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Since the dawn of time, man has been inspired by the beauty of art. The Macquarie Concise Dictionary describes art as “the production or expression of what is beautiful, appealing or of more than ordinary significance”. I interpret the word art to refer to the physical reproduction of the artists own perception of the world around them.
A masterpiece is defined as “a consummate example of skill or excellence”. Therefore, when in search of a masterpiece of the artistic category, we must take into account the proficiency and dexterity displayed by the artist. With these basic principles in mind, it is my belief that one cannot surpass Monet’s series entitled “Waterlilies” and more specifically the painting “Green Reflections”.
I have adored the “Waterlilies” series for a number of years. It was its originality that first appealed to me. “Green Reflections” is my favourite due mainly to the use of the green colour to indicate darkness of the water. The painting seems busy, yet not overpoweringly so. There is much for the eye, while allowing room for personal interpretation.
Visually appealing, “Green Reflections” is a classic example of Monet’s personal style, being both scientific and painterly.
This particular painting has captivated many admirers with its pretty pastel colours, prevalent in many of Monet’s works. The yellows and pinks of the lilies are in strong contrast to the deep blues and jungle greens of the water.
Monet brought the study of the transient effects of natural light to its most refined expression, through the “Waterlilies” series. Therefore tone is an important aspect of the painting. It is used with great success, giving the appearance of shade on the right hand side. The tone also gives the impression of water reflections.
The “Waterlilies” series was a number of paintings of the same lily pond. The defining characteristic of “Green Reflections” is that it was the only one of the group painted at night. Monet’s fascination with light and colour was the fuel behind this concept.
Being an impressionist painter, very little of his works used line and shape. “Green Reflections” is no exception. Irregular patterns are prominent with little regard for structure and realism.
The only way Monet could capture his version of “the truth of the moment” was through ‘lying’. Monet’s method made accommodations to his underlying philosophy of instantaneity and attention to decorative elements. Monet attempted to reconcile the idea of capturing a moment and his supposition that all moments must contain absolute truth through the use of a harmony of colours.
The first piece of art that really stuck out to me was The Promenade under the Railroad Bridge by Claude Monet. When I first saw it, I felt like the setting was something out of some type of movie. It actually reminded me of a scene from Pride and Prejudice, when Mr. Darcy was walking toward Ms. Elizabeth. The work is an oil painting and was done in 1874. I feel like this made the painting a blurred look and like the day depicted could have been windy from the way the trees and bushes seem to be leaning over to one set side. It caught my attention because it looked like some type of peaceful, relaxing escapade and that the characters in it were having a pleasant encounter.
I think the color term objective (representational) best describes the painting by Monet. I believe this because we learned the artist records objective color without bias. The painting appears to be very natural and looks exactly how one would see it. The subject is looking out over the river and very soft blues and greens are used. These hues are considered cool colors and make me imagine a soft breeze coming off of the water. Monet does use some grey within his painting, which decreases the colors intensity but it portrays the clouds reflecting on the water and the realistic look of the houses in the back of the painting. Derain’s painting is more subjective I believe. Subjective color is colors that the artist chooses and not exactly
...ed in a way to show the patterns of light and human figures. He was also rough with the brushstrokes in this painting to give the painting a more natural texture rather then smooth brushstrokes which create an illusion of texture. Monet stayed away from the color black in this painting which allowed a sense of natural light to show through the trees and reflect onto the water. Because impressionist art is mainly focused around the beauty of light and nature, the island itself and the bathers are not the main subject in this painting which is why they are blurred out and don't have so much emphasis.
I visited Norton Simon Museum in Pasadena, California for the first time hoping to learn more about the European artworks this place has to offer. Norton Simon Museum holds the remarkable amounts of artwork by world-renowned artists: Vincent Van Gogh, Rembrandt van Rijin, Caravaggio, Raphael, and Pablo Picasso just to name a few. I observed many European paintings in the 18th to 19th century; I chose to discuss the artwork by the incredible Claude-Oscar Monet. Claude-Oscar Monet’s Mouth of the Seine at Honfleur, 1865 is an oil painting of a seascape on a canvas. The Parisian artist is considered one of the most influential artists in the late nineteenth to early twentieth century.
Although both protagonists in the stories go through a psychological disorder that turns their lives upside down, they find ways to feel content once again. In Charlotte Gilman's "The Yellow Wallpaper," a nervous wife, an overprotective husband, and a large, damp room covered in musty wallpaper all play important roles in driving the wife insane. Gilman's masterful use of not only the setting, both time and place, but also of first person point of view, allows the reader to process the woman's growing insanity. The narrator develops a very intimate relationship with the yellow wallpaper throughout the story, as it is her constant companion. Her initial reaction to it is a feeling of hatred; she dislikes the color and despises the pattern, but does not attribute anything peculiar to it. Two weeks into their stay she begins to project a sort of personality onto the paper, so she studies the pattern more closely, noticing for the first time “a strange, provoking, formless sort of figure that seems to skulk about behind that silly and conspicuous front design” (Gilman). At this point, her madness is vague, but becoming more defined, because although the figure that she sees behind the pattern has no solid shape, she dwells on it and
We can see a clear representation of the impressionist that tended to completely avoid historical or allegorical subjects. In this painting, Monet’s painted very rapidly and used bold brushwork in order to capture the light and the color; include relatively small, thin, yet visible brush strokes. An insistence on what Monet called “a spontaneous work rather than a calculated one” – this in particular accounts for the sketchy and seemingly unfinished quality of the Impressionist paintings. In the texture, he played with the shadow and light and created variation in tone, he employs patches of depth and surface. The light in the painting come from back to the windmill, it is a light shines softly behind the houses and the windmill. He was shown each brushstroke in the painting. Balance is achieved through an asymmetrical placement of the houses and the most important the
The colours used in the artwork are earthy tones with various browns, greens, yellows, blues and some violet. These colours create a sense of harmony on the...
