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The acropolis analysis
The acropolis analysis
The acropolis analysis
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I’m overwhelmed and overjoyed to finally see the Acropolis in Athens; I’m so tired from my long trip from Knossos on the island of Crete on the northern coastline. At least the seas were calm for the trip over. I am Minoan and my father raises olive trees so I brought along some olive oil in a very nice piece of Minoan pottery that I have made. It is decorated with olive trees to indicate its contents. That is what I do for a living. Pottery is in demand especially to store olive oil, wine, and grains and for cooking. I also help my mother at home as much as possible.
I want to get a hot bath in the Roman Baths and then shop for some new clothing at the stoa in order to be presentable to the goddess. I hope my offering is acceptable. I
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love the pottery so I think it will make her happy with me. Being at the Propylaia the columns are breathtaking sight, I am getting nervous but filled with anticipation.
The white marble is amazing. It is a massive and expansive place and the view was breathtaking coming up the hill along the Sacred Way. At the Temple of Athena Nike I notice her wings on the relief and the delicate clothing that she is wearing. It is very hot and dry here compared to Knossos. Temple of Athena Nike.
Looking at the Erechtheion with its Porch of the Maidens is lovely the maidens are beautiful. The six maidens look lifelike and are clothed in draped realistic gowns.
Wow the Parthenon is truly amazing, with all of the columns, I feel very small. It is so symmetrical and shines in the sunlight. I notice the color of the columns change as the day fades. The pediment sculpture are detailed and lifelike, I really am liking the Centaur. I’m going to have a closer look at this building and take it all in.
Now inside it is dim and much cooler. The Parthenon frieze is amazing and I love looking at the horses and chariots and all the other art works. There are so many people here all looking at the works of art in amazement. It is so good to finally be here and be able to soon give my offering. I can’t help but notice some very good looking athletic men here also. Love those toga outfits. I think many people are from faraway
lands. Finally I am standing outside the huge columns and able to see the gold and ivory Athena statue. I can see Athena Nike and wish I could go inside. Her height makes me feel insignificant even from here. I notice the piles of offerings that everyone has brought. There is food, fruit, bread, wine, goblets of silver and gold, intricate garments, jewelry, perfume oils, spices, nuts, dried fruit. Art works including small paintings, sculptures some of her and other religious icons. The guards pack it off as the offering pile gets too big. I say a prayer and place my beautiful offerings amongst the growing pile. Now I am ready to return home to the Island of Crete. It is an amazing view coming down the hill. You can see many things in the City of Athens, the city center, Ancient Agora and the Theater of Dionysos. Looking back up it is amazing I finally got to go there. I’m sure I will be safe and blessed on my long trip home as Athena will surely be pleased with my offerings. I have purchased some perfume and purple dyed fabric for my mother and a sword for my father to take home as souvenirs and gifts.
I am a pottery maker for the king of Crete. I create very elaborate pottery for the king. Two of the types of pottery are known as Kamares ware and Marine Style. These two types of pottery are some of the best pottery that has ever been made in our time. Our pottery is created with a flowing, naturalistic shape and design. We pottery makers put images of animals, sea and plant life on our pottery.
It was amazing to experience the excitement of ceramics art at Los Angeles County Museum of Art and seeing the eyes of people who were staring at the ergonomically well designed Jomon pot that looked very difficult to design by hand. The size of the Jomon pottery was 22 inches in height and is nearly equivalent to a fish bucket and the shape of the Jomon was a wide cylinder that looked like it could store lots of amount of water and fish. The Jomon had a combination with variety types of clay that were shadow and tint colors. The following date this Jomon pot was created was during the middle age of the Jomon Culture which was (c. 3000-2000 B.C.). The artist that created this Jomon pot was named Hamada Shoji and the specific element of this Jomon pot had a meandering lines, loops and spirals produce a rich interplay of light and dark, and positive and negative space, which create an engaging work of sculpture.
sculpture of Dionysos, it tells us about a little bit of culture. The unclothed Dionysos indicate a common
The ginormous volcano at Akrotiri on the island of Thera during the Bronze Age was devastating, and is speculated to be related to the fall of the Minoan civilization. Starting in 1867, archeologists discovered pottery, a buried city and frescoes. These discoveries are the most significant as the pottery and the buried city helped historians learn about the art, trade and societal aspects of Akrotiri, and the frescoes found revealed more information about Akrotiri’s art and religion. Clay artifacts found at the Akrotiri excavation site give evidence that Akrotiri traded with nearby locations like Crete and mainland Greece, and also with places like Egypt and Cyprus. Clay seals, that would have been used to seal papyrus documents, that were found on Akrotiri have also been found on Crete.
"The Parthenon Frieze." The Parthenon Frieze. N.p., n.d. Web. 13 Feb. 20142 June 2012. Web. 13 Feb. 2014.
