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Critical analysis of no name woman essay
Analysis of the no name woman by maxine kingston
Critical analysis of no name woman essay
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Maxine Hong Kingston's No Name Woman A person's identity cannot be given to her, instead a person must achieve a sense of her character through personal experience and self-reflection. In "No Name Woman", Maxine Hong Kingston recalls the events of her aunt's life in the vague world of her Chinese roots. The story of her aunt is told by her mother and Kingston recreates the events into an exploratory story to help herself figure out what part of her identity is Chinese and help her better understand the Chinese culture. In retelling her aunt's story, Kingston seeks to reconcile both her Chinese and American identities and mold her own identity as a result. Kingston, a first generation American, finds that as a result of her cultural heritage and current surroundings, it is extremely difficult in resolving her identity. Although growing up in America, she is a product of a very strong Chinese culture so her identity becomes multifaceted. In attempting to resolve who she is and what her cultural roots are, she discovers that her identity is characterized in relation to her Chinese identity and her American environment. In the opening scene of the story, the audience is immediately presented with a tragic story within a story. The events viewed in retrospect through the eyes of the narrator's traditional conservative mother seem skewed and moralistic, delivered in an instructive voice. The mother's speech is purely didactic. She is telling this story to Kingston to teach a lesson; never do what your aunt has done and do not bring shame upon the family name. Instead of clearly accepting this tale, Kingston has a hard time believing and consenting to her mother's message. Although Kingston is to never speak of the aunt and pretend... ... middle of paper ... ...ry brazen act for a Chinese woman, but influenced by her Chinese upbringing, she was still reticent about her actions. The narrator's struggle to make sense of the story through her Americanized perspective also helps to reveal a great deal about traditional Chinese culture, the aunt and mother's traditional viewpoints allow us to better explore and understand the Americanized view of the daughter. What she discovers is that the Chinese women back in the Old Country, like their male counterparts, had to sacrifice their individuality, personal goals, desires, and loves in order to more fully harmonize with the community. This is a problem for Kingston because she was raised in a nation that emphasized individualism and assertiveness. As a result, she is caught in a struggle to find meaning in her cultural roots as a Chinese woman and in her American upbringing.
This is evident in the persistence of elderly characters, such as Grandmother Poh-Poh, who instigate the old Chinese culture to avoid the younger children from following different traditions. As well, the Chinese Canadians look to the Vancouver heritage community known as Chinatown to maintain their identity using on their historical past, beliefs, and traditions. The novel uniquely “encodes stories about their origins, its inhabitants, and the broader society in which they are set,” (S. Source 1) to teach for future generations. In conclusion, this influential novel discusses the ability for many characters to sustain one sole
Imagination is a quality that everyone has, but only some are capable of using. Maxine Hong Kingston wrote “No Name Woman” using a great deal of her imagination. She uses this imagination to give a story to a person whose name has been forgotten. A person whose entire life was erased from the family’s history. Her story was not written to amuse or entertain, but rather to share her aunts’ story, a story that no one else would ever share. The use of imagination in Kingston’s creative nonfiction is the foundation of the story. It fills the gaps of reality while creating a perfect path to show respect to Kingston’s aunt, and simultaneously explains her disagreement with the women in her culture.
An Asian-American writer growing up in a tight and traditional Chinese community in California, Kingston is placed by her background and time period to be at the unique nexus of an aged, stale social institution and a youthful, boisterous one. She has had to face life as an alien to the culture of the land she grew up in, as well as a last witness of some scattered and unspeakably tragic old ideals. She saw the sufferings and has suffered herself; but instead of living life demurely in the dark corner of the family room like she was expected to, Kingston became the first woman warrior to voice the plight of the mute females in both Chinese and American societies. The seemingly immeasurable and indeed unconquerable gap between the two fundamentally divided cultures comes together in herself and her largely autobiographical work The Woman Warrior: Memoirs of a Girlhood Among Ghosts.
America was not everything the mothers had expected for their daughters. The mothers always wanted to give their daughters the feather to tell of their hardships, but they never could. They wanted to wait until the day that they could speak perfect American English. However, they never learned to speak their language, which prevented them from communicating with their daughters. All the mothers in The Joy Luck Club had so much hope for their daughters in America, but instead their lives ended up mirroring their mother’s life in China. All the relationships had many hardships because of miscommunication from their different cultures. As they grew older the children realized that their ...
