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Masculinity is a theme that traverses china as things fall apart
Analysis of colonialism in Things Fall Apart by Chinua Achebe
Masculinity and feminity in things fall apart
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However, despite the differences and similarities between the European and African cultures, a change was coming. Each clansman reacted differently, some “have broken the clan and gone their several ways…deserted us and joined a stranger to soil their fatherland,” like Nwoye (Achebe 203). While others stayed to “fight the stranger” even it meant that they “shall hit our brothers and perhaps shed the blood of a clansmen,” (Achebe 203). Okonkwo most aligned with the remaining villagers willing to fight, but his aggression and heightened views on masculinity and keeping the old traditions separated him from even the bravest in Umuofia. His determination to not succumb to the colonizers stems down to a life or death situation as he says “I shall …show more content…
Okonkwo’s tragic flaw is that “he was afraid of being thought weak,” because “they were the traits of his father,” (Achebe 6; see also El-Dessouky, “The Cultural Impact upon Human Struggle for Social Existence in Chinua Achebe’s ‘Things Fall Apart’”). Therefore, he follows through in killing a boy he thought of like a son, just to keep his pride and masculinity. “The problem with Okonkwo’s personality is that he is so obsessed with single-mindedness and egocentricity that he cannot hear or accept any idea different from his own,” (Sadeghi, “Role of Colonial Subjects in Making Themselves Inferior in Chinua Achebe’s Things Fall Apart”). This infatuation with appearing masculine and strong prevents Okonkwo from welcoming any change. He has built his entire life towards a successful and substantial role in the village to avenge the shame his father placed on his family, so in the face of the Europeans destruction of a traditional culture that he has based his entire life to prosper in, he quickly becomes unhinged. Seeing that masculinity and physical strength are no longer highly valued, attributes he considers almost sacred, he commits
In the novel, Things Fall Apart, written by Chinua Achebe, Okonkwo is a sympathetic and unsympathetic character in regards to his family relationships with his adopted son, Ikemefuna, his daughter, Ezima, and his father, Unoka, as a result of he appears to genuinely care about his family; but, the pride within himself prevents his expression of such pride and concern openly. The protagonist, Okonkwo demonstrates his sympathetic character solely to himself, personally, and infrequently not in the eyes of others. During the plotting of Ilemefuna’s death, Okonkwo was hesitant to make the boy aware of his fate and also hesitant to take part in his death. “‘I cannot understand why you refused to come with us to kill that boy,’ he asked Obierika” Okonkwo was aware that the adopted boy from an opposing tribe thought of Okonkwo, not only as an authority figure and high-ranking tribal member/warrior, but also as a father—his father. Until the death of Ikemefuna, Okonkwo continued to show Ikemefuna kindness due to feeling that “his son’s development was due to Ikemefuna.”
by Chinua Achebe, Okonkwo depicts his masculinity in many different ways, even if it hurts the people closest to him. He feels it is necessary to display his manliness so he does not end up like his father Unoka. “He had no patience with unsuccessful men. He had no patience with his father” (4). Okonkwo correlates virility with aggression and feels the only emotion he should show is anger, leaving him no way to cope with the death of his culture.
