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Women of china culture
Women of china culture
The role of women in Chinese culture
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Envision yourself as encircled by strange, yet terrifying and evil spirits that trouble you in your worst nightmares. The spirits could desire something from you. In fact, they could aid you in locale of frightening you. Should you attend to them? What do you contemplate they are trying to notify you? In one of the inquiries above, notice the ironical use of the word “fact” that endeavors to obscure the fictitious nature of ghosts. It displays that the meaning of the word “ghost” is equivocal. In supplementary words, the word “ghost” is multivalued, that way that ghosts can purpose in extra than one way.
The word “ghost” originates from the Aged English word “gast,” and its synonyms are “soul, spirit [good or bad spirit], existence, breath,” and “demon” (etymonline.com). In the book, The Woman Warrior, that is, ironically, subtitled as Memoirs of a Girlhood Amid Ghosts, the author, Maxine Hong Kingston, uses the word “ghost” as a metaphor to typify her confusion concerning discovering a difference amid reality and unreality – the difference that divides her American present that prefers and her Chinese past that her mother, Valiant Orchid, filters into her mind across talk-stories that steadily daunt her to cross her established bounds. Ghosts, in the book, change reliant on point of view. Anybody whose deeds deviates from what is satisfactory in one area is a ghost according to the associates of that society. To Chinese people, like Valiant Orchid, Americans are ghosts. On the supplementary hand, Chinese are ghosts according to Chinese-Americans (including Kingston, who finds her past loaded alongside frightening Chinese ghosts). For Kingston, Ghosts, however, are not always scary; in fact, a little of them enthuse...
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...Memoirs of a Girlhood Among Ghosts. Random House, Inc, 1976. Print
Bucci, Diane Todd. "Chinese Americans and the Borderland Experience on Golden Mountain: The Development of a Chinese American Identity in The Woman Warrior: Memoirs of a Girlhood Among Ghosts." Ethnic Studies Review 30.1/2 (2007): 1-11. Ethnic NewsWatch. Web. 12 Dec. 2011. .
Paman, Alex G. "Asian Ghost Stories." Yolk 31 Dec. 2000. Ethnic NewsWatch. Web. 14 Dec. 2011. .
Rector, Monica. "Cross-Cultural Understanding: The American Ghost." Semioticon.com. Web. 15 Dec. 2011. .
Online Etymology Dictionary. Web. 15 Dec. 2011. .
Judy Fong-Bates’ “The Gold Mountain Coat” discusses the childhood of the narrator who is a Chinese immigrant living in Canada. The narrator, even at a young age, possesses such admirable keen observation as she is able to notice the environment and even the situation of people around her. Living in a small town that is “typical of many small towns in Ontario” with only one Chinese family neighbor, the narrator is the only Chinese child. With the nearing day of arrival of John’s family, the narrator feels uneasy of her new responsibilities.
In the novel The Woman Warrior Maxine Hong Kingston uses ghosts to represent a battle between American and Chinese cultures. The two cultures have different views of what a ghost is. The Chinese believe the ghost spirits may be of people dead or alive. Chinese culture recognizes foreigners and unfamiliar people as ghosts because, like American ghosts, they are mysterious creatures of the unknown. Americans view ghosts as spirits of the dead that either help or haunt people. American ghosts may or may not be real. There spirits are there but physical appearance is a mystery.
Ghosts, both figurative and literal, are very common in the Joy Luck Club and are a recurring theme in the book. The mothers of The Joy Luck Club were all raised in traditional Chinese households, which has influenced them to have deeper feelings about ghosts. Mentally, the term ghost is used to describe people who have become a shell of their former selves and rarely speak or do anything. Physically, ghost is used to describe the spirit of the dead. This is the basis of the mothers and others to be scared of the thought of becoming a ghost figuratively and literally. Christianity is the basis of physical fear of ghosts and traditional Chinese beliefs cause the mental fear of ghosts, this stimulates the thought of the afterlife to be
Paul Santilli’s “Culture, Evil, and Horror” gives us several ideas of what horror means. Horror is a type of cultural breakdown. There is also a type of horror called Ontological Horror: “It is characterized as a disturbance before an indefinite and unnamed presence” (180). In the story “The Spider”, the men all suffered an ineluctable death. This story demonstrates an unnamed presence causing the loss of control.
