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Mythology in the world
The influence of mythology in modern life
The influence of mythology in modern life
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Imagine a life, lived harmoniously with nature. Here, in the midst of clear blue waters, the friendly villagers, and coconuts, you are at peace. The relaxing lull of the Polynesian islands clears your mind and refreshes your soul. In the animated film, Moana, this description fits the fictional island of Motunui, serving as the protagonist’s homeland and source of livelihood. The well-being of the world rests on fictional goddess Te Fiti, creator of life on the Polynesian islands. At the center of Te Fiti’s life, a power so strong and valuable, her heart. One day, however, all of Te Fiti’s allure was taken over by a darkness named Te Kā. Te Kā appears as a giant human volcanic monster who rises with dark, evil clouds surrounding her. She dominates …show more content…
Her intention is to kill, destroy, and make the whole world feel miserable. This especially after demi-god, Maui, stole the heart of Te Fiti. Therefore, when her single, most precious possession is stolen, Te Ka becomes the manifestation of this emptiness and unrequited love for her island people. This is supported by the annihilation of some of the islands; as Te Fiti gave life to them, Te Ka takes it away as she feels that her people did not deserve her sustenance. Because her life was stolen for her, she takes this time to be selfish and take the lives of her creations. In Montinui, the legend of Te Fiti is written off as some folk tale that the old crazy lady tells the children. Her feeling of disdain comes up every time Te Ka interacts with Maui; for example, she sabotages Maui’s fishhook and leaves him at a disadvantage because of his crime against her. It is not revealed until the very end of the movie, that Te Ka is actually the counterpart of the lost Te Fiti. A heartless version of her former self, Te Ka’s attacks appear as spite against every innocent human being on the Tahitian islands. However, when her more benevolent personality takes overs, it is implied that Te Ka’s main goal in life was to restore the heart. One motif of Moana is to discover who you are; in Te Ka/Te Fiti’s case, she is a goddess who gives and creates selflessly, usually without much …show more content…
Te Kā would do anything in her power to revive her former self. Through her journey without her heart, she managed to destroy the islands that she created with love. At the same time, Te Kā destroys herself and what she truly stands for: A goddess, with the purpose to spread life throughout islands. If only humanity knew the reason for why they are being punished, they wouldn’t harshly put the blame on their creator. However, it is difficult to see through someone so emotionless and malice in them. Te Kā can throw fireballs and scream through her skull-like face, but beneath the hard rock and lava of her outer appearance lays the clusters of blooming flowers, rich green grass, and the layers of land covering the whole feminine body of the beloved island goddess, Te Fiti. Knowing this, the audience can capture the humanity of Te Kā, and sympathize the emptiness she feels without the
One thing everyone can agree on is that Tekakwitha’s father, mother, and brother died of small pox when she was only four. She did not escape death’s grips unscathed, the disease disfigured her face and her eyesight was impaired. In Native American culture, it is not uncommon to earn your name from characteristics, so it is believed that Tekakwitha can be translated to “One Who Bumps Into Things”, as stated on page 18 of Emily Cavins’s Lily of the Mohawks.
Moana shows non-conformity in the start of the film when her father is telling her that she will become the chief of the island of Motunui. However, Moana ignores him and goes out sailing past the reef against her father's orders. Moana realized that there's more to her life than staying on the island and that she had sailing in her blood and wasn’t about to let her father stand in her way. She wasn't about to let her life be controlled by
The role of a kahuna in the Hawaiian culture takes on the responsibility of keeping a balance between the people and the nation. In doing so, they apply their field of expertise towards assisting the aliʻi and the makaʻāinana. In ancient Hawai’i, there were many different types of kāhuna that had a skill set that contributed or benefited the community. In this paper I will discuss the different ways a kahuna achieves this type of balance within the lāhui. These kuleana include advising the aliʻi to make pono decisions, guiding the makaʻāinana in their daily lives and practices, and taking care of the spiritual side of the Hawaiian culture and traditional practices of the people.
The story of Princess Ka’iulani is remembered as a tragic one, she passed away young and frail, and never was able to fulfill her duties as Hawaii’s next ruling queen. What many people have never known, is the warrior that hid behind her beautiful physique. She was a fighter; for her country, people, and the truth. Within her short 23 years, Princess Kaiulani became Hawaii's last hope to save the monarchy that had existed for so long. Sadly, she did not accomplish this feat, and her heroism and efforts have either been overlooked or forgotten. To be knowledgeable of her childhood, teenage life, and final years is the least that can be done out of respect for this great Hawaiian Princess.
As every other culture, Hawaii has its own myths and stories. Holo Mai Pele tells the creation myth of Hawaii and this myth holds the same stature for Hawaiians as Genesis for Western (Christian) cultures and Ramayana for Hinduism. Holo Mai Pele is an epic saga of the Hawaiian god of volcano Pele, and her sister Hi'iaka. The major themes present in the story are sibling rivalry, love, conflict and creation. Simultaneously, it tells a story of an individual's journey to her self-awareness and reclaiming her status as a deity. The purpose of Holo Mai Pele is to keep the Hawaiian myth alive in order to pass it down to future generations. The poetic aspects of the play make it easier to remember and interesting to perform.
The Hawaiian culture is known throughout the western world for their extravagant luaus, beautiful islands, and a language that comes nowhere near being pronounceable to anyone but a Hawaiian. Whenever someone wants to “get away” their first thought is to sit on the beach in Hawai’i with a Mai tai in their hand and watch the sun go down. Haunani-Kay Trask is a native Hawaiian educated on the mainland because it was believed to provide a better education. She questioned the stories of her heritage she heard as a child when she began learning of her ancestors in books at school. Confused by which story was correct, she returned to Hawai’i and discovered that the books of the mainland schools had been all wrong and her heritage was correctly told through the language and teachings of her own people. With her use of pathos and connotative language, Trask does a fine job of defending her argument that the western world destroyed her vibrant Hawaiian culture.
