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Historical fashion basics
Historical fashion basics
Write a few lines on the history of clothing
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Taking extra care not to overdress, while getting dressed for the masquerade ball, Allie chose not to wear a chemise or stockings. The oppressive heat was already stifling, she did not want to become faint, swoon, and embarrass herself. It already being this hot and humid in late June, Allie hated to think what the next several months of summer would bring. Moreover, although the emerald green and indigo-blue gown she made for the occasion is of a lightweight, batiste fabric it was still so hot that one perspired heavily upon going outdoors. Even with the cooler sea breezes, it was too hot to sit on the balcony unless it was early morning, late evening, or night time… The lamplights from anchored ships that swayed gently with the tide, calmed …show more content…
Her grandfather’s reaction upon seeing her grandmother was one of stunned wonder, and then he whistled. Eli grinned widely at Allie. “You’ve done it again, Allie Mae! Now you will both be the belles of the ball! I love what you did here. I never would have thought of putting a corset on the outside of the clothes.” “I saw an image of a milkmaid in a book one time- it just suddenly sprang to mind when I saw Grandmother standing there in her room.” “Well, she makes a lovely milkmaid,” said her grandfather, kissing her grandmother on the cheek. Her grandfather then kissed her on the cheek. “You’ve done a wonderful job of fixing your grandmother up, dear. I like this getup a lot,” he said with a wink. “Well, I think we’re all ready, let’s head out,” said Eli, who was grinning happily. He took Allie’s elbow to escort her out the door to the waiting …show more content…
Andrews. Your attentions need to be aimed at a more suitable companion.” Christopher Andrew’s blue eyes searched hers for a moment before they traveled to her lips. “I couldn’t think of a more suitable lover than you, my sweet prickly pear… Just think, with your burning fire and my passion, our coupling would be extremely satisfying for us both… If you change your mind, you know where to find me,” he said, his vivid eyes burning into hers. When he tore his eyes from hers, Allie thought she might swoon she felt so weak-kneed and shaky. She watched him turn and swagger across the room to a dark-haired woman that wore a gold mask. His lips brushed the woman’s cheek; he whispered something in her ear while his lips curled into a sensuous smile. He glanced out the corner of his eyes to Allie to see if she was watching. She could not help but watch; something about him still drew her to him. Christopher Andrews took the woman into his arms, leaned her back so that her head faced toward Allie, and then kissed her long, and hard; however, his eyes were looking into Allie’s as he did. The kiss was so intense that Allie could almost feel his mouth on
...e can, however, signal her virginal status by dressing in a way that represents its equivalent: as a southern belle. In addition to her low-cut blue dress, with its feminine, puffed sleeves, Arvay wears a floppy-brimmed “leghorn-intention” (straw hat), decorated with a “big pink rose” (suggestive of reproduction). Most tellingly, we are told that she is wearing a corset that is “laced very tight” – so tight that she cannot eat her dinner. Corsets hold in the flesh and nip in the waistline to an attractively small diameter. By narrowing the waist, they emphasize the swellings of the hips and breasts, a contrast intended to stimulate sexual arousal. Thus Arvay’s wedding/reception attire emphasizes her fragility and innocence while highlighting her desirability. The clothing signs her as an object for consumption, rather than celebrates her as a beautiful companion.
When noticing a person who wears a similar clothes everyday, one may wonder what their intentions behind their attire is. In Isabel Allende’s story “Simple Marie” featured in The Stories of Eva Luna, the clothes are taken in a figurative sense just as much as in a literal function. Just as clothes are made to cover up one's physical body, clothes can be interpreted as a covering of one’s soul and true identity. Although, not very evident on the surface of the story, one can discover the intentions of Maria, by correlating the situation to her attire. The symbolism that Allende creates within the clothing of Maria illustrates a deeper sense to her vulnerability and reasoning within the situations of her life.
In the story, the grandmother is more concerned with her outlook and pays a lot of details to her dress to make sure she is recognized as a woman, so that “anyone seeing her dead on...
Beauty comes in many different forms. According to John Webster in “A Fair and Happy Milkmaid” the milkmaid’s beauty comes from her honesty and humility. Webster honors her goodness and grace through personification, hyperbole, and imagery.