The “prodigal” aunt in Maxine Hong Kingston’s essay No Name Woman, was shunned from her family and ultimately ended up taking her life and her bastard child’s, as a result of public shaming. Instead of being heralded as a heroine and champion of women’s rights, the aunt’s legacy is one of shame and embarrassment that has been passed down through generations. While this story’s roots are Chinese, the issue at hand is multi-cultural. Women suffer from gender inequality worldwide.
influence all her life and struggles to accept her true identity. Through the story you can
The American-born daughters do not fathom the amount of pain that their mothers had experienced so they do not realize that their problems could be much worse. The daughters relate to their mothers in that they are all facing their greatest problems. No matter how trivial or significant problems may seem, to one it may be the worst they have experienced and to another it could be less worse than what they have experienced. The immigrant mothers grew up with much more pain than their daughters, therefore they have a thicker skin and are less ignorant. Since the daughters have grown up “swallowing more Coca-Cola than sorrow,” (Tan, 17) they experience pain from seemingly insignificant problems in comparison to their mother’s hardships. The mother’s good intentions and struggles are unrecognized by their daughters. Tan writes about this misfortune through describing an old Chinese woman immigrating to America in the beginning of the novel: “But when she arrived in the new country, the immigration officials pulled her swan away from her, leaving the woman fluttering her arms and with only one swan feather for a memory. And then she had to fill out so many forms she forgot why she had come and what she had left behind” (Tan, 17). This immigrant’s story represents the four Chinese-American immigrants and how their hopes and dreams were hit with reality when they came to America. For example, Lindo describes how America has certain secret rules that you must discover. "This American rules...Every time people come out from foreign country, must know rules. You not know, judge say, Too bad, go back. They not telling you why so you can use their way go forward. They say, Don’t know why, you find out yourself. But they knowing all the time. Better you take it, find out why yourself" (Tan, 94). Lindo obviously believes in
“Whenever she had to warn us about life, my mother told stories that ran like this one, a story to grow up on. She tested our strengths to establish realities”(5). In the book “The Woman Warrior,” Maxine Kingston is most interested in finding out about Chinese culture and history and relating them to her emerging American sense of self. One of the main ways she does so is listening to her mother’s talk-stories about the family’s Chinese past and applying them to her life.
Similarly, Wong also grew up in America with a traditional Chinese mother. In contrast, Wong’s upbringing involves her mother forcing her into attending two different schools. After her American school day, Wong continues on with Chinese school to learn both cultures. Her mother felt it was her duty to “[. . .] learn the language of [her] heritage” (Wong 144). This puts a burden on Wong as she starts to despise the Chinese culture.
Oftentimes the children of immigrants to the United States lose the sense of cultural background in which their parents had tried so desperately to instill within them. According to Walter Shear, “It is an unseen terror that runs through both the distinct social spectrum experienced by the mothers in China and the lack of such social definition in the daughters’ lives.” This “unseen terror” is portrayed in Amy Tan’s The Joy Luck Club as four Chinese women and their American-born daughters struggle to understand one another’s culture and values. The second-generation women in The Joy Luck Club prove to lose their sense of Chinese values, becoming Americanized.
...in her essay “No Name Woman”. The Chinese tradition of story telling is kept by Kingston in her books. Becoming Americanized allowed these women the freedom to show their rebellious side and make their own choices. Rebelling against the ideals of their culture but at the same time preserving some of the heritage they grew up with. Both woman overcame many obstacles and broke free of old cultural ways which allowed them an identity in a new culture. But most importantly they were able to find identity while preserving cultural heritage.
...all Chinese, and the daughters are Chinese-American. The mothers grew up in a more strict environment and followed the rules by the book. They were taught by their mothers, how to act, who they were, and what being Chinese meant. The daughters in this story grew up in a more relaxed world, where being an individual was accepted and appreciated. No one was punished for being themselves in America. For the women in this novel, finding their true identity was one of the most important things. By using their cultural background and discovering who their mothers were, they were able to find their true selves in the end as well giving them a complete sense of identity.
Cultures can shape the identities of individuals. Kingston identity was shape by Chinese and Chinese American culture. "No Name Woman," begins with a talk-story, about Kingston’ aunt she never knew. The aunt had brought disgrace upon her family by having an illegitimate child. In paragraph three, “she could not have been pregnant, you see, because her husband had been gone for years” (621). This shows that Kingston’s aunt had an affair with someone and the result was her pregnancy. She ended up killing herself and her baby by jumping into the family well in China. After hearing the story, Kingston is not allowed to mention her aunt again. The ideas of gender role-play an important role in both cultures. Kingston in her story “No Name Woman” describes some of the gender roles and expectations both women and men had to abide. Some of the gender roles in Kingston story have a semblance with the contemporary American culture.
Kingston's narrator tackles this repression when she sympathetically frames No Name Woman's story as one of subjugation, pointing out that "women in the old Ch...
In Maxine Hong Kingston story, “No Name Woman,” the author told a story of her aunt who was punished for committing adultery and died in order to express her thought and spirit of revolt of the patriarchal oppression in the old Chinese society. My essay will analyze the rhetoric and the technique of using different narrators to represent the article and expound the significance of using those methods in the article.