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Shakespeare gender roles
Character analysis of shakespeare's othello
Character analysis of shakespeare's othello
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William Shakespeare’s Much Ado About Nothing is a classic example of one of Shakespeare’s favorite topics, “battle of the sexes”. Benedick’s “I do much wonder” soliloquy (II, iii, 8-35) concerning his own chauvinistic outlook on love and marriage undoubtedly supports the play’s theme. Benedick begins his soliloquy by expressing his shock at Claudio’s complete conversion from rugged, masculine war-hero to love-sick fool. He goes on, claiming that if he were to ever be transformed into such a fool, it would only be when he falls truly in love. Benedick then specifies his perfect woman by describing the three qualities she must possess: beauty, wisdom, and virtue. The soliloquy obviously adds to the jerk-like ambiance emanated by Benedick. …show more content…
Don Pedro, Leonato, and Claudio, all aware that Benedick is of hearing range, talk about how Beatrice is actually in love with Benedick. This convinces Benedick that it must be true. Leonato says, “But my troth, my lord, I cannot tell what to / think of it but that she loves him what an enraged / affection; it is past the infinite of thought” (II.iii.103-105). At the end of Act II scene III, Benedick says, “…They say the lady / is fair; ‘tis a truth, I can bear them witness; and virtuous; / ‘tis so, I cannot reprove it; and wise but for loving / me; by my troth, it is in no addition to her wit, nor no / great argument of her folly, for I will be horribly in / love with her” (II.iii.226-231), admitting his love for Beatrice while also claiming that she has every quality that he previously had wished for. This breaks down his dominant stance concerning the battle of the sexes theme. Ironically Benedick finds himself in the same situation he had previously mocked Claudio for in his soliloquy, “I do much wonder that one man, seeing how much / another man is a fool when he dedicates his behaviors / to love, will, after he hath laughed at such shallow follies / in others, become the argument of his own scorn / by falling in love; and such a man is Claudio” (II.iii.8-12). The question arises of why Benedick’s such “strong” opinion of love is so easily shifted when he finds out Beatrice’s love for him. We wonder whether he had actually loved Beatrice all along or if he is an easily swayed person. It can be inferred that Benedick had actually loved Beatrice all along, but because he possesses such a hard-headed personality, he wouldn’t acknowledge the feeling until Beatrice had acknowledged her own similar feelings towards him. In the soliloquy, Benedick declares, “…One woman is fair, yet I am well; another is wise, yet I am
“And when I lived, I was your other wife, And when you loved, you were my other husband(Shakespeare 60).” In the beginning of the play it was overwhelming, steeped in love at first sight between Hero and Claudio, until Don John’s evil-manner took a role in ruining the love between them. And because of this a conflict developed between them, but was resolved when their vigorous love for one another overcame the conflict. In Much Ado About Nothing by William Shakespeare, Hero serves as the foil character of Claudio because of Hero’s dignified, well-mannered, eminent reputation is illuminated through Claudio’s insecure, accusing, and doubtful weakness; thereby, interminably influencing the conflict in the plot.
The 3 deliberately have a conversation about Beatrice love and affection for Benedick, causing him to question whether or not what is being said is true or not. As Leonato starts to speak, he says… By my troth, my lord, I cannot tell him what to think of it, but that she loves him with enraged affection, it is past the infinite of thought. (3.4.107-110). Typically saying Beatrice love for him is by far more than any man can comprehend by far even withstand having knowledge of. By this time Benedick seems to question whether or not this is credible, but hearing it from Leonato he thinks it has to be true because he has never spoken any words other than the
Benedick and Beatrice both benefit from the deceit that they encounter. At first, both are enemies in a battle of insults and wit, until they are each fooled into thinking that the other loves them. When Benedick hears that Beatrice is supposedly attracted to him, he thinks that it is “a gull, but that the white-bearded fellow speaks it: knavery cannot, sure, hide itself in such reverence” (111). Little does he know, Leonato, the "white-bearded fellow," is also in on the joke (111). Benedick starts to admire her when he is aware that Beatrice might actually be attracted to himself, as well. She is also astonished when she first hears that he loves her. However, when Beatrice comes to terms with their affection, she hopes "Benedick [will] love on... And [she] Believe it better than reportingly" (134). In other words, she falls in love with Benedick as soon as she believes that he, too, is fond of her. They each start to fall in love with one another under the pretense that other was hiding their affection from them. Now that they are both in love, they start to open up to each other and prove that the deception they endured was worth it in the end.
