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Amy tan two kinds mother and daughter relationship
Child - parent relationship
Theory of the Mother-Daughter relationship
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Mother-Daughter Relationships Mother-daughter relationships are unique and can involve a complex and intense range of emotions. Chinese-American authors Amy Chua and Amy Tan explore the nature of mother-daughter relationships from an Asian perspective. In an excerpt from her memoir Battle Hymn of the Tiger Mom, Amy Chua recounts her struggles and frustrations with her daughter, Lulu and violin lessons. On the other hand, Amy Tan’s novel, The Joy Luck Club, paints a vivid picture of Tan’s exasperation with her mother over piano practice. She describes an intense exchange in which she resorts to shouting the most hurtful words she can at her mother. Both excerpts have a different tone and diction that describe their unique mother-daughter relationships.
In Amy Chua’s excerpt from “The Violin,” the tone is annoyed but caring. Chua wants the best for Lulu, her daughter, and tries to help her by sitting through violin lessons and intensely watching her practice. While Lulu practices, Chua attempts to remind her of instructions from the lesson and ironically
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Chua and her daughter have a normal mother-daughter relationship. From trying to help Lulu practice by giving her tips (even though she may not be doing it correctly), to Lulu calling Chua “Mommy,” they have a normal, caring, mother-daughter relationship even though Lulu is annoyed with her mother in the excerpt. On the contrary, the mother daughter relationship between Tan and her mother is very bitter. In the excerpt, Tan uses her words like knives trying to cut her mother as deeply as possible. Tan is not the ideal, obedient daughter Tan’s mother imagined, but nevertheless, Tan’s mother attempts to force her to become the daughter she wants and causes a reaction that has a dark and negative outcome that hurts them both. These excerpts bring to light the differences and intricacies of mother-daughter relationships, both good and
Amy Tan 's novel, The Joy Luck Club, explores the relationships and experiences of four Chinese mothers with that of their four Chinese-American daughters. The differences in the upbringing of those women born around the 1920’s in China, and their daughters born in California in the 80’s, is undeniable. The relationships between the two are difficult due to lack of understanding and the considerable amount of barriers that exist between them.
Amy Tan’s novel, The Joy Luck Club uses much characterization. Each character is portrayed in different yet similar ways. When she was raised, she would do whatever she could to please other people. She even “gave up her life for her parents promise” (49), I the story The Red Candle we get to see how Tan portrays Lindo Jong and how she is brought to life.
Throughout Asian American literature there is a struggle between Asian women and their Asian American daughters. This is the case in The Joy Luck Club, written by Amy Tan and also in the short story "Waiting for Mr. Kim," written by Carol Roh-Spaulding. These two stories are very different, however they are similar in that they portray Asian women trying to get their American daughters to respect their Asian heritage. There are certain behaviors that Asian women are expected to have, and the mothers feel that their daughters should use these behaviors.
The Essay written by Amy Tan titled 'Mother Tongue' concludes with her saying, 'I knew I had succeeded where I counted when my mother finished my book and gave her understandable verdict' (39). The essay focuses on the prejudices of Amy and her mother. All her life, Amy's mother has been looked down upon due to the fact that she did not speak proper English. Amy defends her mother's 'Broken' English by the fact that she is Chinese and that the 'Simple' English spoken in her family 'Has become a language of intimacy, a different sort of English that relates to family talk' (36). Little did she know that she was actually speaking more than one type of English. Amy Tan was successful in providing resourceful information in every aspect. This gave the reader a full understanding of the disadvantages Amy and her mother had with reading and writing. The Essay 'Mother Tongue' truly represents Amy Tan's love and passion for her mother as well as her writing. Finally getting the respect of her critics and lucratively connecting with the reaction her mother had to her book, 'So easy to read' (39). Was writing a book the best way to bond with your own mother? Is it a struggle to always have the urge to fit in? Was it healthy for her to take care of family situations all her life because her mother is unable to speak clear English?
Tan makes an appeal to emotion with the connections she describes. A connection between a mother and daughter that is wrought with emotion is as relatable as humaneness is to a human. There is a soft declaration to be found in Tan’s statement, “I knew I had succeeded where it counted when my mother finished reading my book and gave me her verdict: “So easy to read.” Tan gains trust by appealing to emotion with something as understandable as the loving and more often than not tension riddled connection between a mother and her daughter. Tan incorporates the intimacy of the “broken” language in correlation to her husband with these words, “It has become our language of intimacy, a different sort of English that relates to family talk, the language I grew up with” (Tan 1). Under the assumption that Louis DeMattei (Tan’s husband) has no prior history with the Chinese Language Tan makes an important point of the use of the “broken” language she learned from her mother. Demattei doesn’t inquire or correct Tan when she switches between the English she acquired from the vast expanses of English literature and the English she acquired from her mother. Tan says, “he even uses it with me,” there is an implied level of comfort within the relationship she has with her husband. Tan shares what is viewed as “broken” and in need of fixing with Demattei and he reciprocates, leaving them
Throughout Amy Tan’s novel, The Joy Luck Club, the reader can see the difficulites in the mother-daughter relationships. The mothers came to America from China hoping to give their daughters better lives than what they had. In China, women were “to be obedient, to honor one’s parents, one’s husband, and to try to please him and his family,” (Chinese-American Women in American Culture). They were not expected to have their own will and to make their own way through life. These mothers did not want this for their children so they thought that in America “nobody [would] say her worth [was] measured by the loudness of her husband’s belch…nobody [would] look down on her…” (3). To represent everything that was hoped for in their daughters, the mothers wanted them to have a “swan- a creature that became more than what was hoped for,” (3). This swan was all of the mothers’ good intentions. However, when they got to America, the swan was taken away and all she had left was one feather.
