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Monsters in literature essay
Essay on woman warrior
Essay on woman warrior
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In the book, Woman Warrior: Memoirs of a Girlhood Among Ghost by Maxine Hong Kingston, she refers to most people as ghost. She considered anyone who is not Chinese as a ghost. Kingston labels herself as a Chinese-American and she labels herself as a ghost too. This term is used throughout the entire book. In the chapter Shaman, it is used more than any other chapter. Kingston has her own meaning and interpretation of ghosts. Ghosts to her are living spirits, such as the people she calls ghost in this chapter. Ghost are people without identity in this story. This may be the most difficult story to define. It’s labeled as a non-fiction book because the stories are about events happening in Kingston’s life, but the memoirs are something different. …show more content…
The memoirs of the ghost story she is telling her daughter has a meaning. Brave Orchid is trying to tell Kingston the mistakes she made when she lost her power and trying to prevent her from making the same mistakes as well. My point is to not just talk about Kingston’s ghost stories, but to explain what previously happen to Brave Orchid that changes Kingston’s mindset to be different about ghost. Brave Orchid has a big role of how Kingston views ghost. Shaman talks about Maxine Hong Kingston’s mother. She goes to medical school shortly after her husband’s leaves for America. The mother is older than all of the students in her school so she is into the graduating class. After graduation Brave Orchid goes back to her village to become a doctor but migrates to America in 1940. She has daughters, hoping that America would teach them things that will catch them a husband. As Kingston grows up, Brave Orchid begins to tell her about all of her ghost stories. She mentions that they live in a ghost county. She also mentions that Americans are ghost because they have little tradition. On the other hand, the Chinese have tradition. This chapter ties the situations of the real and the fantasy. This fantasy helps Brave Orchid escape her tough realities of her life to make an effort towards confronting her fears and the difficult uncertainties of her life. Kingston says that, “Not many women got to live out the daydream of women… to have a room, even a section of a room that only gets messed up when she messes it up herself” (60-61). This is what Kingston told Phyllis Thompson in an interview. Brave Orchid creates the sitting ghost. The sitting ghost is the unsatisfied want, apart from the human body, nourished by Brave Orchid’s deserted efforts to repel. The more she feeds it, it gives the sitting ghost more power over her. The sitting ghost develops during Brave Orchid’s extensive hunger walk to the mountains of white tigers. The walk was so lengthy Brave Orchid learns how to turn her hunger into visionary power. She tries to envision the experience like how Fa Mu Lan did, but she gets attacked. Brave Orchid states: “She did not know whether she had fallen asleep or not when she heard a rushing coming out from under the bed. Cringes of fear seized her soles as something alive, rumbling, climbed the foot of the bed. It rolled over her and landed bodily on her chest. There it sat. It breathed airlessly, pressing her, sapping her. ‘Oh, No. A Sitting Ghost,’ she thought. She pushed against the creature to lever herself out from underneath it, but it absorbed this energy and got heavier. Her fingers and palms because damp, shrinking at the ghost’s thick short hair like an animal coat, which slides against warm solidity as human flesh slides against muscles and bones. She grabbed clutches of fur and pulled. She pinched the skin in the hair grew out of and gouged into it with her fingernails. The mass thickens” (Kingston, 68-69). Brave Orchid knows this ghost cannot be defeated if she tries to fight it. The more she tries to fight it, the sitting ghost just gets bigger and stronger. She starts to describe to the medical school people how the ghost really is acts: “It’s a good thing I stopped it feeding on me; blood and meat would have given it strength to feed on you.