Throughout Act one and two, Benedick repeatedly says that he will never love a woman or get married. At some stage in the duration of the play his mindset changes. In the end he is head over heels in love for Beatrice whom he once quarreled with habitually. The turnabout in his behavior was brought about by the deceiving Claudio and Pedro who indirectly told Benedick that Beatrice loved him.
He highlights the superiority of relationships based on a deep understanding of character, as opposed to those based on first impressions and physical attraction. Through examples of various relationships he emphasizes the importance of trust in any loving relationship, and of love in any fulfilled life. It is Shakespeare's deep understanding of the varying relationships which exist in the lives of human beings, that gives Much Ado About Nothing its depth, strength and its contemporary relevance. Works Cited and Consulted: Barton, Anne. Introduction.
William Shakespeare said: “Women may fall when there's no strength in men” (Romeo and Juliet). Throughout history gender role have been a big, whether someone is a feminist or someone believes there is no equality between males and females; everyone has different opinions when it comes to the matter of gender roles. The same thing can be said about William Shakespeare who was a feminist (Shakespeare of Stratford). This ideology can be seen in his play Much Ado about Nothing. In this comedy Shakespeare focuses on two pairs of lovers named Claudio and Hero who are set to be married in a week but before their marriage day, they plan to conspire with Don Pedro, the prince of Aragon to trick their friends Beatrice and Benedick to admit their love for each other. Don John, the brother of Don Pedro, meanwhile plots to prevent marriage of Claudio and Hero by accusing Hero of being unfaithful. Don John initially succeeds in his plan as Hero is accused and ashamed at the marriage ceremony, but at the end Claudio and Hero are united and marry each other. Also, Beatrice and Benedick finally declare their love for each and dance at the end of the play. Shakespeare uses a lot of sources for this comedy and one of them is “Orlando Furioso” written in 1591, which gave Shakespeare the idea of Hero and Claudio’s marriage and Don John’s plot to prevent it. Another source Shakespeare used to write the play is the courtier written in 1588, which gave him the idea of the romance between Beatrice and Benedick. And also “La Prima de la Novelle” written in 1554 by Matteo Bandello gave Shakespeare the idea of putting the setting in Messina, Italy (Shakespeare in quarto). Because Shakespeare was a feminist, some of the women appear as supporting and central...
(Essay intro) In the modern day, women have the luxury of belonging to themselves but unfortunately this was not always the case. During his life, William Shakespeare created many positive female characters who defied the traditional gender roles and brought attention to the misogynistic patriarchy of Elizabethan England. One of these true feminist icons is ‘Much Ado about Nothing’s. Beatrice. The women in ‘Much Ado about Nothing’ defy traditional gender roles. Beatrice represents a brave and outspoken woman who defies the oppressive, traditional gender roles for the female sex. Her cousin Hero, however, represents those women who were successfully oppressed by the patriarchy and accepted the traditional gender roles without much complaint.
...he other hand, Beatrice and Benedick are comedy-makers and Beatrice is not ruled by her father as Hero clearly is. It does take Don Pedro’s benevolent plot to bring Benedick and Beatrice together, however. A modern audience would prefer Beatrice to Hero as she is her own self and admirable. The relationships also differ because Benedick and Beatrice’s relationship slowly grew whereas Claudio and Hero’s relationship was love at first sight. Perhaps it was a little hasty as we see in Act 4 how their love turns sour.