He was in great conflict with the ideas of the white men and the missionaries. Okonkwo saw that their beliefs had not only changed the daily life of the Ibo, but it also changed the people themselves: “He mourned for the warlike men of Umuofia, who had so unaccountably become soft like women” (Achebe 183). The author uses strong diction to compare the men before and after colonization. This quote also portrays Okonkwo’s opinion towards the cultural collision. He values strength and masculinity immensely because of his fear of appearing weak like his father Unoka. When he describes that the men of Umuofia changed to be soft like women, this shows how much he dishonors the Western ideas and how it has taken over the village. He made an attempt to get rid of the Western influence by urging the tribe to fight like men, but they refuse to. He was determined and still attempted to furthermore encourage the people of Umuofia to revolt against the new culture. He realizes that his attempts to return the village back to the way it was before were futile. He knew that Christianity was tearing his people apart, but knew he was incapable of making change to help his people. Okonkwo then starts to feel hopeless and abandoned by his clan, which causes him to commit suicide by hanging himself: “Obierika… turned suddenly to the District Commissioner and said ferociously: ‘That man was one of the greatest men
Okonkwo is “a man of action, a man of war” (7) and a member of high status in the Igbo village. He holds the prominent position of village clansman due to the fact that he had “shown incredible prowess in two intertribal wars” (5). Okonkwo’s hard work had made him a “wealthy farmer” (5) and a recognized individual amongst the nine villages of Umuofia and beyond. Okonkwo’s tragic flaw isn’t that he was afraid of work, but rather his fear of weakness and failure which stems from his father’s, Unoka, unproductive life and disgraceful death. “Perhaps down in his heart Okonkwo was not a cruel man. But his whole life was dominated by fear, the fear of failure and weakness….It was not external but lay deep within himself. It was the fear of himself, lest he should be found to resemble his father.” Okonkwo’s father was a lazy, carefree man whom had a reputation of being “poor and his wife and children had just barely enough to eat... they swore never to lend him any more money because he never paid back.” (5) Unoka had never taught Okonkwo what was right and wrong, and as a result Okonkwo had to interpret how to be a “good man”. Okonkwo’s self-interpretation leads him to conclude that a “good man” was someone who was the exact opposite of his father and therefore anything that his father did was weak and unnecessary.
Unfortunately, the clash of the cultures that occurs when the white man's missionaries come to Africa in an attempt to convert the tribal members, causes Okonkwo to lash out at the white man and results in his banishment from the tribe. Okonkwo had a bad temper which he often displayed: Okonkwo ruled his household with a heavy hand. His wives, especially the youngest, lived in perpetual fear of his fiery temper, and so did his little children. Perhaps down in his heart Okonkwo was not a cruel man. But his whole life was dominated by fear of failure and of weakness.
If viewed on the surface the story line of Things Fall Apart is a tragedy, but when viewed in a wider perspective it is a story of deeper conflict. The main issue is that the British have come to establish a mission and receive converts. Less evident is the conflict this intrusion inserts between the Ibo and British. The underlying issue is masculinity versus femininity. By this I mean to say that the Ibo are an agrarian people who are a patriarchal and see any sign of weakness as being less than desirable. The protagonist in the story, Okonkwo, is the champion of this thought. As what would happen to him seems to happen to the Ibo. When Okonkwo disagrees he is usually correct and the tribe would suffer the same fate and vice versa.
Overall, Okonkwo is a crucial part to the story Things Fall Apart, for he represents African culture, and helps demonstrate how colonization can change everything. Through this book we see how colonization changed history, and how it is important for groups, tribes, societies to stay together in times of invasion, in order to protect their own customs and traditions; and how crucial a sense of unity would've been for the Umuofian tribe. Okonkwo was the sense of unity of the tribe, doing everything he could could to protect it. His collection of honorable titles, his love for his tribes culture, his drive and passion, and even his booming pride all contribute to his district character, a true hero in my eyes.
The character of Okonkwo in Chinua Achebe’s Things Fall Apart was driven by fear, a fear of change and losing his self-worth. He needed the village of Umuofia, his home, to remain untouched by time and progress because its system and structure were the measures by which he assigned worth and meaning in his own life. Okonkwo required this external order because of his childhood and a strained relationship with his father, which was also the root of his fears and subsequent drive for success. When the structure of Umuofia changed, as happens in society, Okonkwo was unable to adapt his methods of self-evaluation and ways of functioning in the world; the life he was determined to live could not survive a new environment and collapsed around him.
Although the reader feels remorseful for Okonkwo’s tragic childhood life. It is another reason to sympathize with a man who believes he is powerful and respected by many when in reality, he is feared by his own family and that is another reason that leads Okonkwo to his downfall. He started positive, motivated but down the line, Okonkwo treats his wife and children very harshly. When the author mentioned, “Okonkwo ruled his household with a heavy hand. His wives, especially the youngest, lived in perpetual fear of his fiery temper, and so did his little children” (pg.13).