I made my will and eggshell encasing the monster’s fur so that the hollow hairs could not draw. I never let up willing its size smaller, its hair to retract, until by dawn the Sitting Ghost temporarily disappeared…. The sitting ghost has many wide black mouths. It is dangerous. It is real. Most ghost make sure brief and gauzy appearances that eyewitnesses doubt their own sightings. This one conjure up enough substance to sit solidly throughout a night. It is a serious ghost, not at all playful… It does not bother with tricks. It wants lives” …show more content…
(73-74). Maxine Hong Kingston refers to ghosts in this novel numerous time. Ghosts are a part of the Chinese culture theory. The title Shaman has some meaning to it like the rest of the chapter names. A shaman is a person looked upon as having contact to or inspiration in the domain of good and evil spirits. This is common amongst peoples in the northern Asia area and North America area. Normally these type of people enter a daydream like state during a ritual, and exercise foretelling and healing. In the Chinese culture they believe in ghosts. There are some others who don't believe in them. The Chinese society regularly say, "If you believe it, there will be, but if you don't, there will not." (“Chinese Ghost Culture” 1) .Brave Orchid is obviously one of those who believe in them; she is a shaman. She practiced it where she from and where she migrated to in America. In the book, a garbage man strolls up to the window to find Kingston and her relatives are teasing the garbage man. Brave Orchid then quickly shuts the window to secure the house from this garbage ghost. Brave Orchid firmly believes that she is keeping the evil out and away from her. A Shaman perceives illness as a lack of power because it may have been lost somewhere in your life. Brave Orchid lost her power when her husband left her for America. If you want your power returned to you, a shaman must heal. The individual must perform a power animal retrieval; this explains why Brave Orchid went to the mountains of white tigers. A power animal, like a white tiger, is a defender which protects you from harm and helps with spiritual growth by providing you its power. Brave Orchid needed that animal to get her power back. A shaman believes everything is alive and is a spirit; this relates to the garbage ghost, mailman ghost, meter reader ghost, etc. Orchid can only communicate with these spirits if she changes her perspectives. This change Brave Orchid tries to make will allow a part of her soul to leave her body. Once this happens a shaman can retrieve power or something she has lost along her life. This is the process Brave Orchid endured. Paul Outka thinks Brave Orchid is trying to be like Fa Mu La as she walks to the mountains of white tigers.
Her mental strength is put to the test. The sitting ghost is a figment of Brave Orchids’ imagination, but it seems real to her in her head. Brave Orchid considers most people in America to be a ghost because they don’t have an identity. She calls it a hairy butt boulder, a fox spirit, the black thing, a dark creature. What do all of these things mean? A monster is what she’s describing. The ghost has no facial features or a shape. Brave Orchid can’t shake this ghost so she befriends it in a way. She mocks it and regains strength from the ghost. She threatens to turn the ghost into food. It’s obvious that she can’t fight this, but turning the ghost into food and eating it will make it go
away. “We have a communal kitchen with human- sized jars of oil and cooking fat, enough to burn for a mouth without our skipping a single fried meal. I will pour alcohol into my wash bucket, and I’ll set fire to it. Ghost, I will burn you out. I will swing the bucket across the ceiling. Then from the kitchen my friends will come with lard; when we fire it, the smoke will fill every crack and corner …. You are a puny little boulder indeed. Yes, when I get my oil, I will fry you for breakfast” (Kingston, 70-71). When Brave Orchid fear took over her, this is what she said to the ghost. After she said this the ghost disappeared temporarily. She was doing her meditation at her school. When she wakes up she tells the people around her wake her up the next time she’s goes into deep meditation. Orchid is fighting the sitting ghost and getting mental strength at the same time. She is trying to get the power she lost back. The sitting ghost rarely comes when you are practicing shamanism. During the walk to the mountains Brave Orchid couldn’t defeat what she was attacked by. There is where she went wrong. Some may object that Kingston has her own interpretation of ghost, but in the Shaman chapter she goes into detail about what ghost are to her. Also, how they affect her. Kingston’s mother, Brave Orchid, tells her all of the ghost she has encountered. What Kingston really meant is ghost helped her mom escape the horrible realties she had to face. Ultimately, then, my goal was to demonstrate that Kingston did not just put ghost in the story to make it a mystery , but to show her meaning of what ghost are to her. This story is difficult to define because it’s Kingston’s has multiple symbols and those symbols each have different meaning which all ties in together.