The language between a mother and a daughter can create a huge brick wall in their relationship because they have different views on life, and how they should handle it. In the book "The Joy Luck Club," by Amy Tan, a story is told of An-Mei Hus and her daughter Rose Hsu Jordan, who is going though a divorce. An- Mei wants her daughter, Rose, to try and save her marriage. But Rose knows it’s pointless to try and upon that she decides to learn to stick up for her self, get a lawyer, and fight her soon to be ex-husband for the house. The relationship between An-Mei Hsu and Rose Hsu Jordan shows that language is a brick wall, because they don’t understand why wants what they want. Rose doesn’t care to save her marriage; she only wants to get the house. When her mother, An-Mei, wants Rose to fight to save her marriage, because it’s the Chinese way, and how the only way to keep her honor among her family.
Our mothers have played very valuable roles in making us who we are and what we have become of ourselves. They have been the shoulder we can lean on when there is no one else to turn to. They have been the ones we can count on when there is no one else. They have been the ones who love us for who we are and forgive us when no one else wouldn’t. In Amy Tan’s “Two Kinds,” the character Jing-mei experiences being raised by a mother who has overwhelming expectations for her daughter, which causes Jing-mei to struggle with who she wants to be.
The mother-daughter relationship is a common topic throughout many of Jamaica Kincaid's novels. It is particularly prominent in Annie John, Lucy, and Autobiography of my Mother. This essay however will explore the mother-daughter relationship in Lucy. Lucy tells the story of a young woman who escapes a West Indian island to North America to work as an au pair for Mariah and Lewis, a young couple, and their four girls. As in her other books—especially Annie John—Kincaid uses the mother-daughter relationship as a means to expose some of her underlying themes.
Tan succeeds in her use of pathos as she manages to make her mother seem helpless. This is quite a feat, as her obvious strengths have already been displayed in situations such as when yelling at the stockbroker. Tan supports her depiction of her mother as a victim by bringing up how people “did not take her seriously, did not give her good service, pretended not to understand her, or even acted as if they did not hear her.” (37)
Some people say that the love between a mother and her daughter is forever; but what about the understanding? In the case of Waverly Jong and her mother in the story “Rules of the Game,” by Amy Tan, there is much miscommunication and misunderstanding. The story is set in mid-1950’s Chinatown and as the story opens, it is Christmas time. “Rules of the Game” is the telling of how a little girl learns to be more independent but falls into conflict with her mother along the way and becomes a type of trophy. Amy Tan uses elements such as character, symbolism, and setting to portray the themes of struggle between two cultures and independence perfectly in “Rules of the Game.”
In Alice Walker’s short story “Everyday Use” is about a girl named Dee that is
Within The Battle Hymn of the Tiger Mom, by Amy Chua and Amy Tan’s The Joy Luck Club, two unique mother-daughter relationships are portrayed. Every mother and daughter relationship varies. In Amy Chua’s The Battle Hymn of the Tiger Mom, a different situation is shown than Amy Tan’s experience in The Joy Luck Club. Although each work displays a different scenario, they both involve the contradiction of mother-daughter relationships.
...ith Jing Mei and her mother, it is compounded by the fact that there are dual nationalities involved as well. Not only did the mother’s good intentions bring about failure and disappointment from Jing Mei, but rooted in her mother’s culture was the belief that children are to be obedient and give respect to their elders. "Only two kinds of daughters.....those who are obedient and those who follow their own mind!" (Tan1) is the comment made by her mother when Jing Mei refuses to continue with piano lessons. In the end, this story shows that not only is the mother-daughter relationship intricately complex but is made even more so with cultural and generational differences added to the mix.
Mother-Daughter Relationships in Amy Tan’s Joy Luck Club In the Joy Luck Club, the author Amy Tan, focuses on mother-daughter relationships. She examines the lives of four women who emigrated from China, and the lives of four of their American-born daughters. The mothers: Suyuan Woo, An-Mei Hsu, Lindo Jong, and Ying-Ying St. Clair had all experienced some life-changing horror before coming to America, and this has forever tainted their perspective on how they want their children raised.