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Essays on symbolism in literature
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When noticing a person who wears a similar clothes everyday, one may wonder what their intentions behind their attire is. In Isabel Allende’s story “Simple Marie” featured in The Stories of Eva Luna, the clothes are taken in a figurative sense just as much as in a literal function. Just as clothes are made to cover up one's physical body, clothes can be interpreted as a covering of one’s soul and true identity. Although, not very evident on the surface of the story, one can discover the intentions of Maria, by correlating the situation to her attire. The symbolism that Allende creates within the clothing of Maria illustrates a deeper sense to her vulnerability and reasoning within the situations of her life. The colors and styles of Maria’s attire reveal her reasoning and mindset through the diverse situations she faces in her life. In the beginning of the story, while the narrator describes Maria being struck by the train, Eva Luna states, “She was picked up from between the rails, seemingly unharmed, she had only a few scratches and had lost her hat” (Allende 154). The representation of losing her hat can be interpreted as Maria losing her head or losing her mind, which further reveals the imagery that although she looks fine on the outside her mind is permanently deficient. Allende uses this …show more content…
When presented with a strange story with uncertain reasoning behind several actions of the characters, and in this story, it is revealed through the symbolism of their attire. Understanding that clothing symbolizes a false identity and an open heart and open love is the taking off of clothes gives a second story behind her reasoning for this story. Although clothing might not be a common symbol for fake identities versus true beings, almost all love stories have a symbolism to represent the open trustful
In Erzulie’s Skirt, the reader sees two disoriented women awaking to the harsh reality that they have been tricked and imprisoned after their voyage. They are then locked in a concrete room with nothing but their clothing and two beds, forced to work as prostitutes for the personal gain of a racist woman named Delia. In the brothel, Micaela and Miriam are made to allow men to enact their sexual desire and unnatural fetishes, and if they dare to resist or refuse, they are beaten nearly to death. In the most obvious way, this position mirrors the treatment ...
Freitas begins her essay using personal anecdotes describing the “terrifying” realization that she was one of the many girls that chose to dress sexier and push the boundaries. This allows for the essay to be
Upon returning to the Dominican Republic after many years, Yolanda decides to take a trip across the island––something her family views as ridiculous. “‘This is not the states’ . . . ‘A woman just doesn’t travel alone in this country.” (9) This quote highlights the sexism inherent in Dominican society. Yolanda’s family is asserting that women are not individuals capable of taking care of themselves. On another hand, Yolanda’s close friendship with Mundín causes tensions as their mothers confront them about crossing gender lines. “My mother disapproved. The outfit would only encourage my playing with Mundín and the boy cousins. It was high time I got over my tomboy phase and started acting like a young lady señorita. ‘But it is for girls,’ . . . ‘boys don’t wear skirts.’” (228) This is an example of how Dominican societal norms and gender roles have impacted the sisters. Yolanda and Mundín were the only boy-girl playmates out of all the García children, yet this was frowned upon by both of their parents as to not impede the seemingly inevitable growth of Yolanda’s femininity, and conversely, Mundín’s masculinity. Moreover, this shows how societally-prescribed gender roles were instilled in Yolanda at a young age. However, this is not the only way in which women’s freedoms are
This theme is evident in the doubling of stockings with the girl’s natural black legs. The red stockings, which represent sexual, material desires, are contrasted with the natural, elegant beauty of the legs of the black girl. The stockings highlight only the legs, separating them from the girl as a whole and allowing for easier objectification, specifically by young white males. However, the girl knows this, as she has put the stockings on and is being told so by the narrator, who represents the black community. The narrator also clearly recognizes the girl’s beauty, and her beauty is further highlighted in the fact that she is clothed in silk, which relates to royalty and comfortability.
“From Lieutenant Nun,” a memoir written by doña Catalina de Erauso, tells an intriguing story of a young Spanish female and her advantageous journey through Spain and the New World. Her family intends for her to become a nun but, that is not the life she seeks for herself. Therefore, she breaks away from the convent in hopes of finding somewhere to make her fortune by passing as a male. Catalina’s story is noteworthy because it gives readers another perspective of exploration focusing on self-discovery during the seventeenth century emphasizing how passing as a male is the only thing that secured her ability to explore. In the memoir, Catalina repeatedly reminisces about clothing and, whether she consciously or unconsciously does so, she allows the reader to see that this is an important aspect of her exploration. Throughout Catalina’s journey, clothing plays an increasingly important role not only in her travels but, also her personal life because it symbolized ones status, role, gender and privileges.
