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Martha graham most influential dances
Martha graham most influential dances
Martha graham assignment modern dance
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Martha Graham has had a large impact on modern dance throughout the years and even after her death. She took the conventional dances of her time and revolutionized them. Martha Graham and her techniques have greatly affected modern dance by introducing new and innovative concepts. As Alma Guillermoprieto figured out, Graham was “the first creator of modern dance to devise a truly universal dance technique out of the movements she developed in her choreography” (qtd. in Terry). This statement shows that Martha Graham and her techniques’ affects were universal through dance.
To start, a technique that Martha Graham created that is the main center point of all her techniques is to focus on breathing. She questioned a lot about what happened in her body as she breathed, and then noticed that there are many different ways that the body can breathe (Kessel 29). According to Kessel "Martha believed that by connecting breath and movement, her dancing could become more meaningful and expressive" (30). Kessel’s point is that Martha Graham’s technique to focus on breathing was so important because she believed that it could make her dancing more emotional, which is one of her main reasons for creating her techniques.
Another technique of Martha Graham’s most basic and widely used technique, is her use of contraction and release. Contraction is when the dancer inhales and release is where the dancer exhales. Kessel sates “During exhalation, the deep muscles of the torso contract, forcing the air out of the lungs. During inhalation, the same muscles release as fresh air rushes back in" (30). Basically Kessel talks about the scientific view of contraction and release, which are considered intensified movements of inhalation and exhalation. ...
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"Graham, Martha." The Columbia Electronic Encyclopedia. New York: Columbia University Press, 2013. Student Edition. Web. 8 May 2014.
Kessel, Kristin. Martha Graham. New York: Rosen Pub. Group, 2006. Print.
Kisselgoff, Anna. "Martha Graham Dies at 96; A Revolutionary in Dance." The New York Times. The New York Times, 01 Apr. 1991. Web. 15 May 2014.
Marcel, Emily. "Terese Capucilli: Plunging Deep into Graham Technique." Dance Magazine 1 July 2009: 52-53. Student Edition. Web. 6 May 2014. .
"Martha Graham About the Dancer." American Masters. PBS. 16 Sept. 2005. PBS. Web. 08 May 2014.
Terry, Walter. "Martha Graham (American Dancer)." Encyclopedia Britannica Online. Encyclopedia Britannica, 11 May 2006. Web. 14 May 2014.
Haskins, James. "Geoffrey Holder and Carmen De Lavallade." Black Dance in America. N.p.: n.p., 1990. 130-37. Print.
Katherine Dunham died on May 21, 2006. (Katherine) “As artist, educator, anthropologist, and activist, Katherine Dunham transformed the field of the twentieth-century dance” (Das
Dance is an ever evolving form of art; in much the same way that one can categorize and differentiate between eras and styles of architecture one can also do so with dance. These eras at times have sharp delineations separating them from their antecedents, other times the distinction is far more subtle. Traditional forms of dance were challenged by choreographers attempting to expand the breadth and increase the depth of performance; preeminent among such visionaries was Seattle born dancer and choreographer Mark Morris. Mark Morris' began as one of the millions of hopeful individuals attempting to simply make a career in dance; he not only succeeded but managed to have a lasting effect on the entire landscape of dance.
In the dance world a staggering number of choreographers have made a lasting impact on the way dance is seen to its audience. Alonzo King’s exceptional oeuvre of work includes him in this great history of significant choreographers. He not only created the link between modern and ballet in the twentieth century, but he bridged the ...
Martha Graham following Mary Wigman choreographed to the “essentialized” body through using the breath, contractions, human emotion, and so on. Martha Graham believed the pulsation of life came from the breath (6). This breath represented the soul. Graham’s breath is controlled by the contraction and release upon which her choreography was based. Graham also went on to state, “Art is eternal for it reveals the inner landscape of a man” (4). Dancing from the inside of your soul out is what Graham wanted her dancers to do. In own opinion e access our soul through surrendering to the divine power of God, which starts by connecting to our breath. Isadora Duncan danced with a connectedness of her body and soul completely inspired by nature. Graham
Katherine Dunham led a rich and full life not only as a dancer, but as someone who studied the people she loved, wrote extensively, and stood for causes that meant so much to her. Her legacy lives on not only in the great anthropological studies she did or the important political and social stances she took, but in the modern dance of today. Modern dance, or dance in general for that matter, wouldn’t be what it is today without her studies and influence.
