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How is the theme of deception presented in much ado about nothing
How is the theme of deception presented in much ado about nothing
How is the theme of deception presented in much ado about nothing
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In William Shakespeare’s comical play “Much Ado About Nothing” it is easily said that trickery and deceit are major themes portrayed throughout the story. With the intense use of deception, it becomes hard to realize whether the deceit was an intentional or righteous act. While using deception the play keeps anyone who comes to read it interested and entertained. Throughout the play there are multiple times that the theme is being used for malicious reasons, however it is also evident that it is used for ethical and logical reasons. These themes lead to love and romance distinctly, considering that most deception used all through the play is unfortunate. Deception and trickery are most evident, in the interaction between Beatrice and Benedick. …show more content…
However, it influences their relationship throughout the play and bring them together in the end. Also, Leonato and Hero advocate a plan with the help of the Prince, Hero’s gentlewoman, Ursula to make Benedick and Beatrice fall in love with each other. The Prince's brother, Don John plays a major role with deception as well. Although deception is used mostly used by the characters, Beatrice and Benedick, there are also other characters who use it as well. Don John uses deception significantly, by trying to sabotage the marriage between Claudio and Hero. Don John intentionally chooses to deceit Claudio by saying “ I am sick in displeasure to him, and whatsoever comes athwart his affection ranges evenly with mine” (2.2; 5-7). This quote shows how much Don John hates Claudio and he states that if anyone can ruin his happiness it will make him happy. In a conversation with Borachio, Don John says,” That young start-up hath all the glory of my overthrow. If I can cross him any way, I bless myself every way” (1.3; 64-66). This quote explains the reason behind Don John wanting to ruin their marriage. It means that Don John had plans of overthrowing the Prince, but Claudio somehow stopped the process. Leonato abuses deception against Claudio and the Prince when he exclaims “My soul doth tell me Hero is belied, And that shall Claudio know ; so shall the Prince and all of them that thus dishonor her” (5.1; 44-46). Leonato is explaining to his brother that they are going to tell Claudio and the Prince that Hero has suffered death, so they will no longer dishonor her integrity. Hero disdain shows when she states, “One Hero died defiled, but I do live, And surely as I live, I am a maid” (5.4; 65-66). She feels betrayed by Claudio, when he wrongly accused her of being disloyal. Beatrice and Benedick are deceiving themselves into believing they don’t have feelings for each other, and exchanging witty insults .Whenever she has the chance Beatrice always finds a way to insult Benedick. She says “O Lord, he will hang upon him like a disease! He is sooner caught than the pestilence, and the taker runs presently mad. God help the noble Claudio! If he have caught the Benedick, it will cost him a thousand pound ere a be cured” (1.1; 84-89). Beatrice explains to the Messenger that, Benedick is like a disease that is easy to catch but hard to get rid of and when you’re infected that you’ll go crazy. Benedick has his share of wit when he says,” I would my horse had the speed of your tongue and so good a continuer. But keep your way, i' God’s name. I have done. He clarifies that he wishes that his horse moves as fast her mouth and tireless. Beatrice says” A dear happiness to women. They would else have been troubled with a pernicious suitor. I thank God and my cold blood I am of your humor for that. I had rather hear my dog bark at a crow than a man swear he loves me” (1.1; 126-129). Beatrice explains to Benedick that women are lucky to not be loved by him, and that he would make a terrible lover. She also explains that she would rather hear an eerie sound than have a man swear he loves her. Even though the two are always exchanging wit, it is obvious that they love each other deeply. There are countless moments throughout the story when deception was used for robust reasons.
This is portrayed when Leonato and Hero devise a plan to trick Beatrice and Benedick. Leonato knows the truth behind Beatrice’s feeling when he says, “ “By my troth, my lord, I cannot tell what to think of it, but that she loves him with an enraged affection, it is past the infinite of thought” (2.3.106-109). He is expressing that Beatrice has passionate love for Benedick, but no one will understand the way she shows it. Leonato, Claudio, and the Prince intentionally talk about Beatrice, which they know will make Benedick eavesdrop. Claudio tell Leonato and the Prince, “ Hero thinks surely she will die, for she says she will die if he love her not, and she will die ere she make her love known, and she will die if he woo her rather than she will bate one breath of her accustomed crossness” ( 2.3; 179-183). He says that Beatrice says that she will die if he doesn’t love her, and that she’ll die before she tells him. The Prince agrees with him when he states, “She doth well. If she should make tender of her love, ’tis very possible he’ll scorn it, for the man, as you know all, hath a contemptible spirit” (2.3; 184-186). He explains that she’s right to want to hide her love because Benedick will probably insult
her.