Major turning points in history such as the overthrow of a country’s government, political violence, guerrilla movements and civil wars, bloody revolutions, brutal dictatorships, domestic violence, criminal violence, physical and sexual abuse and psychological damage are all well known throughout history and they serve as a common theme in literary works of the time period. This is especially true of Isabel Allende, in which the true event of the overthrowing of the Chilean government by the military is an important aspect of the plot in her novels. The aim of the paper is to analyse Isabel Allende’s Of Love and Shadows as a story reading in between the shadows of violence and the gentleness of love by mixing politics and love and demonstrating
In the short story “The Possibility of Evil”, by Shirley Jackson, a woman named Ms. Strangeworth came off as a very sweet, self-minded woman who cared deeply about her roses. The author used several symbols to represent Ms. Strangeworth’s character. A symbol is something that represents another person or thing. One symbol that was used in this short story was roses. Ms. Strangeworth took pride in her home and the neighborhood it stood in. The most important thing about her home was the roses in her front yard making them a big symbol that uprises in this story. These roses were very special to Ms. Strangeworth and they were greatly admired by her and all the others who pass by them. In addition to the first, the reason these roses are a big
The right side is almost purely white, with blue and gray shadows; the rest of the body is black, dark brown, and navy. The profile of a white woman obscures the left half of the black face, facing to the right of the piece; her hair is in a large braid and she wears a simple pearl earring. The black woman has long, flowing, bright blue hair, as well as full red lips. The black woman’s body has a rose over it, and the white woman is wearing what looks like a straw bikini; the figure is wrapped in a thick rope from the waist down. The stark contrast between the white and black meet with a definitive line; there is no blending between the two colors, which amplifies the feelings of separation and difference between the two halves of the woman’s
The color of clothing that the women wear is an important element because it helps to show the women’s power and privileges. The color of clothing a woman wears reflects how much freedom she will have. Th...
Her lionhearted clothes reflected her valiant and strong attitude. However – Elisa Allen hid her true feelings. She was deceitful in interpersonal communication. Her tongue spilled bittersweet black smut like that of industrialized coal engines. However – it was compassionate, her concern and subtle behavior. A girl screaming to escape maiden life, but only knew it was disrupt order. “Her face was eager and mature and handsome; even her work with the scissors was over-eager, over-powerful. “The chrysanthemum stems seemed too small and easy for her energy.” Verily, she had the heart of a lion and the appearance of a virgin.
Throughout Isabel Allende’s Story, “The Little Heidelberg”, love and magical realism can be observed. There are plentiful details in describing the physical characteristics of the setting and the people and scenery within the tale. These techniques reinforce the theme, of which is unrequited love.
Working at her father’s clothing shop, she became very knowledgeable about expensive textiles and embellishments, which were captured in her works later in career. She was able to capture the beauty and lavishness of fabrics in portraits of aristocratic women.
The story begins with Young Goodman Brown departing from his wife. His pretty young wife Faith is immediately identified by the pink ribbons in her hair. “And Faith, as his wife was aptly named, thrust her own pretty head into the street letting the wind play with the pink ribbons on her cap.” (Hawthorne 197)...
In the story, the narrator is forced to tell her story through a secret correspondence with the reader since her husband forbids her to write and would “meet [her] with heavy opposition” should he find her doing so (390). The woman’s secret correspondence with the reader is yet another example of the limited viewpoint, for no one else is ever around to comment or give their thoughts on what is occurring. The limited perspective the reader sees through her narration plays an essential role in helping the reader understand the theme by showing the woman’s place in the world. At ...
Isabel Allende’s novel, Eva Luna, amalgamates many of the techniques and conventions associated with the picaresque tradition, magical realism and bildungsroman in order to present a critique of dominant Eurocentric ideologies of the patriarchy and oligarchy in 20th century Latin America and to valorize the voices and experiences of the marginalized and oppressed. A prominent aspect of Eva Luna which acts as a vehicle for the novels critique of the patriarchal oligarchy are the numerous motifs and symbols utilized throughout the novel. The manner in which Allende introduces and develops symbols and motifs throughout the novel functions to set up a number of oppositions which portray a sense of loss of freedom and expression under the oppression of the colonizing oligarchy, illustrate the superficiality of oligarchic power and align the reader with expression over silence and transgression above oppression.