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Michael jackson informative essay
Michael jackson informative essay
Michael jackson informative essay
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Over the years, Michael Jackson has written several famous songs, such as Thriller and Smooth Criminal. Although not all of his songs have a purpose, his award-winning song Beat It contains a quite important one. This song tells an informative tale to its audience, instructing them on what to do if threatened by a gang. Michael Jackson conveys this story by telling the protagonist of what to do and what not to do when a fight may occur. However, as a song writer, Michael Jackson knew how to catch the attention of listeners, and get his message through to them. Beat It gets its message through using its voice, poetic devices, and music.
Having a distinct voice helps to add to Beat It’s message. Beat It’s lyrics have a urgent voice, and tell the listener about the importance of running away. Initially, the song informs the listener about how an unfriendly gang tells the protagonist to leave, and how they have “fire in their eyes”. This image of flaming eyes helps show the danger of the situation, and also portrays the gangsters as frightening threats. Additionally, the song continues by emphasizing how the protagonist wants to stay alive, further
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Very often, the song repeats the verse “Just beat it, beat it”, up to four times in a row. Michael Jackson’s use of repetition helps emphasize the importance of fleeing, and additionally helps to stick the lines into a listener’s mind. Additionally, Michael Jackson used contrast to help catch the ear of listeners. In this song, every line within a verse rhymes with the other lines in said verse but one, which instead says to “beat it”. This contrast with the other lines helps even further with focusing the attention of the listener onto these lines, enforcing the idea that fleeing will result in a much more favorable outcome than staying and fighting. These devices help reinforce the message that escaping helps out with their contrast and
J Cole’s fourth studio album tries to break away from the typical rap sounding album into something that transcends just a piece of artwork. Instead, it is a piece of artwork. At its core, the meaning challenges the idea of glorifying a life of crime. Using imagery and strong word play, J Cole reveals the consequences of living in this life. However, he empathizes
“The Godfather of Soul”, better known as James Brown grew to be one of the most influential artists in Michael Jackson’s life. As a child Michael Jackson was intrigued by Brown’s flamboyant performances on stage and would soon begin to implement them into his own stage acts. By the age of five Michael Jackson was already sealed into a world of show business by his father, Joseph Jackson. Deprived of a childhood at a very young age, Michael and his siblings began a family-musical group called “The Jackson 5.” They began playing the soul hits they listened to on the radio all across the country. The band toured the Midwest extensively from 1966 to 1968, frequently performing at clubs and bars. In 1966, they won a major local talent show with renditions of Motown hits and a cover of “I Feel Good (I Got You)” by James Brown. It wasn’t until July 23, 1968 where they received major recognition by Motown owner, Berry Gordy. Gordy was reluctant to sign the “Jackson 5” but after their audition performance of the song “I Got the Feelin”, by James Brown, he changed his mind. In March 1969, “The Jackson 5”, were officially signed into Motown records. This marked a historical point in Michael Jackson’s life where his musical influences from James Brown would be noticed. Song’s from Michael Jackson that s...
Music is regarded as a method of passing a message. Though some songs do not intend to do that, the message in them is still perceived. The song, “Get up, ...
There is a misconception regarding rap music content about how it predominantly focuses on the topics of drugs, sex and money. Various people do not understand that rap music is a valuable method of expressing one’s emotions and thoughts. The lyrics in rap music are able to strongly represent a broader story of someone’s story. Coolio’s Gangsta’s Paradise is a story of what it was like as an African-American male to grow up in the ghettos. Through his lyrics, Coolio explains the real-life problems of living in Compton, his hometown. His music describes how immense the amount violence inner city violence that occurred and what he had to become in order to fit into that society. The point of this song was to show those who had not experienced what he had gone through some insight. Coolio mentions how his deviant actions have affected his relationship with his mother. He attempts to justify that murder and violence were the only way to survive on the streets he lived in. The song devises numerous associations to the situation of class, socialization and the conflict subculture. In his
The late Michael Joseph Jackson was a 20th-century African-American singer and songwriter who transformed the face of pop music and popular culture throughout his lifetime (Michael Joseph Jackson ). Debuted in the professional music world in 1968 at the age of 10 as a member of The Jackson 5, Jackson’s rise to fame had been largely influenced by his invaluable contributions to the music, dance and fashion industries (Michael Joseph Jackson). Hailed as the ‘King of Pop’, his solo album “Thriller” remains “the best-selling album of all time”, with global sales of “over 51 million copies to date since 1982” (Guinness World Records ). Michael Jackson’s one-of-a-kind songs have also earned him over 700 awards, including 13 Grammy Awards as well as the Grammy Lifetime Achievement Award (Michael Jackson; Grammy). However, his music recognition goes beyond what his cupboard-full of awards could ever represent. In this paper, I propose that Michael Jackson’s songs have touched and changed many lives through his constant fight for racial fairness. In particular, I argue that Michael Jackson used his music career as an outlet to break down racial barriers in the American music industry, to express his disappointment towards racial discrimination, to demonstrate his support for racial equality, to advocate that the color of our skin does not differ us from one another, as well as to show and guide others that change has to begin within oneself before impacting the world . Although certain parties would point out that Jackson used derogatory r...
The most poignant finding is not that black and whites think differently about its meaning, but what emerged was the acknowledgement that Hip-Hop was created as a tool to voice the sentiments of the disenfranchised. This locates the birth of Hip-Hop in cradles of disenfranchisements, the hood. Hip-hop worked as a megaphone, a magnifying glass that candidly told whoever would listen about the hardships, injustice and racism faced by those living in American ghettos. It worked as a tool to tell the stories of the people living there in order to build empathetic conversatio...
