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Social Pressures in William Shakespeare's Much Ado About Nothing
There has been much discussion about whether or not Shakespeare’s play
‘Much Ado About Nothing’ it is based more around social pressures
rather than true love; this essay will see to what extent the play
supports this idea.
Shakespeare wrote the play ‘Much Ado About Nothing’ around 1598. It
was located in Italy, because Italy at the time was seen as a romantic
exotic country, writers during this time period were obsessed over
Italy, a lot of the plays written were set in Italy. This play has a
wide appeal to all classes which shows that it would be appropriate
for all to watch. The title ‘Much Ado About Nothing’ suggests that to
a person looking on in the play the dilemma could seem a lot more
serious to them than it would to someone who was really in the
situation. The genre that Shakespeare chose for this play is a comedy,
this play was written to entertain the audience.
In my opinion the essay question portrays the idea that the play may
be based around social pressure rather than true love. Social pressure
is when you are pressured into doing something that you do not want to
do, for example Beatrice and Benedick seem to fall in love with each
other purely because of what they have heard. Whereas true love is
when you have affection and kindness towards a person and have strong
feelings for them. For example in the play the fact that Hero and
Claudio decide to get married the day after they get engaged could
show that they are truly in love and is meant to be a whirlwind of
romance and love. Although the organisation of their wedding is quite
rushed...
... middle of paper ...
... factor
that actually made them fall in love with each other.
As for Claudio and Hero they were already in love with each other but
this stands to question, if they were really in love wouldn’t Claudio
have believed that Hero would not betray him and wouldn’t he try to
hear her out. This could prove that they were not totally in love with
each other but just together for the sake of having a relationship.
However this could just be because he is so shocked at what he thinks
he has seen that he just rages out with anger and doesn’t even think
to stop and ask her.
Therefore compared to Beatrice and Benedick, Hero and Claudio’s
relationship is based more heavily on true love than social pressures.
Whereas Beatrice and Benedick seem to have a relationship based around
social pressures rather than anything else.
The difference between Beatrice,Benedick,and the other two Claudio and Hero though is that, these two are very headstrong characters with a different outlook on love, but have very much love for one another. Benedick believes in just being a bachelor and spending the rest of his life messing with as many women as he pleases, well as for Beatrice she believes there is no man good enough and willing to show her the love she wants so she much rather be left alone. But the fact that they honestly want to believe what they say is what makes this get way more interesting. What they don’t know is that they are going to soon become curious trying to figure out what they truly feel for one
When you walk down the street you notice millions of different kinds of people. Some with a piercing, some with bunch of friends and some with a book in their hands. What is it that makes people so different from one another? Our personality and our character are not born with us, but they are influenced by our actions and the people around us. When we are young we are around our family and they teach us their tradition, which becomes the building blocks for our personality. However, where do traditions come from and what happens when someone fails to follow the traditions? Questions like these have no definite answers but different point of views. Shakespeare for example shares his point of view about traditions in his two famous plays “Romeo and Juliet” and “Much Ado about Nothing.”
Throughout Act one and two, Benedick repeatedly says that he will never love a woman or get married. At some stage in the duration of the play his mindset changes. In the end he is head over heels in love for Beatrice whom he once quarreled with habitually. The turnabout in his behavior was brought about by the deceiving Claudio and Pedro who indirectly told Benedick that Beatrice loved him.
In this world rumors and dishonesty happen to be everywhere, no matter where you are. Nowaday people start rumors just to hurt and insult people’s feelings that later on lead to dramatic events. In the story “Much Ado about Nothing”, we encounter different scenes that lead to rumors and deception. One scene that we encounter is when Don John, the bastard brother spreads rumors about Hero being disloyal to Claudio and Don Pedro to corrupt Claudio’s and Hero’s relationship. Another scene that we run into is when Ursula and Hero have a talk in the garden about how Benedick has love affection towards Beatrice. Later on, these two scenes play a huge role and become dramatic elements of the story. We will encounter on how rumors and dishonesty can destroy and corrupt not just one person, but many.
How Shakespeare Presents the Character of Claudio in Much Ado About Nothing and How Interpretations of His Character Can Vary
to be a quite romantic person, as, to start with, he is in love with
“Language is frequently used to stir up & manipulate emotions.” - Mary Hamer. The words that people say can appear brutal or detrimental. These violent words take up many forms such as lying, insulting, etc. Along with its’ comedic formula, William Shakespeare's, Much Ado About Nothing is enhanced with humorous mockery and intertwined dialogues. In the play, the soldiers have just returned from a successful war. Love is traveling through the village; however the “language of war” appears rooted in the language. Numerous times do the characters joke around in cruel dialects. The mockery, however, is not considered to be as harsh due to the presence of comedy within the play. William Shakespeare’s intricate use of language in his play, Much Ado About Nothing, allows immense aggressive language to thrive in the characters yet is able to use this to alleviate the violence.
