An Analysis Of A Mad Girl's Love Song

1599 Words4 Pages

A Mad Girl’s Love Song In Sylvia Plath’s poem “A Mad Girl’s Love Song”, it is hard to determine whether the speaker is mad or going mad. Plath along with all women in this time period were defined by their relationship to a man. When a woman was abandoned by her beloved it was Earth-shattering, as it still can be for many women today. Before the reader even gets into the poem itself the speaker is already described as “mad” and this word has multiple connotations. This forces the reader to ask themselves, is the speaker responding to her loss in an appropriate but angry fashion or is she losing her mind and actually going mad over the loss of a man? I believe the answer is both. The speaker expresses her feelings of hopelessness, despair, and her inability As the tone changes the perspective of the reader changes as well. There is no clear way to determine whether the speaker is responding to her situation with the appropriate amount of madness or is actually going mad and escaping into her own mind. Plath’s poem shows how a woman 's happiness was defined by her relationship to a man, which is enough to infuriate or drive any woman insane. The speaker struggles to continue her very existence because of her lost love. It is true that the speaker is very emotional and feels things very deeply, but that is not enough to prove that she had lost her mind. By the end of the poem the speaker seems to realize that she is wasting her time waiting on a man. She would rather have a present love that is completely unfathomable than a real love that is not around. The repetition in this poem makes the reader believe this loss is actually causing the speaker to lose her mind, but through changing tones that mirror the emotions anyone would go through in a situation of loss like this the speaker’s response is completely

Show More
Related

  • Analysis Of In Defense Of Trap Queen As Our Generation's Greatest Love Song

    1105 Words  | 3 Pages

    The article “ In Defense of “Trap Queen” as our generation’s Greatest Love Song” by Hanif Abdurraqib, who is a poet, essayist, and cultural critic from Columbus, Ohio, writes about todays modern “love song’s” and their meanings. Hanif believes that todays modern generation love songs are not the same as they once were, because the meaning of love has evolved over time. Love songs have a different kind of passion then the once did, they have evolved the passion of love towards each other to a whole different level of passion. The meaning of a love song has changed its not all about only love towards someone, its changed to the love for the life style they live with the success they 've made to be where they are. This life style involving money, drugs. and sex, which is very blunt about how they describe it, is what “love” is to them and the young crowd

    Read More

  • Love In The Sonnet By Edna St. Vincent Millay

    973 Words  | 2 Pages

    In romantic words, the poet expresses how much she does think of love. She state it clear that she will not trade love for peace in times of anguish.

    Read More

  • An Explication of Sylvia Plath8217s 8220Daddy8221

    974 Words  | 2 Pages

    It tends to be the trend for women who have had traumatic childhoods to be attracted to men who epitomize their emptiness felt as children. Women who have had unaffectionate or absent fathers, adulterous husbands or boyfriends, or relatives who molested them seem to become involved in relationships with men who, instead of being the opposite of the “monsters” in their lives, are the exact replicas of these ugly men. Sylvia Plath’s poem “Daddy” is a perfect example of this unfortunate trend. In this poem, she speaks directly to her dead father and her husband who has been cheating on her, as the poem so indicates.

    Read More

  • Analysis Of The Poem Daddy

    949 Words  | 2 Pages

    Sylvia Plath’s jarring poem ‘Daddy’, is not only the exploration of her bitter and tumultuous relationship with her father, husband and perhaps the male species in general but is also a strong expression of resentment against the oppression of women by men and the violence and tyranny men can and have been held accountable for. Within the piece, the speaker creates a figurative image of her father by using metaphors to describe her relationship with him: “Not God but a Swastika” , he is a “… brute” , even likening him to leader of the Nazi Party; Adolf Hitler: “A man in black with a Meinkampf look .” Overall, the text is a telling recount of her hatred towards her father and her husband of “Seven years” and the tolling affect it has had on

