where one stands in the murkiness of social life, but to enjoy life and live life as you want, without regard to what others think of you. Eliot effectively evaluates the nature of human psychology and perception through tracing the narrative of developing individual identity in relation to community norms. The acceptance of aging, or of failing, present in “The Love Song of J. Alfred Prufrock" tells the story of the speaker's struggle to derive life’s meaning through recounting events of life's pervasive realities in an effort to stage the traditionally modernist conflict of an individual’s identity in relation to their relationship to community.
"The Love Song of J. Alfred Prufrock" is about a timid and downcast man in search of meaning, of love, and in search of something to break from the dullness and superficiality which he feels his life to be. Eliot lets us into Prufrock's world for an evening, and traces his progression of emotion from timidity, and, ultimately, to despair of life. He searches for meaning and acceptance by the love of a woman, but falls miserably because of his lack of self-assurance. Prufrock is a man for whom, it seems, everything goes wrong, and for whom there are no happy allowances. The emptiness and shallowness of Prufrock's "universe" and of Prufrock himself are evident from the very beginning of the poem. He cannot find it in himself to tell the woman what he really feels, and when he tries to tell her, it comes out in a mess. At the end of the poem, he realizes that he has no big role in life.
Eliot, T.S.. "The Love Song of J. Alfred Prufrock." An Introduction to Poetry. 13th ed. Kennedy, X. J., and Dana Gioia. Boston: Little, Brown, 1966. 369-372. Print.
T.S. Eliot’s “The Love Song of J. Alfred Prufrock” tells the speaker’s story through several literary devices, allowing the reader to analyze the poem through symbolism, character qualities, and allusions that the work displays. In this way, the reader clearly sees the hopelessness and apathy that the speaker has towards his future. John Steven Childs sums it up well in saying Prufrock’s “chronic indecision blocks him from some important action” (Childs). Each literary device- symbolism, character, and allusion- supports this description. Ultimately, the premise of the poem is Prufrock second guessing himself to no end over talking to a woman, but this issue represents all forms of insecurity and inactivity.
Upon reading Eliot's "The Love Song of J. Alfred Prufrock," the first question which sprang to my mind was the question of how Eliot, a poet who was in his mid-twenties at the time, was able to write a poem dealing with the problems of aging in such a penetrating manner. Upon closer examination, however, I realized that Prufrock's aging was only incidental to his central problem. Prufrock's major problem is a problem of existential anguish. Prufrock's doubts about aging at a dinner party are merely one example of this anguish, and this party brings his psychology into sharp focus when the reader examines closely the moment in which the poem's events occur.
T.S. Eliot has been one of the most daring innovators of twentieth-century poetry. His poem“The Love Song of J. Alfred Prufrock”, is different and unusual. He rejects the logic connection, thus, his poems lack logic interpretation. He himself justifies himself by saying: he wrote it to want it to be difficult. The dissociation of sensibility, on the contrary, arouses the emotion of readers immediately. This poem contains Prufrock’ s love affairs. But it is more than that. It is actually only the narration of Prufrock, a middle-aged man, and a romantic aesthete , who is bored with his meaningless life and driven to despair because he wished but
In conclusion, after exploring the theme of this poem and reading it for myself, Eliot has created this persona, in industrialised England or somewhere else. A man of low self-esteem, you embark on his journey as he struggles with a rational fear of being rejected by a woman.
The first half of the poem creates a sense of place. The narrator invites us to go “through certain half-deserted streets” on an evening he has just compared to an unconscious patient (4). To think of an evening as a corpselike event is disturbing, but effective in that the daytime is the time of the living, and the night time is the time of the dead. He is anxious and apprehensive, and evokes a sense of debauchery and shadows. Lines 15-22 compare the night’s fog to the actions of a typical cat, making the reader sense the mystery of a dark, foggy night in a familiar, tangible way. One might suppose that “In the room the women come and go/ Talking of Michelangelo” refers to a room in a brothel, where the seedy women for hire talk about elevated art between Johns (13). The narrator creates a tension in the image of dark deserted streets and shady activities in the dark.
“The Lovesong of J. Alfred Prufrock” uses interior monologue, however Eliot presents his narrator’s thoughts through stream of consciousness, which allows the reader direct access to Prufrock’s thought processes. Each stanza is somewhat disjointed, jumping from biblical allusions and imaginary landscapes to ...
The Lovesong of J. Alfred Prufrock, by T.S. Eliot, is the story of the life of a man. It tells of a man reminiscing over his life, regretting decisions that he made. Of a man who is thinking back on his life, and toward the end, it is told how the man is closely approaching death. He wants to be able to escape it, but alas, cannot, and, in the end, he dies. In The Lovesong of J. Alfred Prufrock, T.S. Eliot expresses a sense of regret using literary devices, such as imagery, metaphors, and allusion.
In each prelude the Eliot reveals the thoughts and feelings of a person about an aspect of everyday living in a city. Eliot felt that life for poor city dwellers was monotonous. He felt that they suffered from boredom and a poor quality of life. In these Preludes' Eliot looked at human despair and feelings of rejection and failure.
...In "The Waste Land," Eliot delivers an indictment against the self-serving, irresponsibility of modern society, but not without giving us, particularly the youth a message of hope at the end of the Thames River. And in "Ash Wednesday," Eliot finally describes an example of the small, graceful images God gives us as oases in the Waste Land of modern culture. Eliot constantly refers back, in unconsciously, to his childhood responsibilities of the missionary in an unholy world. It is only through close, diligent reading of his poetry that we can come to understand his faithful message of hope.
The first core issue present in the poem is a low self esteem or insecure sense of self. Most of the poem is centered around the speaker’s indecisiveness and low self confidence. An unknown and overwhelming question is introduced in the first stanza and is revisited later on through “A hundred indecisions. . . a hundred visions and revisions” (Eliot). According to the chapter on Psychoanalytic Criticism, “This core issue [insecure sense of
T. S. Eliot's poem "The Love Song of J. Alfred Prufrock" reveals the unvoiced inner thoughts of a disillusioned, lonely, insecure, and self-loathing middle-aged man. The thoughts are presented in a free association, or stream of consciousness style, creating images from which the reader can gain insight into Mr. Prufrock's character. Mr. Prufrock is disillusioned and disassociated with society, yet he is filled with longing for love, comfort, and companionship. He is self-conscious and fearful of his image as viewed through the world's eye, a perspective from which he develops his own feelings of insignificance and disgust. T. S. Eliot uses very specific imagery to build a portrait of Mr. Prufrock, believing that mental images provide insight where words fail.
Fragmented experience is highlighted by the use of register and poetic form, in T.S. Eliot’s “The Love Song of J. Alfred Prufrock”. This fragmentation emphasizes the disjointed experience of the modern day world and lifestyle, and the experiences of those in it. Using a modernist style, T.S. Eliot emphasizes this fragmentation through form, meter and register, throughout the poem.
T.S. Eliot’s The Waste Land is an elaborate and mysterious montage of lines from other works, fleeting observations, conversations, scenery, and even languages. Though this approach seems to render the poem needlessly oblique, this style allows the poem to achieve multi-layered significance impossible in a more straightforward poetic style. Eliot’s use of fragmentation in The Waste Land operates on three levels: first, to parallel the broken society and relationships the poem portrays; second, to deconstruct the reader’s familiar context, creating an individualized sense of disconnection; and third, to challenge the reader to seek meaning in mere fragments, in this enigmatic poem as well as in a fractious world.