Incomplete An exploration of Shakespeare’s presentation of trickery and deception in his play ‘Much Ado about Nothing.’ In William Shakespeare’s play ‘Much Ado about Nothing’, there are many instances of trickery and deception, which seem to surround the whole of the play. These instances are as follows: Don Pedro wooing hero for Claudio, Don Pedro wooing hero for himself, Claudio pretending to be Benedick to find out information from Don John and Borachio, Don John and Borachio both know that Claudio is not Benedick but trick Claudio into thinking that they believe that Claudio is in fact Benedick, Benedick pretending to be somebody else whilst talking to Beatrice, Beatrice pretending to believe that she is in fact talking to Benedick, Beatrice having romantic feelings for Benedick, Benedick having romantic feelings for Beatrice, Beatrice not having romantic feelings for Benedick, Benedick not having romantic feelings for Beatrice, Hero is unfaithful with Borachio, Hero is dead, and Antonio having another daughter.
Every story or written work ever composed has a narrative structure or plot development. Narrative structure basically means the way the story is being told and how the events are set up. A plot’s structure is the way in which the story elements are arranged. Writers vary structure depending on the needs of the story. (Neal) Shakespeare had a way of storytelling that was similar in a lot of his plays. In Shakespeare’s King Lear and Much Ado, the narrative structure contains stories within stories, a strong protagonist, and a very intense climax.
The decision of pursuing personal desire or choosing to conform is a conflict that every person in life experiences. In his play, Romeo and Juliet, William Shakespeare portrayed that the aforementioned conflict was existent in everyone’s life, and, depending upon what they chose, there would be corresponding repercussions. Shakespeare displays this conflict when the protagonist, Romeo, attends the ball, marries Juliet, and kills Tybalt.
What makes the plot of Much Ado About Nothing so interesting is the use of deception and betrayal; though deception is used more frequently than betrayal. To deceive someone is “to cause (someone) to believe something that is not true, typically in order to gain some personal advantage.” Throughout the book divergent people manipulate others for an advantage. Whether deception is okay or not depends on the intentions of the deceivers – if the intention is to promote happiness, then the deceiver is a good friend, but if the deceiver intends harm, then he’s a bastard. The play is built on the problems caused by deception.. Benedict and Beatrice are deceived into thinking they love each other. Hero and Ursula deceived Beatrice and for that, they are good friends. Don Pedro, Claudio and Leonato deceived Benedick and that makes them good friends as well. However, Don John deceived Claudio into thinking hero b...
With its entangled double plots and eloquent use of words, Much Ado About Nothing is a story that has the ability to entertain the masses both young and old. Shakespeare’s use of figurative language along with situation creates such vivid imagery for which carries the drama from beginning to end. For example, when we look at Act 1 Scene 1 of the play ...
Romeo and Juliet has different roles for different genders. During the Shakespearean period, when Shakespeare writes, most women had to marry when they were teen, when they were in adolescence or even before. However, the men who they were marrying were in their early to late twenties. In the household that the women lived in, the men basically owned them. The women always followed men’s word, which says that the male was the dominant gender of the society. Romeo and Juliet reflects this in a number of ways. Juliet was forced to marry Paris, by the word of her father, who said that if she did not marry Paris, she would go to the streets(Shakespeare, 3.5.154-62). Women were thought to be weaker and less important than men in Romeo and Juliet because men are trying to be the strongest out of everyone, women have a lower social status, and men think they owned women in Romeo and Juliet.
In the play Othello, there are many jealous and selfish characters. Each of the characters at one point or another let their jealousy take over. It seems like they all have these plots and plans on how to hurt another character in the play either physically or emotionally, as an act of selfishness, so that they can feel better about themselves. One main character who seems extremely jealous in this play is Iago. Infact, probably the most jealous. Many bad things happen because of Iago. The first bad thing that Iago did, was tell Barbantio (Desdamona's father) that Desdemona has married Othello, the Moore. Iago was mad at Othello, because Cassio had made Othello a higher position and not Iago. Iago thought that he was the one who qualified for the position as general, not Othello. Iago was jealous because of this, so he decided to tell Barbantio about Desdemona and Othello. This was bad, because Barbantio did not know yet, and something like that should have been said by his own daughter, not someone who was not part of the family. The way Iago went about telling him was also bad. He called to his house in the middle of the night. He yelled it to Barbantio from downstairs into his window in a rude manner. " quote from Othello here." He wanted Barbantio to be upset about what had happened, and most of all, he wanted Barbantio to be mad at Othello and do something bad to him.
The societal roles and expectations forced upon Juliet regarding her identity impact her actions and decisions. Juliet’s expected contributions to society were based on her gender,her social class and family name, and her age.