    Read More

  • Biography of Sylvia Plath

    1440 Words  | 3 Pages

    Plath’s difficulties with narrative prose contrasts between her novelistic dreams and her character. Plath’s passion for classic novelists and her own talent made her realize the fitting narrative prose were densely constructed (Hughes 1). Plath’s poetry goes through constant changes (Smith 2). The bee was a motif that was often used (Smith 3).Jerome Mazzaro considers Plath’s achievements in The Bell Jar to be less gendered. Mazzaro also believes Plath’s novel is a statement of fascination of the midcentury (“The Importance…” 2). Marilyn Yalom wrote in Maternity, Morality, and the Literature of Madness that Plath’s novel about her breakdown and her recovery, The Bell Jar, is a pre-feminist disclosure of the effects of the sexist culture. Yalom’s critical view increased from the feminist and psychoanalytic critic of the 1980s (“The Importance…” 1). Plath’s lyricism ranges from simple but effective to a Hopkinsian ode for her beloved (Magill 2223). Her best ability was turning everyday experiences into diary entries (Magill 2225). Plath’s poems from Ariel reflect her fury and sullenness toward life (Draper 2734).

    Read More

  • Little Fugue and Morning Song by Sylvia Plath

    1480 Words  | 3 Pages

    Throughout the poem, Plath contradicts herself, saying, ‘I was seven, I knew nothing’ yet she constantly talks of the past, remembering. Her tone is very dark and imposing, she uses many images of blindness, deafness and a severe lack of communication, ‘So the deaf and dumb/signal the blind, and are ignored’. Her use of enjambment shows her feelings and pain in some places, in other places it covers up her emotional state. She talks of her father being a German, a Nazi. Whilst her father may have originated from Germany, he was in no way a Nazi, or a fascist. He was a simple man who made sausages. ‘Lopping the sausages!’ However she used this against her father, who died when she was but eight, saying that she still had night mares, ‘They color1 my sleep,’ she also brings her father’s supposed Nazism up again, ‘Red, mottled, like cut necks./There was a silence!’. Plath also talks of her father being somewhat of a general in the militia, ‘A yew hedge of orders,’ also with this image she brings back her supposed vulnerability as a child, talking as if her father was going to send her away, ‘I am guilty of nothing.’ For all her claims of being vul...

    Read More

  • The Sleeper by Edgar Allan Poe

    1752 Words  | 4 Pages

    ... be casting stones, or holding a conversation. The speaker of the poem does not move on from this emotional torment, yet I do feel as if in his quest for closure he does resolve some of the tumultuous feelings he does have in regard to losing his love.

    Read More

  • Anne Sexton: S Emotional Journey In Sylvia's Death

    1059 Words  | 3 Pages

    Sexton compares Plath’s suicide to an old belonging in the couplet, “what is your death but an old belonging” (54-55). The couplet serves to convey that the speaker is moving past the initial shock of her friend’s death. The comparison of Plath’s death to an old belonging implies that the speaker used to have a strong emotional attachment and understanding of Plath’s suicide, but now, it is more of a memory that lingers than something that consumes her mind every day. Even so, the death of Plath still impacted the speaker on a deep level because Plath’s death involuntarily forced her to contemplate and to reflect on her own emotions and thoughts on suicide. She experiences an emotional journey that places her on the other end of the death in which she once fantasized. The term “old belonging” illustrates how the speaker previously dreamed and longed for death. However, after experiencing the emotional toll of being on the other side of the death that she once coveted, she reconsiders her desires. The tone has shifted from one of mourning and envy to something that she used to desire, an “old belonging” (55). The sharp left turn that is transmitted in the speaker’s tone articulates the emotional journey she has endured. Therefore, the relation of Plath’s death to an old belonging displays how the speaker no longer wants that death, but she still remembers what it feels like to be the person with thoughts of

    Read More

  • Marvel to His Mistress: Carpe Diem!

