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Recurrent themes of sylvia plaths poetry
Recurrent themes of sylvia plaths poetry
Elements of poetry analysis
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Mirror, Mirror on the Wall Sylvia Plath’s poem “Mirror” is a sad expression of a woman’s perception of her own self-worth based primarily on her outward appearance and her inability to come to terms with her aging. The work utilizes the literary devices of personification, imagery, and symbolism, to emphasize the poems theme of human vanity and the subsequent fear of aging. Plath personifies the mirror who as a first person narrator takes on two forms. The first being that of a manufactured mirror which at the opening of the poem states “I am silver” (Line 1) which alludes to the silvering process used in the production of commercially produced mirrors. In the second stanza the human made mirror is transformed into the natural mirror which is found in the reflection of still water with the words “Now I am a lake” (10). This use of personification is intriguing as the mirror speaks as a human yet purports to take on little if any of the human personae of bias or preconception. We find this in the early disclaimer made both in the second sentence of line one “I have no preconceptions” (1) and in lines four and five “unmisted by love or dislike …not cruel, only truthful.” (4, 5) Plath make use of the literary device of Imagery most dramatically in line seventeen where she writes of the young girls drowning in the mirror. The image of the “terrible fish” (18) is also striking as the woman in the mirror sees herself as a horrifying creature who is relegated to a life within the source of the refection. The combined effect of both the human made mirror and the natural mirror seeing the woman as ugly is that of her being repulsive in the eyes of both humanity and the nature. This poem is also filled with symbolism. The greatest of which can be found in the most obscure of places. This is to say that the most significant error made by the narrator is the discounting of the two objects which contain the antidote for the woman malady. In line twelve we read that “the candles or [and] the Moon” (12) are accused of deception. The candle and the moon may be symbols for romantic love or Eros which cancels self-doubt and self-loathing. The narrator fails to understand that as Shakespeare wrote “Love is blind” (Shakespeare 2-6-36). This relates back to the theme of human vanity and the fear of aging as it responses to our fear with the assurance that true love sees past the superficial appearance and accepts the actual person and not the image in the mirror.
Wiesel’s community at the beginning of the story is a little town in Transylvania where the Jews of Sighet are living. It’s called “The Jewish Community of Sighet”. This is where he spent his childhood. By day he studied Talmud and at night he ran to the synagogue to shed tears over the destruction of the Temple. His world is a place where Jews can live and practice Judaism. As a young boy who is thirteen at the beginning of the story, I am very impressed with his maturity. For someone who is so young at the time he is very observant of his surroundings and is very good at reading people. In the beginning he meets Moishe the Beadle. Moishe is someone who can do many different types of work but he isn’t considered qualified at any of those jobs in a Hasidic house of prayer (shtibl). For some reason, though young Elie is fascinated with him. He meets Moishe the Beadle in 1941. At the time Elie really wants to explore the studies of Kabbalah. One day he asks his father to find him a master so he can pursue this interest. But his father is very hesitant about this idea and thinks young E...
In the middle of the poem, she begins to refer to herself as a Jew, and her father the German, who began “chuffing me off like a Jew…to Dachau, Auschwitz, Belson.” What Plath’s intent here is to allow us to understand that her father was a German, and she relates his behavior as a person to a Nazi. But later, she becomes more enraged, and strips the title of God from her father, and labels him a swastika and a brute. “Every woman adores a Fascist” is Plath’s way of ...
...he language of war. One of her last poems shows how this vision both restricted and unconstrained her expression (Magill 2225). Some of Plath’s poems, though the personal voice may be dying out, are still very personal (Magill 2226). Plath’s symbolism comes from an arrangement of misfortune. The purpose of Plath’s poems is to show a deeper pattern (Hughes 5). Plath’s narrative, The Bell Jar, remained important to most readers (“The Importance…” 2). Plath believes relationships are necessary, but destructive (Smith 6).
...oire of poetry with a male personage acting as an opposing force. Her work is full of content hinting at her mental instability, yearning for her deceased father, and her desire to end her life. It can be understood that Plath had a sort of Elektra complex obsession with her father. In her personal life, it caused several suicide attempts (one every decade of her life) and her to seek another male to fill the role of her missing father. It was not until she encountered the poet Ted Hughes that Plath thought she had met her soul mate; it was also because of this fiery relationship that Plath tragically ended her life when she ended her seven-year marriage to Hughes after discovering his illicit affair. Ultimately, in her desperate and distressed state, Plath ended her life; she could not face her inner demons, and no one could truly offer her the support she sought.