In the novel The Woman Warrior Maxine Hong Kingston uses ghosts to represent a battle between American and Chinese cultures. The two cultures have different views of what a ghost is. The Chinese believe the ghost spirits may be of people dead or alive. Chinese culture recognizes foreigners and unfamiliar people as ghosts because, like American ghosts, they are mysterious creatures of the unknown. Americans view ghosts as spirits of the dead that either help or haunt people. American ghosts may or may not be real. There spirits are there but physical appearance is a mystery.
Ghost- a vision of a dead person that is believed to appear or become visible to the living as a vague image. There have been many cases in reality where one sees the ghost of their deceased loved ones or encounter some sort of paranormal activity in their life. “Proof” by David Auburn plays around with the “Ghost story” in his play to represent identity, memory of Catherine.
The woman warrior by Maxine Hong Kingston is a collection of stories that blends between childhood memories, traditional Chinese stories and fictional stories. Maxine Kingston was born in the United States to Chinese immigrant parents. Growing up as a Chinese American woman, Kingston was exposed to gender roles defined by the traditional Chinese culture and the American culture. Thus, throughout woman warrior, Kingston portrays the conflict between the traditional Chinese gender roles and American gender roles and her viewpoint towards the issue. Particularly, the story white Tigers, in which Kingston portrays herself as a traditional Chinese warrior who goes to battle in absence of her father showcases an alternative to traditional Chinese
The excerpt, "No Name Woman", from Maxine Hong Kingston's book, Woman Warrior, gives insight into her life as a Chinese girl raised in America through a tragic story of her aunt's life, a young woman raised in a village in China in the early 1900s. The story shows the consequences beliefs, taught by parents, have on a child's life. Kingston attempts to figure out what role the teachings of her parents should have on her life, a similar attempt for many of us in the world. Lessons taught by our parents, the people who brought us into this world, help guide us into the people we become as adults. Hopefully, the guidance is positive.
The Monster scares the villagers, “some fled, some attacked” automatically hating the strange being that had come into their midst (75). However, the Monster does nothing against the villagers, even though he is seen with giant stature and brute strength. After the village incident, the Monster flees and finds a small family living in the wilderness in a small cottage. As he stays near the cottagers for a time, he begins to learn that he is indeed alone. He learns the roles of family members and yet he does nothing to provoke them.
Maxine Hong Kingston’s novel The Woman Warrior is a series of narrations, vividly recalling stories she has heard throughout her life. These stories clearly depict the oppression of woman in Chinese society. Even though women in Chinese Society traditionally might be considered subservient to men, Kingston viewed them in a different light. She sees women as being equivalent to men, both strong and courageous.
In the book The Woman Warrior, by Maxine Kingston, a story of a girl trapped between the culture of her family’s past and the culture currently surrounding her is presented. The girl, Maxine, enters into conflict with her mother and what can be explained as an old and traditional China. Maxine’s own beliefs are found in the newer American way of life with her attempts to assimilate to the culture, making it difficult for her to feel any relation between the two very different environments. It is through these tribulations that Maxine is a “woman warrior” coming to age as a Chinese-American.
Maxine Hong Kingston is in search of herself. She tries to find herself as a woman in a man's world, as a Chinese in America, and, as a daughter instead of a son. In all her writings one can see her search for her identity. One can feel her rebellion to convention, her need to break the barriers of society, her desire to make a perfect world where everyone is treated as an equal. But most of all her writings depict her as a strong and proud woman who is willing to battle against convention and society to preserve her convictions
Maxine Hong Kingston's The Woman Warrior discusses her and her mother Brave Orchid's relationship. On the surface, the two of them seem very different however when one looks below the surface they are very similar. An example of how they superficially seem different is the incident at the drug store when Kingston is mortified at what her mother makes her do. Yet, the ways that they act towards others and themselves exemplifies their similarities at a deeper level. Kingston gains many things from her mother and becomes who she is because of Brave Orchid, "Rather than denying or suppressing the deeply embedded ambivalence her mother arouses in her, Kingston unrelentingly evokes the powerful presence of her mother, arduously and often painfully exploring her difficulties in identifying with and yet separating from her" (Quinby, 136). Throughout Maxine Hong Kingston's autobiography Kingston disapproves of numerous of her mother's qualities however begins to behave in the same manner.
