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What is the role of women in much ado about nothing
What is the role of women in much ado about nothing
How Shakespeare presents attitudes towards women in Much Ado About Nothing
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Entry 1: Act I: Don Pedro and his men return from the war and visit the house of Leonato and his brother, Antonio. This sudden meeting reunites Beatrice with her archrival, Benedick, and it is here that Claudio and Hero fall in love. React: In Shakespeare’s Much Ado about Nothing, there are the usual characters that show up in most of Shakespeare’s pieces. For instance the characters Hero and Claudio could easily be compared to Romeo and Juliet. Both Hero and Juliet are innocent, quite, and beautiful young women who fall in love instantly without conversing with the other person. Likewise, Claudio and Romeo decide to marry these women within twenty-four hours. Because of these characters’ lack of unique and interesting qualities, I am intrigued by Beatrice. Beatrice is by far the best character Shakespeare created; because of how effortlessly she lightens the mood. Beatrice is gifted with wit, humor, and strength uncommon in Shakespeare’s time. One can tell Beatrice’s drollness is at its best when speaking about or to Benedick. When Benedick greets her as “Lady Disdain” (I.i.109), she snaps, “Is it possible disdain should die, while she hath such meet food to feed it as Signior Benedick? Courtesy itself must convert to disdain, if you come in her presence” (I.i.110-113). Instead of taking offense, she welcomes the name and essentially tells Benedick that she acts contemptuous only because she’s talking to him. She adds that she’s agreeable with everyone, with him as an exception. Benedick retorts that she’s lucky that she doesn’t love him like all the other women he knows, because he loves no one especially not her. Beatrice responds, “A dear happiness to women, they would else have been troubled with a pernicious suitor. ... ... middle of paper ... ...r it’s Hero and both the couples are happily married. Create: The painting that I created is an abstract depiction of fire. Benedick and Beatrice’s love is like fire because it can’t be tamed or put out. They both try to hide the kindling of their affection for each other to no avail. Even after they initially confessed to each other they both tried to douse their feelings and completely denied ever having loved the other. Despite this, their friends revealed their secret letters and the flames rekindled burning fiercer and brighter than ever before. Therefore they can only let it grow with fiery passion and succumb to their emotions and get married just like their friends planned. Works Cited Shakespeare, William. Much Ado about Nothing. Ed. Paul Werstine, Barbara A. Mowat, and Gail Kern. Paster. New York: Simon &ump; Schuster Paperbacks, 1995. Print.
From this we see that Beatrice and Benedick are actually very similar. Both believe that they are joyous and pleasing, for example Benedick states ?I am merry? and is described as ?from the crown of his head to the sole of his foot, he is all mirth?. Beatrice also states that she was ?born to speak all mirth and no matter? and is described as ?a pleasant spirited lady?. Beatrice and Benedick are also similar because of their desire to stay single. We see this in the comments, ?I will live a bachelor? by Benedick and ?She cannot endure to hear tell of a husband? by Leonato about Beatrice. This shows Shakespeare?s dramatic irony as they end up falling in love with each other at the end.
Differences between Beatrice and Hero in the early scenes of Shakespeare’s play ‘Much Ado about Nothing’
Benedick and Beatrice are similar to Odysseus and Penelope because they are equals in wit. Practically the entire play demonstrates their wits brings the struggle they create for each other alive. However, one special moment that they share where their wits are used in harmony comes after Hero’s almost-wedding, and public disgrace. Benedick goes to comfort Beatrice, and confides, “I do love nothing in the world so well as you. Is not that strange?” (Shakespeare, pg. 227). After some prodding and some repartee characteristic of their relationship, he gets Beatrice to admit, “I love you with so much of my heart that none is left to protest” (Shakespeare, pg. 229). As mentioned previously in another essay prompt, neither one allowed them self to love the other before they felt certain of the other’s feelings. But, once they let themselves love each other, and open up, they were able to be true, and sincere with one another. Their love is strong enough that upon Beatrice’s request to “Kill Claudio” (Shakespeare, pg. 229), Benedick first refuses this challenge, which pains Beatrice; but, in the end, he agrees to challenge Claudio. Love has a lot of power; whether for good, or for bad. But, the point is that no matter the difficulties, and differences between a man and a woman, they can undertake
... heart in the marketplace.” (A4; S1; L 315-321). When Hero was wrongly accused is when Beatrice showed this the most. She believed that because of what he had done, Claudio deserved to be dead. She wanted no bad deed to go unpunished and what she seen fit was for Benedick to challenge Claudio to a dule and she didn’t want Benedick to stop until he was dead.
	 The relationship between Benedick and Beatrice is one manufactured completely through deception on the behalf of their friends. Though the plot to unite them was planned, many of the problems that arose were because of things that were overheard accidentally or on purpose. In Act II, Scene 3 Benedick is deceived into thinking that Beatrice loves him because of the speech in the garden between Leonato, Claudio, and Don Pedro. Beatrice is sent to fetch Benedick for dinner, and Benedick notes "some marks of love in her," and he decides to take pity upon her and return her love. In Act III, Scene 1 Beatrice is deceived as she overhears Hero and Ursula talk of Benedick's affection for her. Beatrice then decides to allow herself to be tamed by Benedick's "loving hand," and return his love. Beatrice and Benedick re made to fall in love through the deception of those around them, and ironically find happiness more readily than Claudio and Hero.