The underlying message was shown using these methods as well as by expressing it through the language in the lyrics. Examples include Doug E. Fresh saying, “This is all about, no doubt, to stop violence.” (Self Destruction) which very clearly states the important message that was being portrayed. Another example is when Ms. Melodie says, “The violence in rap must cease and seckle.” (Self Destruction) This lyric points out the violent culture that exists in the rap community and how it can be detrimental to society. Many modern hip-hop and rap songs with messages get dismissed either due to the harsh language or because many people do not want to hear the harsh realities of the African American struggle. Another unique aspect of this song that appeals to the audience is the point of focus. “Self Destruction” focuses on an internal view of the issues and relies on self-examination in order to solve these issues. This aspect makes the song unique because it does not lay blame on others. Instead of pleading for help from others, the songwriters decide to take the approach of rebuilding their own communities from the inside. This aspect really makes the song stand out amongst many other similar songs. This song truly is able to appeal to the reader in a fresh and interesting way by using logical, ethical, and emotional
It goes without saying that hip-hop has changed. It began as a social practice of African-centered liberation to transform the black community or bring the youth together in unity, but towards the 90’s and onto the hip-hop scene in todays day and age, it is anything but that. The youth of today will know Tupac Shakur and beautify or streamline his self-destructive “thug life” but remain in the dark of figures like Mutulu and Afeni Shakur. Although this is a sad reality to live in, it is not hip-hops responsibility to change this. It is the responsibility of artists alike representing an oppressed populace to speak meaningfully in their art, in someway or another, for the liberation of their people.
Introduction: Perhaps no one has received this title in history “the king of pop”, now a days many artist’s have arisen and have performed but not as the king of pop known worldwide and in history, has dominated the world of pop as Michael Jackson.
Rap music from the 1990’s to the year 2000 is known in hip hop as “the golden era”. This era is all about individuality and innovation of creating music in one of the newest musical art forms. Rap music started out as the expression of young black youths in the inner city of New York. Rap music is rhymed storytelling accompanied by highly rhythmic, electronically based music. It began in the mid-1970s in the South Bronx in New York City as a part of hip hop, composed of graffiti, breakdancing, and rap music. From the outset, rap music has articulated the pleasures and problems of black urban life in contemporary America. Rappers speak with the voice of personal experience, taking on the identity of the observer or narrator. Rap music has lost a lot of it purity and essence due to the multimillion dollar business. Rap music is always critizied because of it’s violent and sexual nature but its just reporting what is views in this cold world.(Rose, 1994)
Hip hop has multiple branches of style and is a culture of these. This essay will examine Hip Hop from the point of view of the following three popular music scholars, Johnson, Jeffries and Smitherman. It will delve deeper into their understanding of what hip hop is and its relation to the different people that identify with its message and contents. It will also identify the history of Hip hop and its transition into popular music. In particular this essay will focus on what hip hop represents in the black community and how it can be used as a social movement against inequalities faced by them. This will then open up the discussion for the how this has influenced society, and the impact it has had in terms of race issues which hip hop itself often represents through music.
van Elteren, Mel. “The subculture of the Beats: a sociological revisit.” Journal of American Culture, Fall 1999, v 22, i3, pg 71.
You know him as the singer, the dancer, and the song writer. As the famous Artist whose words were often binary. As a man that was regarded with much adulation and scrutiny for singing and acting with audacity. The one and only, Michael Joseph Jackson, well known performer and the producer of many great songs, as well as the inventor of the moonwalk. Jackson often released songs that had powerful messages behind them e.g. 'We Are the World' and “Black and White”. Michael Jackson’s “They Don’t Care About Us” released as part of the “HIStory: Past, Present and Future, Book I” album in 1996, was addressed to “the people” in an effort to promote equality, justice, and peace. However, it led to unexpected controversy
Overtime, Hip-Hop artists began to diversify their sounds and rhythms by different influences regarding ethnic backgrounds or creating certain moods for their audiences. Based on the article, “ The Significance of the Relationship Between AFRO-AMERICAN MUSIC AND WEST AFRICAN MUSIC,” the author, Olly Wilson elucidates how African slaves used drumming as a way to call out to one another, for camp singing, and for negro spirituals as well (Wilson, 1974). During the Antebellum Period, African slaves would create beats from drums in which Hip-Hop today uses drums to project beats but at much different paces than in the past. Throughout its history, this genre of music has focused on beats instead of the melody, which is a commonality among African tribal music and today’s contemporary Hip-Hop. Depending on the timeframe and area the beat comes from, shows the impact of how those rhythms will sound. For instance, old school beats have different sound patterns than modern beats. Geographically, countries hear and spread music to each other and different ethnicities pick up their unique beats and rhythmic sounds; creating interrelationships of mixed musical cultures and specializations. In the article, “B-Beats Bombarding Bronx: Mobile DJ Starts Something 41with Oldie R&B Disk” by the author, Robert Ford expresses how the Hip-Hop pioneer, DJ Kool herc rose to fame by introducing assorted rhythm breaks (Ford, 2004). Also, as generations passed, Hip-Hop took a turn away from jazz and snappy blues to contemporary rap and R&B which is considered as “ghetto” or “gangsta music.” White critics have this false misconception of Hip-Hop and rap music and believe that they depict the harsh realities of ghetto life, poverty, and vulgarity. When in reality, it is a big phenomenon and apart of African culture because it conveys how they try to rise above the disorders of pauperism and the
Foster, Edward Halsey. Understanding the Beats. South Carolina: University of South Carolina Second Printing, 1992