Throughout the years, America has pursued the performing arts in a large variety of ways. Theatre plays a dramatic and major role in the arts of our society today, and it takes great effort in all aspects. Musical Theatre, specifically, involves a concentration and strength in dance, acting, and singing. This is the base that Musical Theatre is built upon. For my Senior Project, I helped choreograph multiple scenes in a community musical “Thoroughly Modern Millie”. Choreography is a way of expressing oneself, but it has not always been thought of for that purpose. Agnes de Mille’s expressive talent has drastically affected how people see choreography today. Agnes de Mille’s influence in the world of dance has left a lasting impact in the Performing Arts Department, and her revolutionary works are still known today for their wit, lyricism, emotion, and charm.
Ramsay, B. (2000). Dance theory, sociology, and aesthetics. Dance Research Journal, 32(1), 125-131. Retrieved from http://www.jstor.org/stable/1478286
New Dance is described as a developing art form; this dance was articulated in the early 20th century. According to Chapter 8 in History of Dance book, “the new dance emerged as a response to the ballet that populated the variety shows and music halls, which had a rigid formula of steps and poses” (Kassing). The New Dance was a product of several strands that interlaced together dancers’ studies and backgrounds; these strands and others were woven together in a historical, political, and societal framework. For instance, one strand of New Dance consisted of the concepts, techniques, costumes, and stage settings from around the world. These strands influenced major dancers and choreographers, such as, Isadora Duncan, Loie Fuller, Ruth St. Denis, and Ted Shawn.
Learning about Dance: Dance as an Art Form and Entertainment provides visions into the many features of dance and inspires scholars to keep an open mind and think critically about the stimulating, bold, ever-changing and active world of dance. Learning about Dance is particularly useful for those who do not have a wide and diverse dance contextual, such as students in a preliminary level or survey dance course. This book consists of twelve chapters. Chapter one dance as an art form focuses on the basic structures of dance. Dance is displayed through the human body, it has the control to communicate and induce reactions. Dance can be found in many different places, it enables the participants and seekers to touch and knowledge the joy of movement. Dance is discovered as being one of the oldest art forms worldwide. Dance existed in early cultures was recognized in a sequence of rock paintings portrayed dance. Since this discovery of rock paintings, several other forms of art have been found that depict dance. People used rituals in order to worship the gods and believed that the rituals held magical and spiritual powers. During the ancient period civilizations sentient decisions began to be made with regard to dance. Other periods that had an impact on dance were the medieval period, the renaissance period, and the contemporary period. Chapter two the choreographer, the choreographer is a person who comes up with the movements created into a dance routine. The choreographer expresses themselves through choreography because this is their way of communicating with the audience. In order to be a choreographer you must have a passion for dance. Each choreographer has their own approaches and ways of making up a routine. Choreographers ...
...re of different dance cultures within the vocabulary of their scope, then the results would be so astounding as to give that dancer an unspoken quality distinguishing them from among their peers. Movement knowledge is cultural knowledge and remembering that each culture is beautiful and different in its own way can help create a dancer that will resonate with any audience member.
Every dance that is created by a choreographer has a meaning and or purpose behind it. The dance choreographed could be used to send a political, emotional, or a social message. Regardless of the message being sent, each dance created possesses a unique cultural and human significance. This essay will examine and analyze two dance works from history and give an insight into what each dance work provided to the society of its time.
Martha Graham is a one of the many 20th century important dancer and she’s also the mother of modern dance. She was born in Pittsburgh, Pennsylvania on May 11 1894. Her teen years she studied dance in Los Angeles. Where she studied was at Denishawn. In 1926 she then had her own dance company in New York City. Martha still was dancing when she was 60 and she also choreographed. In the Autobiography by Victoria Phillips Martha Graham saids this about her Autobiography, “I am not out to make a preach about my life. Some of it has been wonderful and I’ve been very, very fortunate some of it I regret. The things which are, perhaps, too private to ever reveal—one refuses to reveal.” (Phillips 65).
The fine art of modern dance is like many other fields in that it is based on the actions and deeds of those who were pioneers in the field. These pioneers helped to mold modern dance into what it is today. Of the many people who are partially responsible for this accomplishment is Isadora Duncan. Duncan, often referred to as the “mother of modern dance,” inspired many other dancers to the extent that the art of dance would not be the same today without her many contributions.
Jonas, Gerald. Dancing: The Pleasure, Power, and Art of Movement. New York: Abrams, 1992. Print.