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Western influence on Africa
Western influence on Africa
Western influence on Africa
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Okonkwo was a legendary man of his time holding many titles. From the very beginning he had distinguished his masculinity from all the others in the village. He wished to prosper in the way great Igbo people always had. Okonkwo’s form, ideas, and life, all represent the African tradition and memory. The western culture and memory ruined everything that Okonkwo held dear. This was seen as early as Okonkwo’s banishment from the tribe. Okonkwo had brought his gun to a festival that was honoring the marriage of a girl in the village. That gun accidently exploded and killed a clansman. This was seen as the ultimate disgrace and was banished for seven years from the tribe. The gun, which was a western tool, had caused Okonkwo to be separated from …show more content…
Some of these traditions seemed “barbaric” to many westerners and this caused a substantial deal of tension between the western and African memories. Many of these tensions arise in the play Death and the King’s Horseman by Wole Soyinka. This tension helped contribute to the formation of the new memory in this …show more content…
He had many responsibilities in his life, but the greatest had to be fulfilled after the King’s death. Once the King died, after a short time, the King’s horseman was expected to die too and accompany the King to the afterworld to bring prosperity to the tribe. The play opens with Elesin stalling his death. He had been caught up with the material possessions of this world and wanted to experience them again before he died. As Elesin stalled, Simon Pilking, the district officer, caught word of this suicide ritual. Pilkings represented the Western memory, so he saw this as an abomination that had to be stopped. One of the goals of colonialism was to oppress the conquered people economically, socially, and spiritually and this ritual besmirched what the west stood for. Pilkings ordered the arrest of Elesin, and while this was happening Elesin’s son Olunde returned. Olunde had been sent to England by Pilkings to practice medicine. He was a bridge between the two worlds. Olunde was not dismayed or troubled when he thought his father had been killed. In fact, he had come back from England so he could bury his father, for it was the son’s responsibility. When Olunde found out his father was still alive, he was outraged. He declared to Elesin that “I have no father, eater of leftovers” (Soyinka 166) and leaves. The Western memory had disrupted the traditional memory in a classic colonial attempt to “civilize” the
Mutilating the whites and leaving their bodies lying is inhumane. It is such a shocking story! This book was meant to teach the reader about the inhumanity of slavery. It also gives us the image of what happened during the past years when slavery was practised. The book is significant in the sense that it gives even the current generation the knowledge of slavery, how it happened and the reason for slavery.
According to Alan Loy McGinnis, “there is no more noble occupation in the world than to assist another human being - to help someone succeed.” Piers Anthony, the author of the book On a Pale Horse, seems to agree with that statement when he writes the book series called Incarnations of Immortality, of which On a Pale Horse is the first. This book is a fascinating work of fiction that relates science to magic and expresses that human beings might need a little more help than they expect. The potentially disconcerting view of the world Anthony takes is that there are people assigned to job titles that exist outside of our Earth, and they are the ones who watch over the Earth and its inhabitants to make sure human life goes as it should. In this book, an average man named Zane happens upon a job offer to act as Death, takes the opportunity, and adds more meaning to his life than he has ever had before. Zane encounters a struggle when he has to face Satan, the Incarnation of Evil, and through his work learns that everyone should do what is morally right because it affects us more than we know. On a Pale Horse is an allegorical piece of fiction that uses Greek and Christian beliefs, possibly along with others, in an attempt to teach that everything you do matters, so always do what is right.
Some people might say that Okonkwo was just trying to protect the tradition and cultural of his tribal village but in actuality this is far from the truth. When Okonkwo cut down the guard, he made the swift assumption that his clansmen were as passionate about fighting colonialism as him and would follow him into war. When he found otherwise, he could not understand what had happened to his village. The next place he was seen was hanging from a noose in a selfish show of hypocrisy. In the end, Okonkwo's status among his tribe counted for nothing because his own despair over the colonization of his village led him to kill himself. His whole life Okonkwo strived to not to look weak like his father, but in the end he took the cowards way out, suicide. Suicide was a great sin against the Earth. Because he took his own life, Okonkwo, a great leader of Umuofia, had to be buried by strangers. All of his work and perseverance amounted to nothing because of what he had done.
