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Symbols And Imagery In Macbeth
Symbols And Imagery In Macbeth
Symbols And Imagery In Macbeth
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H.O.T. Questions
Can you identify the relationship between Beatrice and Benedick and how it played an important role in the story?
Beatrice & Benedick have a love-hate relationship
Their relationship contributes to the numerous lies that are told throughout the story Their relationship also helps to bring Claudio & Hero back together after the alleged “betrayal”
Can you assess the significance of the masks in the beginning of the play used in the ball in relation to the theme of the story?
The masks lead to the development of a motif of hidden identity filled with lies & deception
Characters hide behind the masks, causing cases of mistaken identity
Later in the story, margaret has an affair with Borachio and when Don Pedro sees the two, he thinks that Margaret is Hero, another case of mistaken identity
This leads to him disgracing
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Clothing motif= Being someone that you are not
Macbeth- The “borrowed clothes” is a symbol of property and wanting to have the title of King of Cawdor
Much ado about nothing- Margaret dresses up as Hero to try to trick Claudio, although she is unaware of the trickery; At the ball everyone was wearing a mask to hide their identity. What judgement would you make when Margaret advises Beatrice to take “carduus benedictus” to solve her sickness?
Margaret is trying to get the idea of Benedick ingrained into Beatrice’s
...ce Borachio confesses about his and Don John's plot, everyone lays their grudges and challenges aside. Claudio still marries Hero while Benedick and Beatrice also wed together.
Big hair, bright colors, and denim helped to establish the time period the play was set in. Each actress’ outfit gave the audience an idea of her character’s personality. For instance, Clairee wore pant suits and looked the part of a sophisticated, classy former mayor’s wife. On the other hand, Ouiser wore comfortable clothes; often sporting a pair of jeans and a flannel shirt over a t-shirt showing her practical and simple lifestyle. The use of jackets and scarves portrayed the change in season and helped establish the different time frames from scene to scene. The costumes reflected each character well and were fitting for the time in which the play was portrayed.
In this essay I will be telling you if, Beatrice and Benedick are an ideal couple. I will also be telling you if the fact they are roughly equal in wit and intelligence is significant to them being an ideal couple. Furthermore, I would also explain how their attitude towards love proves the fact that they are an ideal couple. Then I would explain why their courtship is more satisfying than Claudio and Hero’s. So let us talk about how Beatrice and Benedick are an ideal couple in this book Much Ado About Nothing by:William Shakespeare.
Don Pedro and his men return from the war and visit the house of Leonato and his brother, Antonio. This sudden meeting reunites Beatrice with her archrival, Benedick, and it is here that Claudio and Hero fall in love.
Shakespeare’s introduction of the other couple in question is in stark contrast to the way in which Beatrice and Benedick were introduced. Claudio and Hero are amorously receptive to one and other from the very start. Upon laying eyes on Hero, Claudio remarks of her to Benedict “is she not a modest young lady?” (1.1.125). Clearly, by having Claudio express his fondness of Hero to Benedick, the playwright directly compares the older and more cynical to the more young and naive, allowing the reader to see the contrasting personas of the two men. This is reinforced by Benedick, who after finishing listening to Claudio’s rhetoric on the charms of the young Hero (“in m...
When presented with a strange story with uncertain reasoning behind several actions of the characters, and in this story, it is revealed through the symbolism of their attire. Understanding that clothing symbolizes a false identity and an open heart and open love is the taking off of clothes gives a second story behind her reasoning for this story. Although clothing might not be a common symbol for fake identities versus true beings, almost all love stories have a symbolism to represent the open trustful
This theme is evident in the doubling of stockings with the girl’s natural black legs. The red stockings, which represent sexual, material desires, are contrasted with the natural, elegant beauty of the legs of the black girl. The stockings highlight only the legs, separating them from the girl as a whole and allowing for easier objectification, specifically by young white males. However, the girl knows this, as she has put the stockings on and is being told so by the narrator, who represents the black community. The narrator also clearly recognizes the girl’s beauty, and her beauty is further highlighted in the fact that she is clothed in silk, which relates to royalty and comfortability.
In my opinion, the essay question portrays the idea that the play may be based around social pressure rather than true love. Social pressure is when you are pressured into doing something that you do not want to do, for example, Beatrice and Benedick seem to fall in love with each other. other purely because of what they have heard. Whereas true love is when you have affection and kindness towards a person and have strong feelings for them. For example, in the play the fact that Hero and Claudio decides to get married the day after they get engaged.
Beatrice's courtship with Benedick greatly contrasts with the courtship of Hero and Claudio. Hero gladly and willingly submitted to marriage, and she accepted the role of the relatively powerless woman. In contrast Beatrice chose her submission after openly criticizing the institution of marriage.
Though its primary function is usually plot driven--as a source of humor and a means to effect changes in characters through disguise and deception—cross dressing is also a sociological motif involving gendered play. My earlier essay on the use of the motif in Shakespeare's plays pointed out that cross dressing has been discussed as a symptom of "a radical discontinuity in the meaning of the family" (Belsey 178), as cul-tural anxiety over the destabilization of the social hierarchy (Baker, Howard, Garber), as the means for a woman to be assertive without arousing hostility (Claiborne Park), and as homoerotic arousal (Jardine). This variety of interpretations suggests the multivoiced character of the motif, but before approaching the subject of this essay, three clarifica- tions are necessary at the outset.
Shakespeare uses quite a lot of literary devices and techniques to present the characters of Hero and Beatrice in a way that lets the audience easily compare and contrast them. For example, in the characterisation of Hero and Beatrice, the dialogue used – what they say, how they say it, what other characters say about them and Hero’s silence are all very important in revealing their characters; in a similar way, their actions – what the characters do, and their inaction contrasts and creates significant difference between them, bringing each one’s personality. In addition, Shakespeare’s constant use of dramatic irony, exaggeration and contrasting plots, themes and structure all combine in his presentation of the two.
He carries a red royal cloak while dressed in tight fitted leggings. Once removing his royal cloak the prince reveals his romantic era white poet shirt which flows over the upper-half of his body with cuffed sleeves. The shirt is tucked into leggings which contains an airiness over the torso and the sternum. These shirts and leggings were worn by all men who danced throughout this period with only variations in detail and colour specific to their class in society. Costumes were made unique to each character as colour, detail, quality and quantity of the fabric differentiates.
In her novel, Pride and Prejudice, Jane Austen portrays Elizabeth Bennet as "strong and intelligent, yet bewitching in a completely feminine way". Elizabeth's possession of these attributes: strength of character and moral integrity, great intelligence, and an attractive personality, make her an admirable person. Yet Elizabeth has faults, which makes her more human. Austen's portrayal of Elizabeth is realistic and masterful, often juxtaposing her with characters lacking her attributes to heighten our appreciation of her.
The main protagonist of the story, Elizabeth Bennet (nicknamed both Lizzy and Eliza), is the second daughter in the Bennet family. Second only to her elder sister in beauty, Elizabeth’s figure is said to be “light and pleasing,” with “dark eyes,” and “intelligent…expression” (24). At 20 years old, she is still creating her place in society. Known for her wit and playful nature, “Elizabeth is the soul of Pride and Prejudice, [she] reveals in her own person the very title qualities that she spots so easily” (“Pride and Prejudice”) in others. Her insightfulness often leads her to jump to conclusions and think herself above social demand. These tendencies lead her to be prejudice towards others; this is an essential characteristic of her role
In the story, when the characters disguised themselves as another social role, it changed the way they acted towards one another. For example, Lucentio disguised himself