    725 Words  | 2 Pages

    Whether the reader sees the satire or not depends on the reader themselves. Those who see this poem may not realize they're guilty of believing that the love and patience in stanza one exists. The presentation of this argument works because it seems sweet at first glance, logical when looked at again, and satirical when looked at against the views of the society.

    Read More

  • Sylvia Plath's Life and How It Influenced Her Poetry

    1847 Words  | 4 Pages

    Sylvia Plath’s life was full of disappointment, gloominess and resentment. Her relationship status with her parents was hostile and spiteful, especially with her father. Growing up during World War II did not help the mood of the nation either, which was dark and dreary. At age 8 Plath’s father of German ancestry died of diabetes and even though their relationship was never established nor secure, his death took a toll on her. “For Sylvia, who had been his favorite, it was an emotional holocaust and an experience from which she never fully recovered” (Kehoe 90). Since she was so young she never got to work out her unsettled feelings with him. Even at age eight, she hid when he was around because she was fearful of him. When she was in his presence his strict and authoritarian figure had left an overpowering barrier between their relationship. Sadly enough by age eight Plath instead of making memories with her dad playing in the yard she resented him and wanted nothing to do with him (Kehoe). These deep-seated feelings played a major role in Plath’s poetry writings. Along with his “hilterian figure,” her father’s attitude towards women was egotistical and dismissive, uncondemning. This behavior infuriated Plath; she was enraged about the double standard behavior towards women. Plath felt controlled in male-dominated world (Lant). “Because Plath associates power so exclusively with men, her conviction that femininity is suffocating and inhibiting comes as no surprise” (Lant 631). This idea of a male-dominated world also influenced Plath’s writing. Unfortunately, Plath married a man just like her father Ted Hughes. “Hughes abandonment apparently stirred in her the memories and feelings she had struggled with when her ...

    Read More

  • Comparing Feminist Poetry by Plath and Sexton

    1203 Words  | 3 Pages

    In Plath's "Daddy," written just before her death and published posthumously, the most readily accessible emotion is anger, and much of the poem is couched in autobiographical allusions. Plath's own father died of a gangrenous infection, caused by diabetes he refused to treat, when Plath was eight years old, and his death was "the crucial event of her childhood" (Baym 2743). Plath makes personal references to her father as a...

    Read More

  • One Art, by Elizabeth Bishop

    1153 Words  | 3 Pages

    However as shown in the final stanza this poem is truly about the lost of someone dear to her and

    Read More

  • Mirrors by Sylvia Plath

    975 Words  | 2 Pages

    Giles, Richard F. “Sylvia Plath.” Magill’s Critical Survey of Poetry. Ed. Frank N. Magill, b. 1875. Pasadena: Salem Press, 1992.

    Read More

  • Spinster, by Sylvia Plath

    980 Words  | 2 Pages

    Overall, the imagery that Plath creates is framed by her diction and is used to convey her emotions toward all relationships and probably even her own marriage to Ted Hughes, who had rude, disorderly habits. Even the structure of the poem is strict in appearance as each stanza ends with a period and consists of exactly six lines. In addition, the persona of the poem is very detached and realistic, so much that it is hard to distinguish between her and Plath, herself. However, Plath insinuates that the woman actually wants love deep down, but finds the complexity and unpredictability of love to be frightening. As a result, she settles for solitude as a defense against her underlying fear.

    Read More

  • A Women's Relationship With Men in The Poem Daddy by Sylvia Plath

    1014 Words  | 3 Pages

    Sylvia Plath has brought the attention of many Women’s studies supporters while being recognized as a great American poet. Most of her attention has come as a result of her tragic suicide at age thirty, but many of her poems reflect actual events throughout her life, transformed into psychoanalytical readings. One of Plath’s most renowned poems is “Daddy”. In this poem there are ideas about a woman’s relationship with men, a possible insight on aspects of Plath’s life, and possible influences from the theories of Sigmund Freud.

    Read More

More about An Analysis Of A Mad Girl's Love Song

Open Document