Monet chose to depict exquisite landscapes from his own gardens and elsewhere, particularly in France. He uses small, elegant brush strokes and vibrant colour to match the scenes he paints. In the mid-1870’s, Monet’s influence over Degas lead Degas to lean his colour choices nearer to those of other Impressionists. In addition to this, Degas began employing pastels, which gave his works a more granular affect that more closely resembled those of other Impressionists. For numerous years in his life, after attempting to paint his the first of his famous “Haystacks” ,and, being unable to seize the right shading or colours due to the rising sun, Monet was intrigued by the affect of weather and light on his outdoor projects. On the other hand, Degas, although also concentrated mainly in France, based his works on people, nudes and ballerinas in particular. Monet never painted a nude.
In the mid 1800’s realism was developed as a style of painting to replicate the world as it was seen in a traditional artistic style. This allowed for a new style of art to be created that was based of a real moment or scene but to forget the traditional artistic laws such as distinct lines and forms. Approaching art from this impressionistic view Monet’s painted “Impression, Sunrise” bringing to life a natural scene of a hazy harbor using quick, short brush strokes and defining uses of color and natural light. Van Gough’s “Starry Night” uses similar impressionistic styles to paint a natural scene using vibrant contrasting colors, yet he embellishes the scene to create art that in not merely a landscape but a piece of self expression and shifted
Everything in life was a magnificent symphony of colors in Monet's eyes. He brought to canvas the technique of preserving one particular moment in time by developing the style of presenting the first impact of what an eye would capture in one glance before the brain had the chance to create the exact image of the subject in the mind. Today over 2,000 oil paintings and 600 pencil sketches are exhibited in museums, galleries, and with private art collectors (Stuckey 10) allowing the world to appreciate Monet's vision forever.
The composition concentrates mainly on the foreground .It has three main points of interest, the small rowing boats, the artificial island and the floating barge .It also has a stretch of trees and foliage in the background painted in a much lighter fashion. Monet?s painting has a very different composition from Renoir?s painting of Grenouillere, which was done at the same time; Renoir?s painting is focussed much more on the artificial island and the people on it. Monet uses a combination of thick bold brushstrokes and small short soft brushstrokes; this creates a nice varied look and helps give a good impression of perspective. The tone is also very varied as it is Very light in some areas, but it is also quite dark in others, such as the shades on the barge. The use of dark shades in the foreground makes the boat look so realistic and quite 3D. Although the middle ground is flatter this helps add to the perspective. The water ho...
It is essential that the advanced practice nurse provide accurate information and thoroughly answer patients’ questions about vaccines and their safety. A strong knowledge base, and proper educational techniques are essential for the role of the advanced practice nurse. According to the CDC (2017a), healthcare providers play a vital role in maintaining elimination of measles in the United States. Healthcare providers should maintain a high awareness of measles and suspect measles in persons who have a febrile rash and clinically compatible symptoms (e.g., cough, coryza (symptoms of a cold), or conjunctivitis) and those who recently have traveled abroad or have had contact with travelers. Identification and awareness, as well as proper reporting to the local health department are key preventative strategies for the advanced practice nurse, and should be utilize in the care of all patients. Education, and available resources are the key to prevention of the measles virus, and should be the central focus of care for the advanced practice nurse caring for any at-risk
...f the shadows is sprinkled with the orange of the ground, and the blue-violet of the mountains is both mixed with and adjacent to the yellow of the sky. The brushstrokes that carry this out are inspired by the Impressionists, but are more abundant and blunter than those an Impressionist would use.
The world famous designer and fashion icon Coco Chanel once said “Fashion is not something that exists in dresses only. Fashion is in the sky, in the street, fashion has to do with ideas, the way we live, and what is happening.” Fashion is something that has evolved multiple times and is also something that has stood the test of time since the very beginning. It’s something that effects society from things like people’s first impressions of what they assume about you to defining your social class from the wealthier to the not so wealthy. Fashion itself is a reflection of social, economic, political and cultural changes. It expresses modernity, symbolizing the spirit of the times. "Fashion is the most powerful art there is. Its movement, design,
Measles can be transmitted in many different ways, and is very contagious due to the amount of time that it can stay present in one place. The virus can remain active and contagious in the air for over 2 hours after someone infected passes by or maybe even coughs in a room. When measles infects a surface or an object, the virus stays on that object for over 4 hours. Infected surfaces is the number one way of spreading the disease from person to person. Most people believe that disinfecting a surface will protect them fully from getting that particular disease. But, what they do not know is most store bought disinfectors only kill about 90% of the bacteria present on a surface. That said, they are still dealing with 10% of the diseases and virus’s on their surfaces. It can be very hard to get rid of. Measles can be a very serious disease if not vaccinated correctly. In the most severe cases, measles has caused blindness, encephalitis, severe diarrhea, dehydration, ear infections, and pneumonia. Measles is one of the leading causes of death among young children. There is an inexpensive vaccine available to the public to ensure their child's