The traits and characteristics of Beatrice and Bene*censored* were what brought them together, and also what separated them. Beatrice and Bene*censored* were separated because, they always thought that they had to be independent, and not need each other. Another factor that kept them from coming together was that they always fought with each other over their differences and because of their similarities. In trying to seem strong, they were actually fighting with each other, and hurting each other's feelings. The final thing that kept Bene*censored* and Beatrice from coming together was that they both thought that marriage was a stupid institution.
My opinion of Much Ado About Nothing is that it is a love story even though it is supposedly a comedy. I thought that all the "funny" bits of the play were hidden and hard to understand and the play seems to centralise greatly on relationships. There are two main relationships in the play, that of Benedick and Beatrice and that of Claudio and Hero. Which of these couple’s relationships is more interesting?
In William Shakespeare’s comical play “Much Ado About Nothing” it is easily said that trickery and deceit are major themes portrayed throughout the story. With the intense use of deception, it becomes hard to realize whether the deceit was an intentional or righteous act. While using deception the play keeps anyone who comes to read it interested and entertained. Throughout the play there are multiple times that the theme is being used for malicious reasons, however it is also evident that it is used for ethical and logical reasons. These themes lead to love and romance distinctly, considering that most deception used all through the play is unfortunate. Deception and trickery are most evident, in the interaction between Beatrice and Benedick.
Beatrice and Signior Benedick are suggested to have had an unpleasant past with each other, which is translated to the mocking relationship
He believes he is too good for marriage and is happy just the way he is. This changes when he meets Beatrice. She is a worthy opponent for his wit and gives him a sound fight and wins some of the matches. With the deceptive gulling of his friends, Benedick is led to believe that Beatrice is in love with him. He vows that he is “horribly in love with her” (2.3 line 237) and immediately changes his mindset on marriage. When Beatrice asks him to defend Hero’s honor in a sword duel Benedick is torn between his loyalties of his love for Beatrice and the group of soldiers. Happily, he chooses to defend Hero and sever his ties with the group, forever winning the heart of his beloved
One aspect that differs between the relationship of Claudio and Hero and the relationship of Benedick and Beatrice is the desire, and ability, to speak. In Shakespeare’s Much Ado About Nothing, both Claudio and Hero are represented as characters who do not actively speak, demonstrated by their conversations with other characters throughout the play. Due to the silent characterization of both Hero and Claudio, their relationship is not allowed to progress because their inability, or perhaps lack of desire, to speak produces a passive dynamic in which both of them submit to the power imbalance between husband and wife often encouraged in the time period of this play. Beatrice and Benedick, on the other hand, are often not only speaking for
In the comedic play, Much Ado About Nothing, William Shakespeare makes various comments on societal standards, using the characters Beatrice and Benedick. Their relationship starts with a hatred between them, which over the course of the play, develops into love. However, during the creation of their love, Shakespeare creates another love story between Hero, Beatrice’s cousin, and Claudio, Benedick’s partner, that follows basic societal standards. For example, Hero’s agreement to the proposition of marriage is due to the instruction of her father, while Claudio’s intention of marriage is due to Hero’s “modest” qualities (1.1.141). Comparing this engagement to that of Beatrice and Benedick, the two are opposites. Nevertheless, critics say that
In this emotional , deceitful , funny and loving play by William Shakespeare there are some very strong personalities. Some of the characters that reflect that quality are Benedick , Claudio, Beatrice and hero. These four people are actually divided into couples: Benedick and Beatrice, Claudio and hero. The two couples have two different relationships.
However, once Beatrice’s friends start to get into her head, she thinks that he has feelings for her and she changes. Beatrice becomes a more loving person and shows her love for Benedick. At one point in the play, Beatrice writes a love letter to Benedick. When he receives this letter from Hero, her true feelings are exposed and her friends see that she really does care for him now. To add, in Beatrice’s soliloquy she states, “And Benedick, love on. I will requite thee, Taming my wild heart to thy loving hand.” Ursula and Hero convinced Beatrice that Benedick had feelings for her. In this quotation, Beatrice was explaining how she changed and how she loves him now. As Beatrice leant about Benedick’s love for her through her peers, she changed herself to be more loving towards him. Additionally, as a result of Beatrice being a witty woman, she was strong and independent too. In the play, Beatrice explained to Leonato that she was very happy and blessed without a husband. She was very picky about getting one and had specific characteristics that would make for a good or bad
Shakespeare makes sure that Beatrice comes off as a woman who is not afraid to speak her mind to anyone. This is portrayed in the beginning of act one, when the mail messenger comes to announce that the soldiers are on their way to Messina. They start a conversation about Benedick and he tells Beatrice that Benedick is a "lord to a lord, a ...