Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
How love is presented in Shakespeare's plays
Shakespeares view of love
Shakespeares view of love
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: How love is presented in Shakespeare's plays
Love in Much Ado About Nothing by William Shakespeare
Shakespeare is well known for presenting the full repertoire of human
emotions, and love is no exception. Much Ado About Nothing is
unquestionably a play about love. Shakespeare provides the audience
with a whole gamut of lovers from the banal Claudio and Hero to the
rebellious Beatrice and Benedick. It is this range which allows
Shakespeare to critique the conventions and perceptions within his
renaissance society This variance in love and lovers also serves to
inform the audience of the many different faces of love, and to
further the plot, for example it is Margaret's brand of free love that
causes the turning point in the play. The comparisons drawn between
Beatrice and Benedick's love and the superficial love of Hero and
Claudio are typical of the constant contrasts that Shakespeare builds
into this play, comical or otherwise. It is in this way that
Shakespeare manages to cross-reference almost all of his characters
with each other; ` the 'wise' Beatrice with the 'modest' Hero, the
'valiant' Benedick with 'Sir boy,' the young Claudio. This emphasises
their strengths and highlights their weaknesses respectively. By this
he makes them more interesting, and so more realistic, pointing out
things about the society in which the play was written, and about
human relationships as a whole.
One of the topics Shakespeare is especially fond of is that of Love
being a force for good in society, improving anyone who is infatuated
with it. During Act 2 Scene 3 Don Pedro comments that if Beatrice
loved him like she supposedly loves Benedick, 'I would have doffed all
other respects and ...
... middle of paper ...
...io and Hero signifying closure and restoring
order, which demonstrates that not only is their relationship
superficial, but also their presentation within the play.
Much Ado About Nothing explores the many nooks and crannies that lurk
in the dark theoretical world of love. Shakespeare captures the
essence of love, in his language, structure and content. The
presentation of love in this play is wide both in scope and in
application, including many relevant ideas. The structure of the play
helps convey these, and still maintains it as a comedy. There is a
sinister, evil tainted scene, followed by a comic one, balancing the
play, but still including all the negative points that Shakespeare
wants to convey. It is altogether a hugely impressive piece of
playwriting, and Shakespeare deserves the adulation he duly receives.
Hero is resembled by Claudio as a “well-mannered young lady” who is content with her own unchangeable, elegant personality. This quote shows Hero is matron, and consistent of her elegance throughout the book and it is because of her personality that causes Claudio to be drawn to her. Claudio on the other hand, admits to Don Pedro that he is “hasty in (his) emotions”, which resembles his skeptical and uncertain personality when it comes to actually admitting his love for Hero. This evidence supports how Claudio is unsure of himself, and because of Claudio’s doubtful and unsure qualities he is quick to believe Don John when he says Hero has been unfaithful. Nevertheless, Claudio and Hero’s differences in the play it stirs up the plot and conflict, but it is their similarities and strong willed love that draws them together in the
In the play, “Much Ado About Nothing”, love and romance play a major role throughout the play.It takes place in Messina. The play has a lot of characters that fall in love with each other. Besides romance and love there is a lot of jealousy in the play. Characters will have up and down moments throughout the book, but they will all get together at the end of the story. Many scenes in the play will be about characters making other characters fall in love by telling one another that one likes the other. The play is all about characters getting together and being happy.
The difference between Beatrice,Benedick,and the other two Claudio and Hero though is that, these two are very headstrong characters with a different outlook on love, but have very much love for one another. Benedick believes in just being a bachelor and spending the rest of his life messing with as many women as he pleases, well as for Beatrice she believes there is no man good enough and willing to show her the love she wants so she much rather be left alone. But the fact that they honestly want to believe what they say is what makes this get way more interesting. What they don’t know is that they are going to soon become curious trying to figure out what they truly feel for one
William Shakespeare is known for his use of dramatic irony and complicated story lines. In Much Ado About Nothing, he also adds in the element of disguise to what the characters know, or what they think they know. There are multiple characters trying to ensnare others in different facades, whether it be for better or for worse. The deception and illusion in the play can either assist the characters or completely shatter the situation, but in both cases, Shakespeare advises us to infer about what we hear or see before we jump to conclusions.
Shakespeare, William. Much Ado about Nothing. Ed. Paul Werstine, Barbara A. Mowat, and Gail Kern. Paster. New York: Simon &ump; Schuster Paperbacks, 1995. Print.
When Benedick hears that Claudio has fallen in love for Hero, he is enraged. He thought that Claudio would live a bachelor’s life like him. Benedick tells him that men who are in love are not masculine. Near the end of Act IV, Benedick’s complete change is evident when Benedick chooses love over friendship. Benedick challenges Claudio, previously his closest friend in the world, to duel to the death over Claudio’s accusation as to Hero’s unethical behavior. After Beatrice complains to him about Claudio’s mistake, Benedick gives in, “Enough, I am engaged. I will challenge him.” At this point, there is no doubt that Benedick has switched his allegiances entirely over to Beatrice. But then again, Benedick was relieved that Hero was proved guilty so he would not have to fight his close friend Claudio.