"This lady, who was long, lean and loosely put together, was clad in raiment intricately looped and fringed, with plaids and stripes and bands of plain color disposed in a design to which the clue seemed missing. Her hair, which had tried to turn white and only succeeded in fading, was surmounted by a Spanish comb and black lace scarf, and silk mittens, visibly darned, covered rheumatic hands." (129)
When he came into the little room she unbuttoned her blouse and smiled. He was too young to be dazzled by her nipples, but he was old enough to be bored by the flat taste of mother's milk, so he came reluctantly, as to a chore, and lay as he had at least once each day of his life in his mother's arms, and tried to pull the thin, faintly sweet mild from her flesh without hurting her with his teeth. (13)
“Aunt Alexandra was fanatical on the subject of my attire. I could not possibly hope to be a lady if I wore breeches…” (Lee, 81).
I felt in my heart a wicked, burning desire that they would kiss me with those red lips. It is not good to note this down, lest some day it should meet Mina’s eyes and cause her pain, but it is the truth. The fair girl shook her head coquettishly, and the other two urged her on. One said, “Go on! You are the first, and we shall follow. Yours is the right to begin.” The other added, “He is young and strong. There are kisses for us all.” I lay quiet, looking out from under my eyelashes in an agony of delightful anticipation (39).
ponytail bouncing with every step she takes. Her cheeks were a flushed, rosy shade, and her green eyes sparkled like emeralds with excitement. “See him?” she asked, turning towards the elderly man sitting in the rocking chair next to the window. Slowly, the man turned, his eyes following the little girl’s pointing finger. He nodded. ...
Ow. My head hurts. It has been lying against this wall for at least an hour now. I scratched the back of my head to move around my dark, curly hair. It was beginning to feel plastered against my scalp. It was a bit tangled from not brushing it for a day and my fingers did not run through it with ease; nevertheless, it felt good to keep the blood flowing. I was lying on a thin, light blue mat on the floor. My head was propped up against the cold wall as if it were a concrete pillow. My chin dug into my chest and I could feel the soft, warm material from my sleeveless sweater cushioning my jaw. I looked down. I could see the ends of my hair cascading over my shoulders. The red highlights matched quite nicely with my maroon sweater. My arms were folded over my belly and they appeared more pale than usual. My knees were bent, shooting upward like two cliffs. My baggy blue jeans covered the backs of my fake brown leather shoes. ("Christy, let me borrow your pants, the baggy ones with the big pockets. I can hide more stuff in those.")
While studying the three legs of the western philosophical stool- truth/wisdom, justice, and art/beauty- it became clear one must develop their own perspectives, beliefs, truths, and meanings regarding each leg. The interpretations of truth and meaning come individually based on experiences and different backgrounds. Each piece of artwork described represents a form of peace, coming from within, and a price paid to achieve it. Johannes Vermeer’s The Milkmaid and Girl with a Pearl Earring depict beautiful women intent, almost mesmerized, on their goal, against a dull background. Similarly, Claude Monet’s obsession with his garden at Giverny can be seen in works such as Waterlilies, Water Landscape, Clouds, 1903 and Waterliles, 1897/98. Like Vermeer, Monet’s focus on the simplicity of a scene is not only breathtaking but paints a story of peacefulness. But just like the shadows in each of the four works, peace casts its own
The rolling hills of luscious green spotted with gray stones hidden in fog. The smell of sweet fauna and mountain air as the cold air rushes by. This has been my home for as long as I can remember. I was raised on a medium sized farm, hidden from the bustling town just below us. We have raised chickens, pigs, horses, and cows along with seas of beige grain.
My parents are quarreling again… It is so terrifying, even if they are just words, it seems like every word they utter gradually kills me everyday. I tell myself that I am so blessed because at least I have a friend in this forsaken farm I have lived in all my life. The only bit of joy in my life is my friend, the crow. He comes every day and I feed him.
Comrades, I am very thankful that you have all come and decided to meet me here, atop this knoll, where, twice, all your sweat and blood was put into building a windmill. I know that you do not trust me, but I hope Clover who has called you here, and has all your respect and confidence, will give you enough reason to believe in what I have to share with you all today. Besides, I know that you are thinking I am looking for something that might restore that honour I lost or try to regain some power, but what I have to say isn’t about me. I only came to speak with your best interest in mind. I came to speak in respect of one of this farm’s greatest thinkers. Last night, I had a dream, well, it was more a memory than a dream, but it was so