Freedman, William (1993): “The Monster in Plath’s ‘Mirror.’” Papers on Language and Literature, 108.5: 152-69.
As the tone changes the perspective of the reader changes as well. There is no clear way to determine whether the speaker is responding to her situation with the appropriate amount of madness or is actually going mad and escaping into her own mind. Plath’s poem shows how a woman 's happiness was defined by her relationship to a man, which is enough to infuriate or drive any woman insane. The speaker struggles to continue her very existence because of her lost love. It is true that the speaker is very emotional and feels things very deeply, but that is not enough to prove that she had lost her mind. By the end of the poem the speaker seems to realize that she is wasting her time waiting on a man. She would rather have a present love that is completely unfathomable than a real love that is not around. The repetition in this poem makes the reader believe this loss is actually causing the speaker to lose her mind, but through changing tones that mirror the emotions anyone would go through in a situation of loss like this the speaker’s response is completely
Plath’s work is valuable for its ability to reach today’s reader, because of its concern with the real problems of our culture. In this age of gender conflicts, broken families, and economic inequities, Plath’s forthright language speaks loudly about the anger of being both betrayed and powerless. She was hailed as literary symbol of the women’s rights movement and a feminist writer of great significance. Sylvia Plath began by creating art that imitated life, but ended when life imitated art.
This poem is a reflection of her feelings during this time period. She use some criticism on the last three lines of the poem. She says “Trepanned veteran,/Dirty girl,/Thumb stump”. She is comparing herself to a “trepanned veteran” who is a survivor of any type of war. She also call herself “dirty girl”. She feels guilty of her behavior knowing that she has two children. To conclude, Plath uses connotation and historical events to make a reflection.
The author applies sight and personification to accentuate the mirror’s roles. The declaimer of the poem says “I am silver and exact [and] whatever I see I swallow” (1, 20). The purpose of these devices is to convey the position of the mirror in the poem. As an inanimate object, the mirror is incapable of consuming anything but the appearances of entities. Furthermore, the glass’ role accentuates an inner mirror, the human mirror which does not forget instances of misery and contentment. According to Freedman, the mimicking image emulated by the mirror elicits “… a look for oneself inside” as observed from the life of the elderly woman in the sonnet (153). Moreover, as the woman looks into the lake, she commemorates her appealing and attractive and pleasant figure as a young girl. As time passes, the inevitability of old age knocks on the door of the woman, readily waiting to change the sterling rapturous lady perceived by many. One’s appearance can change; it is up to an individual to embrace it or reject it.
The Cold War period allowed for new understandings into the various “Ways of Thinking”, which helped shape the societal paradigms of the era. These revelations in to the new “Ways of Thinking” is evidenced through Sylvia Plath’s poems, “Daddy”, “The Applicant” and “Morning Song”, and John F. Kennedy’s speech, “Ich Bin Ein Berliner” (1963). The composers are effectively able to reflect the “Ways of Thinking” of the period, such as the scientific, religious, philosophical and economic paradigms, in their compositions through various literary techniques.
McCann, Janet. “Sylvia Plath.” Magill’s Survey of American Literature. Ed. Frank N. Magill. Vol. 5. New York: Marshall Cavendish, 1991. 1626-39. Print.
Comparatively, in the sixth stanza, Path, refers to death as “the grave cave” and “how soon the flesh will be at home on her”, this fragment can be the representation of how calm she feels with killing herself and the connection she feels with doing it on her own house. Plath considers death as a satisfactory, comfortable act; and it’s here where her masochistic self surfaces, it provides an insight on how well at ease she feels with death. She also uses her death as a show. She does this by changing the language to that of a
To her, the child’s eye is the storage of beauty, and he wish is to be at the same place as beauty. Beauty and happiness is compared to childhood mother’s inability to do much for her child. This gives us the aspect of how she lacked happiness in her life and also lacked to see any positive outcomes. This was one of the last poems that Plath wrote before her death.
Plaths Poetry can be understood through the psychoanalytic model. The motifs of oral fixation, sadomasochism and the desire to return to primary narcissism are consistent throughout Plaths Poetry. Overall these motifs represent the desire to return to the state of primary narcissism and to be reunited with the incestuous love object.