]k Adegbite O. came to a similar conclusion about Okonkwo’s views on masculinity and femininity when he makes the remark in his essay that, “Okonkwo is of the opinion that traditional men have lost their place in society and cannot be termed ‘worthy’ anymore as Western culture has softened their resolve; men have been turned to weaklings by colonisation and the white man’s religion” (Tobalase, “Masculinity and Cultural Conflict in Chinua Achebe’s Things Fall Apart”).
Upon an initial reading of Chinua Achebe’s Things Fall Apart, it is easy to blame the demise of Okonkwo’s life and of the Umofia community on the imperialistic invasions of the white men. After all, Okonkwo seemed to be enjoying relative peace and happiness before then. He did have a few mishaps; one of them resulted in him being exiled for eight years. Nonetheless, he returned to his home town with high spirits and with prospects of increased success. However, everything has changed. The white men have brought with them a new religion and a new government. Okonkwo’s family falls apart. The men in his village lose their courage and valor; they do not offer any resistance to the white men. Consequently, Okonkwo kills himself in disgrace and Umofia succumbs to the white men. However, the white men are not the only people responsible for demise of Umofia. The Igbo culture, particularly their views on gender roles, sows the seed of their own destruction. By glorifying aggressive, manly traits and ignoring the gentle, womanly traits, Umofia brings about its own falling apart.
Okonkwo tried to save his town and bring it back to how it was before. But he could not bother to fight anymore. The fear of failure and not being good enough is displayed in several characters in the novel. Through his writing, Achebe resumed the images of African societies as they are embodied within the western literary practice and resumed his own and his people's
Okonkwo sees his father’s gentleness as a feminine trait. He works hard to be as masculine as possible so that he will be the opposite of his father and overcome the shame his father brought to his family. Okonkwo deals with this struggle throughout the entire book, hiding the intense fear of weakness behind a masculine façade (Nnoromele 149). In order to appear masculine, he is often violent. In his desire to be judged by his own worth and not by the worth of his effeminate father, Okonkwo participates in the killing of a boy he sees as a son, even though his friends and other respected tribe members advise him against it. (Hoegberg 71). Even after the killing of Ikamefuna, Okonkwo hides his feelings of sadness because the emotions are feminine to him. He goes so far as to ask himself, “when did you become a shivering old woman” (Achebe 65), while he is inwardly grieving. The dramatic irony of the secret fears that Okonkwo has will open the reader’s eyes to how important gender identity is to him. This theme is also presented among Okonkwo’s children. He sees his oldest son, Nwoye, as feminine because he does not like to work as hard as his father (Stratton 29). When Nwoye eventually joins the Christian church, Okonkwo sees him as even more feminine. On the other hand, Okonkwo’s
Okonkwo was a legendary man of his time holding many titles. From the very beginning he had distinguished his masculinity from all the others in the village. He wished to prosper in the way great Igbo people always had. Okonkwo’s form, ideas, and life, all represent the African tradition and memory. The western culture and memory ruined everything that Okonkwo held dear. This was seen as early as Okonkwo’s banishment from the tribe. Okonkwo had brought his gun to a festival that was honoring the marriage of a girl in the village. That gun accidently exploded and killed a clansman. This was seen as the ultimate disgrace and was banished for seven years from the tribe. The gun, which was a western tool, had caused Okonkwo to be separated from
Okonkwo takes his life as he sees himself a lone warrior in a society of weaklings. This isolation is truly imposed by his decision of how to handle the conflicts which he encounters. His unitary channeling of emotions, cultural inflexibility, and tendency to seek physical confrontation are compiled into a single notion. The idealized vision of a warrior by which Okonkwo lives is the instrument that leads to the climax of Achebe's novel, Things Fall Apart: Okonkwo's demise.