“And when I lived, I was your other wife, And when you loved, you were my other husband(Shakespeare 60).” In the beginning of the play it was overwhelming, steeped in love at first sight between Hero and Claudio, until Don John’s evil-manner took a role in ruining the love between them. And because of this a conflict developed between them, but was resolved when their vigorous love for one another overcame the conflict. In Much Ado About Nothing by William Shakespeare, Hero serves as the foil character of Claudio because of Hero’s dignified, well-mannered, eminent reputation is illuminated through Claudio’s insecure, accusing, and doubtful weakness; thereby, interminably influencing the conflict in the plot.
The 3 deliberately have a conversation about Beatrice love and affection for Benedick, causing him to question whether or not what is being said is true or not. As Leonato starts to speak, he says… By my troth, my lord, I cannot tell him what to think of it, but that she loves him with enraged affection, it is past the infinite of thought. (3.4.107-110). Typically saying Beatrice love for him is by far more than any man can comprehend by far even withstand having knowledge of. By this time Benedick seems to question whether or not this is credible, but hearing it from Leonato he thinks it has to be true because he has never spoken any words other than the
Benedick and Beatrice both benefit from the deceit that they encounter. At first, both are enemies in a battle of insults and wit, until they are each fooled into thinking that the other loves them. When Benedick hears that Beatrice is supposedly attracted to him, he thinks that it is “a gull, but that the white-bearded fellow speaks it: knavery cannot, sure, hide itself in such reverence” (111). Little does he know, Leonato, the "white-bearded fellow," is also in on the joke (111). Benedick starts to admire her when he is aware that Beatrice might actually be attracted to himself, as well. She is also astonished when she first hears that he loves her. However, when Beatrice comes to terms with their affection, she hopes "Benedick [will] love on... And [she] Believe it better than reportingly" (134). In other words, she falls in love with Benedick as soon as she believes that he, too, is fond of her. They each start to fall in love with one another under the pretense that other was hiding their affection from them. Now that they are both in love, they start to open up to each other and prove that the deception they endured was worth it in the end.
Throughout Act one and two, Benedick repeatedly says that he will never love a woman or get married. At some stage in the duration of the play his mindset changes. In the end he is head over heels in love for Beatrice whom he once quarreled with habitually. The turnabout in his behavior was brought about by the deceiving Claudio and Pedro who indirectly told Benedick that Beatrice loved him.
In this world rumors and dishonesty happen to be everywhere, no matter where you are. Nowaday people start rumors just to hurt and insult people’s feelings that later on lead to dramatic events. In the story “Much Ado about Nothing”, we encounter different scenes that lead to rumors and deception. One scene that we encounter is when Don John, the bastard brother spreads rumors about Hero being disloyal to Claudio and Don Pedro to corrupt Claudio’s and Hero’s relationship. Another scene that we run into is when Ursula and Hero have a talk in the garden about how Benedick has love affection towards Beatrice. Later on, these two scenes play a huge role and become dramatic elements of the story. We will encounter on how rumors and dishonesty can destroy and corrupt not just one person, but many.
“Language is frequently used to stir up & manipulate emotions.” - Mary Hamer. The words that people say can appear brutal or detrimental. These violent words take up many forms such as lying, insulting, etc. Along with its’ comedic formula, William Shakespeare's, Much Ado About Nothing is enhanced with humorous mockery and intertwined dialogues. In the play, the soldiers have just returned from a successful war. Love is traveling through the village; however the “language of war” appears rooted in the language. Numerous times do the characters joke around in cruel dialects. The mockery, however, is not considered to be as harsh due to the presence of comedy within the play. William Shakespeare’s intricate use of language in his play, Much Ado About Nothing, allows immense aggressive language to thrive in the characters yet is able to use this to alleviate the violence.
The title of Shakespeare’s Much Ado About Nothing has sparked scholarly debates about its meaning for centuries. Some say it is a play on the term “noting”, revolving around the theme of all sorts of deceptions by all sorts of appearances (Rossiter 163). Others claim it has more to do with everyone making a fuss about things that turn out to be false, therefore, nothing (Vaughn 102). Regardless of these speculations, there is something rather profound going on in the play that is worth making a big deal about: four characters in the play learn about love, and eventually, how to love.