Ghost- a vision of a dead person that is believed to appear or become visible to the living as a vague image. There have been many cases in reality where one sees the ghost of their deceased loved ones or encounter some sort of paranormal activity in their life. “Proof” by David Auburn plays around with the “Ghost story” in his play to represent identity, memory of Catherine.
... that the story is representative of how all ghosts behave. Society prefers to consider ghosts as “protectors” or “helpers” rather than as “frighteners” or “killers.”
Since people who have different identities view the American Dream in a variety of perspectives, individuals need to find identities in order to have a deep understanding of obstacles they will face and voices they want. In The Woman Warrior, Maxing Hong Kingston, a Chinese American, struggles to find her identity which both the traditional Chinese culture and the American culture have effects on. However, in The House on Mango Street, Sandra Cisneros clearly identifies herself as a Hispanic woman, and pivots to move up economically and socially to speak for her race. Even though both Kingston and Cisneros look for meanings of their identities, they have different approaches of reaching the full understanding.
“Whenever she had to warn us about life, my mother told stories that ran like this one, a story to grow up on. She tested our strengths to establish realities”(5). In the book “The Woman Warrior,” Maxine Kingston is most interested in finding out about Chinese culture and history and relating them to her emerging American sense of self. One of the main ways she does so is listening to her mother’s talk-stories about the family’s Chinese past and applying them to her life.
The first quality I share with the Hard-Bitten Ghost is that of negativity. Upon first meeting the narrator, the Ghost rants about heaven, saying, “You can’t eat the fruit and you can’t drink the water,” exhibiting his blindness to the heavenly
Oftentimes the children of immigrants to the United States lose the sense of cultural background in which their parents had tried so desperately to instill within them. According to Walter Shear, “It is an unseen terror that runs through both the distinct social spectrum experienced by the mothers in China and the lack of such social definition in the daughters’ lives.” This “unseen terror” is portrayed in Amy Tan’s The Joy Luck Club as four Chinese women and their American-born daughters struggle to understand one another’s culture and values. The second-generation women in The Joy Luck Club prove to lose their sense of Chinese values, becoming Americanized.
Amy Tan’s ,“Mother Tongue” and Maxine Kingston’s essay, “No Name Woman” represent a balance in cultures when obtaining an identity in American culture. As first generation Chinese-Americans both Tan and Kingston faced many obstacles. Obstacles in language and appearance while balancing two cultures. Overcoming these obstacles that were faced and preserving heritage both women gained an identity as a successful American.
Dead ghost! Ghost! You 've never been born." This was said by the villagers because she and her son, "little ghost" was an outcast. According to traditional Chinese belief a ghost is the spirit form of a person who has died due to misfortune, then comes back for revenge. This theme of judgment got worse because through the concept of orientalism because the aunt was at first considered an outcast and then it got worse and everyone wanted her to become a ghost, to be dead as if she never existed. This was done by the way the citizens viewed the aunt for her "sin". They emphasized her being dead when they raided the home "the people with long hair hung it over their faces." Which is what the Chinese people viewed the ghost as Kingston explains that her aunt drowned her child with her because she knew that her child would grow up to be a pariah and wanted to spare it the shame that had killed her, made her a ghost, even before she died. She could have abandoned her child but in the village culture "mothers who love their children take them along." The protagonist also suggests that the baby was a girl because males were the preferred sex and if it was a male her aunt would have abandoned the baby for the village to take care of
Takaki, Ronald. Strangers From a Different Shore: A History of Asian Americans. New York: Penguin Books, 1989.
The definition of the “ghost” is a shadow which wandering among or haunting other people. The villagers called her aunt a ghost because they are scared of her behavior. The life that they know had been attacked. Kingston uses the harsh responses of the villagers indirectly exposes her aunt ‘s challenge to the society.
For many years, people have debated whether or not spirits are real. Some people get scared at the fact that there might be something unknown lurking in their house in the middle of the night making their footsteps known to everyone in it. Maybe that person feels watched upon or feel some kind of presence in their home, or even sees shadows moving their way through rooms. Different people around the world have their own opinions based on religion and experiences when talking about angels, demons, and the spirits that have life after death. New technology is getting closer to detecting these energies happening in the world today. The history of haunting dates back many years, and more people want to get involved because of the new technology.