...ut Nothing is an extremely fast paced and witty play, Shakespeare very much has love as his central theme. There are two very different, yet equally compelling relationships that are explored in depth. They run through the play concurrently, allowing the reader to compare and contrast the different facets and complexities between the two. The playwright’s rich understanding of relationships, and particularly his understanding of the fact that love is not always as formulaic as many a writer would have us believe, makes for a fascinating read. In fact, by directly comparing a realistic couple, full of real world self doubt and a fear of rejection with a very stereotypical love-at-first-sight type of relationship, Shakespeare is possibly making the point that love and relationships have more depth than is often given credit.
In Shakespeare's Much Ado About Nothing, Beatrice and Benedict rant about marriage for most of the beginning of the play, while Claudio raves about how wonderful it will be being married to Hero. Yet in the end, Claudio exchanges his marriage to Hero for an opportunity to bash her in public, while Beatrice and Benedick marry despite that they were mortal enemies for most of the first three acts. How did the situation swing around to this degree? Beatrice and Benedick had been using the most extreme metaphors to demonstrate their scorn of each other and of marriage, and Claudio had been doing the same to demonstrate his love of Hero. Not only did none of these three characters mean what they were saying, but meant the reverse, and the people that plotted to bring them together or pull them apart plotted because they understood on some level what each really wanted.
Hero and Claudio represent the Elizabethan norm in marriage. Claudio is the shrewd, hardheaded fortune hunter and Hero is the modest maiden of conduct books and marriage manuals, a docile young woman. It is important to note that Claudio is more concerned with advancement in Don Pedro's army than he is with love. Therefore, Shakespeare illustrates to the reader through the near tragedy of mistaken identity that Claudio must learn that marriage is more than a business arrangement and become worthy of Hero's love and affection. Source: Ranald, Margaret Loftus. "As Marriage Binds, and Blood Breaks: English Marriage and Shakespeare". Shakespeare Quarterly. Vol 30, 1979: 68-81.
...he other hand, Beatrice and Benedick are comedy-makers and Beatrice is not ruled by her father as Hero clearly is. It does take Don Pedro’s benevolent plot to bring Benedick and Beatrice together, however. A modern audience would prefer Beatrice to Hero as she is her own self and admirable. The relationships also differ because Benedick and Beatrice’s relationship slowly grew whereas Claudio and Hero’s relationship was love at first sight. Perhaps it was a little hasty as we see in Act 4 how their love turns sour.
Much Ado About Nothing raises many important issues concerning the institution of marriage. Perhaps Shakespeare's purpose in writing this play was to question the existing approach to relationships and marriage. Shakespeare reveals the faults of the process through the characters of Hero and Claudio and also Hero's father, Leonato. Shakespeare also may be suggesting an alternative approach to marriage and relationships through the characters of Beatrice and Benedick.
Rossiter, A.P. "Much Ado About Nothing." William Shakespeare Comedies & Romances. Ed. Harold Bloom. New York: Chelsea House Publishers, 1986.
The world is constantly in motion; therefore, as time progresses one’s way of thinking changes as well, for instance: today’s world is surely different compared to the Elizabethan era. In Much Ado About Nothing, Shakespeare portrays love at first sight as a major theme; however, this theme is questionable, especially when Claudio rejects Hero at their wedding day. He assumed that Hero was no longer a virgin. Nevertheless, if love is beautiful, as well as a powerful force that attracts two human beings together, then why should one’s innocence matter? The power of one’s love should always speak louder; yet, one’s actions are unpredictable. In Richard III, Shakespeare depicts how evilness can corrupt one’s mind, forcing one’s heart to consist
Much Ado About Nothing by William Shakespeare focuses on the enormous gap between the power of men and where women stand. Women were expected to be obedient and dependent on men, innocent, and were also expected to be good wives. Shakespeare wanted women to see how the roles are changing for the better. In this play, there is difference between the traditional roles of women back then, and the ones that stand out from the rest. He depicts this through two characters. In the opening scene, where characters and their personalities, and roles are established; Hero has only one line, which is seven words. Even said that, these lines are just a comment on Beatrice. Hero is the daughter and the property of her father, Leonato. Her helplessness comes from her being overprotected by her father, and the need to obey him. Beatrice, by contrast, does not have a father, she lives on her witty personality and her intelligence. Beatrice has a dream to spend her life “where the bachelors sit, and there live we, as merry as the day is long” (2.1.40-46) When Leonato tells Hero, “Daughter, remember what I told you: if the prince do solicit you in that kind, you know your answer,” (2.1.60-63) she just stands there, silently obeying her father. Hero’s looks are her only advantage as a women, as they are what attracts Claudio. He falls in love with her at first sight in the first act, based only on her appearance.
and masks. Act II scene 1 from the 1993 production I saw, is an ideal