Food strengthens us, without it we are weak. Eating has always been an important factor with families living in poor conditions. Often, those who could not help to produce more food are considered inferior or unworthy to eat. Maxine Hong Kingston's The Woman Warrior is no exception, due to the relation it creates between eating and the strength of people. This is shown through the tale of Fa-Mu-Lan, the story of the eaters, and the references to the fellow relatives left in China.
Dead ghost! Ghost! You 've never been born." This was said by the villagers because she and her son, "little ghost" was an outcast. According to traditional Chinese belief a ghost is the spirit form of a person who has died due to misfortune, then comes back for revenge. This theme of judgment got worse because through the concept of orientalism because the aunt was at first considered an outcast and then it got worse and everyone wanted her to become a ghost, to be dead as if she never existed. This was done by the way the citizens viewed the aunt for her "sin". They emphasized her being dead when they raided the home "the people with long hair hung it over their faces." Which is what the Chinese people viewed the ghost as Kingston explains that her aunt drowned her child with her because she knew that her child would grow up to be a pariah and wanted to spare it the shame that had killed her, made her a ghost, even before she died. She could have abandoned her child but in the village culture "mothers who love their children take them along." The protagonist also suggests that the baby was a girl because males were the preferred sex and if it was a male her aunt would have abandoned the baby for the village to take care of
The word “ghost” originates from the Aged English word “gast,” and its synonyms are “soul, spirit [good or bad spirit], existence, breath,” and “demon” (etymonline.com). In the book, The Woman Warrior, that is, ironically, subtitled as Memoirs of a Girlhood Amid Ghosts, the author, Maxine Hong Kingston, uses the word “ghost” as a metaphor to typify her confusion concerning discovering a difference amid reality and unreality – the difference that divides her American present that prefers and her Chinese past that her mother, Valiant Orchid, filters into her mind across talk-stories that steadily daunt her to cross her established bounds. Ghosts, in the book, change reliant on point of view. Anybody whose deeds deviates from what is satisfactory in one area is a ghost according to the associates of that society. To Chinese people, like Valiant Orchid, Americans are ghosts. On the supplementary hand, Chinese are ghosts according to Chinese-Americans (including Kingston, who finds her past loaded alongside frightening Chinese ghosts). For Kingston, Ghosts, however, are not always scary; in fact, a little of them enthuse...
The Woman Warrior by Maxine Hong Kingston portrays the complicated relationship between her and her mother, while growing up as a Chinese female in an American environment. She was surrounded by expectations and ideals about the inferior role that her culture imposed on women. In an ongoing battle with herself and her heritage, Kingston struggles to escape limitations on women that Chinese culture set. However, she eventually learns to accept both cultures as part of who she is. I was able to related to her as a Chinese female born and raised in America. I have faced the stereotypes and expectations that she had encountered my whole life and I too, have learned to accept both my Chinese and American culture.
The definition of the “ghost” is a shadow which wandering among or haunting other people. The villagers called her aunt a ghost because they are scared of her behavior. The life that they know had been attacked. Kingston uses the harsh responses of the villagers indirectly exposes her aunt ‘s challenge to the society.
However, Saki deliberately replaces the ghosts with a human character, who manipulates truths instead. Despite all the tropes, there was no ghost in the story actually. Vera, the lying human character decided to make up a story about her “dead” uncle and aunt’s brothers, who would walk through this large French window, which was always kept open (595). It was said, “Ro...