In the beginning, Hawaii was unknown to any humans. Polynesians eventually came across its islands, and decided to make it their home. In the early days, each island was ruled by a chief, and many times the islands were in conflict with each other. Centuries like this passed, but then "in 1782, [Queen Lili'uokalani's] cousin Kamehameha set out to conquer and unite the islands". Thirteen years later, in 1795, Kamehameha finally fulfilled his vision of a unified Hawaiian state, and he became king. The nation was then to be ruled by Kamehameha's sons. (Guzzetti 10)
Ka’ahumanu was a strong-willed woman that made a significant impact on the islands by transforming the structure of Hawaii’s society, as well as their beliefs. At one point, she was the most powerful figure in the Hawaiian islands, paving the way for a new era for the kingdom.
her selfish and evil ways, causes the destruction of many people in the town of
...e" (Trask xix). This incident beautifully illustrates and signifies tourism's impact in American society. Like most Americans, this woman uses a discourse that has been shaped by tourist advertisements and souvenirs. The woman's statement implies that Trask resembles what the tourist industry projects, as if this image created Hawaiian culture. As Trask asserts, Hawaiian culture existed long before tourism and has been exploited by tourism in the form of advertisements and items such as postcards. Along with the violence, endangered environment, and poverty, this exploitation is what the tourist industry does not want to show. However, this is the Hawai'i Haunani-Kay Trask lives in everyday. "This is Hawai'i, once the most fragile and precious of sacred places, now transformed by the American behemoth into a dying land. Only a whispering spirit remains" (Trask 19).
Kualapai, Lydia. "The Queen Writes Back: Lili'uokalani's Hawaii's Story by Hawaii's Queen." Studies in American Indian Literatures. 17.2 (2005): 32-62.
Hawaii is a top vacation destination by many tourists all over the world. When Hawaii comes to mind many people and different cultures imagine sandy beaches, warm, blue waters, lush green backdrops, Hula dancers in grass skirts with flowers in their hair and leis around their necks. These visual representations are iconic symbols of Hawaii and of what many have come to define as Hawaiian. These images and ideas painted by the visitor industry most often take place at the expense of the Hawaiians historic culture. These stereotypes conjured up by the tourist indus...
The passage above comes from the book Potiki. It’s when granny Tamihana breathes life into Toko and gives him the name of her deceased brother. In Potiki, a novel written by Patricia Grace, we are introduced to a family that is given a special gift. That gift is in a form of a child named Toko. Toko isn’t any ordinary child for he knows all his past stories and has the ability to see future stories. Toko was born by Mary and is cared for by Mary’s brother Hemi and his wife Roimata. In yet another novel, there is a strong presence of mythological icons being incorporated into a book. Grace ties the legend of Maui into the character of Toko. Toko and Maui were both born prematurely. Another similarity Grace ties in with the legend of Maui is the fishing story. Maui goes out fishing with his brothers and brags that he’ll catch a bigger fish than his brothers and Toko’s fishing with his family in the lagoon and catches a big eel. Lastly, Grace links the legend of Maui’s death to Toko’s death. In Potiki, Toko enters the wharenui to bring back Manu who was sleepwalking. Instead a gunshot was heard and Toko was killed. In the legend of Maui, Maui tried to capture death by trying to crawl into the death goddess “hidden source of life” to capture her heart. A bird laughs, which woke the death goddess and closed her mouth. The teeth of the death goddess cut Maui in the center and killed him.
The gods and their fighting are responsible for much of the weather. Tawhiri, who is the god of wind, creates the winds and hurricanes. Tane is a god specifically for forests, typical of a tropical island. Tangaroa is the god of the sea, given that the Polynesians are an island culture. He accounts for the waves and whirlpools. Rangi and Papa’s tears due to separation are responsible for rain and dew in the mornings. (“Creation Myth – Maori”) The Polynesian diet consists of many organic roots and crops. Rongo is the god of sweet potato and other cultivated foods, illustrating the importance of sweet potato itself, being that it has its own god. Rongo also means “peace,” further strengthening the importance of their agricultural lifestyle. (“Maori Gods and Goddesses”) There is also a god for fern root and wild edible plants, named Haumia. Earthquakes are explained in the creation myth as well. The Polynesian are located in the Ring of Fire, an area in the Pacific of active volcanoes and earthquakes, which explains it scientifically. However, in their creation myth, Hine Timata’s son, Ruaumoko, causes earthquakes when he walks around in the Underworld. The creation of New Zealand segments provides a detailed explanation of the mountainous formation of the island, due to Maui’s mischievousness and the inability of his brother’s to follow orders. The Polynesians have carefully supplied explanations and corresponding gods and goddesses for each part of their culture and environment. Much of the Maori creation myths intertwine emotion and divinity together to form realistic situations on a larger scale in order to explain the formation of the world the Maoris know
To conclude, Te reo Maori is one of the treasures given to Maori people as one of their taonga from their God as part of their identity. It is important for the Maori people to keep their language survives for the mokopuna as well as connecting them to the land, values and beliefs. The principles of Te Tiriti o Waitangi were partnership, participation and protection that the Crown failed to act upon which result in Waitangi Tribunal. Te Whariki and New Zealand curriculum promotes and implement bicultural to revitalised Te reo Maori as well as strengthening the partnership between Maori and Pakeha of the Te Tiriti of Waitangi.