In William Shakespeare’s play ‘Much Ado about Nothing’, there are many instances of trickery and deception, which seem to surround the whole of the play.
William Shakespeare's Much Ado About Nothing is a comedy in which he uses one of his more peculiar villains. The antagonist in this play is Don John, the bastard brother of Don Pedro. In this paper I will discuss the role of Don John as well as his motives and the character himself. I will also delve into Shakespeare's use of Don John as the antagonist. I will be comparing Don John to other characters in the play as well as to other villains in Shakespeare's works. While Don John does not spend a great deal of time on the stage in Much Ado About Nothing, he still plays a vital role in the plot of the play. The plan that he sets in motion is one of the two main stories within the play (the battle of wit between Beatrice and Benedict being the other).
With its entangled plots and eloquent use of words, Much Ado About Nothing is a story that has the ability to entertain the masses, both young and old. Shakespeare’s use of figurative language along with situation creates such vivid imagery that carries the drama from beginning to end. For example, when we look at Act 1 Scene 1 of the play, we are quickly introduced to the sharp tongued Beatrice as she verbally annihilates her unseen co-star Benedick.... ... middle of paper ... ...
pivotal part of the plot - it is what makes the story revolve and what
Don Pedro, Leonato, and Claudio, all aware that Benedick is of hearing range, talk about how Beatrice is actually in love with Benedick. This convinces Benedick that it must be true. Leonato says, “But my troth, my lord, I cannot tell what to / think of it but that she loves him what an enraged / affection; it is past the infinite of thought” (II.iii.103-105). At the end of Act II scene III, Benedick says, “…They say the lady / is fair; ‘tis a truth, I can bear them witness; and virtuous; / ‘tis so, I cannot reprove it; and wise but for loving / me; by my troth, it is in no addition to her wit, nor no / great argument of her folly, for I will be horribly in / love with her” (II.iii.226-231), admitting his love for Beatrice while also claiming that she has every quality that he previously had wished for. This breaks down his dominant stance concerning the battle of the sexes theme. Ironically Benedick finds himself in the same situation he had previously mocked Claudio for in his soliloquy, “I do much wonder that one man, seeing how much / another man is a fool when he dedicates his behaviors / to love, will, after he hath laughed at such shallow follies / in others, become the argument of his own scorn / by falling in love; and such a man is Claudio” (II.iii.8-12). The question arises of why Benedick’s such “strong” opinion of love is so easily shifted when he finds out Beatrice’s love for him. We wonder whether he had actually loved Beatrice all along or if he is an easily swayed person. It can be inferred that Benedick had actually loved Beatrice all along, but because he possesses such a hard-headed personality, he wouldn’t acknowledge the feeling until Beatrice had acknowledged her own similar feelings towards him. In the soliloquy, Benedick declares, “…One woman is fair, yet I am well; another is wise, yet I am
From the very start of the play Beatrice shows her independence but openly admitting to everyone that she does not, by any chance, want to be married, especially to Signior Benedick. Whom it was hinted at throughout the play had a past with Beatrice and the “relationship” ended up with her being hurt and him going off to battle. She makes it clear in their battle of wits after he says “….But it is certain I am loved of all ladies, only you excepted; and I would I could find in my heart that I had not a hard heart, for truly I love no one.” (A1; S1; L122-125). After hearing Benedick say that she then replies with “A dear happiness to women. They would else have been troubled with a precious suitor. I thank God and my cold blood I am of your humor for that. I had rather hear my dog bark at a crow than a man swear he loves me.” (A1; S1; L126-130). This was basically her way of telling Benedick that she does not want someone to swear the love her when in reality the love is not actually there. She would rather not deal with the nonsense of someone who is not true to their word. Even at another moment in the play, Leonato says to h...
Love in Much Ado About Nothing by William Shakespeare Shakespeare is well known for presenting the full repertoire of human emotions, and love is no exception. Much Ado About Nothing is unquestionably a play about love. Shakespeare provides the audience with a whole gamut of lovers from the banal Claudio and Hero to the rebellious Beatrice and Benedick. It is this range which allows Shakespeare to critique the conventions and perceptions within his renaissance society This variance in love and lovers also serves to inform the audience of the many different faces of love, and to further the plot, for example, it is Margaret's brand of free love. causes the turning point in the play.
In the play 'Much Ado About Nothing,' the men's attitudes towards Hero change considerably from scene to scene. These changes occur due to context, misinformation, and the importance of the men's honour.