From the very start of the play Beatrice shows her independence but openly admitting to everyone that she does not, by any chance, want to be married, especially to Signior Benedick. Whom it was hinted at throughout the play had a past with Beatrice and the “relationship” ended up with her being hurt and him going off to battle. She makes it clear in their battle of wits after he says “….But it is certain I am loved of all ladies, only you excepted; and I would I could find in my heart that I had not a hard heart, for truly I love no one.” (A1; S1; L122-125). After hearing Benedick say that she then replies with “A dear happiness to women. They would else have been troubled with a precious suitor. I thank God and my cold blood I am of your humor for that. I had rather hear my dog bark at a crow than a man swear he loves me.” (A1; S1; L126-130). This was basically her way of telling Benedick that she does not want someone to swear the love her when in reality the love is not actually there. She would rather not deal with the nonsense of someone who is not true to their word. Even at another moment in the play, Leonato says to h...
The theme of honour and fidelity applies to both men and women in Shakespeare’s play ‘Much Ado About Nothing’. Honour and fidelity is represented very differently for men and women than it would have been for the people in Elizabethan times. In this first section of the essay, I will be exploring double standards and Shakespeare’s awareness of the double standards between sexes and his feminist approach, the differences of honour and fidelity for men and women, and upper class and lower class comparisons. In order for men to be honourable, they should do great deeds in war, which gives them good recognition. From the very beginning of the play we see evidence of this when Leonato says in Act 1, Scene 1.
Benedick is the first one to state that if anyone does such an evil act as this it would be Don John, “The practice of it lives on in John the bastard”. Leonato is so disgraced that he would rather be led than be the leader. and is no longer the key figure in Hero’s life. The consequences of The deception of Beatrice and Benedick are also shown in this scene as Benedick chooses his love of Beatrice over his friendship with Don Pedro. and decides to challenge Claudio.
Much Ado About Nothing is traditionally known as a comedy, but gender is an obvious theme in this play. To me this play challenges the gender inequality of this time period through its main female roles. Beatrice is a challenge to the traditional woman of the Elizabethan era, who is represented by Hero. Beatrice is seen as a sharp, outspoken, independent woman, while Hero is a quiet, polite and obedient woman. The stark differences between these characters shines a light onto the gender inequality of Shakespeare time. This paper will argue that Beatrice and her cousin Hero are used to show the gender inequality of the the Elizabethan era.
The traditional expectations of women is a leading idea in Shakespeare’s Much Ado About Nothing. The main female characters, Beatrice and Hero, could not be more different. Their stark
Much Ado About Nothing by William Shakespeare focuses on the enormous gap between the power of men and where women stand. Women were expected to be obedient and dependent on men, innocent, and were also expected to be good wives. Shakespeare wanted women to see how the roles are changing for the better. In this play, there is difference between the traditional roles of women back then, and the ones that stand out from the rest. He depicts this through two characters. In the opening scene, where characters and their personalities, and roles are established; Hero has only one line, which is seven words. Even said that, these lines are just a comment on Beatrice. Hero is the daughter and the property of her father, Leonato. Her helplessness comes from her being overprotected by her father, and the need to obey him. Beatrice, by contrast, does not have a father, she lives on her witty personality and her intelligence. Beatrice has a dream to spend her life “where the bachelors sit, and there live we, as merry as the day is long” (2.1.40-46) When Leonato tells Hero, “Daughter, remember what I told you: if the prince do solicit you in that kind, you know your answer,” (2.1.60-63) she just stands there, silently obeying her father. Hero’s looks are her only advantage as a women, as they are what attracts Claudio. He falls in love with her at first sight in the first act, based only on her appearance.
For example, he voices the revelation “By my troth, it is no addition to her wit- nor no great argument to her folly, for I will be horribly in love with her” (2.3, 204-208). This shows Benedick falling for his friends’ trickery and concluding that he must requite Beatrice’s love.