Pantheon and Hagia Sophia Pantheon and Hagia Sophia are two extremely outstanding architectural pieces of their times. They have been built according to the traditions of those particular times. The materials used to built these buildings and the purpose for which they were used are all very important aspects and have been briefly covered in this report. Pantheon The statesman Agrippa built pantheon in 27 B.C. Then it was completely rebuilt by the emperor Hadrian. The Pantheon is remarkable for its size, its construction, and its design. The dome was the largest built until modern times. The present structure was probably originally built as a temple for all the pagan gods. We do hear of it as being a law-court and a reception area for Emperor Hadrian meeting his quests too. Some say that the rotunda of the building was once a Roman bath. Due to all this mystery, the Pantheon is often referred to as the Sphinx of Rome. The visitor will probably not appreciate the construction as much as the Flavian amphitheatre, but it is still a great masterpiece of engineering and well worth a visit. Most Roman and Greek temples at the time of the Pantheon's construction were large, colonnaded, rectangular enclosures with sanctuaries situated in their centers. The Pantheon was different. It consisted of a large circular drum topped with a hemispherical dome. It is a masterpiece of both engineering and art a lasting memory of Ancient Rome’s might. Roman architecture is architecture of wall and enclosed tactile space. Individual column with entablature is no longer the basic architectural unity. Spatially, it shows a development from closed, simple space units and regular articulation to more complex spatial relations, more fluid interpenetrati...
Keesling, Catherine M., The Votive Statues of the Athenian Acropolis, Cambridge: The University Press, 2003. Print.
...ity in Classical Athens. New York, NY: Alexander S. Onassis Public Benefit Foundation (USA) in Collaboration with the National Archaeological Museum, Athens, 2008. Print.
The philosophical ideas of Plato that relate to the Parthenon include whether the structure is an element of the Visible World or the Intelligible World. In my opinion, Plato would view the Parthenon as an object in the Visible World. The Parthenon is a one of a kind monument that is tangible and exists in our real world. The Parthenon is an architectural project and deals with forms of science and mathematics. Plato's view of science and mathematics are categorized as forms in the Intelligible World, which are intangible. Through analysis of illusory tactics, the Tripartite Soul, the simile of the line, and the artistic qualities of architecture, Plato's, as well as my view of the Parthenon will become evident.
... made such a great impression that it has carried through to our present day buildings such as the White House. The Athena Parthenos has been recreated by the Romans and then most recently by recreated by Alan LeQuire which is in Nashville. (See Fig 2.) We can get a glimpse with LeQuire’s recreation of how that statue may have been in ancient Greece standing in the Parthenon with such majestic greatness.
== == = == Sculpture of the Parthenon Viewtech
Possibly one of the greatest testaments to the Greeks passion for their gods is the Acropolis and Parthenon in Athens, Greece. “. . . temple after temple, each more gorgeous and more perfect than the one before, rose all over the Greek main land, to reach a final climax in the Athenian Parthenon . . .” (Hamlin 124). Here Hamlin explains the greatness of what was achieved in Athens at the Acropolis and how nothing beyond that point could compare.
It's just as grand as the photos made it seem. I get even more excited, today is going to be awesome. I am going to be the experienced traveller back home. I was going to have some epic photos to post on Instagram. Inside the Colosseum it's cool. The spirits of defeated gladiators wrapping around my ankles, curious of the 21st-century intruder. The stairs are worn out and sink in the centre, a hand rail has been attached so that visitors don't fall down them to their death. As I walk into the audience area and look down at the old arena I feel like Julius Caesar. I can imagine the thunderous roar of thousands of spectators all cheering for either the lion or gladiator. The arena has given way to the underground tunnels and rooms that the fighters and animals were kept in. They are so deep I can barely see the bottom. The stones that formed the walls of the tunnels are covered in a lush looking green moss. As I begin to wander around the edge of the arena the warm Italian sun is shining down warming me to my core and lighting up all the little pockets of history. The sound in the colosseum is eery, there is almost no sound. I can hear my own heartbeat and I try not to make a sound like I might disturb the history. I run my hand along the old stone work taking in the glory of the Roman empire. The stones feel smooth, worn down by thousands of years of the elements and
The Parthenon is an amazing Greek temple that was built 2,500 years ago. Even the architects of today have numerous questions about how it was constructed and how it has held up through its eventful past. The Parthenon's detailed appearance is not its only meaningful quality. The Parthenon was constructed as a temple to the goddess, Athena, and as an icon of the Greek people themselves. The Parthenon represents the Greek ideals of humanism, idealism, and rationalism.
It is made up of Styrofoam and wood but painted to give it the texture of marble. I was inspired when I first learned about the Parthenon that I wanted to know everything I could about it. The real Parthenon is made of all marble, but seeming’s how marble is very heavy and expensive I chose a light weight medium so that it can be transported. The overall design was to keep it as accurate to the original as possible. Although nothing can be built exactly the same way it is a little off, but it has eight (8) columns on the facade, and there are seventeen (17) on the flanks. There are two (2) rooms on the inside and the statue of Athena on the inside. Although she is not made of gold and ivory she is made of clay and gold paint. I chose the Greek style because it inspired me to want to learn more and become familiar with the past. There is not symbolism to my architectural model. I chose the tan color because it makes the model look older. My piece means that there was a great accomplishment for the city and the people of Athens. It is supposed to make the viewer feel that the builders took the time to make something so geometrically correct. The realization as to how much thought actually went into making the Parthenon is