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Role of women in much ado about nothing
Role of women in much ado about nothing
How does shakespeare present women in much ado about nothing
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Recommended: Role of women in much ado about nothing
Much Ado About Nothing by William Shakespeare Much Ado About Nothing is a short play by Shakespeare, which has comedy, romance, suspense and a lot of drama twisted into several hundred lines of verse. The ending is happy, however, and little has changed albeit two marriages. The play is important, not because of its subject matter, but because it shows us that life itself is similarly enjoyable and foolish - our lives are "much ado about nothing". The first thing an audience will find to enjoy in this light-hearted comedy is the excellent stagecraft, which includes setting, costumes and masks. Act II scene 1 from the 1993 production I saw, is an ideal example of the type of stagecraft an audience would get ample enjoyment out of. As Act II scene 1 opens, the principal female characters, accompanied by Leonato and his brother Antonio, enter a huge courtyard which is part of Governor Leonato's estate. The whole courtyard is strung with fairy lights, which, while illuminating the scene, also add a romantic touch. The beautiful Italian sunset and lively fiddle music, played mostly throughout the dialogue, capture the joyous atmosphere perfectly. In contrast to all the other females, Beatrice, Hero, Margaret and Ursula are clothed in white dresses. This clearly identifies them to the audience as the leading parts in the play. With the exception of Leonato and Antonio, the leading male characters are clothed in black. As the group saunter towards the centre of the courtyard, Beatrice discusses her idea of the perfect man with the others - a happy medium between Don John who is "too like an image and says nothing" and Ben... ... middle of paper ... ... position, for he too could be killed. There are numerous repercussions this action against Claudio would produce, and none of them advantageous. But, as it is a comedy, everything turns out well and Hero and Claudio are eventually happily reunited. At first I was inclined to think that Much Ado About Nothing would be a lot of tedious work, as I am not particularly a fan of Shakespeare, but I have thoroughly enjoyed reading it and I am very glad that I was able to see the 1993 film version. The film was directed in such a way that you could easily understand and not help getting drawn into the plot. I most enjoyed following the relationship of the play's two protagonists, Beatrice and Benedick, and watching them grow as characters. I can say with no hesitation that this comedy is my favourite play by Shakespeare!
What I liked most about it was reading from two different perspectives and how those different perspectives met through the book.
There were many parts of the book that had me hooked; I couldn’t stop reading no matter what was going on.
Book keep me interested and made me want to keep reading. I really don’t know if I would read
... it was nice to not feel overwhelmed by the language used in the book. Overall, this book was insightful, entertaining and extremely helpful. I loved this book and highly recommend it.
and the film was made in 1994. It was much more surrealistic because this version of the film was based on a young boy's dream. Setting The biggest difference between the two film is the setting and place.
In the fair city of Verona, two rival families, the Montagues and Capulets were involved in a nasty family feud that goes back years before any of the members were born. Even the townspeople were involved in the dispute, because the families were always fighting in the streets and causing disturbances. They disrupted the streets of Verona and even Prince Escalus tried to break up the fighting. They were given a warning, by him that another public fight would result in death. While this was occurring, Romeo, (a Montague) the main character, was getting over his last love, Rosaline, and was very upset. Juliet of the Capulet household had just been introduced to a wealthy young man, Paris, whom her parents wished her to marry. Yet she did not love him. Romeo goes to a party in an effort to forget about Rosaline. At this party he met Juliet, and immediately fell in love with her. He later finds out that she is a Capulet, the rival family of the Montagues. He decides that he loves her anyway and they confess their love for each other during the very famous "balcony scene" in which they agreed to secretly marry the next day. Friar Lawrence agreed to marry them in an effort to end the feuding between the families. Unfortunately, the fighting gets worse and Mercutio (Montague) a good friend of Romeo ends up in a fight with Tybalt (Capulet), Juliet's cousin. Tybalt killed Mercutio, which caused Romeo to kill Tybalt in an angry rage. For this, Romeo is banished from Verona. At the same time, the Capulet's were planning Juliet's marriage to Paris. Juliet didn't want to marry this man so she arranges with Friar Lawrence to fake her own death with a sleeping potion that would make everyone think that she was dead. Friar Lawrence promised to send word to Romeo to meet her when the potion wears off and to rescue her to Mantua, where Romeo was currently staying. There they would live happily ever after. Unfortunately, Romeo didn't receive the message on time and upon hearing of her "death" went to Juliet's tomb where he drinks poison and dies. When Juliet's potion wears off, she wakes to find her lover's dead corpse. She then proceeds to stab herself with Romeo's dagger. The two families find the bodies and with their shared sorrow, finally make peace with each other.
The film that was produced after the novel has a lot of differences and not as
Fate or choice? Choice or fate? How does one separate these ideals? Can one? Shakespeare could not. Nor can we. Fate and choice are so intertwined that our choices determine our fate, and our fate determines our choices. William Shakespeare trusts the audience to scrutinize whether it is fate or choice that rules our human life. Shakespeare aptly conveys this oxymoron (with which people have been dealing for ages) through the evidence and structure of his play, Romeo and Juliet.
On the other hand, at the end of act 3 scene 1(the scene in which she
should do now. He says, "Is it e'en so? Then I defy you, stars!" Romeo
Throughout the entirety of Romeo & Juliet, Shakespeare is hinting at the “star crossed” deadly fate of the lovers spoken of by the chorus in the prologue. Romeo and Juliet are also constantly mentioning their uneasy feelings and how they can sense that something bad will happen, which confirm the aforementioned conclusion. This foreshadowing not only tells us this tragedy planned, but there must be pawns of fate that have to drive Romeo and Juliet together, while at the same time leading them to their death. In Romeo and Juliet, their deadly destiny was written by the universe and characters along the way, such as Capulet, Montague, Nurse, Friar Lawrence, Friar John, and Mercutio.
of a fight "let us take the law of our side let them begin" Sampson
The costumes which are used for this particular production are also essential in dramatizing the on-stage action.
middle of paper ... ... ter. It has enlightened me. Before reading this book I could not have imagined the horrific truths of only a short while ago, in a place not so far away. Everyone could gain something from this book, for me it demonstrates that the human race was not, and is not as civilized as it appears.
The BBC Version was made in 1997 and is in colour. Lean version is available. very similar to the novel, more than the B.B.C version. Lean was the first. most effective at using most of the dialogue than the B.B.C. version.