Okonkwo is not all that he may seem; as there is more than what meets the eye. Okonkwo is the primary protagonist within the book Things Fall Apart by Chinua Achebe. Okonkwo is a cruel yet kind man who has everything yet has nothing, which in turn creates a sympathetic character. A character such as Okonkwo has many facets; or masks if you will. Then we have his many influences: the Ibo culture; his father Unoka and of course his own personality. Then there is a staggering list of achievements. Okonkwo is a strong character but thinks only inwardly - especially towards his father - which will be discussed further in this essay.
...m his own. I felt that Okonkwo’s exile was very much needed for him, because it taught him the true meaning of an extended family, taught him some humility and how to cope with failure which was ostensibly dealt by his own hands. When Okonkwo returned to his original village his alienation hit him hard. His village was completely changed. The Europeans destroyed the Igbo framework that gave Okonkwo his validation. Okonkwo felt alienated from all that once made him a man. This can relate back to our everyday lives because it shows us how important home is and how without it one may not feel the will to live. This goes back to Achebe’s soul purpose of writing this novel, which was to educate the reader on the effects of the devastating European colonization upon Nigeria. The change was so much for Okonkwo to take in. So much so that it was enough to take his own life.
by Chinua Achebe, Okonkwo depicts his masculinity in many different ways, even if it hurts the people closest to him. He feels it is necessary to display his manliness so he does not end up like his father Unoka. “He had no patience with unsuccessful men. He had no patience with his father” (4). Okonkwo correlates virility with aggression and feels the only emotion he should show is anger, leaving him no way to cope with the death of his culture.
Okonkwo is “a man of action, a man of war” (7) and a member of high status in the Igbo village. He holds the prominent position of village clansman due to the fact that he had “shown incredible prowess in two intertribal wars” (5). Okonkwo’s hard work had made him a “wealthy farmer” (5) and a recognized individual amongst the nine villages of Umuofia and beyond. Okonkwo’s tragic flaw isn’t that he was afraid of work, but rather his fear of weakness and failure which stems from his father’s, Unoka, unproductive life and disgraceful death. “Perhaps down in his heart Okonkwo was not a cruel man. But his whole life was dominated by fear, the fear of failure and weakness….It was not external but lay deep within himself. It was the fear of himself, lest he should be found to resemble his father.” Okonkwo’s father was a lazy, carefree man whom had a reputation of being “poor and his wife and children had just barely enough to eat... they swore never to lend him any more money because he never paid back.” (5) Unoka had never taught Okonkwo what was right and wrong, and as a result Okonkwo had to interpret how to be a “good man”. Okonkwo’s self-interpretation leads him to conclude that a “good man” was someone who was the exact opposite of his father and therefore anything that his father did was weak and unnecessary.
You never know how much you care about your culture until people try to take it away from you. Okonkwo was a prideful jerk as moste would describe him, who was once exiled for seven years for his unlawful actions. When he finally returned to Umuofia, white men come trying to change things and take land. Okonkwo stepped up to help lead his clan but ended up with the same mistakes he used to make, which connects to violence. He then gives in to his biggest fear, weakness. When stress and trying to step up and change to somebody your not takes toll over you, sometimes one just can’t over turn it. This was his reaction to the cultural collision of the white men and Igbo people. This is important because that cultural collision impacted many people on both sides of the dispute. Okonkwo’s reaction to this collision showed how one can connect back to old habits and how cultural collisions mostly never end well no matter what. There will always be that person offended, killed, or even that person to take their own life because of
Okonkwo is often described as being similar to characters in Greek tragedies. Okonkwo knew that the end of his clan was coming, and that they would do nothing to prevent it from happening. He took his life out of desperation. He had struggled his whole life to become a respected member of his community, and suddenly his world is turned upside down and changed forever because of an accident. Okonkwo sees that he is fighting a losing battle, so he quits. Suicide was one of the biggest offenses that could be committed against the earth, and Okonkwo?s own clansmen could not bury him. Okonkwo?s death symbolizes the end of patriarchy in Umuofia. The last page of the book is from the point of view of the white Commissioner, who notes that he wants to include a paragraph on Okonkwo?s life in his book entitled The Pacification of the Primitive Tribes of Lower Niger. Okonkwo?s struggles, triumphs and defeats are all reduced to a paragraph, much like his culture and society will be reduced.
Overall, Okonkwo is a crucial part to the story Things Fall Apart, for he represents African culture, and helps demonstrate how colonization can change everything. Through this book we see how colonization changed history, and how it is important for groups, tribes, societies to stay together in times of invasion, in order to protect their own customs and traditions; and how crucial a sense of unity would've been for the Umuofian tribe. Okonkwo was the sense of unity of the tribe, doing everything he could could to protect it. His collection of honorable titles, his love for his tribes culture, his drive and passion, and even his booming pride all contribute to his district character, a true hero in my eyes.
This culminates in Okonkwo’s suicide the main tragedy of the novel which is representative of a deeper tragedy of a culture’s nearing end. Throughout the novel Okonkwo causes those around him to endure many hardships. His actions have serious consequences that affect both him and the tribe as a whole. As the novel progresses his flaws get the best of him again and again and when he can take it no more he commits suicide. This act of complete disgrace towards his tribe leaves the reader with the impression of something much more profound than and end to a man’s life. It is symbolic of his entire culture’s end. Okonkwo was one of the most firm believers of his culture’s values and his death represents the end the resistance of the white man. The novel shifts to the perspective of the District Commissioner as if to say that they have won, and their dominance is inevitable now. The fall of Okonkwo and the imminent fall of Umuofia is slice of life in Nigeria and many other parts of Africa during the colonial period. The novel presents both the positive and negative side of cultures intermingling and raises the question of whether cultures mixing is ultimately a beneficial process or leads to the erasure of culture
Okonkwo’s fear of unmanliness is kindled by his father, who was a lazy, unaccomplished man. Okonkwo strives to have a high status from a young age and eventually achieves it. He has a large family, many yams and is well known throughout the village for his valor. He raises his family by his mentality of manliness and is ...
In the beginning of the story, Okonkwo’s relationship with his son was strained. Toward the end of the story, Nwoye has left is his family and will never see his father again. The elders of the village put much emphasis on family life and helping fellow clansmen. Okonkwo’s family life had increasingly gone downhill as the story progressed. This book can be related to any family, even though it was written in a different time and place. Family problems affect everyone and this story shows the reader how certain problems are dealt with. I don’t believe, however, that Okonkwo’s family took care of their problems in a productive manner. With better communication, Nwoye’s leaving and Okonkwo’s death may have been prevented.
Okonkwo embodies all the ideal and heroic traits of the Igbo culture. He is strong, authoritative, hardworking, and successful. The opening sentence states that “Okonkwo was well known throughout the nine villages and even beyond” (3). Okonkwo is great and famous because of his “solid personal achievements” (3). Okonkwo first achieved fame and recognition when he became the village’s wrestling champion. At eighteen years of age, he had “brought honor to his village” by defeating the seven-year champion. By winning the wrestling match, Okonkwo demonstrates to his village his great strength and skill as a warrior. After that his fame spread “like a bush-fire in the harmattan” (3). Okonkwo governs his household with authority. He “ruled his household with a heavy hand” (13). His wives and children lived “in perpetual fear of his fiery temper” (13). Okonkwo is a hard task-master. He works on his farm “from cock-crow until the chickens went to roost” and compelled his family to do the same (13). He does not tolerate laziness in his sons. He punishes his son, Nwoye, with “constant nagging and beating” (14). Okonkwo is the sole and unquestionable authority figure in his household.
Wole Soyinka, like other Nigerian writers, characterizes the conflict of cultural and religious choices in his country and emphasizes the distinct customs of society (Tucker 9). Born into the Yoruba tribe and culture, Soyinka’s writings are clearly influenced by Yoruba culture and practices. Communities and societies in Africa today religiously partake in ancient rituals that some may consider extreme, such as cannibalism and self-mutilation. In the village in The Strong Breed, the extent to which individuals will go in order to rid a community of its sins and faults is tested by the sadistic annual sacrificial killing of an innocent individual for communal benefit. Wole Soyinka introduces ritualistic human societies that expose the ferocity of human beings and emphasize the cruel nature of their members. The moral disgust that permeates the community prior and subsequent to the ritual, the uncommon traits seen in characters triggered by a ritualistic society, and dialogue that highlights increasing ferocity of human beings, brings into question the validity of whether or not ritualistic sacrifice is ultimately beneficial to a community.